Run: 2026-02-19-01KHT03MH4BB9E0WWCECTWRVEA

Run Details

Duration:
1m 47s
Cost:
$0.000000
Provider:
Arcee AI

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The Heartstone pulsed against my chest as we stepped through the archway. Not with the frantic rhythm of before, but a steady, warm beat that felt almost welcoming. The temperature shifted instantly—gone was the London chill, replaced by a gentle warmth that wrapped around us like a blanket fresh from the dryer. "Bloody hell," Silas muttered beside me, his usual cocky grin replaced by something approaching reverence. The corridor stretched before us, impossibly long, its walls carved from what looked like pure amber. Light seemed to emanate from within, casting everything in a honeyed glow. The air smelled of cinnamon and something else—something ancient and sweet, like forgotten orchards in autumn. I reached out to touch the wall. My fingers met resistance, but instead of solid stone, it felt like warm silk. The amber rippled beneath my touch, and for a moment, I thought I saw faces swimming within it—people laughing, crying, living entire lives in the span of seconds. "We should keep moving," Nyx said, their shadow-form solidifying slightly as they stepped forward. "This place... it's aware of us." "Course it is," Silas replied, adjusting his grip on his cane. "Everything in Hel is aware. The question is whether it's friendly." The corridor opened into a vast chamber. My breath caught in my throat. Above us, the ceiling stretched into infinity, a tapestry of constellations that definitely weren't from any Earth sky I recognized. Stars swirled and danced, forming patterns that made my head ache if I tried to follow them too long. But it was the floor that held our attention. A massive map spread out before us, carved into what appeared to be solid crystal. Rivers of molten gold snaked between mountains of deep blue sapphire. Forests of emerald pulsed with an inner light, and in the center, a city of ruby spires reached toward the amber sky. "Is that...?" I started, my voice barely above a whisper. "Dymas," Nyx confirmed, their violet eyes glowing brighter as they took in the map. "The City of Gluttony. And that—" they pointed to a silver thread winding through the golden rivers, "—that's the River Lethe." The Heartstone grew warmer against my skin, pulsing in time with something I couldn't quite place. I looked down at my chest, watching the crimson gem catch the light. It wasn't just warm now—it was hot, burning with a heat that didn't hurt but demanded attention. Silas cleared his throat. "Right then. No time for sightseeing. We've got a prince to meet and a bargain to strike." He stepped onto the map, his foot landing on a patch of deep green that might have been a forest or a field. The crystal beneath his shoe chimed like a bell, sending ripples across the entire surface. The constellations above us shifted, rearranging themselves into new patterns. And then the floor began to move. Not violently, but with a gentle, undulating motion, like waves on a calm sea. The golden rivers flowed, the sapphire mountains rose and fell, and the emerald forests seemed to breathe. We were standing on a living map, a representation of an entire realm in miniature. "Interesting," Nyx murmured, their form becoming more solid as they stepped onto the map beside Silas. "The architecture here is designed to disorient. Makes sense for a realm of excess—keeps visitors off balance." I followed them onto the map, my boots making no sound against the crystal. The Heartstone's pulse quickened, matching my own heartbeat. Something about this place felt... right. Like I'd been here before in a dream I couldn't quite remember. The chamber had three other archways besides the one we'd entered through. Each was framed differently—one in what looked like living vines that bloomed with flowers as we watched, another in what appeared to be frozen fire, and the third in what might have been compressed starlight. "Which way?" I asked, turning to face my companions. Silas pointed his cane at the frozen fire archway. "That one. Fire's always been lucky for me." Nyx shook their head. "The starlight. It's the most stable path." I looked down at the Heartstone, still burning warm against my skin. It pulsed once, twice, then settled into a steady rhythm that pointed toward the living vine archway. "I think..." I started, then stopped. Trust your instincts, Isolde had told me. But which instincts? The ones that had kept me alive so far, or the ones screaming that this was all wrong? The map beneath our feet chose that moment to shift dramatically. The ruby city in the center rose up, its spires stretching toward the amber sky. The golden rivers flooded their banks, and the emerald forests began to wither, their light dimming. "Shit," Silas swore, grabbing onto a nearby crystal outcrop. "Anyone else getting the feeling we're running out of time?" The Heartstone blazed with heat, its crimson light painting our faces in shades of blood. I could feel it now, not just in my chest but in my bones, in my blood. It was calling to something in this place, something ancient and hungry. And it was hungry too. "We need to move," Nyx said, their voice tight with urgency. "Now." I took a step toward the living vine archway, then another. The map rippled beneath my feet, trying to throw me off balance, but I kept moving. The Heartstone's pulse matched my footsteps, a steady drumbeat that drove me forward. Silas and Nyx fell in behind me, their own footsteps adding to the rhythm. The chamber seemed to contract around us, the amber walls pressing closer, the constellations above spinning faster and faster until they were just streaks of light. We reached the archway. The living vines parted before us like a curtain, revealing a tunnel that spiraled down into darkness. Not the empty darkness of night, but a darkness that seemed to have weight and substance, like black velvet. "After you," Silas said, gesturing with his cane. I stepped through, the Heartstone blazing like a star against my chest. The darkness enveloped me, but it wasn't cold or frightening. It was warm and rich, like sinking into a perfectly made bed after a long day. "Welcome to Dymas," Nyx whispered from behind me, their voice carrying a note of something I couldn't quite identify. Anticipation? Fear? "Try not to enjoy yourself too much. Gluttony's not known for letting go of what it claims." The tunnel opened into another chamber, this one filled with the scent of baking bread and roasting meat. My stomach growled, reminding me that I hadn't eaten since... when? Time was getting slippery here. A table stretched before us, piled high with dishes I didn't recognize. Golden fruits that pulsed with inner light. Meats that steamed and sizzled without any apparent heat source. Breads that seemed to be made of pure sunlight. And at the head of the table, a figure waited. Prince Belphegor, I presumed. He was... well, he was large. Not just fat, but massive, his body seeming to flow over the edges of his chair like bread dough rising. His skin was the color of rich caramel, and his eyes were the deep brown of good soil. "Welcome," he said, his voice like honey poured over gravel. "I've been expecting you, Aurora Carter." The Heartstone burned against my chest, its pulse now a frantic drumbeat that matched the racing of my heart. I opened my mouth to speak, but no words came out. Belphegor smiled, and his teeth were the white of fresh bread. "Don't be shy now. We're all friends here. Please, sit. Eat. You must be famished after your journey." The food smelled incredible. My mouth watered, my stomach cramped with hunger. It would be so easy to just reach out, to take a piece of that golden fruit, to taste that steaming meat... "No, thank you," I managed to say, my voice sounding strange in my own ears. "We've come to bargain." Belphegor's smile widened, revealing even more teeth. "Of course you have. But first, you must understand what you're bargaining with. What you're bargaining for." He gestured to the table, and the dishes began to move. The fruits pulsed brighter, the meats steamed harder, and the breads... the breads began to sing. Not with words, but with a melody that spoke of comfort and warmth and everything I'd ever wanted. The Heartstone screamed against my chest, its heat now painful. I clutched at it through my shirt, trying to ground myself in its familiar warmth. "You see," Belphegor continued, leaning forward, "gluttony isn't just about food. It's about wanting. Needing. Never being satisfied, no matter how much you consume." The table was between us, but I could feel his presence pressing against me, could feel the weight of his desire, of his endless hunger. It was overwhelming, suffocating, and for a moment, I thought I might give in. Might reach out and take a piece of that golden fruit, just a taste... But then I remembered Eva's face. Remembered the way she'd looked at me that last night, remembered the promise I'd made to myself to be better, to do better. I took a step back, then another. "We want passage," I said, my voice stronger now. "Through your realm. To the next circle of Hel." Belphegor leaned back in his chair, the wood creaking under his weight. "Passage? Is that all? I had hoped for something more... substantial." The Heartstone pulsed once, hard, against my chest. Not with heat this time, but with something else. Something that felt almost like... agreement. I reached into my pocket and pulled out the small velvet pouch I'd brought from London. The one containing the dried herbs Isolde had given me, the ones that were supposed to protect against temptation. "I have payment," I said, holding up the pouch. "Protection against your influence. A guarantee that we won't be consumed by our desires while in your realm." Belphegor's eyes narrowed, the rich brown darkening to the color of burnt sugar. "Protection? From me? How bold." The table between us began to shake, the dishes rattling against each other. The golden fruits pulsed faster, the meats steamed hotter, and the breads... the breads stopped singing, their silence somehow more ominous than their melody had been. "You dare to bring protection into my domain?" Belphegor's voice had lost its honeyed quality, becoming something harder, sharper. "You dare to suggest that I am not generous enough, not welcoming enough?" The Heartstone burned against my chest, not with pain but with purpose. I could feel it now, could feel the connection between the stone and this place, between the stone and the prince before me. "I don't mean offense," I said quickly, my mind racing. "I only seek to ensure fair dealing. Protection for passage. That's all." Belphegor was on his feet now, the table between us forgotten. He towered over me, his caramel skin darkening to the color of burnt sugar, his brown eyes becoming the black of a bottomless pit. "Fair dealing?" he roared, the sound shaking the chamber around us. "There is no fair dealing with gluttony! There is only want, only need, only the endless cycle of desire and consumption!" The Heartstone blazed against my chest, its crimson light painting the prince in shades of blood. I could feel it now, could feel the stone's purpose, its design. It wasn't just a key or a map. It was a contract. A contract with Dymas itself. I reached up and grasped the stone through my shirt, feeling its heat, its power. "Then let's make a different kind of contract," I said, my voice steady despite the trembling in my limbs. "One that satisfies both our needs." Belphegor froze, his massive form stilling as if I'd cast a spell. "A different contract?" I nodded, my fingers tightening around the Heartstone. "Yes. One where I offer something you want, in exchange for something I need." The prince tilted his head, studying me with those bottomless eyes. "And what could you possibly offer that I want?" I smiled, a real smile this time, one that felt like coming home. "How about a story? The story of how Aurora Carter came to hold the Heartstone of Dymas. The story of why she's here, in Hel, seeking passage through your realm." Belphegor's dark eyes widened, then narrowed. "A story? That's your offer? A mere tale?" I shrugged, my hand still on the Heartstone. "It's not just any story. It's the story of the one who holds your realm's heart. The story of why she's willing to risk everything to pass through here." The prince was silent for a long moment, his massive form still as stone. Then, slowly, he sat back down in his chair, the wood groaning under his weight. "A story," he repeated, his voice softer now, almost thoughtful. "Yes... yes, I think that might do. But it had better be a good one, Aurora Carter. It had better be worth my time." I let out a breath I didn't realize I'd been holding, my fingers loosening their grip on the Heartstone. "Oh, it is," I said, moving to sit at the table across from him. "It's the best story you'll ever hear." And as I began to speak, to tell the tale of how I'd come to be here, in this impossible place, with this impossible stone against my chest, I could feel the Heartstone's pulse change. No longer frantic, no longer hungry, but steady and sure, like a heartbeat. Like the heartbeat of a realm that had finally found its voice.
created_at"2026-02-19T03:46:42.359Z" 2/19/2026, 3:46:42 AM
model"arcee-ai/trinity-large-preview:free"
app_id182717
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provider_responses
0
endpoint_id"b9d81865-ce9a-432a-9cd5-0d9be55e7cb5"
id"chatcmpl-9d7c01b8f3a0fd2b"
is_byokfalse
latency331
model_permaslug"arcee-ai/trinity-large-preview"
provider_name"Arcee AI"
status200
api_type"completions"
id"gen-1771472802-UneRCfJAdikar4t8dHT5"
upstream_id"chatcmpl-9d7c01b8f3a0fd2b"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Arcee AI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags24
adverbTagCount2
adverbTags
0"I started then [then]"
1"I said quickly [quickly]"
dialogueSentences53
tagDensity0.453
leniency0.906
rawRatio0.083
effectiveRatio0.075
89.04% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2281
totalAiIsmAdverbs5
found
0
adverb"slightly"
count1
1
adverb"barely above a whisper"
count1
2
adverb"perfectly"
count1
3
adverb"quickly"
count1
4
adverb"slowly"
count1
highlights
0"slightly"
1"barely above a whisper"
2"perfectly"
3"quickly"
4"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2281
totalAiIsms49
found
0
word"pulsed"
count7
1
word"chill"
count1
2
word"warmth"
count3
3
word"silk"
count1
4
word"tapestry"
count1
5
word"crystal"
count4
6
word"whisper"
count1
7
word"pulse"
count4
8
word"quickened"
count1
9
word"could feel"
count8
10
word"footsteps"
count2
11
word"weight"
count4
12
word"velvet"
count2
13
word"anticipation"
count1
14
word"stomach"
count2
15
word"racing"
count2
16
word"familiar"
count1
17
word"desire"
count2
18
word"silence"
count1
19
word"ensure"
count1
highlights
0"pulsed"
1"chill"
2"warmth"
3"silk"
4"tapestry"
5"crystal"
6"whisper"
7"pulse"
8"quickened"
9"could feel"
10"footsteps"
11"weight"
12"velvet"
13"anticipation"
14"stomach"
15"racing"
16"familiar"
17"desire"
18"silence"
19"ensure"
33.33% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches3
maxInWindow3
found
0
label"let out a breath"
count1
1
label"eyes widened/narrowed"
count2
highlights
0"let out a breath"
1"eyes narrowed"
2"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences152
matches
0"t with urgency"
1.88% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount15
narrationSentences152
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
2"appeared to"
3"began to"
4"managed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences181
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen36
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2273
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions26
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions51
wordCount1824
uniqueNames12
maxNameDensity0.88
worstName"Heartstone"
maxWindowNameDensity2
worstWindowName"Heartstone"
discoveredNames
Heartstone16
London2
Silas8
Earth1
Nyx7
River1
Trust1
Isolde2
Anticipation1
Belphegor10
Eva1
Dymas1
persons
0"Heartstone"
1"Silas"
2"Nyx"
3"Isolde"
4"Belphegor"
5"Eva"
places
0"London"
1"River"
globalScore1
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences130
glossingSentenceCount9
matches
0"looked like pure amber"
1"felt like warm silk"
2"quite place"
3"quite remember"
4"looked like living vines that bloomed wit"
5"darkness that seemed to have weight and substance, like black velvet"
6"quite identify"
7"Breads that seemed to be made of pure sunlight"
8"felt like coming home"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches8
per1kWords3.52
wordCount2273
matches
0"Not with the frantic rhythm of before, but a steady, warm beat"
1"Not violently, but with a gentle, undulating motion, like waves on a calm sea"
2"not just in my chest but in my bones, in my blood"
3"Not the empty darkness of night, but a darkness"
4"Not just fat, but massive, his body seeming to flow over the edges of his chai"
5"Not with words, but with a melody"
6"Not with heat this time, but with something else"
7"not with pain but with purpose"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences181
matches
0"screaming that this"
1"chose that moment"
83.06% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs76
mean29.91
std13.18
cv0.441
sampleLengths
052
115
244
349
420
522
652
79
848
910
1035
1146
1221
1348
147
1546
1633
1740
1847
199
2017
2111
2229
2334
2442
2519
2644
275
2812
2940
3040
3140
328
3338
3438
3534
3638
3710
3848
3916
4030
4129
4234
4319
4424
4545
4625
4724
4853
4929
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences152
matches
0"was framed"
1"been compressed"
2"were supposed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount3
totalVerbs320
matches
0"were standing"
1"was calling"
2"was getting"
48.15% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount6
semicolonCount0
flaggedSentences6
totalSentences181
ratio0.033
matches
0"The temperature shifted instantly—gone was the London chill, replaced by a gentle warmth that wrapped around us like a blanket fresh from the dryer."
1"The air smelled of cinnamon and something else—something ancient and sweet, like forgotten orchards in autumn."
2"The amber rippled beneath my touch, and for a moment, I thought I saw faces swimming within it—people laughing, crying, living entire lives in the span of seconds."
3"\"The City of Gluttony. And that—\" they pointed to a silver thread winding through the golden rivers, \"—that's the River Lethe.\""
4"It wasn't just warm now—it was hot, burning with a heat that didn't hurt but demanded attention."
5"Each was framed differently—one in what looked like living vines that bloomed with flowers as we watched, another in what appeared to be frozen fire, and the third in what might have been compressed starlight."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount651
adjectiveStacks0
stackExamples(empty)
adverbCount25
adverbRatio0.03840245775729647
lyAdverbCount10
lyAdverbRatio0.015360983102918587
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences181
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences181
mean12.56
std6.4
cv0.51
sampleLengths
012
116
224
315
416
512
616
77
814
928
1014
116
1211
1311
147
156
1620
1719
189
1915
2011
2122
2210
2314
2421
2516
2613
2717
284
2917
3023
3115
3210
337
3414
3517
3615
3716
3817
3914
408
415
421
4312
4412
4535
469
479
488
494
52.67% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats13
diversityRatio0.35911602209944754
totalSentences181
uniqueOpeners65
45.66% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences146
matches
0"Then, slowly, he sat back"
1"No longer frantic, no longer"
ratio0.014
85.75% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount49
totalSentences146
matches
0"I reached out to touch"
1"My fingers met resistance, but"
2"My breath caught in my"
3"I started, my voice barely"
4"they pointed to a silver"
5"I looked down at my"
6"It wasn't just warm now—it"
7"He stepped onto the map,"
8"We were standing on a"
9"I followed them onto the"
10"I asked, turning to face"
11"I looked down at the"
12"It pulsed once, twice, then"
13"I started, then stopped"
14"I could feel it now,"
15"It was calling to something"
16"I took a step toward"
17"We reached the archway."
18"I stepped through, the Heartstone"
19"It was warm and rich,"
ratio0.336
38.77% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount123
totalSentences146
matches
0"The Heartstone pulsed against my"
1"The temperature shifted instantly—gone was"
2"Silas muttered beside me, his"
3"The corridor stretched before us,"
4"Light seemed to emanate from"
5"The air smelled of cinnamon"
6"I reached out to touch"
7"My fingers met resistance, but"
8"The amber rippled beneath my"
9"Nyx said, their shadow-form solidifying"
10"Silas replied, adjusting his grip"
11"The corridor opened into a"
12"My breath caught in my"
13"Stars swirled and danced, forming"
14"A massive map spread out"
15"Rivers of molten gold snaked"
16"Forests of emerald pulsed with"
17"I started, my voice barely"
18"Nyx confirmed, their violet eyes"
19"they pointed to a silver"
ratio0.842
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences146
matches(empty)
ratio0
69.81% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences88
technicalSentenceCount9
matches
0"Not with the frantic rhythm of before, but a steady, warm beat that felt almost welcoming."
1"The temperature shifted instantly—gone was the London chill, replaced by a gentle warmth that wrapped around us like a blanket fresh from the dryer."
2"Each was framed differently—one in what looked like living vines that bloomed with flowers as we watched, another in what appeared to be frozen fire, and the th…"
3"The ones that had kept me alive so far, or the ones screaming that this was all wrong?"
4"The Heartstone's pulse matched my footsteps, a steady drumbeat that drove me forward."
5"Not just fat, but massive, his body seeming to flow over the edges of his chair like bread dough rising."
6"The Heartstone burned against my chest, its pulse now a frantic drumbeat that matched the racing of my heart."
7"The one containing the dried herbs Isolde had given me, the ones that were supposed to protect against temptation."
8"I let out a breath I didn't realize I'd been holding, my fingers loosening their grip on the Heartstone."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags24
uselessAdditionCount11
matches
0"Nyx said, their shadow-form solidifying slightly as they stepped forward"
1"I started, my voice barely above a whisper"
2"I asked, turning to face my companions"
3"Nyx said, their voice tight with urgency"
4"I managed, my voice sounding strange in my own ears"
5"I said, my voice stronger now"
6"I said quickly, my mind racing"
7"he roared, the sound shaking the chamber around us"
8"I said, my voice steady despite the trembling in my limbs"
9"he repeated, his voice softer now, almost thoughtful"
10"I said, moving to sit at the table across from him"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags20
fancyCount9
fancyTags
0"Silas muttered (mutter)"
1"Nyx confirmed (confirm)"
2"Nyx murmured (murmur)"
3"Silas swore (swear)"
4"Nyx whispered (whisper)"
5"I managed (manage)"
6"Belphegor continued (continue)"
7"he roared (roar)"
8"he repeated (repeat)"
dialogueSentences53
tagDensity0.377
leniency0.755
rawRatio0.45
effectiveRatio0.34
64.9373%