Run: 2026-02-19-01KHT0RQW9H5M6XW0FAZTMP9SE

Run Details

Duration:
7.9s
Cost:
$0.000792
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The sharp, insistent rap echoed through the small flat, jolting Aurora from a half-sleep. Her hand instinctively went to her chest, the rhythmic thudding of her heart a frantic counterpoint to the sudden noise. Drunk students, probably, mistaking her door for one of Silas’s regulars. Grumbling, she pushed aside the chaotic pile of novels on her bedside table and padded towards the front door, the floorboards cold beneath her bare feet. She peeked through the warped peephole, wiping a smudge of condensation away with the heel of her hand. The hallway light cast harsh shadows, but the figure silhouetted against it was unmistakable. He stood too tall, too straight, his platinum hair a glinting halo even in the dimness. The ivory-handled cane was tucked under one arm, a dark, elegant punctuation mark against the grimy backdrop of the stairwell. Lucien. A cold dread, mingled with a flicker of something she refused to name, coiled in her gut. What was he doing here? Now? She hadn't seen him in months, not since he’d… well, not since that night. The night she’d fled to London, seeking refuge and anonymity, only to find him a shadow already clinging to her heels. Another series of raps, more demanding this time. He knew she was here. He always knew. Taking a deep, steadying breath, Aurora reached for the three deadbolts, her fingers fumbling slightly. Third one clicked open, then the second. The first resisted for a moment, stubbornly jammed, before finally yielding. She gripped the cool metal knob, her knuckles white, and pulled the door open. Lucien’s heterochromatic eyes, one amber, one black, swept over her, a flicker of something unreadable passing through them. They held an amused curiosity, the gaze of a man accustomed to dissecting and cataloguing. His usual charcoal suit was immaculately tailored, the crisp white shirt a stark contrast to the shadows clinging to his features. “Aurora,” he said, his voice a low, cultured rumble that vibrated in her bones. “Or should I say, Laila? I admit, your current alias is rather… pedestrian.” Her breath hitched. He knew. Of course, he knew. Lucien had a knack for unearthing secrets, for peeling back layers of deception until the unvarnished truth lay exposed. Her carefully constructed anonymity was a tattered veil in his presence. “What do you want, Lucien?” Her voice was raspy, betraying the tremor she tried to suppress. She gripped the doorframe, her nails digging into the chipped paint. He offered a slight, almost imperceptible inclination of his head. “An introduction, perhaps? To your… landlady? Or perhaps a more informal inquiry. You’ve certainly been keeping a low profile. Quite unlike the Laila I remember.” The memory of that Laila, the one who’d been reckless and bold, the one who’d thrown caution to the wind, felt like a distant echo. Now, there was just Aurora, the pragmatic delivery driver, the woman trying to outrun her past. “I’m not Laila anymore, Lucien. I’m Rory. And this is my flat.” She tried to inject a steely note into her voice, to project an authority she didn’t quite feel. He stepped forward, not waiting for an invitation, his movements fluid and unnervingly graceful. He completely ignored her demand, his gaze lingering on the cluttered interior of her modest flat, on the precarious stacks of books, the overflowing ashtrays, the faded rug on the floor. A faint, sardonic smile touched his lips. “Indeed. Above a rather… pungent establishment.” He gestured vaguely towards the window, where the faint aroma of spices and overcooked meat still clung to the air, a constant reminder of the Golden Empress downstairs. “Still delivering their… culinary endeavours?” Her jaw tightened. He always managed to find the precise point of vulnerability, the exact nerve to prod until it screamed. “It pays the rent. Unlike some people’s… hobbies.” Her gaze flickered to the ivory cane. Lucien’s smile widened, revealing just a hint of impossibly white teeth. “Ah, but these hobbies, as you so quaintly put it, provide a rather unique vantage point. And access, of course. Access to information. And sometimes, Aurora, information is all that stands between one and… inconvenience.” He moved further into the room, his eyes scanning the bookshelves. “Still immersed in your dusty tomes, I see. One would have thought you’d have tired of the theoretical, after escaping a rather volatile reality.” That hit a raw nerve. The very reason she was here, the reason she’d left Cardiff and Evan and everything she knew behind, was the sheer, suffocating volatility of her previous life. She’d sought a quiet existence, a life where her biggest worry was an overdue library book or a hungry customer. “What do you want, Lucien?” she repeated, her voice gaining an edge. “Spit it out. I’m tired, and I have work in the morning.” He turned to her then, the playful glint in his eyes sharpening into something more intense, more predatory. He stopped a few feet away, close enough for her to feel the subtle shift in the air around him, the faint, almost imperceptible scent of ozone and something ancient, something wild. “A mutual acquaintance, let’s say, has… mislaid something. Something of considerable importance. And this acquaintance believes you might know its whereabouts.” Aurora’s stomach plummeted. She took a step back, her head swimming. “I don’t know what you’re talking about.” “Don’t you?” His voice dropped to a near whisper, a silken threat. He took another step forward, closing the distance between them. Her crescent-shaped scar on her left wrist throbbed, a phantom ache from years ago, a reminder of childhood clumsiness, of a life that seemed impossibly distant now. “Your friend Eva,” he continued, his gaze unwavering, “she’s been asking some rather… pointed questions recently. About a certain artifact. An artifact that has a curious habit of surfacing when certain individuals are in distress.” Eva. Of course, it was Eva. Her old friend, the slightly eccentric, fiercely loyal woman who’d offered her a lifeline when she’d landed in London, heartbroken and terrified. Eva, with her flat crammed with forgotten lore and her unwavering belief in the unusual. “Eva doesn’t know anything,” Aurora said, her voice surprisingly steady. Lucien let out a soft, disbelieving laugh. “My dear Aurora, Eva Bayes is a veritable font of obscure knowledge. And her curiosity, as you well know, is insatiable. She’s been digging. And when Eva digs, she tends to unearth more than just dust. She unearths trouble.” He reached out, his fingers – long, elegant, tipped with perfectly manicured nails – brushing against her cheek. The touch sent a jolt, hot and unwelcome, through her. She flinched away, her heart hammering against her ribs. “And you,” he murmured, his thumb tracing the line of her jaw, his heterochromatic gaze holding hers captive, “you have a tendency to find yourself entangled in the very troubles you try so desperately to avoid.” He leaned closer, his breath ghosting over her lips, a scent of expensive cologne and something darker, more primal. The air crackled with unspoken history, with the raw, dangerous energy that had always defined their interactions. The years melted away, and she was no longer Aurora Carter, London delivery driver. She was the girl who’d been drawn to his darkness, the one who’d fallen too fast and been burned too hard. “So, tell me, Aurora,” he whispered, his voice a seductive caress, “what has Eva misplaced this time? And more importantly, has it found its way into your possession?” His eyes, the black one seeming to swallow the light, the amber one burning with an unnerving intensity, bored into her. She could feel the unspoken question hanging in the air between them, heavy with threat and something akin to desperation. The silence stretched, taut and suffocating, broken only by the distant rumble of traffic and the frantic, accusing beat of her own heart. She knew, with a sickening certainty, that her quiet life had just exploded.
created_at"2026-02-19T03:58:13.917Z" 2/19/2026, 3:58:13 AM
model"google/gemini-2.5-flash-lite"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency390
moderation_latency(null)
generation_time7823
tokens_prompt4556
tokens_completion2121
native_tokens_prompt4440
native_tokens_completion1790
native_tokens_completion_images0
native_tokens_reasoning0
native_tokens_cached4084
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.00079244
router(null)
provider_responses
0
endpoint_id"ce839073-aa24-4f29-8358-15b319bd05ec"
is_byokfalse
latency390
model_permaslug"google/gemini-2.5-flash-lite"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771473493-4qgEWl66Xgw9w5Ng6mVS"
upstream_id(null)
total_cost0.00079244
cache_discount0.00036756
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags11
adverbTagCount1
adverbTags
0"He gestured vaguely [vaguely]"
dialogueSentences20
tagDensity0.55
leniency1
rawRatio0.091
effectiveRatio0.091
73.48% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1320
totalAiIsmAdverbs7
found
0
adverb"slightly"
count2
1
adverb"carefully"
count1
2
adverb"completely"
count1
3
adverb"very"
count2
4
adverb"perfectly"
count1
highlights
0"slightly"
1"carefully"
2"completely"
3"very"
4"perfectly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1320
totalAiIsms27
found
0
word"echoed"
count1
1
word"rhythmic"
count1
2
word"chaotic"
count1
3
word"glinting"
count1
4
word"flicker"
count2
5
word"unreadable"
count1
6
word"stark"
count1
7
word"vibrated"
count1
8
word"constructed"
count1
9
word"echo"
count1
10
word"reminder"
count2
11
word"flickered"
count1
12
word"scanning"
count1
13
word"glint"
count1
14
word"stomach"
count1
15
word"whisper"
count1
16
word"throbbed"
count1
17
word"unwavering"
count2
18
word"tracing"
count1
19
word"unspoken"
count2
20
word"intensity"
count1
21
word"could feel"
count1
22
word"silence"
count1
highlights
0"echoed"
1"rhythmic"
2"chaotic"
3"glinting"
4"flicker"
5"unreadable"
6"stark"
7"vibrated"
8"constructed"
9"echo"
10"reminder"
11"flickered"
12"scanning"
13"glint"
14"stomach"
15"whisper"
16"throbbed"
17"unwavering"
18"tracing"
19"unspoken"
20"intensity"
21"could feel"
22"silence"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences77
matches(empty)
87.20% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount3
narrationSentences77
filterMatches(empty)
hedgeMatches
0"tried to"
1"managed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences86
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen39
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1319
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions11
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions24
wordCount1024
uniqueNames11
maxNameDensity0.59
worstName"Aurora"
maxWindowNameDensity1.5
worstWindowName"Lucien"
discoveredNames
Aurora6
Silas1
London3
Laila1
Golden1
Empress1
Lucien5
Cardiff1
Evan1
Eva3
Carter1
persons
0"Aurora"
1"Silas"
2"Laila"
3"Lucien"
4"Evan"
5"Eva"
6"Carter"
places
0"London"
1"Cardiff"
globalScore1
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences62
glossingSentenceCount4
matches
0"felt like a distant echo"
1"quite feel"
2"seemed impossibly distant now"
3"something akin to desperation"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1319
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences86
matches(empty)
71.25% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs31
mean42.55
std16.99
cv0.399
sampleLengths
089
151
258
363
454
527
639
727
835
941
1030
1152
1239
1336
1446
1535
1652
1724
1850
1921
2018
2149
2235
2343
2410
2546
2637
2736
2871
2928
3077
96.15% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences77
matches
0"was tucked"
1"been drawn"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs156
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount2
semicolonCount0
flaggedSentences1
totalSentences86
ratio0.012
matches
0"He reached out, his fingers – long, elegant, tipped with perfectly manicured nails – brushing against her cheek."
85.49% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1025
adjectiveStacks0
stackExamples(empty)
adverbCount58
adverbRatio0.05658536585365854
lyAdverbCount19
lyAdverbRatio0.018536585365853658
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences86
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences86
mean15.34
std9.02
cv0.588
sampleLengths
014
120
211
326
418
514
616
720
81
917
105
111
129
135
1421
158
165
173
1815
197
2011
2114
2218
2315
2421
2514
2613
273
282
294
3019
3111
3216
3311
3410
3525
3625
3716
3830
3914
4031
417
4234
435
443
4518
4615
4711
4835
4911
58.14% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats5
diversityRatio0.38372093023255816
totalSentences86
uniqueOpeners33
91.32% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences73
matches
0"Of course, he knew."
1"Of course, it was Eva."
ratio0.027
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount42
totalSentences73
matches
0"Her hand instinctively went to"
1"She peeked through the warped"
2"He stood too tall, too"
3"She hadn't seen him in"
4"He knew she was here."
5"He always knew."
6"She gripped the cool metal"
7"They held an amused curiosity,"
8"His usual charcoal suit was"
9"he said, his voice a"
10"Her breath hitched."
11"Her carefully constructed anonymity was"
12"Her voice was raspy, betraying"
13"She gripped the doorframe, her"
14"He offered a slight, almost"
15"She tried to inject a"
16"He stepped forward, not waiting"
17"He completely ignored her demand,"
18"He gestured vaguely towards the"
19"Her jaw tightened."
ratio0.575
21.64% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount64
totalSentences73
matches
0"The sharp, insistent rap echoed"
1"Her hand instinctively went to"
2"She peeked through the warped"
3"The hallway light cast harsh"
4"He stood too tall, too"
5"The ivory-handled cane was tucked"
6"A cold dread, mingled with"
7"She hadn't seen him in"
8"The night she’d fled to"
9"Another series of raps, more"
10"He knew she was here."
11"He always knew."
12"The first resisted for a"
13"She gripped the cool metal"
14"Lucien’s heterochromatic eyes, one amber,"
15"They held an amused curiosity,"
16"His usual charcoal suit was"
17"he said, his voice a"
18"Her breath hitched."
19"Lucien had a knack for"
ratio0.877
68.49% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences73
matches
0"Now, there was just Aurora,"
ratio0.014
80.75% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences46
technicalSentenceCount4
matches
0"Taking a deep, steadying breath, Aurora reached for the three deadbolts, her fingers fumbling slightly."
1"Her crescent-shaped scar on her left wrist throbbed, a phantom ache from years ago, a reminder of childhood clumsiness, of a life that seemed impossibly distant…"
2"Her old friend, the slightly eccentric, fiercely loyal woman who’d offered her a lifeline when she’d landed in London, heartbroken and terrified."
3"The air crackled with unspoken history, with the raw, dangerous energy that had always defined their interactions."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags11
uselessAdditionCount4
matches
0"she repeated, her voice gaining an edge"
1"he continued, his gaze unwavering,"
2"Aurora said, her voice surprisingly steady"
3"he whispered, his voice a seductive caress,"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags7
fancyCount5
fancyTags
0"She tried (try)"
1"she repeated (repeat)"
2"he continued (continue)"
3"he murmured (murmur)"
4"he whispered (whisper)"
dialogueSentences20
tagDensity0.35
leniency0.7
rawRatio0.714
effectiveRatio0.5
74.4640%