Run: 2026-02-19-01KHT04613DYPCBPAMVZF7NPX3

Run Details

Duration:
1m
Cost:
$0.062100
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Three heavy thuds rattled the door in its frame, shaking dust from the lintel. I froze, one hand hovering over the electric kettle, the other gripping the counter of the kitchenette hard enough to turn my knuckles white. It wasn’t Eva. Eva possessed a key and the good sense to announce herself via text before ascending the three flights of stairs above the curry house. And it wasn’t a delivery; the Golden Empress didn’t service this side of Brick Lane, and I certainly hadn't ordered anything. The pounding came again. Harder. I snatched the serrated bread knife from the drying rack. A pitiful weapon against what usually bumped in London's night, but it offered a weighty, cold comfort. I crept across the narrow hallway, stepping over stacks of dusty hardbacks and unrolled scrolls that made the carpet virtually invisible. "Who is it?" I called out. Silence stretched, heavy and suffocating. The air in the flat, usually thick with the scent of old paper and the spices rising from the restaurant below, suddenly felt thin. "Open the door, Aurora." The voice was low, smooth like velvet dragged over gravel, and undeniably French. My stomach did a traitorous little flip, followed immediately by a surge of bile. Of all the things to come scratching at my door, he was the last one I wanted to deal with. And the one I was least equipped to handle. I slid the first deadbolt back. Then the second. I left the chain on, cracking the door two inches. A splice of the hallway light revealed a strip of charcoal wool suit and a platinum blond head. Even in the dim corridor, that single amber eye of his seemed to glow with irritating bioluminescence. "You're not supposed to be here," I said. Lucien Moreau looked down at me, or at least the slice of me visible through the gap. "And you are not supposed to be hiding in a glorified broom closet above a vindaloo shop, yet here we are. The chain, if you please." "Eva has strict rules about vampires." "I am not a vampire, *chérie*." He sounded bored. "And your friend's wards are leaking magic like a sieve. If I found you, others can. Open." "Give me one good reason why I shouldn't leave you out there." "Because I am currently the only thing standing between you and the Court of Avaros," he said, his voice dropping an octave. "And because I brought wine." He held up a bottle. A vintage red, darkened glass, dust on the label. I looked at the bottle, then back at the mismatched eyes. The last time I saw him, he’d watched me bleed on a warehouse floor and told me it was a necessary sacrifice for the greater good. He’d vanished before the ambulance arrived. "Keep the wine," I said and tried to slam the door. An ivory-handled cane slotted into the gap with impossible speed. The wood groaned. With a casual flick of his wrist, Lucien leveraged the door open, snapping the brass chain like it was made of sugar-spun glass. Metal links skittered across the floorboards. He stepped inside, filling the cramped space with an overwhelming presence of expensive cologne, ozone, and danger. "Rude," he murmured, glancing at the broken chain. "I'll have that replaced." "Get out." I kept the knife leveled at his chest. Lucien didn’t even look at the blade. He took a slow, deliberate survey of the room—the piles of research notes Eva had left on the sofa, the half-eaten toast on the coffee table, the general chaos of two women trying to live in a space meant for one. His lip curled slightly. "You have a unique talent for finding the most squalid corners of this city, Aurora." He turned to me, closing the door behind him with a soft click. "It is beneath you." "It's safe. Or it was." I didn't lower the knife. "How did you find me?" "You used your credit card to buy cat food three streets away." He gestured with the cane toward the top of the bookshelf, where Ptolemy, Eva’s massive tabby, was pressed into the shadows, hissing softly. "Sloppy. I expected better from someone so terrified of her past." "I am not terrified." "No?" He took a step closer. Limping slightly, relying on the cane, but moving with the predatory grace of a jungle cat. "Then why is your pulse visible in your neck? Why are you gripping that bread knife as if you intend to carve a turkey?" "Maybe I just don't like trespassers." "Trespasser implies I am unwanted." "You are." "Liar." He was close now. Too close. I could see the flecks of gold in his amber eye and the endless, abysmal dark of the black one. He smelled of rain and ancient things. The memories I’d spent six months bottling up—the adrenaline, the fear, the undeniable heat of his hands on my skin when we were running for our lives—threatened to spill over. I backed up until my calves hit the sofa. "What do you want, Lucien? You made it very clear in November that our transaction was concluded." He winced, a microscopic tightening of the jaw that anyone else would have missed. "November was... complicated." "You used me as bait." "I used you as a distraction. There is a distinction." "Tell that to the crescent scar on my wrist." His gaze dropped to my left hand. I hadn't realized I was rubbing the mark with my thumb. His expression shifted, the arrogance cracking to reveal something darker, hungrier. He reached out, his gloved fingers hovering inches from my skin. "May I?" "No." I snatched my hand away. "Talk. Fast. Or I start screaming. This is a residential building; someone will call the police." He laughed, a dry, humorless sound. "The police do not come to this postcode, Aurora. You know that. And even if they did, what would you tell them? That a man in a three-piece suit is annoying you?" He turned and cleared a stack of occult encyclopedias off the only armchair, seemingly unbothered by the dust cloud that erupted. He sat, arranging his cane between his knees, looking every bit the demon prince holding court in a dumpster. "I need your help," he said. "Funny. You didn't need my help when you had your payout." "This is not about money." He leaned forward, the casual air evaporating. "Something has been stolen from me. Something... volatile." "Let me guess. An artifact? A soul? A cursed monkey's paw?" "A name," he said softly. The temperature in the room seemed to drop ten degrees. Ptolemy let out a low growl from the bookshelf. "A name?" I repeated. "My true name. The one my father gave me." His fingers tightened on the ivory handle of his cane until the leather of his gloves creaked. "It was written on a scroll I kept in my private vault. Two nights ago, the vault was opened. The scroll is gone." I stared at him. I knew enough about his world to understand the implications. With a demon's true name, you didn't just control them; you owned them. Body, mind, and power. "Who took it?" "If I knew that, I would be skinning them alive right now rather than debating the merits of hospitality with you." He looked at me, his gaze intense. "The thief left a trace. A cipher. It relies on logic that is not magical, but legalistic. Human logic. Convoluted, bureaucratic loops." "And you need a law school dropout to solve it." "I need someone whose mind works in angles that others miss. Someone who sees patterns in chaos." He gestured around the messy room. "You are uniquely qualified." "Pass." I turned back to the kitchenette to finally make that tea. My hands were shaking. "Find another consultant. I'm retired." "There is no retirement, Aurora. Not once you have seen behind the curtain." I heard the *thump-drag* of his step behind me. He didn't stop until he was right at my shoulder. He didn't touch me, but the heat radiating from him was a physical weight. "They will come for you eventually," he whispered near my ear. "Your ex-boyfriend. The things he serves. You think this door, these pitiful locks, will stop them? Evan is not the man you left in Cardiff. He is... changing." I spun around, the knife coming up between us. "Don't say his name." "Evan," strictly to provoke me. "He has been asking questions in the below-markets. Offering bounties. He wants his property back." The word *property* snapped something inside me. I lunged, driving the point of the knife toward his shoulder. It was a sloppy, emotional strike. Lucien caught my wrist. His grip was iron, immovable. He didn't twist or hurt me, just held my arm suspended in the air. We were chest to chest now. I could see the pores of his pale skin, the faint lines of exhaustion around his eyes that the shadows had hidden. "I am not him," he said, his voice fierce. "I do not want to own you, Aurora. I want to hire you. And in exchange, I will offer you the only thing that matters." "Money?" I spat. "Protection. Real protection. Not this..." He glanced at the ceiling. "This cardboard fortress." I tried to yank my wrist back. He held on for a second longer than necessary, his thumb brushing over the pulse point where my heart was hammering a frantic rhythm, before letting go. I stumbled back, rubbing my wrist. "If someone has your name, Lucien, you're already compromised. Why should I trust a man who might be a puppet by tomorrow morning?" "Because if I become a puppet, the first thing my new master will do is send me to tie up loose ends." He straightened his jacket. "And you, *ma chérie*, are the loosest end I have." A chill that had nothing to do with the drafty window settled in my marrow. He was threatening me and asking for help in the same breath. Classic Lucien. "Show me the cipher," I said. He reached into his inner pocket and withdrew a folded piece of parchment. It was thick, creamy vellum, smelling of ozone. He placed it on the counter between us. "We do not have much time," he said. "The thief... he is impatient." I looked down at the paper. It wasn't a spell. It was a riddle masked as a contract clause, written in a handwriting I recognized. My breath hitched. "This is Evan's handwriting." "Is it?" Lucien’s face betrayed nothing, but the air around him crackled. "Then we have a dire problem." "You said you didn't know who took it." "I suspected. Now I know." He moved toward the window, peering through the grime-streaked glass down at the rainy street. "And if he led me here, to you..." A sharp, high-pitched whine began to emmanate from the walls. It sounded like a dog whistle amplified through a speaker system. On the shelf, Ptolemy screeched and bolted for the bedroom. The lightbulb in the hallway flickered and died. "Get away from the window," Lucien barked. "What is that noise?" "The wards failing." He turned, his cane snapping up to reveal the glimmer of the hidden blade within the shaft. His casual demeanor was gone, replaced by the lethal focus of a soldier. "It seems my name wasn't the only thing he wanted. He wanted us in the same room." The front door, the one with the broken chain and the three deadbolts, didn't shatter. It simply dissolved into ash, drifting down to the floor in a grey heap. Standing in the dark hallway was a silhouette. Tall. Broad. Familiar. "Hello, Rory," the figure said. "And you, demon. I believe you have something of mine." I gripped the counter, the floor tilting beneath my feet. Evan. But his voice sounded like wet earth, and when he stepped into the light of the streetlamps filtering through the window, his smile was too wide, too full of teeth. Lucien stepped in front of me, the blade of his cane glinting in the gloom. "Run," he commanded. "Not without the exit clause," I said, my mind racing faster than my fear. I grabbed the vellum from the counter and jammed it into my pocket. "Clever girl," Evan purred, stepping over the threshold of ash. Lucien lunged.
created_at"2026-02-19T03:47:00.278Z" 2/19/2026, 3:47:00 AM
model"google/gemini-3-pro-preview-20251117"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency4449
moderation_latency(null)
generation_time59994
tokens_prompt4556
tokens_completion3950
native_tokens_prompt4440
native_tokens_completion4435
native_tokens_completion_images0
native_tokens_reasoning1630
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0621
router(null)
provider_responses
0
endpoint_id"c9badacd-c552-40a2-86e6-4b4e8dd4318f"
is_byokfalse
latency4449
model_permaslug"google/gemini-3-pro-preview-20251117"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771472820-pd1MNckNKuxgEisuUqeG"
upstream_id(null)
total_cost0.0621
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags35
adverbTagCount3
adverbTags
0"he said softly [softly]"
1"He gestured around [around]"
2"I turned back [back]"
dialogueSentences85
tagDensity0.412
leniency0.824
rawRatio0.086
effectiveRatio0.071
85.54% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2075
totalAiIsmAdverbs6
found
0
adverb"suddenly"
count1
1
adverb"slightly"
count2
2
adverb"softly"
count2
3
adverb"very"
count1
highlights
0"suddenly"
1"slightly"
2"softly"
3"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
66.27% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2075
totalAiIsms14
found
0
word"electric"
count1
1
word"pounding"
count1
2
word"silence"
count1
3
word"velvet"
count1
4
word"stomach"
count1
5
word"pulse"
count2
6
word"weight"
count1
7
word"chill"
count1
8
word"flickered"
count1
9
word"familiar"
count1
10
word"glinting"
count1
11
word"gloom"
count1
12
word"racing"
count1
highlights
0"electric"
1"pounding"
2"silence"
3"velvet"
4"stomach"
5"pulse"
6"weight"
7"chill"
8"flickered"
9"familiar"
10"glinting"
11"gloom"
12"racing"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences135
matches(empty)
89.95% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount5
narrationSentences135
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
2"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences184
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen43
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans4
markdownWords5
totalWords2065
ratio0.002
matches
0"chérie"
1"thump-drag"
2"property"
3"ma chérie"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions29
unquotedAttributions1
matches
0"On the shelf, Ptolemy screeched and bolted for the bedroom."
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions25
wordCount1350
uniqueNames12
maxNameDensity0.67
worstName"Lucien"
maxWindowNameDensity1.5
worstWindowName"Lucien"
discoveredNames
Eva4
Golden1
Empress1
Brick1
Lane1
London1
Silence1
French1
Lucien9
Moreau1
Ptolemy3
Limping1
persons
0"Eva"
1"Empress"
2"Silence"
3"Lucien"
4"Moreau"
5"Ptolemy"
6"Limping"
places
0"Brick"
1"Lane"
2"London"
globalScore1
windowScore1
68.48% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences92
glossingSentenceCount3
matches
0"only armchair, seemingly unbothered by the d"
1"sounded like a dog whistle amplified throu"
2"sounded like wet earth, and when he steppe"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.484
wordCount2065
matches
0"not magical, but legalistic"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences184
matches
0"make that tea"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs95
mean21.74
std16.27
cv0.749
sampleLengths
014
172
25
348
46
529
64
756
819
935
108
1143
126
1326
1412
1527
1614
1743
1811
1942
2017
2112
2210
2352
2432
2515
2646
274
2846
296
305
312
321
3363
3426
3517
365
3710
389
3940
402
4122
4238
4340
446
4511
4620
4711
485
4919
97.47% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences135
matches
0"was made"
1"was pressed"
2"was gone"
57.55% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount5
totalVerbs234
matches
0"were running"
1"was rubbing"
2"were shaking"
3"was hammering"
4"was threatening"
65.22% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount3
semicolonCount3
flaggedSentences5
totalSentences184
ratio0.027
matches
0"And it wasn’t a delivery; the Golden Empress didn’t service this side of Brick Lane, and I certainly hadn't ordered anything."
1"He took a slow, deliberate survey of the room—the piles of research notes Eva had left on the sofa, the half-eaten toast on the coffee table, the general chaos of two women trying to live in a space meant for one."
2"The memories I’d spent six months bottling up—the adrenaline, the fear, the undeniable heat of his hands on my skin when we were running for our lives—threatened to spill over."
3"\"Talk. Fast. Or I start screaming. This is a residential building; someone will call the police.\""
4"With a demon's true name, you didn't just control them; you owned them."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1358
adjectiveStacks1
stackExamples
0"sharp, high-pitched whine"
adverbCount35
adverbRatio0.02577319587628866
lyAdverbCount16
lyAdverbRatio0.011782032400589101
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences184
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences184
mean11.22
std7.79
cv0.694
sampleLengths
014
124
23
324
421
54
61
710
817
921
106
115
1224
134
1413
1514
1620
179
186
193
2010
2118
2217
238
2417
2526
266
279
2817
2912
3022
315
325
339
3411
3526
366
3711
3810
393
4023
416
4217
438
444
4510
467
4741
484
4928
59.60% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.3804347826086957
totalSentences184
uniqueOpeners70
56.02% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences119
matches
0"Then the second."
1"strictly to provoke me"
ratio0.017
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount78
totalSentences119
matches
0"I froze, one hand hovering"
1"It wasn’t Eva."
2"I snatched the serrated bread"
3"I crept across the narrow"
4"I called out"
5"My stomach did a traitorous"
6"I slid the first deadbolt"
7"I left the chain on,"
8"He sounded bored"
9"he said, his voice dropping"
10"He held up a bottle."
11"I looked at the bottle,"
12"He’d vanished before the ambulance"
13"I said and tried to"
14"He stepped inside, filling the"
15"he murmured, glancing at the"
16"I kept the knife leveled"
17"He took a slow, deliberate"
18"His lip curled slightly."
19"He turned to me, closing"
ratio0.655
14.62% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount106
totalSentences119
matches
0"I froze, one hand hovering"
1"It wasn’t Eva."
2"Eva possessed a key and"
3"The pounding came again."
4"I snatched the serrated bread"
5"A pitiful weapon against what"
6"I crept across the narrow"
7"I called out"
8"Silence stretched, heavy and suffocating."
9"The air in the flat,"
10"The voice was low, smooth"
11"My stomach did a traitorous"
12"I slid the first deadbolt"
13"I left the chain on,"
14"A splice of the hallway"
15"Lucien Moreau looked down at"
16"He sounded bored"
17"he said, his voice dropping"
18"He held up a bottle."
19"A vintage red, darkened glass,"
ratio0.891
42.02% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences119
matches
0"Even in the dim corridor,"
ratio0.008
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences53
technicalSentenceCount3
matches
0"I crept across the narrow hallway, stepping over stacks of dusty hardbacks and unrolled scrolls that made the carpet virtually invisible."
1"He sat, arranging his cane between his knees, looking every bit the demon prince holding court in a dumpster."
2"He held on for a second longer than necessary, his thumb brushing over the pulse point where my heart was hammering a frantic rhythm, before letting go."
53.57% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags35
uselessAdditionCount5
matches
0"he said, his voice dropping an octave"
1"He leaned, the casual air evaporating"
2"He looked, his gaze intense"
3"he said, his voice fierce"
4"I said, my mind racing faster than my fear"
91.18% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags15
fancyCount5
fancyTags
0"he murmured (murmur)"
1"I repeated (repeat)"
2"he whispered (whisper)"
3"I spat (spit)"
4"Lucien barked (bark)"
dialogueSentences85
tagDensity0.176
leniency0.353
rawRatio0.333
effectiveRatio0.118
81.3825%