Run: 2026-02-19-01KHT02WR4KZC8KACKFQFTA5EN

Run Details

Duration:
11.6s
Cost:
$0.001485
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The insistent, rhythmic pounding at the bolted door vibrated through the floorboards, a frantic Morse code that Aurora Carter had no desire to translate. She paused her meticulous arrangement of ancient texts on Eva’s cluttered coffee table, her heart giving a reluctant thump against her ribs. Three deadbolts. Eva, ever the paranoid enchantress, had spared no expense in deterring unwelcome visitors, and Rory, by extension, enjoyed a rather robust sense of security. But this was no casual knock; it was a declaration of urgency. Hesitantly, she padded across the worn rug, the tabby cat, Ptolemy, a ginger blur weaving between her ankles, his tail a question mark of impatience. Rory reached the door, her hand hovering over the topmost bolt. It couldn’t be Evan. He’d been banished from her life, a ghost she’d fought tooth and nail to exorcise. Besides, Evan’s desperation had always manifested in sullen silences and manipulative games, never this raw, untamed assault on her sanctuary. With a deep, fortifying breath, Rory slid the first bolt. Then the second. The third. The door swung inward, revealing not a threat, but a familiar silhouette etched against the dim light of the hallway. Lucien Moreau. He stood there, taller than she remembered, his platinum blond hair slicked back with an almost unnatural sheen, a stark contrast to the rumpled charcoal suit that was his usual armour. His eyes, one amber, the other black, raked over her, intense and searching. An ivory-handled cane, its polished surface glinting, tapped a silent, nervous rhythm against the worn linoleum. He looked like a predator who'd miscalculated his pounce, momentarily caught off guard by the prey’s unexpected composure. “Rory,” he stated, the word a low rumble, devoid of surprise, as if he’d expected her all along, perhaps even welcomed her. A dozen retorts, sharp and defensive, clamoured in her mind, but all that escaped her lips was a choked whisper. “Lucien. What… what are you doing here?” His gaze softened, a flicker of something akin to regret – or was it merely weariness? – clouding his heterochromatic eyes. “I have need of you.” “Need of me?” Rory scoffed, a brittle laugh escaping her. “It’s been months, Lucien. And you don’t exactly have a reputation for polite social calls. Especially not to someone you left… well, you know.” The unspoken history hung between them, thick and cloying as the scent of old paper and dried herbs that permeated Eva’s flat. He’d vanished without a word, without a trace, leaving her adrift in a city she barely knew, a city he seemed to effortlessly navigate. He took a step forward, the polished tip of his cane tracing a delicate arc on the floor. “Circumstances. Unforeseen, inconvenient, and rather dire.” “Dire enough to warrant a personal appearance, bypassing all established channels of communication?” she questioned, her voice regaining some of its usual sharp edge. She stepped back, inviting him in with a reluctant gesture of her hand, though her body screamed for her to slam the door shut. Lucien entered, his presence filling the cramped space with an unsettling energy. The air seemed to thicken, charged with unspoken words and lingering tensions. Ptolemy, sensing the shift, wisely retreated to a precarious perch atop a teetering stack of occult journals. Rory watched as Lucien’s gaze swept over the organised chaos of Eva’s flat – the books piled high, scrolls spilling from their bindings, arcane symbols sketched onto loose parchment. It was a stark contrast to the sterile, controlled environment he usually inhabited, a world of shadows and secrets. “I have made inquiries,” he began, his voice a low cadence that always managed to both soothe and unsettle her. “About a certain… artefact. It has come into rather undesirable hands.” Rory’s brow furrowed. “An artefact? What are you talking about, Lucien? And why come to me? I deliver Pad Thai for a living, not divine wisdom.” She gestured around the room, a pointed reminder of her current mundane existence. “You possess… unique insights, Rory. A perspective that cuts through the usual fog of manipulation and misdirection. Especially where Avaros is concerned.” His mention of the demon realm pricked her ears. Avaros. A name whispered in hushed tones in certain circles, a realm of infernal power and forgotten knowledge, a place Lucien had ties to, a place both he and she had tried to forget. “Avaros is your father’s playground, not mine,” she stated, crossing her arms. “And my ‘insights’ are usually about figuring out the quickest delivery route to avoid traffic. What is this about?” Lucien moved closer, his amber eye locking with her bright blue. “A relic, Rory. A shard of obsidian, imbued with the echoes of a thousand screams. It’s called the 'Malakor’s Whisper'. And it has found its way into the possession of one Elias Thorne.” The name struck her like a physical blow. Elias Thorne. A name laced with poison, a phantom from her past, a man whose cruelty had been instrumental in her flight from London. He was a ghost she’d desperately tried to bury. “Thorne?” The single word was a ragged breath, a testament to the fear that still coiled in her gut at his name. Lucien’s grip tightened on his cane. “He intends to use it. To… amplify his influence. To sow discord on a scale that would make even my father blush.” Rory’s mind raced. Thorne, with his insatiable hunger for power, dabbling in forces he couldn't comprehend, fuelled by something from the demon realm? It was a terrifying prospect. She remembered his cold, calculating eyes, the way he delighted in breaking people, in orchestrating their downfall. He was a viper, and this relic, this ‘Malakor’s Whisper,’ sounded like the venom to match his ambition. “And you think I can help?” Her voice was barely a whisper. The crescent scar on her wrist, a faint silver line against her pale skin, tingled with a phantom pain. The memory of Thorne’s touch, his chillingly possessive words, threatened to resurface. “You are the only one I could think of,” Lucien admitted, his tone laced with a vulnerability she hadn't heard from him before. “You understand the nuances of extraction, the art of misdirection, and… you have faced Thorne before.” The reminder hung in the air, a heavy, unwelcome guest. She remembered the fear, the helplessness, the desperate flight that had brought her to London in the first place, to Eva’s doorstep. But she also remembered the steely resolve that had carried her through, the quick thinking that had saved her then. “Facing him was a mistake I’ve spent years trying to rectify,” she said, her voice firm, though her hands trembled slightly. “I won’t go back to that place, Lucien. Not for anything.” Lucien’s gaze held hers, unwavering. “This isn’t about returning, Rory. It’s about stopping him. Before he drags us all into the abyss he crawls from.” He paused, his eyes flickering with a dangerous intensity. “He intends to use the Whisper to unravel the very fabric of your old life. To visit his particular brand of torment on everyone you ever cared about.” The implicit threat, the knowledge that Thorne would seek to inflict his malice not just on her, but on the few people she’d allowed herself to open up to, struck a chord deep within her. Eva, her fierce, bookish friend, and the gruff but kind proprietor of the Golden Empress, Yu-Fei Cheung, whose restaurant she now worked for, and even the grumpy but loyal Silas, who owned the bar downstairs. Thorne’s reach was long, his cruelty boundless. “What does this… artefact, this Whisper, do exactly?” she asked, her voice low, tinged with apprehension. “It amplifies despair,” Lucien explained, his voice grim. “It feeds on fear, twisting memories, turning loved ones into enemies. It’s a weapon of psychological warfare, perfected over centuries of infernal torment. Thorne wants to use it to cripple your former associates, to sow absolute chaos in their lives, to break them as he tried to break you.” Aurora’s breath hitched. The memory of Thorne’s chillingly manipulative tactics, the way he played with his victims’ minds, flashed before her eyes. He thrived on their shattered psyches, relished in their despair. This relic would be his ultimate tool. “So you want me to help you… what? Steal it back?” she asked, a spark of defiance kindled in her eyes. “Precisely,” Lucien confirmed, his voice regaining some of its usual confident timbre. “Your talent for acquiring the unattainable, for navigating the impossible… it’s precisely what’s needed.” She met his gaze, assessing him. He wasn't asking for a favour; he was demanding a skill he knew she possessed, a skill he’d perhaps even helped hone in their shared, complicated past. “And what’s in it for you, Lucien?” she challenged, her voice hardening. “You’re not exactly known for your altruistic tendencies. Unless, of course, Thorne’s actions somehow threaten your own comfortable existence in the shadows.” A flicker of something unreadable crossed his face. “Thorne’s ambitions extend beyond mere petty revenge, Rory. If he succeeds, the balance shifts. And that would be… detrimental to all parties involved. Including myself.” He stepped closer, the ivory cane tapping a more deliberate rhythm against the floor. “Besides,” he added, his voice dropping to a low, intimate murmur that sent a shiver down her spine, “you owe me, don’t you?” The implied accusation, the raw nerve he’d struck, was like a physical blow. She owed him. For leaving her to pick up the pieces, for vanishing when she needed him most, for the silence that had echoed in her life for months. But she also remembered the whirlwind of their shared nights, the dangerous dance of attraction and distrust, the raw, electric current that had always pulsed between them. “Owe you?” she echoed, her voice tight. “You disappeared, Lucien. You left me in London with nothing but Eva’s warning and a bruised heart. What do I owe someone who abandoned me?” His gaze intensified, a dark, hungry fire igniting in the amber depths of his eyes. “You owe me the woman you were becoming when I left. The woman I saw glimpses of, the one who could face any darkness and walk away unscathed.” He reached out, his long fingers gently brushing a stray strand of black hair from her cheek. His touch, as always, sent a jolt through her, a forbidden spark that ignited the embers of a desire she’d tried so hard to extinguish. “You don’t get to walk back into my life and demand I play your games, Lucien,” she said, her voice trembling, not entirely with fear. “This isn’t a game, Rory,” he countered, his thumb stroking her cheekbone. “This is survival. And I’m not asking you to play *my* games. I’m asking you to help me stop Thorne from playing the most dangerous game of all.” His heterochromatic eyes held hers captive, a silent plea, a dangerous promise. “I need your help, Aurora.” He used her full name, a formality that always signified the gravity of his intentions. It was a plea, yes, but also a statement of fact. He needed her, and she, despite every instinct screaming resistance, felt a reluctant pull, a morbid curiosity, and perhaps, a deep-seated desire to confront the ghosts of her past, especially when they wore such a dangerously familiar face. The air crackled with unresolved history, with the potent perfume of danger and desire, and Rory knew, with a sinking certainty, that her quiet life above Silas’ bar was about to be irrevocably upended. The door had been opened, and there was no easy way to close what had walked in.
created_at"2026-02-19T03:46:18.007Z" 2/19/2026, 3:46:18 AM
model"google/gemini-2.5-flash-lite"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency341
moderation_latency(null)
generation_time11577
tokens_prompt4556
tokens_completion3072
native_tokens_prompt4440
native_tokens_completion2603
native_tokens_completion_images0
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0014852
router(null)
provider_responses
0
endpoint_id"ce839073-aa24-4f29-8358-15b319bd05ec"
is_byokfalse
latency341
model_permaslug"google/gemini-2.5-flash-lite"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771472778-abjspSaE58bgr7Rw2DHN"
upstream_id(null)
total_cost0.0014852
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags25
adverbTagCount1
adverbTags
0"She gestured around [around]"
dialogueSentences40
tagDensity0.625
leniency1
rawRatio0.04
effectiveRatio0.04
84.52% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1938
totalAiIsmAdverbs6
found
0
adverb"hesitantly"
count1
1
adverb"slightly"
count1
2
adverb"very"
count1
3
adverb"precisely"
count2
4
adverb"gently"
count1
highlights
0"hesitantly"
1"slightly"
2"very"
3"precisely"
4"gently"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1938
totalAiIsms55
found
0
word"rhythmic"
count1
1
word"pounding"
count1
2
word"vibrated"
count1
3
word"desire"
count4
4
word"sense of"
count1
5
word"sanctuary"
count1
6
word"familiar"
count2
7
word"etched"
count1
8
word"stark"
count2
9
word"glinting"
count1
10
word"predator"
count1
11
word"whisper"
count6
12
word"flicker"
count2
13
word"unspoken"
count2
14
word"navigate"
count1
15
word"tracing"
count1
16
word"charged"
count1
17
word"furrowed"
count1
18
word"reminder"
count2
19
word"echoes"
count1
20
word"testament"
count1
21
word"raced"
count1
22
word"calculating"
count1
23
word"resolve"
count1
24
word"trembled"
count1
25
word"unwavering"
count1
26
word"intensity"
count1
27
word"unravel"
count1
28
word"tinged"
count1
29
word"apprehension"
count1
30
word"shattered"
count1
31
word"navigating"
count1
32
word"comfortable"
count1
33
word"unreadable"
count1
34
word"down her spine"
count1
35
word"silence"
count1
36
word"echoed"
count2
37
word"dance"
count1
38
word"electric"
count1
39
word"pulsed"
count1
40
word"depths"
count1
highlights
0"rhythmic"
1"pounding"
2"vibrated"
3"desire"
4"sense of"
5"sanctuary"
6"familiar"
7"etched"
8"stark"
9"glinting"
10"predator"
11"whisper"
12"flicker"
13"unspoken"
14"navigate"
15"tracing"
16"charged"
17"furrowed"
18"reminder"
19"echoes"
20"testament"
21"raced"
22"calculating"
23"resolve"
24"trembled"
25"unwavering"
26"intensity"
27"unravel"
28"tinged"
29"apprehension"
30"shattered"
31"navigating"
32"comfortable"
33"unreadable"
34"down her spine"
35"silence"
36"echoed"
37"dance"
38"electric"
39"pulsed"
40"depths"
33.33% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches3
maxInWindow3
found
0
label"hung in the air"
count1
1
label"sent a shiver through"
count2
highlights
0"hung in the air"
1"sent a shiver down"
2"sent a jolt through"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells2
narrationSentences96
matches
0"d with apprehension"
1"y with fear"
68.45% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount5
narrationSentences96
filterMatches(empty)
hedgeMatches
0"seemed to"
1"managed to"
2"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences111
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen49
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans1
markdownWords1
totalWords1938
ratio0.001
matches
0"my"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions18
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions47
wordCount1357
uniqueNames17
maxNameDensity0.74
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Lucien"
discoveredNames
Morse1
Aurora2
Carter1
Eva6
Rory8
Ptolemy2
Evan2
Moreau1
Lucien10
Avaros1
Thorne6
London2
Golden1
Empress1
Yu-Fei1
Cheung1
Silas1
persons
0"Aurora"
1"Carter"
2"Eva"
3"Rory"
4"Ptolemy"
5"Evan"
6"Moreau"
7"Lucien"
8"Thorne"
9"Yu-Fei"
10"Cheung"
11"Silas"
places
0"London"
globalScore1
windowScore1
85.90% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences78
glossingSentenceCount2
matches
0"looked like a predator who'd miscalculate"
1"something akin to regret – or was it merely wea"
96.80% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords1.032
wordCount1938
matches
0"not a threat, but a familiar silhouette etched against the dim light of the ha"
1"not just on her, but on the few people she’d allowed herself to open up to, struc"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences111
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs40
mean48.45
std24.38
cv0.503
sampleLengths
084
175
235
32
478
522
627
726
880
924
1048
1189
1231
1339
1465
1531
1644
1763
1828
1963
2043
2139
2252
2332
2462
2577
2616
2757
2839
2921
3026
3133
3234
3370
3469
3532
3685
3725
3857
39115
97.95% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences96
matches
0"been banished"
1"been opened"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs217
matches
0"was demanding"
14.16% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount3
semicolonCount2
flaggedSentences5
totalSentences111
ratio0.045
matches
0"But this was no casual knock; it was a declaration of urgency."
1"His gaze softened, a flicker of something akin to regret – or was it merely weariness?"
2"– clouding his heterochromatic eyes."
3"Rory watched as Lucien’s gaze swept over the organised chaos of Eva’s flat – the books piled high, scrolls spilling from their bindings, arcane symbols sketched onto loose parchment."
4"He wasn't asking for a favour; he was demanding a skill he knew she possessed, a skill he’d perhaps even helped hone in their shared, complicated past."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1049
adjectiveStacks1
stackExamples
0"beyond mere petty revenge,"
adverbCount34
adverbRatio0.032411820781696854
lyAdverbCount11
lyAdverbRatio0.010486177311725452
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences111
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences111
mean17.46
std10.64
cv0.61
sampleLengths
024
122
22
324
412
525
611
74
815
920
1010
113
122
1320
142
1531
1613
1716
1818
1922
2020
217
2216
235
245
2510
2646
2724
2818
296
3024
3124
3212
3312
3417
3529
3619
3720
3811
393
4036
4131
421
4333
4412
4519
4611
4733
488
492
49.25% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.3333333333333333
totalSentences111
uniqueOpeners37
73.26% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences91
matches
0"Hesitantly, she padded across the"
1"Then the second."
ratio0.022
26.59% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount44
totalSentences91
matches
0"She paused her meticulous arrangement"
1"It couldn’t be Evan."
2"He’d been banished from her"
3"He stood there, taller than"
4"His eyes, one amber, the"
5"He looked like a predator"
6"he stated, the word a"
7"His gaze softened, a flicker"
8"He’d vanished without a word,"
9"He took a step forward,"
10"she questioned, her voice regaining"
11"She stepped back, inviting him"
12"It was a stark contrast"
13"he began, his voice a"
14"She gestured around the room,"
15"His mention of the demon"
16"she stated, crossing her arms"
17"He was a ghost she’d"
18"It was a terrifying prospect."
19"She remembered his cold, calculating"
ratio0.484
9.45% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount82
totalSentences91
matches
0"The insistent, rhythmic pounding at"
1"She paused her meticulous arrangement"
2"Eva, ever the paranoid enchantress,"
3"Rory reached the door, her"
4"It couldn’t be Evan."
5"He’d been banished from her"
6"The door swung inward, revealing"
7"He stood there, taller than"
8"His eyes, one amber, the"
9"An ivory-handled cane, its polished"
10"He looked like a predator"
11"he stated, the word a"
12"A dozen retorts, sharp and"
13"His gaze softened, a flicker"
14"Rory scoffed, a brittle laugh"
15"The unspoken history hung between"
16"He’d vanished without a word,"
17"He took a step forward,"
18"she questioned, her voice regaining"
19"She stepped back, inviting him"
ratio0.901
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences91
matches(empty)
ratio0
51.67% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences47
technicalSentenceCount6
matches
0"He stood there, taller than she remembered, his platinum blond hair slicked back with an almost unnatural sheen, a stark contrast to the rumpled charcoal suit t…"
1"He looked like a predator who'd miscalculated his pounce, momentarily caught off guard by the prey’s unexpected composure."
2"She remembered the fear, the helplessness, the desperate flight that had brought her to London in the first place, to Eva’s doorstep."
3"Eva, her fierce, bookish friend, and the gruff but kind proprietor of the Golden Empress, Yu-Fei Cheung, whose restaurant she now worked for, and even the grump…"
4"For leaving her to pick up the pieces, for vanishing when she needed him most, for the silence that had echoed in her life for months."
5"His touch, as always, sent a jolt through her, a forbidden spark that ignited the embers of a desire she’d tried so hard to extinguish."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags25
uselessAdditionCount11
matches
0"Rory scoffed, a brittle laugh escaping her"
1"she questioned, her voice regaining some of its usual sharp edge"
2"He paused, his eyes flickering with a dangerous intensity"
3"she asked, her voice low, tinged with apprehension"
4"Lucien explained, his voice grim"
5"she asked, a spark of defiance kindled in her eyes"
6"Lucien confirmed, his voice regaining some of its usual confident timbre"
7"she challenged, her voice hardening"
8"she echoed, her voice tight"
9"she said, her voice trembling, not entirely with fear"
10"he countered, his thumb stroking her cheekbone"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount8
fancyTags
0"he stated (state)"
1"she questioned (question)"
2"she stated (state)"
3"Lucien admitted (admit)"
4"Lucien explained (explain)"
5"Lucien confirmed (confirm)"
6"she challenged (challenge)"
7"he added (add)"
dialogueSentences40
tagDensity0.3
leniency0.6
rawRatio0.667
effectiveRatio0.4
69.5113%