Run: 2026-02-19-01KHT00HKADFSNSE836G6CKAXK

Run Details

Duration:
10.8s
Cost:
$0.000000
Provider:
Stealth

Model input

System
You are an expert and award-winning novel writer in the dark Mystery genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
A guttural clang echoed as the gate shivered, metal teeth grinding against the tunnel’s stone. Harlow Quinn slipped through the widening maw, her worn leather watch flashing pulse in the dim light. The air smelled of rust and something sweet, like burnt incense, and a low hum thrummed beneath the chatter of haggling strangers. She stepped onto the cracked platform of The Veil Market, a maze of stalls lit by flickering torches. A body lay crumpled beneath a tarpaulin, the cloth torn at the corners as if something invisible had ripped through it. The corpse’s cloak fluttered in an unseen breeze, revealing a pale face with a single, freshly etched sigil on the forehead, its lines glowing faintly green. “Eve?” Harlow called, voice cutting through the market’s din. Eva Kowalski knelt beside the corpse, round glasses slipping down her nose. She tucked a strand of curly red hair behind her left ear and lifted a leather satchel, its strap creaking. “Did you find this?” Eva asked, holding up a brass contraption. The compass’s face bore protective sigils, its needle trembling. “It’s pointing—” “The Veil Compass,” Harlow said, stepping forward. “It should point to the nearest rift. If it’s moving, something’s wrong.” Eva’s eyes widened. “The market’s supposed to be stable tonight. Full moon, yes, but the rifts close after the ceremony.” Harlow knelt, her sharp jaw tightening as she examined the corpse. No blood stained the floor; the skin was as dry as parchment. No bullet holes, no knife marks—only the sigil, its ink still wet. A faint smear of ash clung to the victim’s fingertips. “Staged,” Harlow muttered, her hand brushing the ash. “Someone wanted us to think this was a ritual murder.” A uniformed officer, Detective Amelia Hart, stepped from a shadowed stall, her badge glinting. “Looks like a gang hit,” she said, eyes scanning the crowd. “The sigil is a gang tag. The victim was a low‑level courier.” “Gang tag?” Harlow echoed, her tone flat. “The sigil matches the one on the Veil Compass case. That’s not a gang symbol; it’s a protective rune used by Shade artisans.” Amelia frowned. “You’re seeing ghosts again, Quinn. The market’s full of superstition.” Harlow’s gaze snapped to the compass needle. It spun wildly, then steadied, pointing toward a narrow archway hidden behind a stall selling cursed candles. She slipped the compass into her pocket, its brass casing cool against her palm. “Stay here,” she ordered Eva, who nodded, clutching her satchel tighter. “I’m going to see what’s behind that.” The crowd’s murmurs rose as Harlow slipped past the candle stall, the flickering flames casting elongated shadows on the stone walls. The archway loomed, its doorway etched with ancient sigils that pulsed faintly. She pushed the heavy door open, a high-pitched whine echoing as a gust of cold air rushed out. Beyond the arch, a narrow corridor twisted, walls lined with dripping moss. The floor was slick with a thin film of liquid that reflected the strange green glow from the sigil on the corpse. Harlow’s boots splashed, each step echoing like a drumbeat. “Someone’s listening,” she whispered, feeling a prickle on the back of her neck. The Veil Compass, now in her hand, vibrated, its needle pointing straight ahead. She entered a cramped chamber, the air thick with the metallic scent of blood—though no blood lay on the floor. In the centre, a stone altar stood, its surface scarred with fresh scratches. A shallow pool of dark liquid glimmered at its base, rippling as if something moved beneath. “Eva, what did you find in the archives?” Harlow asked without turning, her voice low. Eva’s voice crackled through the market’s speaker system, a thin line of sound. “The Shade artisans crafted compasses to locate rifts, but they also encoded warnings. The sigil on the victim… it’s a binding sigil, used to seal a portal temporarily.” Harlow’s eyes narrowed. “If the portal was sealed, why would someone kill the keeper of the seal?” A soft chuckle drifted from the darkness. A figure emerged, cloaked in a tattered coat, eyes glinting like amber. “You think you’re clever, Detective,” the voice hissed. “But you’re just another pawn.” The figure raised a hand, and the pool of liquid surged, spilling over the altar. A vortex of shadow swirled, the edges humming with a low, resonant tone. Harlow felt the pull, the veil between worlds thinning. “Enough,” she said, stepping forward. Her leather watch ticked loudly, the sound steady against the chaos. She lifted her hand, the Veil Compass now glowing in her palm, its needle pointing directly at the vortex. “The compass knows the rift’s heart,” she declared. “It’s not a murder; it’s a sacrifice to keep the rift closed. Someone killed the keeper and tried to make it look like a gang hit to divert attention.” The cloaked figure sneered. “You’re wrong. The rift feeds on belief. The more people think it’s a murder, the stronger it becomes.” Harlow’s mind raced. She glanced at the sigil on the corpse’s forehead, its green ink still fresh. “You used the sigil to bind the rift, but you didn’t consider the compass’s feedback. The compass points to the rift, not the seal. You misread it, and now the rift is…” She paused as the vortex began to pulse, a low hum rising. “…unstable.” The figure lunged, a dagger flashing. Harlow sidestepped, the blade missing her by centimeters. She swung her left elbow, striking the figure’s ribcage. The cloaked figure staggered, the dagger clattering to the stone floor. “Eva!” Harlow shouted, hearing the researcher’s footsteps echoing through the market. Eva burst into the chamber, breathless, satchel flung over her shoulder. “Give me the compass,” Eva said, voice steady despite the chaos. She reached for Harlow’s hand, but the detective held it tight. “The compass is a tool, not a weapon,” Harlow replied. “We need to close the rift before it tears the market apart.” She turned toward the vortex, the Veil Compass humming in her grip. Its needle spun faster, then froze, pointing directly at the altar’s center. Harlow placed the compass on the stone, its brass casing sinking into the surface as if absorbed. The vortex shuddered, the shadowy whirlpool contracting. A high‑pitched scream rose from the depths, then faded, leaving a lingering chill. The cloaked figure clutched at their throat, eyes widening as the darkness recoiled. “Hold it!” Eva shouted, grabbing a rope from a nearby stall and looping it around the altar’s base. The rope tightened, pulling the stone toward the wall. Harlow pressed her palm to the compass, feeling the energy surge. “Now,” she whispered. The veil snapped shut with a thunderous crack, the shadows recoiling into the stone. The pool of dark liquid evaporated, leaving only a faint oily sheen. The cloaked figure collapsed, the dagger’s blade embedded in the floor, rusted instantly. Silence fell, broken only by the distant murmur of market merchants. Harlow stood, breathing heavily, the compass still warm against her skin. She turned to Eva, who stared at the fallen figure, eyes wide behind her glasses. “Did we stop it?” Eva asked, voice trembling. Harlow glanced at the compass, its needle now still. “We stopped the sacrifice. The rift remains sealed, but someone will try again. The market moves on, but the clues stay.” She reached into her satchel, pulling a bone token, its surface polished by years of use. “We need to keep this safe. If the token falls into the wrong hands, the market will shift, and the rift could reopen.” Eva nodded, sliding the token into her own satchel. “I’ll catalog the sigil, cross‑reference it with the archives. There’s a pattern here…” Harlow’s eyes flicked to the doorway where the market’s crowd had begun to gather, murmurs rising. A shadow slipped past a stall, vanishing into the darkness. She tightened her grip on the compass, feeling its weight like a promise. “Stay sharp,” she warned, voice low. “The Veil Market never sleeps, and neither do its secrets.” A sudden clang echoed from the far end of the tunnel—a metal door slamming shut. Harlow’s hand moved to her left wrist, the worn leather watch ticking in rhythm with her pulse. She turned, ready for the next move, as a faint whisper brushed the back of her ear. “Welcome back, Quinn.” The voice dripped from the shadows, a familiar tone that raised a chill in her spine. She stared into the darkness, the compass needle trembling once more, pointing toward an unseen destination. The market’s neon signs flickered, casting an eerie glow over the stone walls. A figure emerged from the shadows, their silhouette familiar yet altered. “Did you think you could leave without me?” the figure said, stepping into the dim light. It was Detective Amelia Hart, her badge gone, eyes reflecting a cold fire. Harlow’s jaw clenched. “You’re not here for the market, are you?” Amelia’s smile was thin, dangerous. “I’m here for the truth, Quinn. And for the one thing you can’t see.” The Veil Compass spun wildly, its needle whirling toward the darkness. A low, guttural laugh rose from the depths of the market, echoing off the stone arches. The smell of iron and ozone intensified, and the ground trembled beneath their boots. “Whatever you think you know,” Harlow said, voice steel, “the veil is thicker than you imagine.” She lunged forward, the compass clutched in her fist, ready to confront the unseen force that whispered from beyond. A sudden flash of light burst from the altar’s remnants, blinding the market for a heartbeat. When the glare faded, the scene shifted: stalls vanished, the stone walls melted into a swirling vortex of colour and sound. The compass needle spun in a manic dance, pointing nowhere and everywhere. Harlow felt a hand grip her arm—Eva’s, trembling but firm. “We have to run,” Eva whispered, eyes wide behind her glasses. “Run?” Harlow snapped, but the words were swallowed by a roar that rose from the vortex, a chorus of unseen voices chanting in a language older than the city. The ground cracked, and a fissure opened beneath their feet, swallowing the market’s floor. Harlow’s boots slipped, the compass slipping from her hand, landing on the edge of the chasm. The needle plunged, pointing straight down into the darkness. A scream erupted from the abyss, a sound that seemed to echo from every corner of Harlow’s memory—her partner’s last words, the echo of a cursed chant, the whisper of a promise broken. She clung to Eva’s satchel, the bone token clinking against the leather. “Hold on,” Harlow shouted, pulling herself back onto the remaining stone. The vortex’s wind slammed against them, threatening to pull them into its maw. A figure stepped from the shadows, cloaked in the same tattered coat, eyes alight with a fierce glow. “You cannot escape the Veil,” the figure hissed, a hand raised, a dark sigil forming on the palm. Harlow’s breath caught. The Veil Compass, now lying at the chasm’s edge, began to glow brighter, its brass casing emitting a low hum. The sigil on the figure’s hand flickered, then dimmed, as if the compass’s force reached out, seeking to bind the chaos. “Now!” Eva cried, lunging for the compass. Harlow pushed her forward, the metal of her watch clanking against the stone. The figure lunged, but the compass’s light surged, a blade of pure energy cutting through the darkness. The sigil on the figure’s hand shattered, scattering ash that drifted upward, caught by the vortex’s wind. A deafening silence fell. The vortex stilled, the swirling colours collapsing into a single point of light. The ground beneath them steadied, the fissure sealing with a soft click, as if a door had been shut. Harlow stared at the compass, its needle now pointing straight up, toward the ceiling of the underground tunnel. She lifted it, feeling its weight settle in her palm, a promise of direction in a world of uncertainty. “Do you think they’ll come back?” Eva asked, breathless, her satchel heavy with the bone token and the weight of knowledge. Harlow met her gaze, eyes sharp, jaw set. “They always do. But now we know the path.” She turned toward the tunnel’s exit, the faint outline of the market’s hidden entrance visible in the distance. A distant clang rang out, a door slamming somewhere beyond. The market’s murmurs rose again, a low hum of trade and secrets. The Veil Compass needle quivered, pointing toward an unseen future. “Let’s move,” Harlow said, voice low, yet carrying the weight of command. She stepped forward, the echo of her boots merging with the market’s steady rhythm, the whisper of the veil hanging in the air like a promise of more darkness ahead.
created_at"2026-02-19T03:45:01.05Z" 2/19/2026, 3:45:01 AM
model"openrouter/aurora-alpha"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2731
moderation_latency(null)
generation_time10381
tokens_prompt4671
tokens_completion3414
native_tokens_prompt4001
native_tokens_completion2771
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0
router(null)
provider_responses(null)
api_type"completions"
id"gen-1771472701-77x8Bo4Cl93dB302fH3X"
upstream_id"gen-1771472701-77x8Bo4Cl93dB302fH3X"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Stealth"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags30
adverbTagCount0
adverbTags(empty)
dialogueSentences52
tagDensity0.577
leniency1
rawRatio0
effectiveRatio0
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2124
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2124
totalAiIsms50
found
0
word"echoed"
count3
1
word"maw"
count2
2
word"pulse"
count3
3
word"fluttered"
count1
4
word"etched"
count2
5
word"glinting"
count2
6
word"scanning"
count1
7
word"loomed"
count1
8
word"pulsed"
count1
9
word"echoing"
count4
10
word"vibrated"
count1
11
word"pawn"
count1
12
word"raced"
count1
13
word"footsteps"
count1
14
word"depths"
count2
15
word"chill"
count2
16
word"silence"
count2
17
word"flicked"
count1
18
word"weight"
count4
19
word"whisper"
count3
20
word"familiar"
count2
21
word"flickered"
count2
22
word"jaw clenched"
count1
23
word"trembled"
count1
24
word"dance"
count1
25
word"echo"
count3
26
word"shattered"
count1
27
word"quivered"
count1
highlights
0"echoed"
1"maw"
2"pulse"
3"fluttered"
4"etched"
5"glinting"
6"scanning"
7"loomed"
8"pulsed"
9"echoing"
10"vibrated"
11"pawn"
12"raced"
13"footsteps"
14"depths"
15"chill"
16"silence"
17"flicked"
18"weight"
19"whisper"
20"familiar"
21"flickered"
22"jaw clenched"
23"trembled"
24"dance"
25"echo"
26"shattered"
27"quivered"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches3
maxInWindow2
found
0
label"eyes widened/narrowed"
count2
1
label"jaw/fists clenched"
count1
highlights
0"eyes widened"
1"eyes narrowed"
2"jaw clenched"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences137
matches(empty)
69.86% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount4
hedgeCount3
narrationSentences137
filterMatches
0"watch"
hedgeMatches
0"began to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences159
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen35
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2118
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions25
unquotedAttributions0
matches(empty)
45.96% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions75
wordCount1682
uniqueNames10
maxNameDensity2.08
worstName"Harlow"
maxWindowNameDensity3.5
worstWindowName"Harlow"
discoveredNames
Quinn1
Veil7
Market1
Eva16
Kowalski1
Detective2
Amelia4
Hart2
Harlow35
Compass6
persons
0"Quinn"
1"Veil"
2"Eva"
3"Kowalski"
4"Detective"
5"Amelia"
6"Hart"
7"Harlow"
8"Compass"
places
0"Market"
globalScore0.46
windowScore0.5
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences119
glossingSentenceCount1
matches
0"sound that seemed to echo from every corner of Harlow’s memory—her partner’s last words, the echo of a cursed chant, the whisper of a promise broken"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2118
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences159
matches(empty)
64.38% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs67
mean31.61
std11.86
cv0.375
sampleLengths
054
165
241
322
419
520
645
718
837
930
1012
1138
1218
1351
1443
1526
1649
1715
1841
1917
2032
2137
2235
2337
2422
2549
2613
2734
2822
2922
3022
3141
3233
3327
3414
3539
3637
378
3830
3939
4022
4139
4216
4349
4419
4540
4629
4711
4819
4941
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences137
matches
0"were swallowed"
1"been shut"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs318
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount5
semicolonCount3
flaggedSentences8
totalSentences159
ratio0.05
matches
0"No blood stained the floor; the skin was as dry as parchment."
1"No bullet holes, no knife marks—only the sigil, its ink still wet."
2"“The sigil matches the one on the Veil Compass case. That’s not a gang symbol; it’s a protective rune used by Shade artisans.”"
3"She entered a cramped chamber, the air thick with the metallic scent of blood—though no blood lay on the floor."
4"“It’s not a murder; it’s a sacrifice to keep the rift closed. Someone killed the keeper and tried to make it look like a gang hit to divert attention.”"
5"A sudden clang echoed from the far end of the tunnel—a metal door slamming shut."
6"Harlow felt a hand grip her arm—Eva’s, trembling but firm."
7"A scream erupted from the abyss, a sound that seemed to echo from every corner of Harlow’s memory—her partner’s last words, the echo of a cursed chant, the whisper of a promise broken."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1688
adjectiveStacks0
stackExamples(empty)
adverbCount30
adverbRatio0.017772511848341232
lyAdverbCount15
lyAdverbRatio0.008886255924170616
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences159
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences159
mean13.32
std6.26
cv0.47
sampleLengths
015
117
222
318
421
526
69
712
820
911
109
112
127
1312
143
1517
1611
1712
1812
1910
208
2110
2214
2311
2412
257
2623
272
2810
297
3017
3114
3211
337
3421
3512
3618
3712
3822
399
4013
4113
4220
4313
4416
4515
4613
4728
483
4914
43.08% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats11
diversityRatio0.23270440251572327
totalSentences159
uniqueOpeners37
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences133
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount29
totalSentences133
matches
0"She stepped onto the cracked"
1"She tucked a strand of"
2"she said, eyes scanning the"
3"It spun wildly, then steadied,"
4"She slipped the compass into"
5"she ordered Eva, who nodded,"
6"She pushed the heavy door"
7"she whispered, feeling a prickle"
8"She entered a cramped chamber,"
9"she said, stepping forward"
10"Her leather watch ticked loudly,"
11"She lifted her hand, the"
12"She glanced at the sigil"
13"She paused as the vortex"
14"She swung her left elbow,"
15"She reached for Harlow’s hand,"
16"She turned toward the vortex,"
17"Its needle spun faster, then"
18"She turned to Eva, who"
19"She reached into her satchel,"
ratio0.218
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount128
totalSentences133
matches
0"A guttural clang echoed as"
1"Harlow Quinn slipped through the"
2"The air smelled of rust"
3"She stepped onto the cracked"
4"A body lay crumpled beneath"
5"The corpse’s cloak fluttered in"
6"Harlow called, voice cutting through"
7"Eva Kowalski knelt beside the"
8"She tucked a strand of"
9"Eva asked, holding up a"
10"The compass’s face bore protective"
11"Harlow said, stepping forward"
12"Eva’s eyes widened."
13"Harlow knelt, her sharp jaw"
14"A faint smear of ash"
15"Harlow muttered, her hand brushing"
16"A uniformed officer, Detective Amelia"
17"she said, eyes scanning the"
18"Harlow echoed, her tone flat"
19"Harlow’s gaze snapped to the"
ratio0.962
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences133
matches(empty)
ratio0
74.83% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences84
technicalSentenceCount8
matches
0"A body lay crumpled beneath a tarpaulin, the cloth torn at the corners as if something invisible had ripped through it."
1"The corpse’s cloak fluttered in an unseen breeze, revealing a pale face with a single, freshly etched sigil on the forehead, its lines glowing faintly green."
2"The floor was slick with a thin film of liquid that reflected the strange green glow from the sigil on the corpse."
3"A shallow pool of dark liquid glimmered at its base, rippling as if something moved beneath."
4"She lifted her hand, the Veil Compass now glowing in her palm, its needle pointing directly at the vortex."
5"Harlow’s boots slipped, the compass slipping from her hand, landing on the edge of the chasm."
6"The Veil Compass, now lying at the chasm’s edge, began to glow brighter, its brass casing emitting a low hum."
7"She stepped forward, the echo of her boots merging with the market’s steady rhythm, the whisper of the veil hanging in the air like a promise of more darkness a…"
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags30
uselessAdditionCount12
matches
0"Harlow called, voice cutting through the market’s din"
1"Harlow muttered, her hand brushing the ash"
2"she said, eyes scanning the crowd"
3"Harlow echoed, her tone flat"
4"Harlow asked, her voice low"
5"Eva said, voice steady despite the chaos"
6"Eva asked, voice trembling"
7"she warned, voice low"
8"Eva whispered, eyes wide behind her glasses"
9"Harlow snapped, but the words were swallowed by a roar that rose from the vortex, a chorus of unseen voices chanting in a language older than the city"
10"the figure hissed, a hand raised, a dark sigil forming on the palm"
11"Harlow said, voice low, yet carrying the weight of command"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags27
fancyCount14
fancyTags
0"Harlow muttered (mutter)"
1"she ordered (order)"
2"she whispered (whisper)"
3"the voice hissed (hiss)"
4"she declared (declare)"
5"Harlow shouted (shout)"
6"Eva shouted (shout)"
7"she whispered (whisper)"
8"she warned (warn)"
9"Eva whispered (whisper)"
10"Harlow snapped (snap)"
11"Harlow shouted (shout)"
12"the figure hissed (hiss)"
13"Eva cried (cry)"
dialogueSentences52
tagDensity0.519
leniency1
rawRatio0.519
effectiveRatio0.519
68.8260%