Run: 2026-02-19-01KHSZ0GTY4P1H3MC0DQNKYMAH

Run Details

Duration:
22.7s
Cost:
$0.008712

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The abandoned Tube station reeked of damp concrete and rust. Quinn stepped over the police tape, her boots echoing against the tiled walls. The beam of her torch cut through the gloom, illuminating the usual chaos of a crime scene—uniformed officers, SOCOs in white suits, the flash of cameras. "Detective Quinn." DS Carter straightened from where he'd been crouched beside the body. His tie was loose, sleeves rolled up. "Thought you'd want to see this one yourself." Quinn didn't answer. Her gaze locked onto the figure sprawled across the tracks. Male, late thirties, dressed in a cheap suit. His fingers were curled into the gravel, knuckles white. But it was his face that made her stomach tighten. Eyes wide, mouth stretched in a silent scream. Not fear. Something else. "Time of death?" she asked. "ME puts it at two, maybe three hours ago. No ID yet." Carter scratched his jaw. "Looks like he fell. Or jumped." Quinn crouched, ignoring the protest in her knees. The man's shoes were scuffed, soles worn thin. No signs of a struggle. But the position of the body—arms flung out, legs twisted—didn't match a simple fall. She reached for her torch, angling the light. The beam caught something metallic near the victim's outstretched hand. A small brass compass, its face etched with strange symbols. Carter exhaled sharply. "What the hell is that?" Quinn didn't touch it. "Bag it." "Right." He hesitated. "You thinking what I'm thinking?" She stood, brushing dust from her trousers. "Which part? The fact that this station's been closed for twenty years, or the fact that our victim looks like he's been screaming at something we can't see?" Carter's mouth twisted. "I was going to say it looks like a suicide. But yeah. That too." Quinn turned, scanning the platform. The station was a relic—peeling posters, graffiti-covered walls, a ticket booth with its glass shattered. But the air hummed with something else. A wrongness. Like the moment before a storm breaks. "Where's the CCTV?" Carter shook his head. "Not here. Never was. But we've got a witness. Some homeless bloke who sleeps in the tunnels. Claims he heard shouting around midnight." "Where is he?" "Being questioned. But he's not exactly reliable. Half the time he thinks he's still in the Falklands." Quinn's torch flickered over the platform's edge. The tracks below were dark, the third rail a silent threat. She stepped closer, crouching again. The gravel was disturbed. Not just where the body lay. Further back. A drag mark? Or something else. She stood abruptly. "Get me a map of the tunnels. All of them. Including the ones that aren't supposed to exist." Carter blinked. "You think he was moved?" Quinn didn't answer. Her fingers tapped against her thigh, a habit she'd picked up from Morris. The compass in her mind, its needle spinning. Pointing. Always pointing. She turned back to the body. The man's jacket was torn at the shoulder. Not from the fall. Something had gripped him. Hard. Carter followed her gaze. "What?" Quinn crouched again, this time closer. The fabric was singed. Not with fire. With something colder. Like frost. Or something that wasn't frost at all. "Get the ME to check for burns. Chemical or otherwise." Carter frowned. "You think this is some kind of drug thing? New synthetic?" Quinn didn't look up. "I think if it was drugs, we'd have found a needle. Or a pipe. Or something." She stood, her torch beam sweeping the platform. The shadows here were thicker. Wrong. Like they didn't belong to the light. Carter shifted. "Look, Quinn. I know you've got a thing about weird cases. But this? It's a bloke who jumped. Maybe he was high. Maybe he was off his head. But it's not—" "Not what?" Quinn's voice was quiet. "Not whatever you're thinking." She turned to him. "And what am I thinking?" Carter held her gaze. "That this is like Morris. That it's something... not normal." Quinn didn't flinch. "Morris died in an alley. With a knife in his back. This man died on a Tube track. With a compass in his hand and burns on his jacket that don't match any chemical we know." Carter exhaled. "You're reaching." "Am I?" Quinn stepped closer to the platform's edge. The darkness below seemed to pulse. "Then explain the compass." Carter opened his mouth. Closed it. Quinn turned away, her torch beam cutting through the gloom. She didn't need to explain. Not yet. But she knew. The compass. The burns. The way the man's body didn't fit the fall. This wasn't a suicide. It was a warning. And it had her name on it.
total_cost0.008712

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags5
adverbTagCount0
adverbTags(empty)
dialogueSentences30
tagDensity0.167
leniency0.333
rawRatio0
effectiveRatio0
93.58% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount779
totalAiIsmAdverbs1
found
0
adverb"sharply"
count1
highlights
0"sharply"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
35.82% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount779
totalAiIsms10
found
0
word"echoing"
count1
1
word"gloom"
count2
2
word"stomach"
count1
3
word"etched"
count1
4
word"scanning"
count1
5
word"shattered"
count1
6
word"flickered"
count1
7
word"synthetic"
count1
8
word"pulse"
count1
highlights
0"echoing"
1"gloom"
2"stomach"
3"etched"
4"scanning"
5"shattered"
6"flickered"
7"synthetic"
8"pulse"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences86
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences86
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences110
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen36
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords774
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions9
unquotedAttributions0
matches(empty)
15.98% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions30
wordCount485
uniqueNames5
maxNameDensity2.68
worstName"Quinn"
maxWindowNameDensity4
worstWindowName"Carter"
discoveredNames
Tube1
Carter12
Quinn13
Morris1
Like3
persons
0"Carter"
1"Quinn"
2"Morris"
places(empty)
globalScore0.16
windowScore0.333
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences36
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount774
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences110
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs41
mean18.88
std13.54
cv0.717
sampleLengths
049
128
252
35
422
535
628
78
86
98
1035
1117
1236
133
1427
153
1617
1741
1821
197
2027
2123
225
2325
2410
2513
2620
2721
2833
296
304
319
3214
3339
344
3519
366
3733
384
394
407
84.86% Passive voice overuse
Target: ≤2% passive sentences
passiveCount5
totalSentences86
matches
0"been crouched"
1"were curled"
2"were scuffed"
3"was torn"
4"was singed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs92
matches(empty)
64.94% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount4
semicolonCount0
flaggedSentences3
totalSentences110
ratio0.027
matches
0"The beam of her torch cut through the gloom, illuminating the usual chaos of a crime scene—uniformed officers, SOCOs in white suits, the flash of cameras."
1"But the position of the body—arms flung out, legs twisted—didn't match a simple fall."
2"The station was a relic—peeling posters, graffiti-covered walls, a ticket booth with its glass shattered."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount490
adjectiveStacks0
stackExamples(empty)
adverbCount9
adverbRatio0.018367346938775512
lyAdverbCount2
lyAdverbRatio0.004081632653061225
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences110
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences110
mean7.04
std6.18
cv0.878
sampleLengths
010
113
226
313
47
58
63
710
88
99
1010
118
122
132
145
1516
166
178
188
195
2014
218
2210
2310
243
255
264
272
283
295
307
3128
323
3314
345
3515
367
372
387
393
404
4123
423
4317
447
4511
465
474
486
492
63.94% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats3
diversityRatio0.4
totalSentences110
uniqueOpeners44
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences67
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount13
totalSentences67
matches
0"His tie was loose, sleeves"
1"Her gaze locked onto the"
2"His fingers were curled into"
3"She reached for her torch,"
4"She stood, brushing dust from"
5"She stepped closer, crouching again."
6"She stood abruptly."
7"Her fingers tapped against her"
8"She turned back to the"
9"She stood, her torch beam"
10"She turned to him."
11"She didn't need to explain."
12"It was a warning."
ratio0.194
71.94% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount52
totalSentences67
matches
0"The abandoned Tube station reeked"
1"Quinn stepped over the police"
2"The beam of her torch"
3"DS Carter straightened from where"
4"His tie was loose, sleeves"
5"Quinn didn't answer."
6"Her gaze locked onto the"
7"His fingers were curled into"
8"Eyes wide, mouth stretched in"
9"Carter scratched his jaw"
10"Quinn crouched, ignoring the protest"
11"The man's shoes were scuffed,"
12"She reached for her torch,"
13"The beam caught something metallic"
14"A small brass compass, its"
15"Carter exhaled sharply."
16"Quinn didn't touch it."
17"She stood, brushing dust from"
18"Carter's mouth twisted."
19"Quinn turned, scanning the platform."
ratio0.776
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences67
matches(empty)
ratio0
83.33% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences12
technicalSentenceCount1
matches
0"But it was his face that made her stomach tighten."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags5
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags1
fancyCount0
fancyTags(empty)
dialogueSentences30
tagDensity0.033
leniency0.067
rawRatio0
effectiveRatio0
83.8129%