Run: 2026-02-19-01KHT04VNV8F5P910NTFMV1YVH

Run Details

Duration:
46.3s
Cost:
$0.029415

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The abandoned Camden Tube station reeked of decay and something else—something metallic that made Detective Harlow Quinn's teeth ache. She descended the rusted stairs, her worn leather watch catching what little light filtered through the grime-streaked entrance above. The beam of her torch cut through the darkness, revealing Victorian-era tiles cracked and blackened with age. "Been here since dawn," Detective Sergeant Mills called from deeper in the tunnel. His voice echoed strangely in the enclosed space. "Victim's name is Thomas Hartwell, thirty-four. No identification on him, but we ran prints." Quinn's boots crunched on broken glass as she approached the body. Hartwell lay sprawled beside what had once been the platform edge, his limbs twisted at unnatural angles. Blood pooled beneath his head, dark and congealed. "Fall from the platform?" "That's what it looks like." Mills gestured upward. "Twenty-foot drop, give or take. Broke his neck on impact." Quinn knelt beside the corpse, her sharp jaw tightening. Something nagged at her—the same feeling she'd had three years ago when Morris died. The same wrongness that preceded everything falling apart. "When did London Transport seal this station?" "1956. Been locked up tight ever since." She played her torch across the platform above. The metal safety barriers stood intact, no gaps wide enough for a man to slip through accidentally. "So how did he get up there?" Mills shrugged. "Probably climbed over. You know how these urban explorers are—always pushing boundaries." Quinn examined Hartwell's clothing. Designer jeans, expensive leather jacket, Italian shoes that cost more than her monthly salary. Not the typical gear for crawling through abandoned tunnels. "Look at his hands." Mills crouched beside her. "What about them?" "No dirt under his nails. No scrapes or cuts. These shoes?" She lifted one polished oxford. "Barely scuffed. This man didn't climb down here through construction barriers and rusty fences." "Maybe he had help. Someone lowered him down." "From where? The entrance we used is the only way in that doesn't require industrial cutting equipment." Quinn stood and swept her torch across the tunnel walls. The beam caught something that made her pause. There—carved into the grimy tile work. Symbols that looked almost like letters but wrong somehow, as if someone had taken the alphabet and twisted it into unrecognizable shapes. The markings formed a rough circle around what appeared to be a makeshift marketplace. "Mills, when did the cleanup crew clear this area?" "They haven't yet. Why?" Quinn walked deeper into the tunnel. Scattered across the platform were the remnants of what looked like vendor stalls—wooden crates, fabric scraps, and strange glass bottles that caught the torchlight like prisms. But everything had been hastily abandoned, left as if people had fled in the middle of conducting business. "This wasn't just some vagrant camp." She picked up one of the bottles, holding it to the light. The liquid inside swirled with colours that shouldn't exist—deep purples that shifted to silver, then to something that hurt to look at directly. Mills appeared at her shoulder. "Could be drugs. New synthetic maybe." "When was the last reported sighting of activity down here?" "Never. According to Transport Police, this place has been dead for decades." Quinn's torch beam found more evidence of recent occupation. Fresh candle wax pooled on makeshift tables. Ash from fires that couldn't have been cold for more than a few hours. And everywhere, those strange symbols carved or painted on every available surface. She crouched beside what appeared to be a vendor's stall. Scattered coins lay across the warped wooden surface—but not British currency. These were older, made from metals that seemed to absorb light rather than reflect it. One bore the image of a tree with roots that extended beyond the coin's edge. Another showed a door standing open in an empty field. "Mills, I need you to contact the Museum. Ancient coins division." "You think this is some kind of archaeological find?" Quinn didn't answer immediately. She'd found something else—a small brass compass half-hidden beneath an overturned crate. The casing was green with verdigris, and the face was etched with symbols that matched those carved into the tunnel walls. But when she held it up, the needle didn't point north. It spun wildly for a moment before settling on a direction that led deeper into the abandoned station. "Detective Quinn?" Mills sounded impatient. "What are you thinking?" She pocketed the compass. "I'm thinking Thomas Hartwell didn't fall from that platform." "The injuries are consistent with—" "Look at the blood spatter." Quinn directed her torch toward the walls. "If he fell twenty feet and hit headfirst, where's the spray pattern? Blood should have spread in an arc from the point of impact." Mills examined the scene more carefully. "I see pooling beneath the body, but you're right. No arterial spray on the walls." "Because he was already dead when he hit the ground." Quinn played her light across Hartwell's neck. "See these marks? Finger-shaped bruises. Someone strangled him first, then dropped the body to make it look like an accident." "But who? And how did they get in here?" Quinn thought about the compass in her pocket, the way its needle had pointed deeper into the darkness. About the fresh evidence of a marketplace that officially didn't exist. About the symbols that reminded her of things Morris had sketched in his notebook during those final weeks before he died. "I don't think they got in, Mills. I think they were already here." She walked to the platform edge and looked up at the barriers above. No rope marks on the metal. No signs that anything had been lowered or raised. "Run the victim's background again. Check for any connections to antiquities dealers, occult bookshops, anything unusual." "Occult? Come on, Quinn." She turned back to the scattered remains of the marketplace. A piece of parchment caught her attention—old paper covered in handwritten text. The ink was still wet. "Mills, what time did you say the body was discovered?" "Six-thirty this morning. Maintenance worker doing routine checks." Quinn checked her watch. Half past ten. The ink on this parchment was still drying after four hours in a damp tunnel. "We need to seal this entire area. No one else comes down here until we've documented everything." "Quinn, you're making this more complicated than it needs to be. Man falls, man dies. Happens every day in London." She faced him directly, her brown eyes hard. "Three years ago, Morris told me about places like this. Underground markets that moved through the city's abandoned spaces. Said they sold things that couldn't be found anywhere else." "Morris was having a breakdown. The brass said so themselves." "Morris was right." Quinn held up the wet parchment. The text was written in English, but the words made no sense together. A shopping list for impossible things. "And whatever he found got him killed." Mills stepped back, suddenly wary. "Quinn, you need to be careful. Talk like that ended Morris's career." "Morris's career ended when something pushed him off a roof in Whitechapel. Just like something killed Thomas Hartwell down here." She pocketed the parchment. "The only question is whether we're going to figure out what before it kills again." The compass in her pocket seemed to pulse with warmth, its needle still pointing toward the tunnel's darker depths where her torch beam couldn't reach.
total_cost0.029415

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags9
adverbTagCount1
adverbTags
0"Mills gestured upward [upward]"
dialogueSentences47
tagDensity0.191
leniency0.383
rawRatio0.111
effectiveRatio0.043
91.95% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1242
totalAiIsmAdverbs2
found
0
adverb"carefully"
count1
1
adverb"suddenly"
count1
highlights
0"carefully"
1"suddenly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
75.85% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1242
totalAiIsms6
found
0
word"echoed"
count1
1
word"synthetic"
count1
2
word"etched"
count1
3
word"pulse"
count1
4
word"warmth"
count1
5
word"depths"
count1
highlights
0"echoed"
1"synthetic"
2"etched"
3"pulse"
4"warmth"
5"depths"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences69
matches
0"e with warmth"
18.63% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount4
narrationSentences69
filterMatches
0"watch"
hedgeMatches
0"appeared to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences107
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen29
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1226
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions6
unquotedAttributions0
matches(empty)
62.75% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions36
wordCount745
uniqueNames13
maxNameDensity1.74
worstName"Quinn"
maxWindowNameDensity2.5
worstWindowName"Quinn"
discoveredNames
Camden1
Tube1
Detective2
Harlow1
Quinn13
Victorian-era1
Sergeant1
Mills8
Morris2
Hartwell3
Italian1
British1
English1
persons
0"Harlow"
1"Quinn"
2"Victorian-era"
3"Sergeant"
4"Mills"
5"Morris"
6"Hartwell"
places
0"English"
globalScore0.628
windowScore0.833
59.09% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences55
glossingSentenceCount2
matches
0"looked like vendor stalls—wooden crates,"
1"metals that seemed to absorb light rather than reflect it"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1226
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences107
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs54
mean22.7
std15.94
cv0.702
sampleLengths
055
135
236
34
418
531
67
77
832
914
1027
114
127
1330
148
1535
1642
179
184
1950
206
2135
2211
2310
2412
2542
2661
2711
289
2966
309
3113
325
3336
3421
3537
369
3750
3813
3928
4016
414
4227
4310
448
4522
4617
4720
4837
4910
90.01% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences69
matches
0"was etched"
1"been lowered"
2"was written"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs128
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount8
semicolonCount0
flaggedSentences8
totalSentences107
ratio0.075
matches
0"The abandoned Camden Tube station reeked of decay and something else—something metallic that made Detective Harlow Quinn's teeth ache."
1"Something nagged at her—the same feeling she'd had three years ago when Morris died."
2"There—carved into the grimy tile work."
3"Scattered across the platform were the remnants of what looked like vendor stalls—wooden crates, fabric scraps, and strange glass bottles that caught the torchlight like prisms."
4"The liquid inside swirled with colours that shouldn't exist—deep purples that shifted to silver, then to something that hurt to look at directly."
5"Scattered coins lay across the warped wooden surface—but not British currency."
6"She'd found something else—a small brass compass half-hidden beneath an overturned crate."
7"A piece of parchment caught her attention—old paper covered in handwritten text."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount756
adjectiveStacks0
stackExamples(empty)
adverbCount29
adverbRatio0.03835978835978836
lyAdverbCount11
lyAdverbRatio0.01455026455026455
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences107
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences107
mean11.46
std6.01
cv0.525
sampleLengths
019
119
217
313
48
514
611
717
88
94
108
1110
129
1314
148
157
167
178
1817
197
202
2112
224
2314
249
254
264
273
2816
2914
308
3127
328
336
3422
3514
369
374
386
3926
4018
416
4212
4323
445
456
4610
4712
489
497
80.37% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats4
diversityRatio0.5046728971962616
totalSentences107
uniqueOpeners54
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences68
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount13
totalSentences68
matches
0"She descended the rusted stairs,"
1"His voice echoed strangely in"
2"She played her torch across"
3"She lifted one polished oxford"
4"She picked up one of"
5"She crouched beside what appeared"
6"She'd found something else—a small"
7"It spun wildly for a"
8"She pocketed the compass."
9"She walked to the platform"
10"She turned back to the"
11"She faced him directly, her"
12"She pocketed the parchment"
ratio0.191
55.59% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount55
totalSentences68
matches
0"The abandoned Camden Tube station"
1"She descended the rusted stairs,"
2"The beam of her torch"
3"Detective Sergeant Mills called from"
4"His voice echoed strangely in"
5"Quinn's boots crunched on broken"
6"Hartwell lay sprawled beside what"
7"Blood pooled beneath his head,"
8"Mills gestured upward"
9"Quinn knelt beside the corpse,"
10"Something nagged at her—the same"
11"The same wrongness that preceded"
12"She played her torch across"
13"The metal safety barriers stood"
14"Quinn examined Hartwell's clothing."
15"Designer jeans, expensive leather jacket,"
16"Mills crouched beside her."
17"She lifted one polished oxford"
18"Quinn stood and swept her"
19"The beam caught something that"
ratio0.809
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences68
matches(empty)
ratio0
79.83% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences34
technicalSentenceCount3
matches
0"Designer jeans, expensive leather jacket, Italian shoes that cost more than her monthly salary."
1"The liquid inside swirled with colours that shouldn't exist—deep purples that shifted to silver, then to something that hurt to look at directly."
2"It spun wildly for a moment before settling on a direction that led deeper into the abandoned station."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags9
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags1
fancyCount0
fancyTags(empty)
dialogueSentences47
tagDensity0.021
leniency0.043
rawRatio0
effectiveRatio0
80.4691%