Run: 2026-02-19-01KHT0021879JSSYYYDV5MG69N

Run Details

Duration:
42.5s
Cost:
$0.001814

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
“Do you hear that?” Aurora paused, arching her neck to catch the whispers weaving through the tall, sinewy trees. The air thrummed with an otherworldly hum, like the resonant strings of a harp plucked by unseen hands. The group hesitated behind her, eyes darting, minds racing with a mixture of excitement and trepidation. “Of course I hear it, Rory.” Eva brushed a stray lock of auburn hair from her face, her green eyes wide, glistening with anticipation. “I’ve never seen anything like this!” The grove shimmered with pale lavender light, an ethereal glow emanating from the moonlit wildflowers that dotted the ground like a celestial carpet. Aurora stepped forward, heart pounding in rhythm with the unnatural melody. This was Isolde's grove, a pocket of magic said to exist between the mortal realm and the Fae courts, but experiencing it firsthand made it all the more jaw-dropping. “With time swirling like that, it’s like we’re not even fully here,” Nyx murmured, their faintly glowing violet eyes scanning the surroundings. They stood slightly taller than the others, a silhouette of living shadow—shifting, trembling, at odds with the shimmering beauty surrounding them. “Time?” Eva echoed, her voice a mere whisper, filled with incredulity. “This is not a fairy tale, you know.” “But it feels like one, doesn’t it?” Aurora retorted, brushing her fingers against the bark of a nearby oak, smooth and cool. It emitted a soft hum beneath her touch. “Don’t touch anything!” Nyx suddenly hissed, the shadow shifting aggressively at their feet. The ground shivered from beneath their weight, sending up a cascade of rustling leaves. “You know nothing of these woods! It’s not just beauty; it’s wild magic. Some of it might not be so welcoming.” “Sorry, but this,” Aurora gestured at the grove with unrestrained awe, “is far beyond my wildest imagination.” Moving deeper, the quartet pushed through a thicket of iridescent blooms that swirled and danced as if alive, the petals brushing against them softly. A low growl emanated from somewhere hidden in the underbrush, vibrating in their cores, setting their nerves on edge. “Did you hear that?” Eva glanced sideways, her voice trembling as much as her shoulders. “Probably just a deer,” Rory replied, though doubt crept in. She clenched her fingers tighter around the Heartstone Pendant hanging from her neck, feeling its warmth beneath the silver chain. “Yeah, a supernatural deer,” Nyx retorted, moving closer to the group, shadows deepening in the crevices of their form. “We should tread carefully. The Fae are a fickle lot.” “Especially in a place infused with Fae magic,” Aurora murmured, eyes gleaming with the thrill of exploration and the faintest hint of anxiety. The trees opened to reveal a clearing, and the hum intensified. It hung like a veil in the air, offering a siren sweet call—summoning yet perilous. At the grove’s heart stood an ancient stone circle, its surface etched with runes that glimmered in the twilight. A palpable energy radiated from the stones, sending vibrations through their bones. “Lookie here!” Eva stepped forward freely, throwing caution to the wind. “This is extraordinary!” As she reached for one of the stones, the atmosphere shifted. The air thickened, and the runes flared, sprinkling the area with a flurry of luminescence. A sigh, a collective exhale, enveloped them—the earth cracked audibly, revealing depths unseen. An echo of voices, laughter or perhaps whispers, swirled around the stone circle, too shifting to grasp. Nyx’s eyes widened, and they lunged forward, grabbing Eva by the wrist just as the ground beneath her seemed to quiver with unease. “What did I just say?” They let go, throwing his hands up. “You’re courting madness!” “Loosen up, Nyx! It’s not like they’ll eat me,” Eva laughed, though the quiver in her voice betrayed her excitement. “I—” “Trust me, it’s not a good idea to provoke anything here. These stones—” The shadows flickered around Nyx, dark and wild, as they struggled to contain their anxiety. “They house more than mere magic. They’re bound to other realms. You might get lost, and I don’t mean in the normal sense.” Aurora stepped closer to the stones, drawn in by the pulsing glow. She could feel the Heartstone pendant thrumming against her chest, a heartbeat of its own. It drew her in—her mind raced, and without thinking, she reached out toward the nearest monolith. “Wait, Rory—” Nyx began, but it was too late. The moment her fingertips brushed the stone, an electric jolt surged through her, a vibrant tide of light flooding her senses. Visions cascaded before her—a river sparkling like diamonds, a sky cracked wide open, shadows dancing along a forgotten path. Gasps ripped through the grove. The air thickened as if drawn into the depths of a well, pulling them into the ancient stories of a world woven into the fabric of time itself. The sight enthralled and terrified her simultaneously. “Aurora!” Eva grabbed her shoulders, eyes wide with fear. “Are you alright?” “I—” But the words stumbled on her tongue, caught in the swell of images flooding her mind. She blinked hard, trying to ground herself, but the pull only intensified. It was intoxicating and many-layered, a network of dreams and fears clashing—no, colliding in a stunning array of possibilities. “Get back!” Nyx shouted, enshrouding Aurora with their own shadow. Shadows coalesced, swirling and thickening at their feet, but they did not press too heavily. As the glow faded, the grove erupted in chaos. The once serene ambiance fractured, replaced by an unsettling cacophony as whispers morphed into anguished cries. The stones buzzed like bees, angry and corrupted, summoning pulsating shadows leaping menacingly from the undergrowth. “We need to leave!” Aurora shouted, her heart racing as the runic symbols on the stones flared with ominous light. She clutched the pendant tightly, releasing its warmth into her palm. “I told you we shouldn’t have come!” Nyx snarled as tendrils of dark beauty twisted about, grasping towards them with desperation. “This place is wild magic—dangerous! It doesn’t take well to intruders.” A heavy silence fell briefly, suspended in the electric air before the ground quaked anew. A massive shadow tore through the brush—a figure, tall and monstrous, hunched low, carved from darkness, with eyes gleaming like twin suns. “Run!” The command came as a singular, visceral roar. Aurora hesitated, adrenaline setting her heart racing as Nyx grabbed her hand, bolting toward the thicket. Eva followed closely behind, the taste of fear sharp on her tongue, the shadows snapping behind their heels like dogs obeying their master’s call. “We can’t let it catch us!” Aurora panted, forcing herself to breathe as they plowed ahead, the undergrowth whipping their faces as branches tore at their clothes. “Watch out! To the left!” Nyx darted right, skillfully avoiding the pursuing mass while dragging Aurora and Eva along. Behind them, the shadow figure loomed, an avalanche of darkness, grasping towards them with sickening intent. “Over the stream!” Aurora yelled, spotting a narrow waterway rushing beneath the tree trunk. She flung herself across, the icy splash a startling jolt against her calves. Eva followed with a yelp, and Nyx leaped gracefully, barely missing the murky shallows, though the shadow pursued with relentless greed. Rory’s heart hammered against her ribs as they veered deeper into the grove, searching for escape but unsure if the way out still existed. The shadows faded behind them, leaving only the echo of that mystical melody, a twisted chorus that promised both danger and magic intertwined. “Where now?” Nyx gasped, eyes straining against the subtle glow filtering through the canopy. “Anywhere but here!” Aurora shouted. In that moment, she felt the pendant pulsing in her grasp, its warmth a dwindling flame, begging for release. Every step felt like a descent deeper into the unknown. And despite every instinct screaming to run and hide, the erratic thrum of magic surged through her veins—a promise of mysteries yet to unfold.
total_cost0.00181425

Evaluation details

Result Evaluator Details Meta Data
84.62% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags26
adverbTagCount3
adverbTags
0"Nyx suddenly hissed [suddenly]"
1"The shadows flickered around [around]"
2"Nyx darted right [right]"
dialogueSentences37
tagDensity0.703
leniency1
rawRatio0.115
effectiveRatio0.115
81.16% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1327
totalAiIsmAdverbs5
found
0
adverb"slightly"
count1
1
adverb"suddenly"
count1
2
adverb"softly"
count1
3
adverb"carefully"
count1
4
adverb"tightly"
count1
highlights
0"slightly"
1"suddenly"
2"softly"
3"carefully"
4"tightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1327
totalAiIsms35
found
0
word"sinewy"
count1
1
word"otherworldly"
count1
2
word"racing"
count3
3
word"trepidation"
count1
4
word"glistening"
count1
5
word"anticipation"
count1
6
word"shimmered"
count1
7
word"pounding"
count1
8
word"scanning"
count1
9
word"echoed"
count1
10
word"whisper"
count1
11
word"weight"
count1
12
word"warmth"
count3
13
word"gleaming"
count2
14
word"etched"
count1
15
word"palpable"
count1
16
word"depths"
count2
17
word"echo"
count2
18
word"flickered"
count1
19
word"could feel"
count1
20
word"raced"
count1
21
word"electric"
count2
22
word"dancing"
count1
23
word"fractured"
count1
24
word"cacophony"
count1
25
word"silence"
count1
26
word"loomed"
count1
highlights
0"sinewy"
1"otherworldly"
2"racing"
3"trepidation"
4"glistening"
5"anticipation"
6"shimmered"
7"pounding"
8"scanning"
9"echoed"
10"whisper"
11"weight"
12"warmth"
13"gleaming"
14"etched"
15"palpable"
16"depths"
17"echo"
18"flickered"
19"could feel"
20"raced"
21"electric"
22"dancing"
23"fractured"
24"cacophony"
25"silence"
26"loomed"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes widened"
91.22% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells3
narrationSentences74
matches
0"g with anticipation"
1"r with unease"
2"e with fear"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences74
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences85
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen30
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1316
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions15
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions44
wordCount1099
uniqueNames10
maxNameDensity1.18
worstName"Aurora"
maxWindowNameDensity2.5
worstWindowName"Aurora"
discoveredNames
Isolde1
Fae1
Aurora13
Moving1
Rory2
Heartstone2
Pendant1
Eva10
Nyx12
Shadows1
persons
0"Isolde"
1"Fae"
2"Aurora"
3"Rory"
4"Pendant"
5"Eva"
6"Nyx"
7"Shadows"
places(empty)
globalScore0.909
windowScore0.833
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences72
glossingSentenceCount1
matches
0"felt like a descent deeper into the unk"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1316
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences85
matches(empty)
90.45% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs41
mean32.1
std14.98
cv0.467
sampleLengths
053
130
263
343
419
530
648
717
843
915
1030
1129
1223
1357
1414
1556
1623
1715
1821
1951
2043
2149
2240
2312
2448
2525
2641
2731
2832
2937
301
3148
3227
3335
3427
3521
3647
3714
385
3919
4034
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences74
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs211
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount8
semicolonCount1
flaggedSentences9
totalSentences85
ratio0.106
matches
0"They stood slightly taller than the others, a silhouette of living shadow—shifting, trembling, at odds with the shimmering beauty surrounding them."
1"“You know nothing of these woods! It’s not just beauty; it’s wild magic. Some of it might not be so welcoming.”"
2"It hung like a veil in the air, offering a siren sweet call—summoning yet perilous."
3"A sigh, a collective exhale, enveloped them—the earth cracked audibly, revealing depths unseen."
4"It drew her in—her mind raced, and without thinking, she reached out toward the nearest monolith."
5"Visions cascaded before her—a river sparkling like diamonds, a sky cracked wide open, shadows dancing along a forgotten path."
6"It was intoxicating and many-layered, a network of dreams and fears clashing—no, colliding in a stunning array of possibilities."
7"A massive shadow tore through the brush—a figure, tall and monstrous, hunched low, carved from darkness, with eyes gleaming like twin suns."
8"And despite every instinct screaming to run and hide, the erratic thrum of magic surged through her veins—a promise of mysteries yet to unfold."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1109
adjectiveStacks0
stackExamples(empty)
adverbCount35
adverbRatio0.031559963931469794
lyAdverbCount19
lyAdverbRatio0.017132551848512173
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences85
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences85
mean15.48
std6.53
cv0.422
sampleLengths
019
118
216
324
46
523
611
729
822
921
1011
118
1222
138
1413
1514
1621
1717
1824
1919
2015
2110
2220
2319
2410
2523
2611
2715
2819
2912
3011
313
3211
3315
3413
3517
3623
3712
383
3920
401
4128
4223
4312
4415
4516
469
4721
4819
495
87.45% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats4
diversityRatio0.5529411764705883
totalSentences85
uniqueOpeners47
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences73
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount11
totalSentences73
matches
0"They stood slightly taller than"
1"It emitted a soft hum"
2"She clenched her fingers tighter"
3"It hung like a veil"
4"They let go, throwing his"
5"She could feel the Heartstone"
6"It drew her in—her mind"
7"She blinked hard, trying to"
8"It was intoxicating and many-layered,"
9"She clutched the pendant tightly,"
10"She flung herself across, the"
ratio0.151
14.79% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount65
totalSentences73
matches
0"Aurora paused, arching her neck"
1"The air thrummed with an"
2"The group hesitated behind her,"
3"Eva brushed a stray lock"
4"The grove shimmered with pale"
5"Aurora stepped forward, heart pounding"
6"This was Isolde's grove, a"
7"Nyx murmured, their faintly glowing"
8"They stood slightly taller than"
9"Eva echoed, her voice a"
10"Aurora retorted, brushing her fingers"
11"It emitted a soft hum"
12"Nyx suddenly hissed, the shadow"
13"The ground shivered from beneath"
14"Aurora gestured at the grove"
15"A low growl emanated from"
16"Eva glanced sideways, her voice"
17"Rory replied, though doubt crept"
18"She clenched her fingers tighter"
19"Nyx retorted, moving closer to"
ratio0.89
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences73
matches(empty)
ratio0
9.97% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences43
technicalSentenceCount8
matches
0"The group hesitated behind her, eyes darting, minds racing with a mixture of excitement and trepidation."
1"The grove shimmered with pale lavender light, an ethereal glow emanating from the moonlit wildflowers that dotted the ground like a celestial carpet."
2"Moving deeper, the quartet pushed through a thicket of iridescent blooms that swirled and danced as if alive, the petals brushing against them softly."
3"A low growl emanated from somewhere hidden in the underbrush, vibrating in their cores, setting their nerves on edge."
4"She clenched her fingers tighter around the Heartstone Pendant hanging from her neck, feeling its warmth beneath the silver chain."
5"At the grove’s heart stood an ancient stone circle, its surface etched with runes that glimmered in the twilight."
6"Aurora hesitated, adrenaline setting her heart racing as Nyx grabbed her hand, bolting toward the thicket."
7"The shadows faded behind them, leaving only the echo of that mystical melody, a twisted chorus that promised both danger and magic intertwined."
9.62% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags26
uselessAdditionCount6
matches
0"Eva brushed, her green eyes wide, glistening with anticipation"
1"Eva echoed, her voice a mere whisper, filled with incredulity"
2"Nyx suddenly hissed, the shadow shifting aggressively at their feet"
3"Eva glanced, her voice trembling as much as her shoulders"
4"Eva grabbed, eyes wide with fear"
5"Nyx gasped, eyes straining against the subtle glow filtering through the canopy"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags14
fancyCount13
fancyTags
0"Nyx murmured (murmur)"
1"Aurora retorted (retort)"
2"Nyx suddenly hissed (hiss)"
3"Nyx retorted (retort)"
4"Aurora murmured (murmur)"
5"Eva laughed (laugh)"
6"Nyx shouted (shout)"
7"Aurora shouted (shout)"
8"Nyx snarled (snarl)"
9"Aurora panted (pant)"
10"Aurora yelled (yell)"
11"Nyx gasped (gasp)"
12"Aurora shouted (shout)"
dialogueSentences37
tagDensity0.378
leniency0.757
rawRatio0.929
effectiveRatio0.703
71.7535%