NC Bench
Overview
About
Tests
Models
Vendors
Run: 2026-02-17-01KHMQTKXQNSPY057BB090QK2P
Run Details
Model:
Gemini 3 Pro (Preview)
Test:
Bad Writing Habits
Scenario:
Mystery: examining a crime scene
Duration:
48.4s
Cost:
$0.050282
Provider:
Google AI Studio
Model input
System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.
Model response
Messages
Meta
AI
The descent into the belly of London did not smell like a typical crime scene. It lacked the copper tang of fresh blood or the cloying sweetness of rot. Instead, the air in the abandoned Tube station beneath Camden tasted of ozone and burnt sugar, a static charge that made the hair on Detective Harlow Quinn’s arms stand at attention. She adjusted the collar of her trench coat, her thumb brushing against the worn leather
watch
on her left wrist—a nervous tic she refused to acknowledge. The flashlight beam in her other hand cut through the subterranean gloom, illuminating cracked white tiles and heavy darkness. This wasn't just a squatters' den. The dust here lay too thick, the silence too absolute, until her heavy boots broke it with a rhythmic, military cadence. "Detective Quinn," a uniformed officer said, stepping out of the shadows near the platform edge. He looked pale, his flashlight shaking
slightly
. "We held the perimeter, but... you’re going to want to see this." Harlow nodded
sharply
, her jaw set. She stepped past the tape, her eyes scanning the cavernous space. This location wasn't on any city map—a ghost station, sealed off decades ago. Yet, the platform wasn't empty. It was cluttered with makeshift stalls draped in
velvet
and rot-resistant canvas, tables laden with jars of murky fluids and dried bundles of herbs. It looked like a bazaar for lunatics. "Who called it in?" Harlow asked, her voice
echoing
flatly against the curved ceiling. "She did," the officer gestured to a wooden bench near the tunnel entrance. Sitting there, huddled inside a fastidious woolen coat, was a young woman with a shock of curly red hair. She looked out of place, clutching a worn leather satchel to her chest as if it contained the crown jewels. Harlow approached. She recognized the type: academic, skittish, likely stumbling into places they didn't belong in search of a thesis. "Name?" Harlow demanded, shining her light briefly on the woman's face before dropping the beam to the floor. The woman squinted, pushing a pair of round glasses up her nose. "Eva. Eva Kowalski." She tucked a loose strand of red hair behind her left ear, her fingers trembling. "I—I’m a researcher. The British Museum." Harlow raised an eyebrow. "Looking for pottery shards in a condemned tunnel, Miss Kowalski?" "Architectural survey," Eva lied. It was a smooth lie, rehearsed, but her eyes darted toward the center of the platform where the body lay. "I found the entrance by accident. The gate was open. Then I saw... him." Harlow left her there and moved toward the corpse. The victim was a man, middle-aged, dressed in robes that attempted to look archaic but mostly looked like theatrical costumes. He lay sprawled behind one of the vendor tables. "ME says time of death was roughly two hours ago," the officer supplied. "But there's no wound." Harlow crouched, her knees cracking in the damp cold. She shone her light over the body. The officer was right; there were no bullet holes, no knife wounds, no ligature marks. But the man was wrong. His skin was gray, desiccated, pulled tight against the bone as if he had been dead for weeks, not hours. His expression was a rictus of sheer terror. "Drug overdose?" the officer suggested. "Some new synthetic stuff?" "With that level of dehydration?" Harlow shook her head. "He looks mummified." She reached out, her gloved hand hovering over the man's chest. She felt it again—that low-frequency hum, the same sensation she had felt three years ago when DS Morris had walked into a warehouse and never walked out. The itch under her skin flared, a warning she had learned to heed. She looked at the items on the table. A silver bowl filled with black liquid. A stack of parchments. And a small bowl of carved bone discs. "This isn't a drug deal," Harlow said, her voice low. "This was a transaction." "You think he was selling historical artifacts?" Eva’s voice piped up from behind her. The researcher had crept closer, unable to suppress her curiosity. Harlow stood and turned, fixing Eva with a hard stare. "You're slipping your containment area, Miss Kowalski." "I have a degree in Ancient History," Eva said, hugging her satchel tighter. "I'm telling you, this setup... it mimics a Victorian spiritualist parlor. It’s likely performance art or a role-playing scenario gone wrong. The dehydration could be chemical. Potash, maybe?" "Potash doesn't freeze a scream on a man's face," Harlow countered. She stepped closer to Eva, towering over the shorter woman. "And you didn't stumble in here for architecture. You knew where to look." Eva flinched, tucking her hair back again. "I beg your pardon?" "Your boots," Harlow pointed down. "They have gray clay on the soles. The entrance you claim you used—the main gate—is paved with concrete and submerged in stagnant water. The clay only exists in the construction access tunnels three miles east. You came the long way. The secret way." Eva’s mouth opened, then closed. She adjusted her glasses, her green eyes wide. "I was following a map from the archives. It was purely academic." Harlow turned back to the table. She picked up one of the bone discs with her tweezers. It
was etched
with symbols that made her eyes water if she looked at them too long. A 'bone token.' The thought arrived unbidden, a fragment of a conversation she shouldn't remember. "Academic," Harlow repeated dryly. "And I suppose the brass instrument in your bag is for measuring ceiling height?" Eva froze. The flap of her satchel was
slightly
open, revealing the dull
glint
of verdigris-crusted brass. "Show me," Harlow ordered. The tone wasn't a request; it was the command of a woman who had spent eighteen years wearing a badge. Reluctantly, Eva fished the object out. It looked like a compass, but the face
was etched
with protective sigils rather than cardinal directions. The casing was old, heavy, and smelled of the sea. "It's a replica," Eva said
quickly
, her voice pitching up. "A novelty item." Harlow took it. The metal was cold, heavier than it should be. The needle inside didn't point North. It pointed directly at the dead man. Harlow took a step to the left. The needle swung, tracking the body. No, not the body. It
was tracking
something *behind* the body. Harlow moved past the corpse, the compass in her hand. The needle spun wildly as she approached the curved tiled wall at the back of the platform. "Detective, that's just a wall," the officer said, confused. "Is it?" Harlow murmured. She looked closely at the tiles. They were scorched. Not with fire, but with something that had bleached the ceramic white. She looked down at the floor. The dust patterns were wrong. There were footprints leading up to the wall—and then vanishing. "He wasn't alone," Harlow said, the deduction clicking into place with the mechanism of a lock. "There were two people here. The killer didn't leave through the tunnel." "The ventilation shafts are sealed," the officer argued. "Not that kind of exit," Harlow whispered. She looked at the compass again. The needle
was vibrating
, straining against the glass, pointing into the solid masonry. She turned to Eva. The redhead looked pale, her freckles standing out like islands on a map. Eva knew. She knew exactly what this was. "You're not a witness," Harlow said, her voice dropping to a dangerous calm. "You're a cleaner. Or a scavenger." "I didn't kill him," Eva said, the panic genuine now. "I swear. I came here to buy... information. I found him like this." "Buy from whom?" "From the Market," Eva said, the words slipping out. She clamped her hand over her mouth. "The Market," Harlow tested the word. It felt heavy in her mouth. She looked around the abandoned station with new eyes. The strange stalls, the tokens, the impossible preservation of the body. This wasn't a crime scene; it was a storefront. Harlow walked back to the victim. She noticed something she had missed before—a faint residue on the man’s lips. Not foam, but dust. Gold dust. "The Compass," Harlow said, holding up the brass device. "What does it track?" Eva hesitated, glancing at the uniform, then back to Harlow’s steel-hard gaze. She
seemed to
make a calculation. "Energy. Anomalous energy signatures." "Like the one that killed him?" "Yes." Harlow handed the compass back to Eva, but her hand closed over the younger woman’s wrist before she could retract it. "Then you're going to use it to help me find who did this." "I can't," Eva whispered. "Detective, you don't understand the politics involved. The Veil Market isn't somewhere the Met has jurisdiction." "I don't care about jurisdiction," Harlow said, releasing her grip. She tapped the face of her leather
watch
. "I care about the timeline. A man is dead in a locked room with no exits, killed by a weapon that leaves no mark, in a station that doesn't exist. My partner died in a room just like this three years ago." She leaned in close, invade Eva’s personal space. She smelled the old books and fear clinging to the researcher. "You say this is a replica," Harlow said, nodding at the compass. "But that needle is still moving. And unless there's a magnet in my pocket, it's pointing to something sticking to you." Eva blanched. She reached into her pocket and pulled out a small, folded piece of paper—a receipt, written in ink that
shimmered
. "He sold it," Eva whispered, staring at the receipt. "Before he died. He sold the layout of the ley lines." Harlow snatched the paper. It was nonsense to her eyes—equations and geometries that hurt to look at. But it was evidence. "Bag it," Harlow shouted to the officer, startling him. "And bag the compass." "Wait!" Eva protested, clutching the brass instrument. "You can't take this. It's... it's delicate." "It's evidence," Harlow said, turning toward the exit. "And so are you, Miss Kowalski. You're coming to the station. And you're going to explain to me exactly why a British Museum researcher needs a compass that points to ghosts." Harlow marched toward the stairs, her heart hammering a rhythm against her ribs. She didn't look back at the scorch marks on the wall or the dried husk of the man. She had a lead. Finally, after three years of chasing shadows, the shadows had made a mistake. They had left a witness who couldn't keep her mouth shut.
created_at
"2026-02-17T02:46:35.001635+00:00"
2/17/2026, 2:46:35 AM
model
"google/gemini-3-pro-preview-20251117"
app_id
182717
external_user
(null)
streamed
true
cancelled
false
latency
2867
moderation_latency
(null)
generation_time
48284
tokens_prompt
923
tokens_completion
3350
native_tokens_prompt
883
native_tokens_completion
4043
native_tokens_completion_images
0
native_tokens_reasoning
1637
native_tokens_cached
0
num_media_prompt
(null)
num_input_audio_prompt
(null)
num_media_completion
0
num_search_results
(null)
origin
"https://ncbench.com/"
is_byok
false
finish_reason
"stop"
native_finish_reason
"STOP"
usage
0.050282
router
(null)
provider_responses
0
status
200
is_byok
false
latency
2867
endpoint_id
"c9badacd-c552-40a2-86e6-4b4e8dd4318f"
provider_name
"Google AI Studio"
model_permaslug
"google/gemini-3-pro-preview-20251117"
api_type
"completions"
id
"gen-1771296346-Vvqwe7kOem4t5sS2HcWV"
upstream_id
(null)
total_cost
0.050282
cache_discount
(null)
upstream_inference_cost
0
provider_name
"Google AI Studio"
Evaluation details
Result
Evaluator
Details
Meta Data
100.0000%
Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags
30
adverbTagCount
2
adverbTags
0
"Harlow repeated dryly [dryly]"
1
"Eva said quickly, her voice pitching up [quickly]"
71.7035%
AI-ism adverb frequency
Target: <1% AI-ism adverbs (57 tracked)
wordCount
1767
totalAiIsmAdverbs
5
found
0
adverb
"quickly"
count
1
1
adverb
"reluctantly"
count
1
2
adverb
"sharply"
count
1
3
adverb
"slightly"
count
2
highlights
0
"quickly"
1
"reluctantly"
2
"sharply"
3
"slightly"
100.0000%
AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions
(empty)
found
(empty)
100.0000%
AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions
(empty)
found
(empty)
66.0441%
AI-ism word frequency
Target: <1% AI-ism words (140 tracked)
wordCount
1767
totalAiIsms
6
found
0
word
"shimmered"
count
1
1
word
"glint"
count
1
2
word
"velvet"
count
1
3
word
"echoing"
count
1
4
word
"etched"
count
2
highlights
0
"shimmered"
1
"glint"
2
"velvet"
3
"echoing"
4
"etched"
100.0000%
Cliche density
Target: ≤1 cliche(s) per 800-word window
totalCliches
0
maxInWindow
0
found
(empty)
highlights
(empty)
100.0000%
Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells
0
narrationSentences
134
matches
(empty)
100.0000%
Filter word density
Target: ≤12% sentences with filter/hedge words
filterCount
2
hedgeCount
1
narrationSentences
134
filterMatches
0
"watch"
hedgeMatches
0
"seemed to"
100.0000%
Overuse of "that" (subordinate clause padding)
Target: ≤10% sentences with "that" clauses
thatCount
0
totalSentences
165
matches
(empty)
100.0000%
Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs
62
mean
28.24
std
16.91
cv
0.599
sampleLengths
0
60
1
72
2
34
3
66
4
14
5
13
6
39
7
20
8
18
9
36
10
14
11
38
12
38
13
17
14
64
15
9
16
63
17
27
18
14
19
24
20
17
21
41
22
34
23
11
24
48
25
25
26
49
27
18
28
17
29
24
30
33
31
13
32
49
33
27
34
9
35
46
36
28
37
8
38
26
39
25
40
19
41
23
42
3
43
16
44
41
45
25
46
13
47
22
48
6
49
1
100.0000%
Passive voice overuse
Target: ≤5% passive sentences
passiveCount
2
totalSentences
134
matches
0
"was etched"
1
"was etched"
100.0000%
Past progressive (was/were + -ing) overuse
Target: ≤10% past progressive verbs
pastProgressiveCount
2
totalVerbs
234
matches
0
"was tracking"
1
"was vibrating"
94.0000%
Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount
1265
adjectiveStacks
1
stackExamples
0
"illuminating cracked white tiles"
adverbCount
36
adverbRatio
0.028458498023715414
lyAdverbCount
17
lyAdverbRatio
0.013438735177865613
100.0000%
Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences
165
echoCount
0
echoWords
(empty)
100.0000%
Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences
165
mean
10.61
std
6.91
cv
0.652
sampleLengths
0
15
1
14
2
31
3
26
4
19
5
6
6
21
7
15
8
7
9
12
10
6
11
11
12
13
13
5
14
24
15
7
16
14
17
13
18
19
19
20
20
2
21
18
22
18
23
12
24
18
25
6
26
4
27
10
28
4
29
20
30
14
31
9
32
20
33
9
34
13
35
4
36
9
37
7
38
15
39
5
40
20
41
8
42
5
43
4
44
9
45
14
46
27
47
13
48
8
49
7
43.9394%
Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats
10
diversityRatio
0.2909090909090909
totalSentences
165
uniqueOpeners
48
0.0000%
Dialogue tag variety (said vs. fancy)
Target: ≤30% fancy dialogue tags
totalTags
30
fancyCount
26
fancyTags
0
"a uniformed officer said, stepping out of the shadows near the platform edge (uniform say, step out)"
1
"the officer gestured to a wooden bench near the tunnel entrance (gesture)"
2
"demanded (demand)"
3
"Eva lied (lie)"
4
"the officer supplied (supply)"
5
"Eva said, hugging her satchel tighter (say, hug)"
6
"Harlow countered (counter)"
7
"Harlow pointed down (point down)"
8
"Harlow repeated dryly (repeat dryly)"
9
"Harlow ordered (order)"
10
"Eva said quickly, her voice pitching up (say quickly, pitch up)"
11
"murmured (murmur)"
12
"Harlow said, the deduction clicking into place with the mechanism of a lock (say, click place)"
13
"the officer argued (argue)"
14
"Harlow whispered (whisper)"
15
"Harlow said, her voice dropping to a dangerous calm (say, drop)"
16
"Eva said, the words slipping out (say, slip out)"
17
"Harlow tested the word (test)"
18
"Harlow said, holding up the brass device (say, holding up)"
19
"Eva whispered (whisper)"
86.8051%