Run: 2026-02-19-01KHT0021MH1M36DGZFBS8QXK2

Run Details

Duration:
9.7s
Cost:
$0.000000
Provider:
Stealth

Model input

System
You are an expert and award-winning novel writer in the dark Mystery genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
“Step back!” The voice cracked through the stale air, reverberating off the rusted grates. A figure lunged forward, boots scraping the cracked tiles, a flash of metal catching a dim glow from a flickering bulb overhead. Harlow Quinn ducked just enough to avoid the sudden thrust of a metal pipe. The pipe clanged against a sealed metal door, reverberating like a dying heartbeat. She stared at the doorway, its hinges corroded, the lock half‑melted, a smear of dark residue staining its frame. The residue was not blood; it smelled of ozone and wet stone, an acrid perfume that made her throat tighten. “Eva?” Harlow called, her voice low, her leather watch ticking against her left wrist with a rhythm that matched the pulsing lights. The satchel slung across Eva’s shoulder swayed as she turned, round glasses perched on a freckled nose, hair tucked behind a left ear in a nervous habit. “Detective Quinn,” Eva replied, her tone steady despite the tremor in her hand as she lifted a small brass compass from a battered leather case. “Look what I found buried under the floorboards.” The compass lay on the concrete, its casing verdigris‑stained, a face etched with protective sigils. The needle spun wildly before settling, pointing toward a hidden alcove in the wall. A faint hum rose from the metal, a low, resonant pulse that seemed to vibrate through the floor planks. “Someone’s been feeding us a story,” Harlow muttered, eyes narrowing. “The victim’s body is missing, yet the blood‑spattered shoes are still here. And why is the compass pointing to a wall that should be solid stone?” Eva lifted the edge of a cracked tile, revealing a jagged seam. “The market moves every full moon,” she whispered, voice barely audible over the distant hum of an unseen generator. “The Veil Market isn’t a place; it’s a conduit. The token that opened this door was a bone, and the token that closed it was… something else.” “Guon,” Harlow snapped, her hand hovering over the leather watch. “You think this is a ritual? The victim’s pocket still held a copy of ‘The Occult Primer’, and the ink on the pages is still wet. Whoever took the body must have been in a hurry.” A low chuckle echoed from the shadows. Harlow turned, pistol drawn, to see a silhouette emerge from an arched passage. The figure wore a trench coat, its collar turned up, a scar marking the left cheek. The silhouette stepped into a shaft of light, revealing a face that Harlow recognized instantly—Detective Harlow Quinn’s own reflection in a shattered mirror, twisted by the candle‑lit glow of a forbidden market. “Who are you?” Harlow demanded, pistol aimed at the mirror‑image. The figure raised a gloved hand, the leather of the glove creaking. “Your partner,” the figure replied, voice a hollow echo. “DS Morris. He never left. He’s part of the market now, feeding on the rifts.” Harlow’s pulse surged. She remembered the night three years ago, the case that had ended in a blaze of inexplicable light, the scream that never faded. The watch on her wrist ticked louder, its worn leather strap tightening around her wrist as if trying to hold her back. “Enough.” Harlow said, lowering the pistol. “Tell me why the compass points here.” “The compass is a tool for the Shade artisans,” Eva answered, her eyes darting between the mirror and the compass. “It points to the nearest portal. The rift is behind that wall, but it’s sealed. Someone opened it, pulled something out, and left the body to rot in the darkness.” Harlow pressed her palm against the wall, feeling a faint vibration, a pulse that matched the compass needle’s restless dance. “If the rift is sealed, why is there a scent of sulphur?” She inhaled, the smell prickling her nostrils, a metallic tang that lingered like a promise of fire. “Because the portal is not sealed; it’s… compromised,” Eva said, voice trembling. “The market uses bone tokens to open doors, but the next token is a living soul. The victim was a… a carrier, a conduit. The market took her, hoping to harness her energy.” A sudden crash echoed from the far end of the chamber. A shelf of jars shattered, scattering shards of glass that glittered like a constellation on the floor. From the darkness beyond the wall, a low growl rose, a sound that seemed to scrape the very air. Harlow turned, pistol raised again, heart pounding. The wall behind the cracked tiles gave way, revealing a yawning black void, a swirling vortex of shadow and light, its edges flickering like a dying firefly. From the vortex, a figure emerged, half‑shrouded, a silhouette of a woman in a tattered coat, eyes glowing with an unearthly hue. “Back, back, back!” Eva shouted, lunging forward, her satchel spilling ancient tomes, a leather‑bound diary falling open on the concrete. The diary’s pages fluttered, revealing a drawing of a compass identical to the one in Harlow’s hand, surrounded by cryptic symbols. The figure from the vortex lifted a hand, and the compass needle spun wildly, pointing directly at Harlow’s chest. A cold hand brushed the leather strap of her watch, and the watch’s ticking faltered, as if the time itself were stuttering. “Don’t—” Harlow began, but a sudden force slammed her against the wall, the impact rattling the pipe she had dodged earlier. The vortex widened, a scream of wind tearing through the chamber, tearing the broken tiles from the floor, scattering them like shrapnel. Eva’s satchel hit the ground, books scattering, a thick, leather‑bound volume flipping open to a page that read: “The Veil Market feeds on the living, the dead, and the forgotten. The Compass guides the hungry.” A metallic clang rang out as a hidden door slammed shut behind the vortex, sealing the darkness inside. The figure’s eyes flickered, a brief flash of recognition crossing its face. “You’ve come too late,” it hissed, voice a chorus of whispers. Harlow’s grip tightened on her pistol, finger trembling. The compass needle now pointed directly at the figure’s throat, a bright, urgent glow that seemed to pulse with a life of its own. The figure recoiled, a gasp escaping its lips, and the vortex began to collapse, the darkness retreating like a tide. “Now!” Eva shouted, grabbing the compass, her fingers digging into the brass casing. “We have to seal it!” Harlow shoved the wall aside, a hidden latch clicking open, revealing a small copper box, its lid inscribed with the same protective sigils as the compass. The box contained a single bone token, polished to a sheen, a faint hum emanating from it. “Place it in the compass,” Eva urged, holding the token aloft. “It will close the rift.” Harlow slipped the token into the compass’s casing, the brass clicking into place. The needle spun one final time, then steadied, pointing downwards, into the void that was now shrinking. The vortex’s roar softened, the darkness receding, the figure’s form dissolving into a cascade of ash that drifted to the floor. A sudden, deafening crack split the air. The wall behind the vault gave way, a cascade of stone tumbling down, revealing a hidden tunnel lined with ancient symbols. A cold wind surged through, carrying a whisper that brushed Harlow’s ear. “…you cannot stop it…” The whisper turned into a scream, a guttural howl that seemed to echo from the very bones of the earth. The tunnel’s entrance began to collapse, dust filling the chamber, the sound of grinding stone echoing like a drumbeat. Harlow grabbed Eva’s arm, pulling her toward the exit. The compass’s needle spun frantically, pointing toward the tunnel’s mouth, then toward the darkness beyond. The watch on Harlow’s wrist ticked faster, the leather strap tightening as if trying to bind her to the moment. A massive slab of concrete slammed into the passage, sealing the tunnel shut. The echo of the slam reverberated, shaking the floor, the shards of glass from earlier scattering like a rain of glittering knives. “Run!” Eva yelled, sprinting toward the cracked doorway that led back to the abandoned tube station. Harlow followed, her boots pounding the concrete, the compass clutched tightly in her hand, its needle now pointing straight ahead, toward an unseen destiny. The door burst open, revealing a narrow stairwell descending into darkness. The air grew colder, the scent of sulphur intensifying, a low hum resonating from below. Harlow paused, breath ragged, the compass’s glow casting eerie shadows on the walls. A sudden, sharp clang echoed from the stairwell, a metallic clang that sounded like a trap snapping shut. The stairwell’s railing gave way, sending a cascade of rusted iron bars tumbling down, blocking the exit. “Behind us!” Eva screamed, turning to see a silhouette emerging from the shadows, a figure cloaked in a tattered coat, its eyes a void of black, a grin spreading across a pallid face. The figure raised a hand, and the compass needle spun wildly, pointing directly at the locked stairwell. A burst of black energy erupted, striking the railing, shattering it into a thousand pieces that fell like rain. Harlow felt a cold hand brush the back of her neck, the leather strap of her watch snapping, the watch’s ticking ceasing. The darkness surged forward, a wave of cold that threatened to swallow them whole. “Now!” Eva shouted, thrusting the compass toward the darkness, its needle glowing brighter, a beacon of light in the black abyss. The compass emitted a high‑pitched whine, a sound that seemed to split the very air. The darkness recoiled, a scream of rage echoing through the tunnel. The figure’s grin faltered, its form wavering like a candle in a storm. A sudden flash of light burst from the compass, illuminating the tunnel, the shadows recoiling, the darkness splintering into shards that fell to the ground like broken glass. The figure roared, a sound that shook the walls, and then vanished, leaving only a lingering smell of ozone and ash. The stairwell’s railing reassembled itself, the iron bars snapping back into place with a satisfying clang. The doorway ahead flickered, the light from the tunnel drawing them forward. Harlow clutched the compass, its needle now steady, pointing toward the exit. The watch on her wrist ticked once more, a soft, steady beat. “Let’s go,” she said, voice low, eyes fixed on the path ahead. Eva nodded, her satchel now empty, the ancient tome lying open on the ground, its pages fluttering in the wind that had begun to die down. They stepped into the doorway, the darkness behind them sealing shut with a final, resonant thud. The tunnel’s end opened into a narrow alley, the sound of distant traffic echoing faintly. The night air smelled of rain and exhaust, a sharp contrast to the stale scent of the underground. A sudden, sharp crack split the silence behind them. A shadow moved in the alley’s darkness, a glint of metal flashing in the dim light. The compass needle twitched, pointing toward the new threat. “Hold your fire!” Harlow warned, her pistol raised, the barrel humming with anticipation. The shadow lunged, a figure cloaked in black, a blade glinting in the faint glow of the streetlamp. The blade sliced through the air, missing Harlow by a hair, the sound a metallic whisper. Eva’s eyes widened, her hand reaching for the satchel, a small brass dagger emerging from its depths, its handle etched with sigils. “Don’t—” Harlow began, but the figure’s hand closed around her wrist, tightening like a vice. A sudden, deafening roar erupted from the alley, a sound that seemed to tear the world apart. The ground trembled, the streetlamp flickered, and a massive, shadowy silhouette rose from the darkness, its form shifting, a vortex of night and flame. The silhouette’s eyes locked onto Harlow’s, a silent promise of chaos. The compass needle spun wildly, pointing straight at the heart of the vortex. “Now!” Eva shouted, hurling the dagger toward the vortex, its blade humming as it sliced through the air. The dagger struck the vortex’s edge, a flash of light exploding, a shockwave rippling outward. The silhouette shrieked, its form fracturing, shards of darkness scattering like broken glass. The alley erupted in a blinding flash, the ground shaking, the night sky tearing open for a heartbeat, a glimpse of stars beyond the city’s grime. When the light faded, the silhouette was gone, the alley empty save for Harlow, Eva, and the compass, its needle now still, pointing toward an unseen horizon. A distant siren wailed, the sound growing louder, echoing through the streets. Harlow tightened her grip on the pistol, the compass warm against her palm. “Looks like we’ve got more work to do,” Eva said, voice hushed, eyes scanning the darkness beyond. Harlow nodded, the leather watch on her wrist finally ticking again, its rhythm matching the pulse of the city. The alley’s darkness seemed to thicken, a low hum rising from the shadows, a promise that the Veil Market was not finished with them yet. A sudden, sharp crack sounded from the far end of the alley, a door slamming shut, a guttural laugh echoing through the night. The compass needle quivered, pointing straight at the source of the sound. Harlow’s eyes narrowed, her pistol trained, heartbeat steady, as the darkness beyond the doorway began to ripple, a portal opening, a vortex of black light swirling, the air humming with an ancient, forbidden power. “Hold onto something,” Eva whispered, a tremor in her voice, as the vortex expanded, swallowing the alley’s light. A cold wind surged, the scent of sulphur and wet stone filling the air, the compass’s glow dimming, the watch’s ticking faltering once more. The portal’s edge tore open, a figure emerging, its silhouette illuminated by a flickering flame, a hand clutching a bone token, eyes glittering with a predator’s hunger. The figure’s voice cut through the night, a low, guttural chant that seemed to echo from the very depths of the earth. “Your time has run out,” the figure hissed, a grin spreading across a pallid face. The vortex surged, a wave of darkness crashing toward Harlow, Eva, and the compass, the alley filling with a deafening roar, the night swallowing everything in an instant.
created_at"2026-02-19T03:44:45.832Z" 2/19/2026, 3:44:45 AM
model"openrouter/aurora-alpha"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1783
moderation_latency(null)
generation_time8092
tokens_prompt4671
tokens_completion3761
native_tokens_prompt4001
native_tokens_completion3025
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0
router(null)
provider_responses(null)
api_type"completions"
id"gen-1771472685-HT3eqyQl0Cu3IZ2f0c0u"
upstream_id"gen-1771472685-HT3eqyQl0Cu3IZ2f0c0u"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Stealth"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags28
adverbTagCount0
adverbTags(empty)
dialogueSentences39
tagDensity0.718
leniency1
rawRatio0
effectiveRatio0
89.48% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2376
totalAiIsmAdverbs5
found
0
adverb"very"
count4
1
adverb"tightly"
count1
highlights
0"very"
1"tightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
7.41% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2376
totalAiIsms44
found
0
word"etched"
count2
1
word"pulse"
count5
2
word"echoed"
count3
3
word"shattered"
count2
4
word"echo"
count4
5
word"dance"
count1
6
word"pounding"
count2
7
word"fluttered"
count1
8
word"flickered"
count3
9
word"whisper"
count3
10
word"echoing"
count5
11
word"reverberated"
count1
12
word"beacon"
count1
13
word"wavering"
count1
14
word"silence"
count1
15
word"glint"
count1
16
word"anticipation"
count1
17
word"glinting"
count1
18
word"depths"
count2
19
word"trembled"
count1
20
word"scanning"
count1
21
word"quivered"
count1
22
word"predator"
count1
highlights
0"etched"
1"pulse"
2"echoed"
3"shattered"
4"echo"
5"dance"
6"pounding"
7"fluttered"
8"flickered"
9"whisper"
10"echoing"
11"reverberated"
12"beacon"
13"wavering"
14"silence"
15"glint"
16"anticipation"
17"glinting"
18"depths"
19"trembled"
20"scanning"
21"quivered"
22"predator"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"eyes widened/narrowed"
count2
highlights
0"eyes widened"
1"eyes narrowed"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences125
matches
0"g with anticipation"
0.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount5
hedgeCount11
narrationSentences125
filterMatches
0"watch"
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences136
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen36
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2375
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions23
unquotedAttributions0
matches(empty)
16.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions59
wordCount2068
uniqueNames6
maxNameDensity1.64
worstName"Harlow"
maxWindowNameDensity4.5
worstWindowName"Harlow"
discoveredNames
Quinn2
Eva20
Harlow34
Detective1
Veil1
Market1
persons
0"Quinn"
1"Eva"
2"Harlow"
places(empty)
globalScore0.678
windowScore0.167
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences121
glossingSentenceCount10
matches
0"pulse that seemed to vibrate through the floor planks"
1"as if trying to hold her back"
2"sound that seemed to scrape the very air"
3"glow that seemed to pulse with a life of its own"
4"howl that seemed to echo from the very bones of the earth"
5"as if trying to bind her to the moment"
6"sounded like a trap snapping shut"
7"sound that seemed to split the very air"
8"sound that seemed to tear the world apart"
9"chant that seemed to echo from the very depths of the earth"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2375
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences136
matches(empty)
69.91% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs70
mean33.93
std13.39
cv0.395
sampleLengths
036
166
249
333
448
536
658
746
868
922
1024
1148
1213
1350
1449
1545
1647
1756
1841
1941
2043
2135
2241
2352
2418
2543
2616
2751
2840
294
3039
3144
3235
3340
3439
3535
3633
3736
3836
3921
4039
4149
4228
4324
4412
4526
4649
4734
4813
4934
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences125
matches
0"was gone"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs371
matches
0"were stuttering"
58.82% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount3
flaggedSentences4
totalSentences136
ratio0.029
matches
0"The residue was not blood; it smelled of ozone and wet stone, an acrid perfume that made her throat tighten."
1"“The Veil Market isn’t a place; it’s a conduit. The token that opened this door was a bone, and the token that closed it was… something else.”"
2"The silhouette stepped into a shaft of light, revealing a face that Harlow recognized instantly—Detective Harlow Quinn’s own reflection in a shattered mirror, twisted by the candle‑lit glow of a forbidden market."
3"“Because the portal is not sealed; it’s… compromised,” Eva said, voice trembling."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount2069
adjectiveStacks0
stackExamples(empty)
adverbCount49
adverbRatio0.023682938617689706
lyAdverbCount16
lyAdverbRatio0.007733204446592557
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences136
echoCount0
echoWords(empty)
96.98% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences136
mean17.46
std6.85
cv0.392
sampleLengths
014
122
214
313
419
520
622
727
825
98
1015
1114
1219
1310
1426
1512
1619
1727
1810
1936
207
2113
2216
2332
2410
2512
269
2715
283
2923
3022
316
327
3320
3430
3520
3629
3712
3833
3911
4017
4119
427
4327
4422
4520
4621
4719
4822
4921
33.82% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats22
diversityRatio0.23529411764705882
totalSentences136
uniqueOpeners32
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences125
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount7
totalSentences125
matches
0"She stared at the doorway,"
1"she whispered, voice barely audible"
2"She remembered the night three"
3"She inhaled, the smell prickling"
4"it hissed, voice a chorus"
5"she said, voice low, eyes"
6"They stepped into the doorway,"
ratio0.056
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount122
totalSentences125
matches
0"The voice cracked through the"
1"A figure lunged forward, boots"
2"Harlow Quinn ducked just enough"
3"The pipe clanged against a"
4"She stared at the doorway,"
5"The residue was not blood;"
6"Harlow called, her voice low,"
7"The satchel slung across Eva’s"
8"Eva replied, her tone steady"
9"The compass lay on the"
10"The needle spun wildly before"
11"A faint hum rose from"
12"Harlow muttered, eyes narrowing"
13"Eva lifted the edge of"
14"she whispered, voice barely audible"
15"Harlow snapped, her hand hovering"
16"A low chuckle echoed from"
17"Harlow turned, pistol drawn, to"
18"The figure wore a trench"
19"The silhouette stepped into a"
ratio0.976
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences125
matches(empty)
ratio0
6.42% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences89
technicalSentenceCount17
matches
0"She remembered the night three years ago, the case that had ended in a blaze of inexplicable light, the scream that never faded."
1"The watch on her wrist ticked louder, its worn leather strap tightening around her wrist as if trying to hold her back."
2"Harlow pressed her palm against the wall, feeling a faint vibration, a pulse that matched the compass needle’s restless dance."
3"A shelf of jars shattered, scattering shards of glass that glittered like a constellation on the floor."
4"The wall behind the cracked tiles gave way, revealing a yawning black void, a swirling vortex of shadow and light, its edges flickering like a dying firefly."
5"A cold hand brushed the leather strap of her watch, and the watch’s ticking faltered, as if the time itself were stuttering."
6"The needle spun one final time, then steadied, pointing downwards, into the void that was now shrinking."
7"The vortex’s roar softened, the darkness receding, the figure’s form dissolving into a cascade of ash that drifted to the floor."
8"The watch on Harlow’s wrist ticked faster, the leather strap tightening as if trying to bind her to the moment."
9"Harlow followed, her boots pounding the concrete, the compass clutched tightly in her hand, its needle now pointing straight ahead, toward an unseen destiny."
10"A burst of black energy erupted, striking the railing, shattering it into a thousand pieces that fell like rain."
11"Harlow felt a cold hand brush the back of her neck, the leather strap of her watch snapping, the watch’s ticking ceasing."
12"A sudden flash of light burst from the compass, illuminating the tunnel, the shadows recoiling, the darkness splintering into shards that fell to the ground lik…"
13"Eva’s eyes widened, her hand reaching for the satchel, a small brass dagger emerging from its depths, its handle etched with sigils."
14"The silhouette shrieked, its form fracturing, shards of darkness scattering like broken glass."
15"Harlow nodded, the leather watch on her wrist finally ticking again, its rhythm matching the pulse of the city."
16"A cold wind surged, the scent of sulphur and wet stone filling the air, the compass’s glow dimming, the watch’s ticking faltering once more."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags28
uselessAdditionCount7
matches
0"Harlow muttered, eyes narrowing"
1"Harlow snapped, her hand hovering over the leather watch"
2"Eva answered, her eyes darting between the mirror and the compass"
3"Eva said, voice trembling"
4"she said, voice low, eyes fixed on the path ahead"
5"Eva said, voice hushed, eyes scanning the darkness beyond"
6"the figure hissed, a grin spreading across a pallid face"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags23
fancyCount15
fancyTags
0"Harlow muttered (mutter)"
1"she whispered (whisper)"
2"Harlow snapped (snap)"
3"Harlow demanded (demand)"
4"Eva shouted (shout)"
5"it hissed (hiss)"
6"Eva shouted (shout)"
7"Eva urged (urge)"
8"Eva yelled (yell)"
9"Eva screamed (scream)"
10"Eva shouted (shout)"
11"Harlow warned (warn)"
12"Eva shouted (shout)"
13"Eva whispered (whisper)"
14"the figure hissed (hiss)"
dialogueSentences39
tagDensity0.59
leniency1
rawRatio0.652
effectiveRatio0.652
61.5392%