Run: 2026-02-19-01KHSZ5Q0Z6MKP5DWA6SM2R79D

Run Details

Duration:
58.2s
Cost:
$0.062847
Provider:
Amazon Bedrock

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The Heartstone Pendant burned against Aurora's skin as she pushed through the dense tangle of wild rose brambles. Not warm, but cold—so cold it scorched. She bit her lip to keep from crying out, not wanting to draw attention. Behind her, a rustling in the undergrowth marked Nyx's progress, though the Shade moved with far more grace than she managed. "This is madness," Aurora muttered, wincing as thorns caught her sleeve. "We're following directions from a half-mad Fae who speaks exclusively in riddles, guided by a pendant that's trying to give me frostbite." The pendant pulsed again, stronger this time. Aurora hissed through clenched teeth. "Your discomfort suggests we approach the threshold," came Nyx's whispered voice, seeming to emanate from the shadows themselves. "The Veil grows thin here." Aurora paused, brushing leaves from her hair. "Thin enough to tear?" "That remains to be seen." The Richmond Park forest had grown increasingly strange over the past hour. Ordinary oaks gave way to trees with bark that spiraled in impossible patterns. Mushrooms glowed with faint blue phosphorescence. The ground beneath their feet had transformed from packed earth to something that felt almost spongey, as though they walked on living tissue. "Should we wait for Isolde?" Aurora asked, tugging the pendant free from her shirt to examine it. The crimson stone gleamed with an inner light that pulsated like a heart. "The Seer indicated we must proceed without her," Nyx replied. Their form shimmered, edges blurring as they moved through a patch of moonlight. "She was quite specific. 'Enter the grove when the stone calls, or not at all.'" "Right. Because that's not ominous at all." Aurora pressed forward. The trees thinned suddenly, revealing a perfect circle of ancient standing stones. Not stones—trees. Oak trees twisted and petrified into sentinels that ringed a clearing. The pendant yanked itself forward with such force that Aurora stumbled. "Bloody hell!" "We have arrived," Nyx said, their voice hushed with something approaching reverence. Aurora straightened, rubbing her neck where the silver chain had dug into her skin. The clearing before them seemed to shimmer, as though viewed through heat rising from summer pavement. But the air was cool, carrying scents of honeysuckle and something else—something ancient and strange, like metal and lightning. "Well," she said, fingers closing around the Fae-Forged Blade tucked inside her jacket. "Only one way forward." She stepped between two of the oak sentinels and into the Fae Grove. The world shifted. Colors intensified, sounds deepened. Aurora gasped as her senses overwhelmed her. The pendant quieted against her chest, its work done. Wildflowers carpeted the ground in riotous color—blooms that should never grow together, spring daffodils alongside autumn asters, summer roses intertwined with winter hellebores. Above, the sky looked wrong—deeper, vaster, scattered with stars despite the afternoon hour. "Bloody hell," Aurora whispered. "It's beautiful." Nyx materialized beside her, their shadowy form more defined within the grove's boundaries. Their violet eyes glowed brighter here. "The flow of time alters within this place," they warned. "We must be cautious. What feels like moments could be hours outside." Aurora nodded, taking a tentative step forward. The ground beneath her feet responded—grass blades turning to follow her movement like sunflowers tracking light. She froze. "The grove is aware," Nyx said simply. Aurora swallowed hard. "Aware as in sentient? Or aware as in reactive?" "The distinction matters little in places such as this." A sound like distant bells drifted through the air—no, not bells. It was laughter, high and tinkling, gone before Aurora could pinpoint its source. "We're not alone," she whispered. "We never were." Nyx moved forward, their form gliding across the responsive grass. "The Fae rarely abandon what is theirs entirely." At the center of the clearing stood a pool of water so still it mirrored the impossible sky perfectly. Its edges were lined with smooth stones that glowed with faint runes. Aurora approached cautiously, crouching to examine them. "These markings," she said. "They're similar to the ones in Silas' grimoire." "Older," Nyx corrected. "These predate human writing. The language of the First Court." Aurora reached toward one stone, then hesitated. "Should I—?" "I would advise against touching anything unnecessarily." The water in the pool began to ripple, though no wind disturbed the clearing. Aurora scrambled backward, hand flying to the blade at her side. "Welcome, daughter of two worlds," came a voice like silk sliding over stone. A figure emerged from between two distant standing stones—not Isolde, but someone taller, more angular. Female in form but distinctly inhuman, with skin that shimmered like mother-of-pearl and eyes that contained no pupils, only swirling mists. "I am Nimue, Guardian of this Grove." The figure inclined her head slightly. "You bear Isolde's mark upon you." Aurora glanced at Nyx, who gave an almost imperceptible nod. "Isolde sent us here," Aurora confirmed. "She said the Grove would show us what we need to see." Nimue smiled, revealing teeth that came to delicate points. "The Grove shows what it wishes, not what mortals demand." The Fae moved with liquid grace to the pool's edge. "You seek knowledge of the Veil and its thinning." It wasn't a question. "Yes," Aurora admitted. "And of Dymas. The Heartstone Pendant—" "Comes from that realm, yes." Nimue's expression hardened. "A dangerous trinket to carry so openly." The pendant grew cold again against Aurora's skin. "I didn't exactly have a choice," Aurora said. "It was a gift." "A gift," Nimue echoed, her laugh like breaking glass. "How quaint. Tell me, child, do you know the price of gifts in the realms beyond your own?" Before Aurora could respond, the ground beneath them trembled. Around the clearing, the ancient oak sentinels groaned, wood creaking like ships in a storm. Nimue's eyes widened. "The boundary weakens. We have unexpected guests." "What's happening?" Aurora demanded, drawing the Fae-Forged Blade. The weapon hummed in her grip, its moonsilver length glowing with soft luminescence. "The Veil," Nyx said, their form becoming more substantial, darker. "It tears." The air in the center of the clearing distorted, stretching like taffy pulled too thin. A scent wafted through—rich, decadent, like caramelized sugar and roasted meat and fine wine all at once. Aurora's mouth watered involuntarily. "Dymas," Nimue hissed. "The realm of gluttony breaches our sanctuary." The tear widened, revealing a glimpse of another world—a landscape bathed in warm amber light, rolling hills covered in sprawling vineyards, and in the distance, elegant spires that reached toward a honey-colored sky. "It's... gorgeous," Aurora whispered, taking an unconscious step forward. "Do not be deceived by beauty," Nimue warned sharply. "The realms of Hel offer pleasures that enslave. One taste, and you may never wish to leave." From the widening portal, a sound emerged—melodic laughter and the clink of glasses, the sizzle of food on flame. The scents intensified, making Aurora's stomach clench with sudden, desperate hunger. "This is wrong," Nyx said, moving between Aurora and the portal. "The boundaries between realms should not breach so easily, even in a Fae-touched place." "Unless someone wants them to," Aurora replied, gripping the blade tighter. Nimue raised her hands, fingers tracing complex patterns in the air. Silvery light followed her movements, weaving a net of energy. "The Grove has protected the boundary for centuries. Something empowers this breach from the other side." Through the portal, figures moved in the amber light—humanoid but not quite human, with fluid grace and eyes that caught the light strangely. "Servants of Prince Belphegor," Nimue said grimly. "They sense us watching." One figure turned toward the portal, revealing features both beautiful and unsettling—too symmetrical, too perfect. It smiled, beckoning with long, elegant fingers. "Come," it called, voice like honey poured over velvet. "Join our feast. All are welcome at the tables of Dymas." The hunger in Aurora's belly sharpened to pain. She swayed slightly. "Aurora," Nyx warned, their shadow-form expanding to block her view. "Remember why we came." The Fae-Forged Blade grew colder in her grip, its chill spreading up her arm, cutting through the hunger-haze. Aurora blinked, shaking her head. "Right," she muttered. "Not here for the buffet." Nimue's weaving grew more complex, silver light forming barriers around the portal's edges. "I cannot seal it entirely," she said, strain evident in her voice. "The breach comes from within Dymas itself, powered by significant magic." "Meaning someone wants a door open between Earth and Hel," Aurora said. "A door or an invasion route," Nyx added darkly. The figure beyond the portal frowned, seeing Nimue's magical barriers forming. It raised its own hand, palm forward. The amber light intensified, pushing against the silver weave. "It's fighting back," Aurora said, raising the blade. "What can I do?" "The Fae-Forged Blade," Nimue said through gritted teeth. "It severs magical connections. Use it on the portal's edge, but do not—I repeat, do not touch the opening itself." Aurora nodded, stepping forward cautiously. The blade hummed louder in her grip as she approached the tear, its moonsilver edge glinting with cold fire. "Cut along the perimeter, where our realm meets theirs," Nimue instructed. "Like separating dough from a baking tin." The figures beyond the portal grew agitated, more gathering to watch. Their beautiful faces twisted with something between hunger and rage. The beckoning figure shouted something in a language Aurora didn't understand, but the malevolence came through clearly. "Do it now," Nyx urged. "Their reinforcements arrive." Aurora raised the blade and brought it down against the edge of the tear, where distorted air met the normal atmosphere of the grove. The weapon connected with what felt like resistance—not solid, but like cutting through thick gelatin. A screech pierced the air—whether from the portal itself or the creatures beyond, Aurora couldn't tell. The tear shuddered, edges beginning to pucker inward. "Again!" Nimue commanded. Aurora slashed the blade through the air, tracing the portal's circumference. The Heartstone Pendant on her chest burned with cold fire, seeming to fight against her actions. She gritted her teeth, completing the circuit. The portal contracted violently, the amber light flickering. Beyond, the figures scrambled backward, their perfect faces contorted with fury. The beckoning figure lunged forward at the last moment, arm stretching through the narrowing gap. "This is not over, mortal," it hissed in perfect English. "The Prince has marked you now." The portal collapsed with a sound like thunder, sending Aurora stumbling backward. The arm that had breached their side dissolved into golden motes of light that scattered across the grove floor like fallen stars. Silence fell over the clearing. The wildflowers, which had bent away from the portal, slowly straightened. The grove seemed to exhale. "Well," Aurora said finally, lowering the blade. "That was... educational." Nimue's silver barriers dissipated as she lowered her hands. Her pearlescent skin had dulled, lines of exhaustion evident around her eyes. "You have been noticed by powers beyond your understanding, Aurora Carter." "Story of my life lately," Aurora muttered. "The servants of Belphegor rarely give up once they've selected a target," Nyx said, their form settling back into its usual shadowy silhouette. "Target?" Aurora looked between them. "For what?" Nimue turned to the pool, which had begun to ripple again, images forming on its surface. "For that, you must look." Aurora approached cautiously, peering into the water's depths. The reflection showed not her face, but a grand feast hall filled with revelry, and at its center, seated on a throne of what appeared to be polished bone, a figure of terrible beauty raised a goblet in toast. "Prince Belphegor," Nimue said softly. "Ruler of Dymas, the realm of gluttony." The Prince's eyes in the reflection locked with Aurora's. He smiled. The pool erupted in flames.
created_at"2026-02-19T03:30:21.87Z" 2/19/2026, 3:30:21 AM
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status200
api_type"completions"
id"gen-1771471821-mxAe4h1bKDhYYStRjrm1"
upstream_id"925d284e-012c-4419-8199-3159d387f501"
total_cost0.062847
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"

Evaluation details

Result Evaluator Details Meta Data
69.57% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags46
adverbTagCount6
adverbTags
0"Nyx said simply [simply]"
1"Nimue warned sharply [sharply]"
2"Nimue said grimly [grimly]"
3"Nyx added darkly [darkly]"
4"Aurora said finally [finally]"
5"Nimue said softly [softly]"
dialogueSentences91
tagDensity0.505
leniency1
rawRatio0.13
effectiveRatio0.13
74.52% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1962
totalAiIsmAdverbs10
found
0
adverb"suddenly"
count1
1
adverb"perfectly"
count1
2
adverb"cautiously"
count3
3
adverb"slightly"
count2
4
adverb"sharply"
count1
5
adverb"slowly"
count1
6
adverb"softly"
count1
highlights
0"suddenly"
1"perfectly"
2"cautiously"
3"slightly"
4"sharply"
5"slowly"
6"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
38.84% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1962
totalAiIsms24
found
0
word"pulsed"
count1
1
word"shimmered"
count2
2
word"perfect"
count4
3
word"sentinels"
count3
4
word"silk"
count1
5
word"echoed"
count1
6
word"trembled"
count1
7
word"sanctuary"
count1
8
word"stomach"
count1
9
word"tracing"
count2
10
word"complex"
count2
11
word"velvet"
count1
12
word"chill"
count1
13
word"glinting"
count1
14
word"silence"
count1
15
word"depths"
count1
highlights
0"pulsed"
1"shimmered"
2"perfect"
3"sentinels"
4"silk"
5"echoed"
6"trembled"
7"sanctuary"
8"stomach"
9"tracing"
10"complex"
11"velvet"
12"chill"
13"glinting"
14"silence"
15"depths"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences145
matches
0"d with fury"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount4
narrationSentences145
filterMatches(empty)
hedgeMatches
0"seemed to"
1"began to"
2"appeared to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences190
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen39
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1935
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions39
unquotedAttributions0
matches(empty)
0.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions97
wordCount1392
uniqueNames16
maxNameDensity3.09
worstName"Aurora"
maxWindowNameDensity5
worstWindowName"Aurora"
discoveredNames
Heartstone2
Pendant2
Aurora43
Nyx15
Shade1
Richmond1
Park1
Fae-Forged3
Blade3
Fae5
Grove1
Isolde1
Nimue16
One1
English1
Prince1
persons
0"Pendant"
1"Aurora"
2"Nyx"
3"Shade"
4"Blade"
5"Nimue"
6"Prince"
places
0"Richmond"
1"Park"
2"Fae"
3"Grove"
4"One"
globalScore0
windowScore0
76.47% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences102
glossingSentenceCount3
matches
0"not quite human, with fluid grace and eyes that caught the light strangely"
1"something between hunger and rage"
2"felt like resistance—not solid, but lik"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches4
per1kWords2.067
wordCount1935
matches
0"Not warm, but cold"
1"not Isolde, but someone taller, more angular"
2"not solid, but like cutting through thick gelatin"
3"not her face, but a grand feast hall filled with revelry"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences190
matches
0"force that Aurora"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs96
mean20.16
std12.05
cv0.598
sampleLengths
060
133
212
323
411
55
654
730
838
935
1013
1112
1249
1317
1413
153
1620
1736
186
1919
2022
2125
227
2312
249
2524
265
2721
2838
2912
3013
319
327
3325
3413
3536
3619
3710
3818
3919
4019
414
429
4315
448
4512
4627
4724
4810
4921
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences145
matches
0"were lined"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs285
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount15
semicolonCount0
flaggedSentences15
totalSentences190
ratio0.079
matches
0"Not warm, but cold—so cold it scorched."
1"Not stones—trees."
2"But the air was cool, carrying scents of honeysuckle and something else—something ancient and strange, like metal and lightning."
3"Wildflowers carpeted the ground in riotous color—blooms that should never grow together, spring daffodils alongside autumn asters, summer roses intertwined with winter hellebores."
4"Above, the sky looked wrong—deeper, vaster, scattered with stars despite the afternoon hour."
5"The ground beneath her feet responded—grass blades turning to follow her movement like sunflowers tracking light."
6"A sound like distant bells drifted through the air—no, not bells."
7"A figure emerged from between two distant standing stones—not Isolde, but someone taller, more angular."
8"A scent wafted through—rich, decadent, like caramelized sugar and roasted meat and fine wine all at once."
9"The tear widened, revealing a glimpse of another world—a landscape bathed in warm amber light, rolling hills covered in sprawling vineyards, and in the distance, elegant spires that reached toward a honey-colored sky."
10"From the widening portal, a sound emerged—melodic laughter and the clink of glasses, the sizzle of food on flame."
11"Through the portal, figures moved in the amber light—humanoid but not quite human, with fluid grace and eyes that caught the light strangely."
12"One figure turned toward the portal, revealing features both beautiful and unsettling—too symmetrical, too perfect."
13"The weapon connected with what felt like resistance—not solid, but like cutting through thick gelatin."
14"A screech pierced the air—whether from the portal itself or the creatures beyond, Aurora couldn't tell."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1415
adjectiveStacks0
stackExamples(empty)
adverbCount53
adverbRatio0.03745583038869258
lyAdverbCount22
lyAdverbRatio0.015547703180212015
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences190
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences190
mean10.18
std5.81
cv0.57
sampleLengths
018
17
214
321
411
522
67
75
818
95
107
114
125
1312
1413
156
1623
1717
1813
1910
2013
2115
2210
2312
242
2511
2611
272
2812
2914
3016
3119
3213
334
3413
353
364
377
389
3923
4013
414
422
4313
446
4510
4612
477
4816
492
56.32% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.3631578947368421
totalSentences190
uniqueOpeners69
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences126
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount17
totalSentences126
matches
0"She bit her lip to"
1"Their form shimmered, edges blurring"
2"she said, fingers closing around"
3"She stepped between two of"
4"Their violet eyes glowed brighter"
5"It was laughter, high and"
6"Its edges were lined with"
7"It wasn't a question."
8"It smiled, beckoning with long,"
9"it called, voice like honey"
10"She swayed slightly."
11"she said, strain evident in"
12"It raised its own hand,"
13"Their beautiful faces twisted with"
14"She gritted her teeth, completing"
15"it hissed in perfect English"
16"Her pearlescent skin had dulled,"
ratio0.135
19.52% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount111
totalSentences126
matches
0"The Heartstone Pendant burned against"
1"She bit her lip to"
2"Aurora muttered, wincing as thorns"
3"The pendant pulsed again, stronger"
4"Aurora hissed through clenched teeth."
5"Aurora paused, brushing leaves from"
6"The Richmond Park forest had"
7"Mushrooms glowed with faint blue"
8"The ground beneath their feet"
9"Aurora asked, tugging the pendant"
10"The crimson stone gleamed with"
11"Their form shimmered, edges blurring"
12"Aurora pressed forward"
13"The trees thinned suddenly, revealing"
14"Oak trees twisted and petrified"
15"The pendant yanked itself forward"
16"Nyx said, their voice hushed"
17"Aurora straightened, rubbing her neck"
18"The clearing before them seemed"
19"she said, fingers closing around"
ratio0.881
39.68% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences126
matches
0"Before Aurora could respond, the"
ratio0.008
71.43% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences60
technicalSentenceCount6
matches
0"The ground beneath their feet had transformed from packed earth to something that felt almost spongey, as though they walked on living tissue."
1"Wildflowers carpeted the ground in riotous color—blooms that should never grow together, spring daffodils alongside autumn asters, summer roses intertwined with…"
2"Female in form but distinctly inhuman, with skin that shimmered like mother-of-pearl and eyes that contained no pupils, only swirling mists."
3"The tear widened, revealing a glimpse of another world—a landscape bathed in warm amber light, rolling hills covered in sprawling vineyards, and in the distance…"
4"The Fae-Forged Blade grew colder in her grip, its chill spreading up her arm, cutting through the hunger-haze."
5"The arm that had breached their side dissolved into golden motes of light that scattered across the grove floor like fallen stars."
81.52% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags46
uselessAdditionCount4
matches
0"Nyx's, seeming to emanate from the shadows themselves"
1"Nyx said, their form becoming more substantial, darker"
2"Nyx warned, their shadow-form expanding to block her view"
3"Nyx said, their form settling back into its usual shadowy silhouette"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags38
fancyCount19
fancyTags
0"Aurora muttered (mutter)"
1"Nyx's (nyx)"
2"Aurora pressed (press)"
3"Aurora whispered (whisper)"
4"they warned (warn)"
5"she whispered (whisper)"
6"Nyx corrected (correct)"
7"Aurora confirmed (confirm)"
8"Aurora admitted (admit)"
9"Aurora demanded (demand)"
10"Nimue hissed (hiss)"
11"Aurora whispered (whisper)"
12"Nimue warned sharply (warn)"
13"Nyx warned (warn)"
14"she muttered (mutter)"
15"Nyx added darkly (add)"
16"Nyx urged (urge)"
17"it hissed (hiss)"
18"Aurora muttered (mutter)"
dialogueSentences91
tagDensity0.418
leniency0.835
rawRatio0.5
effectiveRatio0.418
70.9287%