Run: 2026-02-19-01KHT02B72N7BNV481NB6B88HE

Run Details

Duration:
58.7s
Cost:
$0.134925

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Detective Harlow Quinn ducked beneath the sagging police tape, her leather watch catching on the yellow plastic. The abandoned Camden tube station yawned before her like a throat, its entrance choked with rubble and decades of grime. Her torch beam cut through the darkness, illuminating graffiti-covered tiles that hadn't seen proper light since the line closed in 1954. "Body's down on the platform." PC Matthews shifted his weight, boots scraping against broken glass. "Found him about three hours ago when some urban explorers called it in." Quinn descended the rusted stairs, each step echoing in the hollow space. The air tasted of mould and something else—copper pennies and burnt matches. At the platform's edge, forensics had already set up their lights, turning the corpse into a harsh tableau of shadows and glare. The victim lay twisted, arms splayed at unnatural angles. Male, mid-thirties, wearing what looked like an expensive suit beneath streaks of blood and dirt. His face... Quinn crouched, studying the expression frozen in death. Terror, yes, but something more. Recognition? Surprise? "Blunt force trauma to the skull." The coroner, Dr. Patel, gestured with his pen. "Multiple defensive wounds on the hands and forearms. He fought back." Quinn pulled on latex gloves and examined the man's fingers. Clean, manicured nails. No dirt beneath them despite the filthy surroundings. She checked his shoes—Italian leather, barely scuffed. "He wasn't down here long before he died." She stood, scanning the platform. "No dust on his clothes except where he fell." Matthews nodded toward a scatter of objects near the body. "Found these in his pockets. Business cards, some cash, and this." Quinn picked up the evidence bag. Inside, a small brass compass caught the forensic lights, its surface green with age. Strange symbols circled the face instead of cardinal directions. The needle pointed not north but directly at the corpse. "Ever seen anything like it?" Matthews asked. She turned the bag, watching the needle swing to maintain its bearing. "No. Have the tech boys photograph everything before—" A scuff of footsteps interrupted her. A figure emerged from the tunnel mouth at the platform's far end, hands raised. "Don't shoot! I'm supposed to be here!" Quinn's hand had already moved to her sidearm. The woman stepping into the light wore round glasses and clutched a leather satchel to her chest. Red curls escaped from beneath a knit cap. "This is an active crime scene." Quinn kept her voice level, professional. "How did you get past the cordon?" "I... there's another entrance." The woman's green eyes darted between Quinn and the body. "Through the maintenance tunnels. I'm Eva Kowalski. I work at the British Museum." Matthews moved to flank her. "Museum's closed this time of night." "The restricted archives never close." Eva's fingers found a curl, tucking it behind her left ear. "I got a call about... about the compass. Someone from your forensics department thought I might help identify it." Quinn glanced at Dr. Patel, who shook his head. None of his team had made that call. "Show me your identification." Eva fumbled in her satchel, producing a laminated badge. British Museum, Research Department, Archives Division. The holographic seal looked genuine enough. "Ms. Kowalski, no one from forensics contacted you." Quinn studied the woman's face. No surprise there, just a tightening around the eyes. "Want to tell me why you're really here?" Eva's gaze slid to the brass compass in its evidence bag. "Because that shouldn't exist. We catalogued the last one in 1887. They were all supposed to be destroyed." "They?" "Shadow compasses. Veil compasses." Eva stepped closer, ignoring Matthews' warning gesture. "Tools for finding... places that don't belong." Quinn felt the hair on her neck prickle. Three years ago, her partner had said something similar before he'd disappeared. Places that don't belong. She'd thought he was losing it, stress from the case getting to him. Then they'd found his body, and the autopsy had revealed things that made no sense. Things the department had buried along with DS Morris. "You're talking about the occult." She kept her tone flat, skeptical. Play the role they expected. "I'm talking about murder." Eva pointed at the compass needle, still aimed at the corpse. "That's not pointing at him because he's dead. It's pointing at what killed him." Dr. Patel cleared his throat. "The cause of death was clearly trauma from a blunt instrument—" "Look at the wounds again." Eva's voice gained strength. "The pattern. Count the strikes." Quinn did. Seven blows to the skull. Seven defensive wounds on each arm. Seven bruises forming a circle on the victim's chest, visible now that she knew to look. "Sacred numbers." Eva's fingers worried at her satchel strap. "Someone performed a ritual killing and tried to make it look random." Matthews snorted. "Come on, guv. She's having us on." But Quinn was already moving, torch beam sweeping the platform. There—scratches in the concrete that looked random until you saw the pattern. A circle, carefully obscured by debris. She kicked aside an empty crisp packet, revealing more symbols carved into the stone. "Get photos of this." She turned back to Eva. "You know what this is?" "A summoning circle. Amateur work, but functional." Eva knelt beside the markings, careful not to disturb them. "Whoever did this had just enough knowledge to be dangerous." Quinn thought of Morris again, of the last case they'd worked together. Missing persons, all found dead in abandoned places throughout London. All with injuries that didn't quite match any weapon the Met could identify. The investigation had led them to old buildings, closed stations, forgotten corners of the city where someone had carved symbols just like these. "Ms. Kowalski, I'm going to need you to come to the station for a formal statement." "I can't." Eva stood, brushing dust from her knees. "Not until after—" She checked her watch, an antique thing that looked hand-wound. "Three hours. Dawn. After that, I'm all yours." "That's not how this works." "Detective Quinn." Eva met her gaze directly. "Whoever killed this man will kill again tonight. The ritual isn't complete. Seven sites, seven deaths, seven hours from sunset to sunrise. This is number five." Quinn's radio crackled. "Control to DI Quinn. We've got another body. Abandoned warehouse in Bermondsey. Similar circumstances to your scene." The compass needle in its evidence bag swung suddenly, pointing east. Toward Bermondsey. Eva's face had gone pale. "That's six."
total_cost0.134925

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags17
adverbTagCount1
adverbTags
0"She turned back [back]"
dialogueSentences46
tagDensity0.37
leniency0.739
rawRatio0.059
effectiveRatio0.043
86.02% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1073
totalAiIsmAdverbs3
found
0
adverb"really"
count1
1
adverb"carefully"
count1
2
adverb"suddenly"
count1
highlights
0"really"
1"carefully"
2"suddenly"
80.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found
0"Patel"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
81.36% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1073
totalAiIsms4
found
0
word"weight"
count1
1
word"echoing"
count1
2
word"scanning"
count1
3
word"footsteps"
count1
highlights
0"weight"
1"echoing"
2"scanning"
3"footsteps"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences82
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount0
narrationSentences82
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences110
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen26
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1067
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions4
unquotedAttributions0
matches(empty)
42.70% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions55
wordCount699
uniqueNames19
maxNameDensity2.15
worstName"Quinn"
maxWindowNameDensity3.5
worstWindowName"Eva"
discoveredNames
Harlow1
Quinn15
Camden1
Matthews5
Dr3
Patel3
Italian1
Museum1
Research1
Department1
Archives1
Division1
Morris2
Play1
Eva12
London1
Met1
Bermondsey1
Seven3
persons
0"Harlow"
1"Quinn"
2"Matthews"
3"Dr"
4"Patel"
5"Museum"
6"Department"
7"Morris"
8"Eva"
9"Met"
10"Seven"
places
0"London"
1"Bermondsey"
globalScore0.427
windowScore0.5
59.09% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences55
glossingSentenceCount2
matches
0"looked like an expensive suit beneath str"
1"quite match any weapon the Met could identify"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.937
wordCount1067
matches
0"not north but directly at the corpse"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences110
matches
0"made that call"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs44
mean24.25
std14.09
cv0.581
sampleLengths
058
128
246
341
425
528
622
721
839
97
1020
1120
127
1333
1419
1527
1611
1735
1817
194
2021
2130
2229
231
2418
2561
2616
2729
2816
2914
3029
3121
329
3342
3414
3527
3658
3716
3830
395
4033
4120
4213
437
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences82
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs123
matches
0"was losing"
64.94% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount3
semicolonCount0
flaggedSentences3
totalSentences110
ratio0.027
matches
0"The air tasted of mould and something else—copper pennies and burnt matches."
1"She checked his shoes—Italian leather, barely scuffed."
2"There—scratches in the concrete that looked random until you saw the pattern."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount548
adjectiveStacks1
stackExamples
0"illuminating graffiti-covered tiles"
adverbCount13
adverbRatio0.023722627737226276
lyAdverbCount3
lyAdverbRatio0.005474452554744526
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences110
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences110
mean9.7
std5.11
cv0.527
sampleLengths
017
120
221
315
413
512
612
722
89
915
102
118
125
131
141
159
165
1711
1810
193
208
217
2213
239
2410
2511
266
2714
289
2910
307
3112
328
336
3414
357
368
3717
388
3912
407
4114
4213
435
446
4516
4619
474
485
498
92.73% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats3
diversityRatio0.5727272727272728
totalSentences110
uniqueOpeners63
45.05% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences74
matches
0"Then they'd found his body,"
ratio0.014
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount9
totalSentences74
matches
0"Her torch beam cut through"
1"She checked his shoes—Italian leather,"
2"She stood, scanning the platform"
3"She turned the bag, watching"
4"She'd thought he was losing"
5"She kept her tone flat,"
6"She kicked aside an empty"
7"She turned back to Eva"
8"She checked her watch, an"
ratio0.122
81.62% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount56
totalSentences74
matches
0"Detective Harlow Quinn ducked beneath"
1"The abandoned Camden tube station"
2"Her torch beam cut through"
3"PC Matthews shifted his weight,"
4"Quinn descended the rusted stairs,"
5"The air tasted of mould"
6"The victim lay twisted, arms"
7"Quinn crouched, studying the expression"
8"Terror, yes, but something more."
9"The coroner, Dr"
10"Patel, gestured with his pen."
11"Quinn pulled on latex gloves"
12"She checked his shoes—Italian leather,"
13"She stood, scanning the platform"
14"Matthews nodded toward a scatter"
15"Quinn picked up the evidence"
16"The needle pointed not north"
17"She turned the bag, watching"
18"A scuff of footsteps interrupted"
19"A figure emerged from the"
ratio0.757
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences74
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences27
technicalSentenceCount1
matches
0"Her torch beam cut through the darkness, illuminating graffiti-covered tiles that hadn't seen proper light since the line closed in 1954."
36.76% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags17
uselessAdditionCount3
matches
0"PC Matthews shifted, boots scraping against broken glass"
1"Quinn kept, professional"
2"She kept, skeptical"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags1
fancyCount0
fancyTags(empty)
dialogueSentences46
tagDensity0.022
leniency0.043
rawRatio0
effectiveRatio0
85.4757%