Run: 2026-02-19-01KHT0Q4E7Z1YR2GMNE8YYN8D0

Run Details

Duration:
6.7s
Cost:
$0.001219
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The air thrummed, a low, resonant hum that vibrated deep within Aurora’s bones. Ahead, the path dissolved into a milky luminescence, a stark contrast to the deep violet shadows that clung to the edges of their current passage. She tightened her grip on the Fae-Forged Blade, its moonsilver cool against her palm, and met Nyx’s faint violet gaze. They flowed beside her, a liquid silhouette against the deepening gloom, their form shifting subtly, like smoke caught in a phantom breeze. "It grows stronger," Nyx whispered, their voice a silken rustle. Aurora nodded, her other hand instinctively reaching for the Heartstone Pendant. It lay cold against her skin, inert. The warmth it usually pulsed with, a beacon signalling proximity to Hel’s fractured boundaries, was absent. This place, whatever it was, held its own kind of resonance, one that scrambled the pendant’s familiar cues. They stepped into the luminescence. It wasn't light as they knew it; it was more akin to being submerged in twilight-infused honey. Colours swirled and bled into one another as if stirred by an unseen hand. Towering, crystalline structures, impossibly delicate yet vast, rose from a ground that felt like compressed stardust underfoot. They pulsed with a soft, internal glow, casting shifting patterns of light and shadow that danced like trapped spirits. "This is no Hel," Aurora murmured, her voice swallowed by the echoing expanse. She had seen visions of Dymas, of its amber skies and endless verdant bounty, but this… this was something else entirely. It felt ancient, unborn, a symphony of light and silence. A sound, like the chime of a thousand tiny bells, rippled through the air. It was followed by a soft, rhythmic sighing, as if the very architecture breathed. Eva, who had been trailing a few paces behind, her usual boisterous curiosity momentarily subdued, let out a soft gasp. "What is this place?" she breathed, her eyes wide as she took in the ethereal landscape. "It’s beautiful." Aurora couldn’t disagree. Yet, a prickle of unease traced its way up her spine. There was an inherent stillness here, a lack of dynamism that felt unnatural. It was too perfect, too serene. Like a dream stretched too thin. "It feels… old," Nyx offered, their voice losing some of its characteristic whisper, a hint of awe creeping in. "Older than worlds." They moved forward, the stardust ground yielding slightly beneath their boots. Small, ephemeral motes of light detached themselves from the crystalline formations, drifting around them like sentient fireflies, their faint glow intensifying as they neared. One particularly bold mote, the colour of a summer sunset, hovered before Aurora’s face, its light pulsing in time with the low hum of the environment. She held her breath, half-expecting it to reveal some hidden message, some clue to their predicament. Instead, it simply circled her head, then darted away to join its brethren. "The Veil," Aurora said, a sudden, chilling realisation dawning. "This isn't some random pocket realm. It's a place where the Veil is… thin. Or perhaps, broken." She glanced at Nyx, who tilted their head, their faintly glowing eyes fixed on something in the middle distance. "There," Nyx pointed with an insubstantial finger, "is where the hum originates." They followed Nyx’s gesture, their path leading them towards a colossal structure that dwarfed everything else. It was a faceted spire, made of a material Aurora couldn’t identify, that seemed to both absorb and refract the ambient light. At its base, nestled amongst what looked like solidified moonlight, was a shimmering vortex, not of dark energy like a Hel portal, but of pure, swirling chromatic chaos. This was the source of the hum, a symphony of impossible colours that made Eva gag and Aurora instinctively shield her eyes. "That’s not natural," Eva stammered, her face pale. "What is that?" "A tear," Nyx said their voice entirely devoid of its usual cadence, replaced by a single, resonant note that echoed the spire’s own hum. "A wound between worlds." As they approached, the air grew heavy, charged with an energy that made the hairs on Aurora's arms stand on end. She could feel it now, the faint warmth emanating from the Heartstone Pendant against her chest. It was thrumming, not strongly, but with a persistent, insistent pulse that spoke of… something. Something trying to breach. "It’s bleeding across," Aurora realised aloud. "This place is a scar, a result of something that tore through the Veil." Suddenly, the crystalline structures around them began to shimmer with greater intensity. The motes of light, previously playful, now swirled with a frantic energy. The bell-like chimes intensified, becoming discordant, sharp. "They don't like us being here," Eva whispered, her hand tightening on Aurora's arm. Then, from the very heart of the vortex, a tendril of pure, unadulterated darkness snaked out. It wasn't the amorphous shadow Nyx embodied; this was something primal, ancient, a negation of existence itself. It reached, impossibly fast, towards them. Aurora reacted instinctively, shoving Eva behind her and raising the Fae-Forged Blade. Its moonsilver shimmered, bathing the immediate area in an otherworldly glow, seeming to push back against the encroaching void. The tendril recoiled slightly, hissing like a trapped inferno, but it did not retreat. Instead, it split, forming two, then three, lashing out with predatory intent. The hum of the spire rose to a deafening crescendo, and the ground beneath their feet began to tremble. The crystalline structures groaned, their internal light flickering like dying embers. "We have to go!" Eva yelled, her voice strained. Aurora parried another thrust of darkness, the cold shock of it travelling up her arm despite the blade. Nyx flowed around them, a shield of living shadow, attempting to absorb the errant strands of void, but they seemed to devour even their essence, leaving faint, smoking trails where they touched. "The pendant!" Nyx cried, their voice strained. "It reacts to Hel! Perhaps it can stabilise this tear!" Aurora fumbled with the Heartstone Pendant. It pulsed wildly now, a frantic heartbeat against her skin, a frantic beacon in this impossible, alien landscape. She held it out, the crimson gemstone catching the swirling chaotic colours of the vortex. A faint, deep crimson glow, almost imperceptible before, began to bleed from the stone, swirling outwards to meet the encroaching darkness. The tendrils recoiled again, hissing and spitting with what sounded like pure malice. The hum lessened slightly, the ground stilled. But the relief was short-lived. The void surged, not as a tendril, but as a wave, a tsunami of absolute nothingness. The lone tendril had been a probe; this was the full force of whatever lay on the other side of this fractured Veil. "It's too strong!" Aurora yelled, straining against the psychic pressure. The Fae blade glowed fiercely, but it was like trying to hold back the tide with a twig. Nyx let out a sound that was almost a scream, a shriek of pure anguish, as the wave of darkness washed over them. Their silhouette flickered violently, parts of them seeming to dissolve into the insatiable void. Eva dropped to her knees, shielding her face, whimpering. Then, with a sickening lurch, the spire itself seemed to twist. The vortex pulsed, and a single, immense shadow detached itself from the heart of the darkness within, a formless, impossibly vast entity that dwarfed the spire, dwarfed everything. Its presence pressed down on them, a palpable weight of pure, ancient hunger. The Heartstone Pendant pulsed one last, desperate time, then went utterly cold, its glow extinguished. Aurora stumbled, her boots sinking into the now-shifting ground. The Fae blade, once so cold, now felt searingly hot in her hand as the colossal shadow turned its attention towards them.
created_at"2026-02-19T03:57:21.241Z" 2/19/2026, 3:57:21 AM
model"google/gemini-2.5-flash-lite"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency322
moderation_latency(null)
generation_time6644
tokens_prompt5338
tokens_completion2038
native_tokens_prompt5247
native_tokens_completion1736
native_tokens_completion_images0
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0012191
router(null)
provider_responses
0
endpoint_id"ce839073-aa24-4f29-8358-15b319bd05ec"
is_byokfalse
latency322
model_permaslug"google/gemini-2.5-flash-lite"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771473441-aNDqdtxIOuwhMb7CO42G"
upstream_id(null)
total_cost0.0012191
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags14
adverbTagCount1
adverbTags
0"Aurora realised aloud [aloud]"
dialogueSentences20
tagDensity0.7
leniency1
rawRatio0.071
effectiveRatio0.071
72.74% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1284
totalAiIsmAdverbs7
found
0
adverb"very"
count2
1
adverb"slightly"
count3
2
adverb"suddenly"
count1
3
adverb"utterly"
count1
highlights
0"very"
1"slightly"
2"suddenly"
3"utterly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1284
totalAiIsms44
found
0
word"vibrated"
count1
1
word"stark"
count1
2
word"gloom"
count1
3
word"warmth"
count2
4
word"pulsed"
count5
5
word"beacon"
count2
6
word"fractured"
count2
7
word"resonance"
count1
8
word"familiar"
count1
9
word"crystalline"
count4
10
word"echoing"
count1
11
word"symphony"
count2
12
word"silence"
count1
13
word"rhythmic"
count1
14
word"traced"
count1
15
word"perfect"
count1
16
word"whisper"
count1
17
word"ephemeral"
count1
18
word"chilling"
count1
19
word"structure"
count1
20
word"chromatic"
count1
21
word"echoed"
count1
22
word"charged"
count1
23
word"could feel"
count1
24
word"pulse"
count1
25
word"intensity"
count1
26
word"shimmered"
count1
27
word"otherworldly"
count1
28
word"chaotic"
count1
29
word"flickered"
count1
30
word"lurch"
count1
31
word"palpable"
count1
32
word"weight"
count1
highlights
0"vibrated"
1"stark"
2"gloom"
3"warmth"
4"pulsed"
5"beacon"
6"fractured"
7"resonance"
8"familiar"
9"crystalline"
10"echoing"
11"symphony"
12"silence"
13"rhythmic"
14"traced"
15"perfect"
16"whisper"
17"ephemeral"
18"chilling"
19"structure"
20"chromatic"
21"echoed"
22"charged"
23"could feel"
24"pulse"
25"intensity"
26"shimmered"
27"otherworldly"
28"chaotic"
29"flickered"
30"lurch"
31"palpable"
32"weight"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences85
matches(empty)
42.02% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount6
narrationSentences85
filterMatches(empty)
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences91
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen36
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1278
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions6
unquotedAttributions0
matches(empty)
82.20% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions55
wordCount1180
uniqueNames12
maxNameDensity1.36
worstName"Aurora"
maxWindowNameDensity2.5
worstWindowName"Aurora"
discoveredNames
Aurora16
Fae-Forged2
Blade2
Nyx11
Heartstone4
Pendant4
Hel2
Dymas1
Eva7
Suddenly1
Veil1
Fae4
persons
0"Aurora"
1"Blade"
2"Nyx"
3"Hel"
4"Eva"
places
0"Heartstone"
globalScore0.822
windowScore0.833
50.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences75
glossingSentenceCount3
matches
0"felt like compressed stardust underfoot"
1"looked like solidified moonlight, was a s"
2"sounded like pure malice"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches3
per1kWords2.347
wordCount1278
matches
0"not of dark energy like a Hel portal, but of pure, swirling chromatic chaos"
1"not strongly, but with a persistent, insistent pulse"
2"not as a tendril, but as a wave, a tsunami of absolute nothingness"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences91
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs30
mean42.6
std24.3
cv0.57
sampleLengths
080
110
252
372
444
548
618
739
822
990
1045
1112
1288
1311
1428
1556
1620
1731
1814
1970
2056
219
2250
2317
2480
2544
2628
2746
2867
2931
92.88% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences85
matches
0"was, held"
1"being submerged"
2"was followed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs197
matches
0"was thrumming"
48.67% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount3
flaggedSentences3
totalSentences91
ratio0.033
matches
0"It wasn't light as they knew it; it was more akin to being submerged in twilight-infused honey."
1"It wasn't the amorphous shadow Nyx embodied; this was something primal, ancient, a negation of existence itself."
2"The lone tendril had been a probe; this was the full force of whatever lay on the other side of this fractured Veil."
89.87% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1186
adjectiveStacks0
stackExamples(empty)
adverbCount59
adverbRatio0.049747048903878585
lyAdverbCount26
lyAdverbRatio0.021922428330522766
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences91
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences91
mean14.04
std6.94
cv0.494
sampleLengths
013
125
220
322
410
511
67
716
818
95
1017
1114
1217
1319
1413
1516
165
1710
1814
1914
2020
2116
222
233
2411
2513
266
276
2819
293
3011
3124
3226
3316
3413
359
3636
3712
3816
3922
4028
4122
428
433
4424
454
4621
4716
4814
491
47.25% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.32967032967032966
totalSentences91
uniqueOpeners30
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount5
totalSentences84
matches
0"Instead, it simply circled her"
1"Suddenly, the crystalline structures around"
2"Then, from the very heart"
3"Instead, it split, forming two,"
4"Then, with a sickening lurch,"
ratio0.06
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount25
totalSentences84
matches
0"She tightened her grip on"
1"They flowed beside her, a"
2"It lay cold against her"
3"They stepped into the luminescence."
4"It wasn't light as they"
5"They pulsed with a soft,"
6"She had seen visions of"
7"It felt ancient, unborn, a"
8"It was followed by a"
9"she breathed, her eyes wide"
10"It was too perfect, too"
11"They moved forward, the stardust"
12"She held her breath, half-expecting"
13"She glanced at Nyx, who"
14"They followed Nyx’s gesture, their"
15"It was a faceted spire,"
16"She could feel it now,"
17"It was thrumming, not strongly,"
18"It wasn't the amorphous shadow"
19"It reached, impossibly fast, towards"
ratio0.298
49.29% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount69
totalSentences84
matches
0"The air thrummed, a low,"
1"She tightened her grip on"
2"They flowed beside her, a"
3"Nyx whispered, their voice a"
4"Aurora nodded, her other hand"
5"It lay cold against her"
6"The warmth it usually pulsed"
7"This place, whatever it was,"
8"They stepped into the luminescence."
9"It wasn't light as they"
10"Colours swirled and bled into"
11"They pulsed with a soft,"
12"Aurora murmured, her voice swallowed"
13"She had seen visions of"
14"this was something else entirely."
15"It felt ancient, unborn, a"
16"A sound, like the chime"
17"It was followed by a"
18"Eva, who had been trailing"
19"she breathed, her eyes wide"
ratio0.821
59.52% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences84
matches
0"Yet, a prickle of unease"
ratio0.012
30.08% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences57
technicalSentenceCount9
matches
0"Ahead, the path dissolved into a milky luminescence, a stark contrast to the deep violet shadows that clung to the edges of their current passage."
1"Towering, crystalline structures, impossibly delicate yet vast, rose from a ground that felt like compressed stardust underfoot."
2"Eva, who had been trailing a few paces behind, her usual boisterous curiosity momentarily subdued, let out a soft gasp."
3"There was an inherent stillness here, a lack of dynamism that felt unnatural."
4"They followed Nyx’s gesture, their path leading them towards a colossal structure that dwarfed everything else."
5"This was the source of the hum, a symphony of impossible colours that made Eva gag and Aurora instinctively shield her eyes."
6"It was thrumming, not strongly, but with a persistent, insistent pulse that spoke of…"
7"Nyx flowed around them, a shield of living shadow, attempting to absorb the errant strands of void, but they seemed to devour even their essence, leaving faint,…"
8"The vortex pulsed, and a single, immense shadow detached itself from the heart of the darkness within, a formless, impossibly vast entity that dwarfed the spire…"
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags14
uselessAdditionCount6
matches
0"Nyx whispered, their voice a silken rustle"
1"she breathed, her eyes wide as she took in the ethereal landscape"
2"Eva stammered, her face pale"
3"Eva whispered, her hand tightening on Aurora's arm"
4"Eva yelled, her voice strained"
5"Nyx cried, their voice strained"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags10
fancyCount8
fancyTags
0"Nyx whispered (whisper)"
1"Aurora murmured (murmur)"
2"she breathed (breathe)"
3"Eva stammered (stammer)"
4"Eva whispered (whisper)"
5"Eva yelled (yell)"
6"Nyx cried (cry)"
7"Aurora yelled (yell)"
dialogueSentences20
tagDensity0.5
leniency1
rawRatio0.8
effectiveRatio0.8
72.1504%