Run: 2026-02-19-01KHT00FBDN073NDJ1GVRXH1F5

Run Details

Duration:
6.1s
Cost:
$0.000000
Provider:
Stealth

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The door slammed open, splintering silence. Aurora froze, a half‑filled delivery bag dropping to the floor with a muted thud. Her bright blue eyes flicked to the silhouette in the doorway – a man in a tailored charcoal suit, ivory‑handled cane glinting under the flickering bulb. You’re late. she said, voice low, a hint of sarcasm threading the words. Lucien stepped inside, his heterochromatic eyes—amber and black—scanning the cramped flat with a practiced gaze. He lifted his cane, the hidden blade catching a stray ray of light. “Time’s a luxury I can’t afford,” he replied, his French accent smoothing each syllable. “You know that.” Aurora crossed the narrow kitchen, the scent of fried rice and incense mingling with the stale perfume of the bar below. Her black hair brushed against the back of her neck as she reached for the door latch. “Your timing is always theatrical,” she muttered, fingers brushing the crescent‑shaped scar on her left wrist. Lucien chuckled, a sound that seemed to echo against the brick walls. “The world’s a stage, Rory. And I’m the lead who refuses to exit.” She turned, the flat’s cramped walls closing in, a stack of books and scrolls spilling onto the floor. A faint rustle rose from a corner where Ptolemy, Eva’s byby, lazily stretched. “Why are you here?” Aurora asked, her tone sharper than she intended. “Because the ledger you stole is humming in my pocket,” Lucien said, tapping his cane against the floorboards. “And because you hide a secret in the back of that kitchen drawer.” Aurora’s breath caught. She glanced at the drawer, half‑closed, the wood grain worn from years of use. Somewhere beneath the surface, the faint pulse of a demon‑bound charm throbbed. “Enough games,” she snapped, stepping forward. “If you want that ledger, you’ll have to go through me.” Lucien’s cane tilted, the concealed blade whispering out. “I never asked for permission.” He lowered the blade, the steel singing against the tile. A sudden crash erupted from the hallway—metal doors from a delivery van slamming against the wall, the sound reverberating through the flat. The bar’s neon sign flickered, casting a lurid glow onto the floor. Aurora’s eyes widened. “What the—?” Lucien’s hand moved, the cane becoming a weapon in an instant. “They’re coming for us, Aurora. You should have known the price of borrowing from the underworld.” A low growl rose from the shadows behind the bar, a guttural sound that sent a shiver down Aurora’s spine. The floorboards trembled, as if something massive shifted beneath them. She lunged for the drawer, her fingers dancing over the worn wood, feeling the hidden compartment. “This isn’t what you think,” she hissed. “It’s a binding, not a weapon.” Lucien’s amber eye narrowed. “And you think you can keep it hidden while the city burns?” He swung his cane, the blade catching a stray bottle, sending shards of glass scattering. A flash of movement caught Aurora’s peripheral vision. Ptolemy arched his back, fur bristling, as a blackened silhouette slipped through the doorway. “Damned thing,” Lucien muttered, stepping back. “A demon, of course.” Aurora’s heart hammered. She pressed the scarred wrist against the drawer, feeling the faint hum of the charm pulse faster. “We have to seal it,” she whispered. Lucien raised his cane, the blade humming with a low, ominous resonance. “Together.” They moved in tandem, Aurora’s quick mind racing, Lucien’s practiced grace guiding each step. The demon’s growl rose, a deep, resonant echo that seemed to vibrate the very walls. A sudden flash of fire burst from the kitchen stove, the flames licking the metal pan, casting dancing shadows across the room. “Run!” Lucien shouted, his voice cutting through the heat. Aurora grabbed the drawer, yanking it open. Inside lay a compact, obsidian crystal, pulsing with an inner light. She lifted it, the scar on her wrist tingling as the crystal’s energy brushed her skin. The demon lunged, its claws snapping, inches from her face. Lucien swung his cane, the blade slicing through the air, a thin line of light slicing the creature’s darkness. “Hold it steady!” Aurora yelled, her voice hoarse. The crystal flared, a blinding white burst that surged through the flat, shattering the demon’s form into a cascade of ash. Silence fell, broken only by the distant wail of a siren and the soft purr of Ptolemy. Aurora stared at the empty space where the demon had been, the crystal still humming in her palm. Lucien lowered his cane, his black eye glinting with a mixture of relief and something darker. “You saved my life,” she said, voice barely above a whisper. Lucien smiled, a thin, knowing curve. “You saved mine, Rory. But the night is far from over.” A sudden, frantic knock rattled the door, the metal frame trembling. A muffled voice shouted from outside, “Police! Open up!” Aurora’s breath caught. She glanced at the crystal, its light dimming, and then at Lucien, his cane now grounded, the blade retracted. “Looks like the party’s just begun,” he said, his tone laced with a dangerous calm. The floorboards shivered again, a low, guttural hum rising from beneath the flat. Aurora felt the scar on her wrist flare, a warning that something else waited in the darkness, hungry for the breach they’d just sealed. The door burst open, a flash of blue light spilling into the cramped room, and a figure in a police uniform stepped in, his gun raised. “Freeze!” the officer barked, his voice echoing off the walls. Lucien’s hand slipped to the cane’s hidden compartment, his eyes flickering between Aurora and the intruder. “Now we see how well you can dance with the devil,” he murmured, a faint smile tugging at his lips. The crystal pulsed once more, a soft glow spreading across the floor, illuminating a faint sigil etched into the wood—an ancient ward that had been dormant for centuries. Aurora clenched the crystal, her scar burning, as the officer’s gun clicked, the barrel aimed at the spot where the demon’s ash had settled. A sudden, high‑pitched scream ripped through the air, the sound of a throat being torn asunder, and the floor gave way, a yawning fissure opening beneath their feet. The darkness below swallowed the light, a vortex of shadow pulling at the edges of the room. Lucien’s cane twitched, the blade emerging in a flash of ivory, ready to strike. Aurora’s eyes met his, a silent promise passing between them. The police officer shouted again, “Step back!” but his voice was drowned by the roar of the abyss as the fissure widened, threatening to consume everything. A cold wind blew through the flat, scattering paper and the faint scent of incense into the night. In that instant, a hand clamped over Aurora’s wrist, the scar pulsing with a feral heat. The world tilted, the light of the crystal flickering, and the flat’s walls seemed to close in, sealing them in a moment that felt both endless and fleeting. The sound of a distant bell rang, echoing through the city, as a figure emerged from the darkness, eyes glowing with an unholy fire. Lucien’s blade sang, the ivory handle gripping his palm, his voice a low growl. “Now,” he whispered, “the real game begins.”
created_at"2026-02-19T03:44:58.752Z" 2/19/2026, 3:44:58 AM
model"openrouter/aurora-alpha"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1623
moderation_latency(null)
generation_time5612
tokens_prompt4556
tokens_completion1999
native_tokens_prompt3892
native_tokens_completion1627
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0
router(null)
provider_responses(null)
api_type"completions"
id"gen-1771472698-48MFU72MLXhQyAOHTFW1"
upstream_id"gen-1771472698-48MFU72MLXhQyAOHTFW1"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Stealth"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags19
adverbTagCount1
adverbTags
0"The police officer shouted again [again]"
dialogueSentences29
tagDensity0.655
leniency1
rawRatio0.053
effectiveRatio0.053
87.58% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1208
totalAiIsmAdverbs3
found
0
adverb"lazily"
count1
1
adverb"very"
count1
2
adverb"barely above a whisper"
count1
highlights
0"lazily"
1"very"
2"barely above a whisper"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1208
totalAiIsms34
found
0
word"silence"
count2
1
word"flicked"
count1
2
word"glinting"
count2
3
word"scanning"
count1
4
word"echo"
count2
5
word"pulse"
count2
6
word"charm"
count2
7
word"throbbed"
count1
8
word"flickered"
count1
9
word"trembled"
count1
10
word"dancing"
count2
11
word"resonance"
count1
12
word"racing"
count1
13
word"crystal"
count8
14
word"whisper"
count1
15
word"echoing"
count2
16
word"dance"
count1
17
word"pulsed"
count1
18
word"etched"
count1
19
word"fleeting"
count1
highlights
0"silence"
1"flicked"
2"glinting"
3"scanning"
4"echo"
5"pulse"
6"charm"
7"throbbed"
8"flickered"
9"trembled"
10"dancing"
11"resonance"
12"racing"
13"crystal"
14"whisper"
15"echoing"
16"dance"
17"pulsed"
18"etched"
19"fleeting"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"eyes widened/narrowed"
count1
1
label"sent a shiver through"
count1
highlights
0"eyes widened"
1"sent a shiver down"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences79
matches(empty)
88.61% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount3
narrationSentences79
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences89
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen29
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1205
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions17
unquotedAttributions0
matches(empty)
62.88% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions40
wordCount1033
uniqueNames5
maxNameDensity1.74
worstName"Aurora"
maxWindowNameDensity3
worstWindowName"Lucien"
discoveredNames
French1
Aurora18
Lucien17
Ptolemy3
Eva1
persons
0"Aurora"
1"Lucien"
2"Ptolemy"
3"Eva"
places(empty)
globalScore0.629
windowScore0.667
75.37% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences67
glossingSentenceCount2
matches
0"sound that seemed to echo against the brick walls"
1"echo that seemed to vibrate the very walls"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1205
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences89
matches
0"warning that something"
72.97% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs57
mean21.14
std8.57
cv0.405
sampleLengths
06
140
213
328
417
538
616
725
831
912
1031
1129
1217
1323
1434
155
1627
1730
1829
1931
2022
2110
2227
2313
2429
2522
269
2734
2829
298
3021
3117
3234
3311
3417
3520
3622
3715
3813
3924
4026
4110
4216
4320
4428
4524
4628
4717
4814
4910
96.38% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences79
matches
0"being torn"
1"was drowned"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs184
matches(empty)
14.45% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount5
semicolonCount0
flaggedSentences4
totalSentences89
ratio0.045
matches
0"Her bright blue eyes flicked to the silhouette in the doorway – a man in a tailored charcoal suit, ivory‑handled cane glinting under the flickering bulb."
1"Lucien stepped inside, his heterochromatic eyes—amber and black—scanning the cramped flat with a practiced gaze."
2"A sudden crash erupted from the hallway—metal doors from a delivery van slamming against the wall, the sound reverberating through the flat."
3"The crystal pulsed once more, a soft glow spreading across the floor, illuminating a faint sigil etched into the wood—an ancient ward that had been dormant for centuries."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1036
adjectiveStacks0
stackExamples(empty)
adverbCount16
adverbRatio0.015444015444015444
lyAdverbCount4
lyAdverbRatio0.003861003861003861
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences89
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences89
mean13.54
std6.74
cv0.498
sampleLengths
06
114
226
32
411
515
613
714
83
921
1017
1116
1212
1313
1418
1513
1612
1718
1813
193
2014
2112
226
2311
248
2515
2622
2712
283
292
3011
3116
3220
3310
3416
357
366
374
3827
398
4014
416
424
433
4417
457
4612
471
4814
4915
59.55% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats2
diversityRatio0.3707865168539326
totalSentences89
uniqueOpeners33
44.44% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences75
matches
0"Somewhere beneath the surface, the"
ratio0.013
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount19
totalSentences75
matches
0"Her bright blue eyes flicked"
1"she said, voice low, a"
2"He lifted his cane, the"
3"he replied, his French accent"
4"Her black hair brushed against"
5"she muttered, fingers brushing the"
6"She turned, the flat’s cramped"
7"She glanced at the drawer,"
8"she snapped, stepping forward"
9"He lowered the blade, the"
10"She lunged for the drawer,"
11"He swung his cane, the"
12"She pressed the scarred wrist"
13"They moved in tandem, Aurora’s"
14"She lifted it, the scar"
15"she said, voice barely above"
16"She glanced at the crystal,"
17"he said, his tone laced"
18"he murmured, a faint smile"
ratio0.253
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount72
totalSentences75
matches
0"The door slammed open, splintering"
1"Aurora froze, a half‑filled delivery"
2"Her bright blue eyes flicked"
3"she said, voice low, a"
4"Lucien stepped inside, his heterochromatic"
5"He lifted his cane, the"
6"he replied, his French accent"
7"Aurora crossed the narrow kitchen,"
8"Her black hair brushed against"
9"she muttered, fingers brushing the"
10"Lucien chuckled, a sound that"
11"She turned, the flat’s cramped"
12"A faint rustle rose from"
13"Aurora asked, her tone sharper"
14"Lucien said, tapping his cane"
15"Aurora’s breath caught."
16"She glanced at the drawer,"
17"she snapped, stepping forward"
18"Lucien’s cane tilted, the concealed"
19"He lowered the blade, the"
ratio0.96
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences75
matches(empty)
ratio0
84.55% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences49
technicalSentenceCount4
matches
0"The floorboards trembled, as if something massive shifted beneath them."
1"The crystal flared, a blinding white burst that surged through the flat, shattering the demon’s form into a cascade of ash."
2"The crystal pulsed once more, a soft glow spreading across the floor, illuminating a faint sigil etched into the wood—an ancient ward that had been dormant for …"
3"The world tilted, the light of the crystal flickering, and the flat’s walls seemed to close in, sealing them in a moment that felt both endless and fleeting."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags19
uselessAdditionCount8
matches
0"he replied, his French accent smoothing each syllable"
1"she muttered, fingers brushing the crescent‑shaped scar on her left wrist"
2"Aurora asked, her tone sharper than she intended"
3"He lowered, the steel singing against the tile"
4"Lucien shouted, his voice cutting through the heat"
5"she said, voice barely above a whisper"
6"the officer barked, his voice echoing off the walls"
7"he murmured, a faint smile tugging at his lips"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags17
fancyCount12
fancyTags
0"she muttered (mutter)"
1"she snapped (snap)"
2"she hissed (hiss)"
3"Lucien muttered (mutter)"
4"she whispered (whisper)"
5"Lucien shouted (shout)"
6"Aurora yelled (yell)"
7"voice shouted (shout)"
8"the officer barked (bark)"
9"he murmured (murmur)"
10"The police officer shouted again (shout)"
11"he whispered (whisper)"
dialogueSentences29
tagDensity0.586
leniency1
rawRatio0.706
effectiveRatio0.706
71.7816%