Run: 2026-02-17-01KHMN4QVQ7XK3T7F0TEWAJGZR

Run Details

Duration:
3.8s
Cost:
$0.000080

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The rain had turned the cobblestones slick beneath Quinn’s boots as she stepped into the dim glow of the Veil Market’s entrance—a flickering lantern casting long, jagged shadows against the peeling paint of the abandoned Tube station. The air smelled of damp earth and something older, something *wrong*. The bone token in her pocket felt heavy, like it had been waiting for her to come. She didn’t need the token to know she was in the wrong place. The market had been here before, of course—every full moon, the Veil Market shifted like a living thing, its secrets buried beneath the city’s tunnels. But tonight, something was off. The usual hum of whispered deals and the clink of enchanted glass was absent. Only silence stretched between the flickering gas lamps, the only sound the occasional *thud* of something heavy being dragged past. Quinn’s jaw tightened. She’d been tracking a lead involving a missing occultist, a man who’d vanished after disappearing into the market’s depths. But this wasn’t just another disappearance. The body lay sprawled in the center of the station’s old ticket booth, the kind of place where no one had been supposed to die. The victim’s throat had been slit cleanly, but there was something else—a mark on the back of his neck, a jagged, iridescent scar that didn’t belong to any known supernatural creature. “Detective Quinn,” a voice cut through the gloom. She turned just in time to see DS Morris, her partner, stepping into the light. His face was pale, his uniform damp with rain. “You’re late.” Quinn didn’t answer right away. She studied the scene. The body’s hands were bound behind its back, not with rope, but with something *flexible*, something that had coiled around the wrists like living wire. And then she saw it—the needle of the Veil Compass, resting on the corpse’s chest. The brass casing was worn, patina darkening the edges, but the needle itself had shifted. It wasn’t pointing north. It wasn’t pointing anywhere. It was pointing *down*. Morris exhaled sharply. “You’re not supposed to be here.” Quinn crouched beside the body, her fingers brushing the scar on the victim’s neck. “Whoever did this didn’t just kill him. They *wanted* him to be found here.” “Or they wanted to hide him,” Morris said, voice low. “The market moves every full moon. If they buried him here, they’d have to dig him up again next week.” Quinn stood, her sharp jaw set. “Then they’re not the ones who did it.” A beat of silence. Then Morris stepped forward, his breath steady despite the unease in his eyes. “Look at the hands.” Quinn followed his gaze. The victim’s fingers were curled in a way that didn’t match any natural death. The nails were blackened, not from smoke or poison, but like they’d been *burned* from the inside out. And then she saw it—the faintest trace of sigils, etched into the skin where the bindings had been. Not the kind of markings you’d find on a street thief. Not the kind you’d find on a Shade artisan. She looked up at Morris. “You’ve seen this before.” Morris’s expression darkened. “Three years ago. When I died.” Quinn’s pulse hammered in her throat. “What?” “They didn’t just kill me,” he said, voice breaking. “They *took* me.” The words hung between them, heavy with unspoken dread. Quinn’s hands clenched around the handle of her baton. “You’re not talking about ghosts.” Morris shook his head. “No. Not ghosts. Something worse.” A distant *clink* echoed through the station. Quinn and Morris turned as Eva Kowalski stepped into the light, her red curls damp, her glasses fogging slightly. She carried a satchel, the leather worn smooth from years of use. “Detective Quinn,” she said, her voice steady despite the way her fingers twitched. “I didn’t expect to see you here.” Quinn didn’t lower her guard. “You’re the one who sent me.” Eva’s eyes flicked to the body, then to the Veil Compass. “I didn’t send you to this place. I sent you to the archives.” Quinn’s jaw tightened. “You know what happened here.” Eva’s breath hitched. “I know too much.” Morris stepped forward, his voice a low growl. “What do you know, Eva?” She turned to him, her freckled cheeks flushing. “That the Veil Market isn’t just a market. It’s a *gate*. And whoever killed that man didn’t just want him dead. They wanted him to *disappear*.” Quinn’s blood ran cold. “You’re saying he was taken.” Eva nodded. “Or worse. The market doesn’t just sell things. It *collects* them.” A cold wind slithered through the station, carrying with it the scent of something rotten. Quinn’s watch ticked loudly in her wrist. She didn’t need the Veil Compass to know what was coming. The needle had been pointing down. Now it was pointing *up*. And whatever was waiting above didn’t want them to stay down.

Evaluation details

Result Evaluator Details Meta Data
100.0000% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags4
adverbTagCount0
adverbTags(empty)
75.5501% AI-ism adverb frequency
Target: <1% AI-ism adverbs (57 tracked)
wordCount818
totalAiIsmAdverbs2
found
0
adverb"sharply"
count1
1
adverb"slightly"
count1
highlights
0"sharply"
1"slightly"
100.0000% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.0000% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
51.1002% AI-ism word frequency
Target: <1% AI-ism words (140 tracked)
wordCount818
totalAiIsms4
found
0
word"flicked"
count1
1
word"unspoken"
count1
2
word"echoed"
count1
3
word"etched"
count1
highlights
0"flicked"
1"unspoken"
2"echoed"
3"etched"
100.0000% Cliche density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"blood ran cold"
count1
highlights
0"blood ran cold"
100.0000% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences61
matches(empty)
100.0000% Filter word density
Target: ≤12% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences61
filterMatches
0"watch"
hedgeMatches(empty)
100.0000% Overuse of "that" (subordinate clause padding)
Target: ≤10% sentences with "that" clauses
thatCount1
totalSentences82
matches
0"killed that man"
100.0000% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs32
mean25.41
std22.11
cv0.87
sampleLengths
065
113
264
384
434
572
64
79
828
930
1014
1121
1274
139
149
157
1612
1723
189
1938
2020
2111
2224
238
247
2513
2634
279
2813
2933
3011
3111
89.6175% Passive voice overuse
Target: ≤5% passive sentences
passiveCount4
totalSentences61
matches
0"being dragged"
1"been supposed"
2"were curled"
3"were blackened, been *burned"
100.0000% Past progressive (was/were + -ing) overuse
Target: ≤10% past progressive verbs
pastProgressiveCount6
totalVerbs105
matches
0"wasn’t pointing"
1"wasn’t pointing"
2"was pointing"
3"was coming"
4"was pointing"
5"was waiting"
100.0000% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount643
adjectiveStacks0
stackExamples(empty)
adverbCount20
adverbRatio0.03110419906687403
lyAdverbCount6
lyAdverbRatio0.00933125972006221
100.0000% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences82
echoCount0
echoWords(empty)
100.0000% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences82
mean9.91
std7.12
cv0.718
sampleLengths
037
111
217
313
425
55
614
720
83
919
106
1125
1231
138
1415
159
162
175
184
1925
2015
2115
224
234
244
253
266
2714
2814
2910
3020
316
328
334
3413
354
364
3714
3818
3918
4011
419
425
434
443
456
466
471
489
493
41.0569% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.3048780487804878
totalSentences82
uniqueOpeners25
0.0000% Dialogue tag variety (said vs. fancy)
Target: ≤30% fancy dialogue tags
totalTags4
fancyCount4
fancyTags
0"a voice cut through the gloom (a voice cut through the gloom)"
1"Morris said, voice low (say, voice)"
2"he said, voice breaking (say, voice breaking)"
3"she said, her voice steady despite the way her fingers twitched (say, twitch)"
85.7250%