Run: 2026-02-17-01KHMQXR2XBWY7NGAP0AWHFGG1

Run Details

Duration:
21.7s
Cost:
$0.010237
Provider:
Amazon Bedrock

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The abandoned Tube station smelled like rust and something else—something Detective Harlow Quinn couldn't quite place. Copper, maybe. Or old magic. Three years on cases that didn't make the files had taught her to trust her nose as much as her eyes. She descended the final stretch of platform stairs, her footsteps echoing through the tunnel. The station had been sealed for decades, according to the locals. According to the brass. But Quinn had learned that what people officially knew rarely matched what was actually true. A uniformed officer stood at the bottom, young enough to still have creases in his vest. He nodded at her arrival. "Detective Quinn. The body's through there." Quinn didn't respond, just moved past him with the same deliberate stride she brought to every scene. Her watch—the worn leather band her father had worn through two wars—caught the fluorescent glow of their torches. 4:37 AM. Dawn was still an hour away, and the darkness down here felt aggressive, layered, like something actively pressing against the torchlight rather than merely the absence of illumination. The crime scene was in what had been the station's eastern platform. A man lay in the center, positioned with an almost ceremonial precision. Mid-fifties, Quinn estimated. Expensive suit—Savile Row, probably—soaked through with blood that had dried to a rust-brown patina. His left arm was extended outward, the hand curled like he'd been reaching for something. "Single stab wound," Constable Miller was saying, and Quinn realized she'd been followed into the platform. Good. She'd need his notes regardless. "Upper left abdomen, angled upward. Medical examiner says it would've hit the heart, or close enough. Death would've been fast. Minutes, not hours." Quinn circled the body, not looking at the constable yet. This was how she worked—the full observation first, the conversation second. The body told its own story if you let it speak without interruption. The wound was clean. Professional. The kind of cut that suggested knowledge of anatomy, or at least access to someone with that knowledge. But the positioning bothered her. The arm extending outward. The slight angle of his torso. Most murders were messy in their execution—killers panicked, postured, tried to flee. This felt staged. She was kneeling beside the body, examining the man's right hand, when she heard footsteps on the stairs. Different cadence than Miller's. Heavier, but faster. Before Quinn could stand, a familiar voice carried down from the platform's upper level. "Don't touch anything else." Detective Inspector Morrison. Quinn's jaw tightened, but she stood smoothly, turning to face her senior with the blank expression she'd perfected over eighteen years of decorated service. Morrison disliked her. Had disliked her ever since she'd filed the report about DS Morris three years ago—the report that suggested something more than criminal negligence, something that didn't fit into his neat, rational categories. "The scene's cold," Quinn said. "No contamination risk." Morrison descended the stairs with the careful precision of a man who didn't trust his aging knees. He was fifty-eight, maybe fifty-nine, with the particular thickness that came from a desk job and expensive lunches. He didn't come down to actual crime scenes anymore. The fact that he was here suggested political pressure. "Victim's name is Thomas Ashford," Morrison said, consulting a notebook that looked pristine, unused. "Property developer. Cleaned up at the Deptford projects. Had connections to half the council and a quarter of Parliament." "What was he doing down here?" Quinn asked. "That's what we're going to find out." Morrison was studying the body now, his expression one of professional satisfaction. "Looks like a mugging gone wrong. He came down here—God knows why—and encountered someone. Things escalated." Quinn turned back to the body, her attention sharpening on the extended arm. A mugging. No. Every instinct she'd honed screamed against it. "Robbery victim," she said quietly. "Usually we find signs of struggle on the hands. Defense wounds, torn fingernails, bruising. This man's hands are pristine." "So he didn't fight back." "Or he knew his attacker." Quinn moved to the man's face, tilting it slightly to examine the area beneath the jaw. There was a mark there—faint bruising, barely visible against the pallor of death. "Someone held him still. Professional grip. Martial training, I'd say." Morrison was quiet for a moment. Then: "The wound suggests revenge, not profit. The angle's personal." "The wound suggests anatomy knowledge," Quinn said. She stood, taking a step back to view the entire scene once more. That was when she noticed it—the slight depression in the old tile floor, perhaps three meters from the body. Barely perceptible. She walked to it, knelt down. "Detective?" Morrison was watching her with the kind of patience that suggested he'd already decided what the truth was and was simply waiting for her to come around. "There's a mark here," Quinn said. "Recent. Something was positioned here, then moved." She pulled a small evidence bag from her coat and examined the depression without touching it. Dust patterns suggested a small, circular object. Heavy enough to leave an impression despite its size. "What did the victim have on him?" "Wallet, phone, watch. Nothing was taken." No robbery. No crime of passion, despite Morrison's suggestion. Quinn closed her eyes, letting the scene arrange itself in her mind like a photograph developing in solution. The body positioned with deliberate care. The extended arm. The mark on the floor where something had stood. A marker. A placement point. It wasn't a crime scene. It was a location. "He was moved here," Quinn said, opening her eyes. "After death, or just before. This is where he was supposed to be found." "By whom?" "Someone who wanted him found by us. Someone who wanted the police to come to this specific location." Quinn's mind was already running through the possibilities, each one more troubling than the last. "The Veil Market." She'd only said it aloud once before—three years ago, in the report about Morris. Morrison had carefully filed that report away and asked her to see the department's psychiatric advisor. Morrison's face tightened. "Detective Quinn—" "Camden Tube Station is on the Veil Market's rotation," Quinn continued, her voice low and steady. "Or it was, three years ago. You said it yourself—why would a property developer come down to an abandoned station? There's only one reason, sir. To get to a place that isn't officially here." "You're theorizing about fairy tales." "I'm observing the evidence." Quinn gestured to the body. "A man is killed with surgical precision. Positioned in a sealed, abandoned station. Placed exactly where he'll be found by police. And there's a specific mark on the ground where something stood before it was removed." She met Morrison's eyes. "That's not a mugging. That's a message." The silence that followed was thick and absolute, broken only by the distant drip of water from somewhere in the tunnel network. Morrison's jaw worked silently for several seconds. "I'll put in a call to the medical examiner," he finally said. "We'll need full toxicology. And I want this station swept for additional evidence." Quinn nodded, but her attention was already drifting to what lay beyond the torchlight. In the darkness of the tunnel, beyond the sealed station, something moved. She couldn't see it directly, but she felt it the way an animal feels a storm approaching. Someone had brought Thomas Ashford here specifically for the police to find him. Someone who knew about places that shouldn't exist. Quinn's hand drifted unconsciously to her watch. Her fingers found the worn leather strap and held it, grounding herself. Morrison was already ascending the stairs, his phone pressed to his ear. Quinn remained in the platform, studying the body one final time. "What did you find out?" she whispered to the dead man. "What were you looking for in the Veil Market?" The corpse didn't answer, but Quinn knew someone would. They always did.
created_at"2026-02-17T02:47:51.093531+00:00" 2/17/2026, 2:47:51 AM
model"anthropic/claude-4.5-haiku-20251001"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1347
moderation_latency152
generation_time21471
tokens_prompt923
tokens_completion2132
native_tokens_prompt937
native_tokens_completion1860
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.010237
router(null)
provider_responses
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id"a8cb56f3-e45a-462d-a971-0df5f875a9cb"
status200
is_byokfalse
latency1346
endpoint_id"d000261c-5aeb-47d1-ac87-ad64dbe1cdb6"
provider_name"Amazon Bedrock"
model_permaslug"anthropic/claude-4.5-haiku-20251001"
api_type"completions"
id"gen-1771296448-rgnAEQkJ1n81Xaa8WkVC"
upstream_id"a8cb56f3-e45a-462d-a971-0df5f875a9cb"
total_cost0.010237
cache_discount(null)
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provider_name"Amazon Bedrock"

Evaluation details

Result Evaluator Details Meta Data
72.7273% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags11
adverbTagCount2
adverbTags
0"she said quietly [quietly]"
1"he finally said [finally]"
84.9511% AI-ism adverb frequency
Target: <1% AI-ism adverbs (57 tracked)
wordCount1329
totalAiIsmAdverbs2
found
0
adverb"carefully"
count1
1
adverb"slightly"
count1
highlights
0"carefully"
1"slightly"
100.0000% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.0000% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
62.3777% AI-ism word frequency
Target: <1% AI-ism words (140 tracked)
wordCount1329
totalAiIsms5
found
0
word"pristine"
count2
1
word"footsteps"
count2
2
word"echoing"
count1
highlights
0"pristine"
1"footsteps"
2"echoing"
100.0000% Cliche density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.0000% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences101
matches(empty)
100.0000% Filter word density
Target: ≤12% sentences with filter/hedge words
filterCount2
hedgeCount1
narrationSentences101
filterMatches
0"watch"
hedgeMatches
0"tried to"
100.0000% Overuse of "that" (subordinate clause padding)
Target: ≤10% sentences with "that" clauses
thatCount0
totalSentences121
matches(empty)
100.0000% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs45
mean29.13
std18.34
cv0.629
sampleLengths
042
144
227
365
456
545
634
753
839
94
1062
118
1253
1333
148
1535
1623
1724
185
1944
2016
2147
2228
2352
246
2545
265
279
2823
292
3036
3130
325
3350
345
3556
3629
3725
3843
3921
4019
4112
4231
439
443
100.0000% Passive voice overuse
Target: ≤5% passive sentences
passiveCount2
totalSentences101
matches
0"been sealed"
1"been followed"
100.0000% Past progressive (was/were + -ing) overuse
Target: ≤10% past progressive verbs
pastProgressiveCount4
totalVerbs166
matches
0"was saying"
1"was kneeling"
2"was studying"
3"was watching"
88.0365% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount977
adjectiveStacks0
stackExamples(empty)
adverbCount52
adverbRatio0.05322415557830092
lyAdverbCount20
lyAdverbRatio0.02047082906857728
100.0000% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences121
echoCount0
echoWords(empty)
100.0000% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences121
mean10.83
std7.71
cv0.711
sampleLengths
016
12
23
321
414
511
64
715
816
95
106
1117
1218
132
1428
1512
1612
173
1814
1915
2016
211
225
2323
2410
2511
2613
274
281
2918
305
314
326
3312
343
3518
364
373
3814
394
403
4124
423
4332
445
453
4617
4718
489
499
68.0441% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats11
diversityRatio0.4628099173553719
totalSentences121
uniqueOpeners56
15.9091% Dialogue tag variety (said vs. fancy)
Target: ≤30% fancy dialogue tags
totalTags11
fancyCount7
fancyTags
0"Constable Miller was saying, and Quinn realized she'd been followed into the platform (say, realize follow)"
1"Morrison said, consulting a notebook that looked pristine, unused (say, consult look)"
2"she said quietly (say quietly)"
3"Quinn said, opening her eyes (say, open)"
4"Quinn continued, her voice low and steady (continue)"
5"he finally said (finally say)"
6"whispered (whisper)"
87.7674%