Run: 2026-02-19-01KHT0RRHG5ZM8BHM15600ZTAS

Run Details

Duration:
41.1s
Cost:
$0.006612
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Rory's fingers froze on the keyboard as the doorbell shrieked through her flat, the sound echoing off the worn wooden floorboards. She wasn't expecting anyone, especially not at this ungodly hour. The clock on her phone read 21:47. A swift glance around her cluttered living room confirmed she was alone, Ptolemy the cat having abandoned her for the warmth of Eva's flat below. She pushed back her chair, the wooden legs scraping against the floor, and made her way to the door. The peephole revealed a figure she'd hoped to never see again, certainly not on her doorstep. Lucien Moreau. The Frenchman. Her mind stuttered over the multitude of emotions his presence evoked. She felt like she was staring into the eyes of a perfectly crafted storm – beautiful, yet potentially destructive. The doorbell screamed again, more insistent this time. Rory took a deep breath, the memory of their last encounter flashing before her eyes. With a quiet resolve, she slid the deadbolts open, one by one, the metallic clicks echoing through the hallway. She pulled the door open, the hinges creaking in protest. Lucien stood under the dim hallway light, his platinum blond hair slicked back, revealing the sharp angles of his face. His tailored charcoal suit seemed out of place among the faded photographs and worn welcome mats that lined the hallway. The ivory-handled cane, a constant companion, leaned against his leg, a subtle reminder of the secrets he kept. "Lucien," Rory said, her voice steady, a feat she was silently proud of. The bright blue of her eyes narrowed slightly, a defensive mechanism she couldn't quite shake off. "Aurora," he replied, his deep voice laced with the soft, melodic tones of his French heritage. His heterochromatic eyes, one amber and one black as coal, seemed to gleam with a mixture of warmth and wariness. "May I come in?" Rory hesitated, a brief, internal battle waged and lost. She stepped aside, allowing Lucien to enter. As he passed her, the scent of his cologne, a subtle blend of woods and leather, wafted in, transporting her back to nights she'd rather forget. The flat, normally a sanctuary, now felt confined with Lucien occupying the space. He moved with the grace of a cat, his eyes scanning the room with interest, taking in the scattered books and the half-eaten bowl of noodles on the coffee table. "Sorry about the mess," Rory muttered, closing the door behind him. The click of the deadbolts sliding back into place seemed louder than necessary. "No need to apologize, Aurora. It's...cozy," Lucien said, his gaze lingering on the photos pinned to her corkboard, a collection of memories from her life before London. His voice was tinged with a sincerity that made Rory's wariness spike. She preceded him into the living room, her straight shoulder-length black hair swishing behind her. "What brings you here, Lucien? It's late, and I wasn't expecting..." Her sentence trailed off, unfinished. "Expecting me, or expecting anyone at all?" Lucien countered, his smile fleeting, a hint of the charm that could disarm even the most cautious of hearts. He moved to the window, pushing aside the faded curtains, allowing a slice of the city's nightlife to spill in. Rory felt a shiver run down her spine as she watched him, the city lights casting an ethereal glow on his profile. "Either, I suppose," she admitted finally, the confession surprising her. Lucien turned, his expression somber, the amber in his eye seeming to dull. "I've come because I need your help, Aurora. A situation has...arisen, and your particular set of skills would be invaluable." "Invaluable?" Rory repeated, a skeptical arch to her eyebrow. "That sounds ominous, and suspiciously like a trap." Lucien's laughter was low and smooth, a sound that had once been a comfort to her. "Perhaps a little of both, but I assure you, my intentions are pure. This time, at least," he added, a hint of mischief dancing in his voice. Rory's gaze held his, a silent challenge. The air was thick with unspoken words, the space between them heavy with the weight of their past. "Explain," she said finally, the single word a concession, a thread of curiosity unraveling within her. Lucien nodded, the movement economical. "Let's just say, an acquaintance of mine has misplaced something...sensitive. Something that, in the wrong hands, could destabilize the fragile peace we enjoy in this city. I believe you're the only one who can help me retrieve it without...complications." As Lucien spoke, Rory found herself drawn into the intrigue, despite her better judgment. The thrill of the unknown, combined with the undeniable pull of the man before her, was a potent mix. She knew she should decline, knew that getting entangled with Lucien again would only lead to heartache. Yet, as their eyes locked, the undeniable spark between them seemed to grow, a flame that threatened to engulf her once more. "And what's in it for me, Lucien?" Rory asked, her voice even, a detached part of her marveling at how easily she slid back into this dance with him. Lucien's smile this time was genuine, reaching his eyes. "For you, Aurora? The promise of a clean slate. A chance to lay the ghosts of our past to rest. And, perhaps, just perhaps, a hint of redemption for both of us." The room seemed to shrink around them, the only sound the soft hum of the city outside. Rory felt the ground beneath her shift, the carefully constructed walls around her heart beginning to crumble. She knew then, in that suspended moment, she was doomed to follow Lucien down this rabbit hole, into the depths of a mystery that promised to upheave the delicate balance of her life. "Tell me more," she said, the words barely above a whisper, the decision made before she'd even realized it. Lucien's face lit up with a serene smile, the kind that could calm storms. "I knew I could count on you, Aurora. Always." As he began to speak, the shadows in the room seemed to deepen, weaving a spell around them, a reminder that in the world of Lucien Moreau, nothing was as simple as it seemed, and the line between salvation and damnation was perilously thin.
created_at"2026-02-19T03:58:14.597Z" 2/19/2026, 3:58:14 AM
model"nvidia/llama-3.1-nemotron-70b-instruct"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency632
moderation_latency(null)
generation_time40994
tokens_prompt4601
tokens_completion1575
native_tokens_prompt4147
native_tokens_completion1363
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.006612
router(null)
provider_responses
0
endpoint_id"d2a33d30-5d41-47d3-a816-1cc067b5a7dd"
id"cmpl-6a879cb0d9f94742b276e65e560ce3a7"
is_byokfalse
latency82
model_permaslug"nvidia/llama-3.1-nemotron-70b-instruct"
provider_name"DeepInfra"
status200
api_type"completions"
id"gen-1771473494-8zKdNpD9eofv12adjLLM"
upstream_id"cmpl-6a879cb0d9f94742b276e65e560ce3a7"
total_cost0.006612
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"

Evaluation details

Result Evaluator Details Meta Data
33.33% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags12
adverbTagCount2
adverbTags
0"she admitted finally [finally]"
1"she said finally [finally]"
dialogueSentences18
tagDensity0.667
leniency1
rawRatio0.167
effectiveRatio0.167
80.82% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1043
totalAiIsmAdverbs4
found
0
adverb"perfectly"
count1
1
adverb"slightly"
count1
2
adverb"carefully"
count1
3
adverb"barely above a whisper"
count1
highlights
0"perfectly"
1"slightly"
2"carefully"
3"barely above a whisper"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1043
totalAiIsms24
found
0
word"echoing"
count2
1
word"warmth"
count2
2
word"encounter"
count1
3
word"resolve"
count1
4
word"reminder"
count2
5
word"sanctuary"
count1
6
word"scanning"
count1
7
word"tinged"
count1
8
word"fleeting"
count1
9
word"charm"
count1
10
word"down her spine"
count1
11
word"eyebrow"
count1
12
word"dancing"
count1
13
word"unspoken"
count1
14
word"weight"
count1
15
word"unraveling"
count1
16
word"intrigue"
count1
17
word"dance"
count1
18
word"constructed"
count1
19
word"depths"
count1
20
word"whisper"
count1
highlights
0"echoing"
1"warmth"
2"encounter"
3"resolve"
4"reminder"
5"sanctuary"
6"scanning"
7"tinged"
8"fleeting"
9"charm"
10"down her spine"
11"eyebrow"
12"dancing"
13"unspoken"
14"weight"
15"unraveling"
16"intrigue"
17"dance"
18"constructed"
19"depths"
20"whisper"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"eyes widened/narrowed"
count1
1
label"air was thick with"
count1
highlights
0"eyes narrowed"
1"The air was thick with"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences56
matches
0"felt a shiver"
15.31% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount5
narrationSentences56
filterMatches(empty)
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences62
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen44
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1041
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions13
unquotedAttributions0
matches(empty)
63.49% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions34
wordCount867
uniqueNames8
maxNameDensity1.73
worstName"Lucien"
maxWindowNameDensity3
worstWindowName"Lucien"
discoveredNames
Ptolemy1
Eva1
Moreau2
Frenchman1
French1
Lucien15
London1
Rory12
persons
0"Eva"
1"Moreau"
2"Lucien"
3"Rory"
places
0"London"
globalScore0.635
windowScore0.667
5.77% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences52
glossingSentenceCount3
matches
0"felt like she was staring into the eyes"
1"quite shake off"
2"seemed louder than necessary"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1041
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences62
matches(empty)
59.54% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs25
mean41.64
std14.92
cv0.358
sampleLengths
063
169
252
358
429
540
642
743
824
939
1031
1146
1232
1333
1417
1543
1641
1744
1872
1929
2041
2167
2219
2323
2444
92.73% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences56
matches
0"was tinged"
1"was doomed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs140
matches
0"wasn't expecting"
1"was staring"
96.77% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount0
flaggedSentences1
totalSentences62
ratio0.016
matches
0"She felt like she was staring into the eyes of a perfectly crafted storm – beautiful, yet potentially destructive."
94.72% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount869
adjectiveStacks0
stackExamples(empty)
adverbCount40
adverbRatio0.04602991944764097
lyAdverbCount16
lyAdverbRatio0.018411967779056387
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences62
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences62
mean16.79
std8.41
cv0.501
sampleLengths
021
110
27
325
419
516
62
72
811
919
108
1115
1219
1310
1420
1520
1618
1713
1816
1916
2020
214
229
237
2426
2513
2630
2711
2813
2927
3012
3115
3216
3326
3420
3522
3610
3713
3820
399
408
4116
4227
437
4418
4516
465
4739
4814
4919
72.58% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats0
diversityRatio0.43548387096774194
totalSentences62
uniqueOpeners27
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences54
matches(empty)
ratio0
71.85% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount20
totalSentences54
matches
0"She wasn't expecting anyone, especially"
1"She pushed back her chair,"
2"Her mind stuttered over the"
3"She felt like she was"
4"She pulled the door open,"
5"His tailored charcoal suit seemed"
6"he replied, his deep voice"
7"His heterochromatic eyes, one amber"
8"She stepped aside, allowing Lucien"
9"He moved with the grace"
10"His voice was tinged with"
11"She preceded him into the"
12"Her sentence trailed off, unfinished"
13"He moved to the window,"
14"she admitted finally, the confession"
15"he added, a hint of"
16"she said finally, the single"
17"She knew she should decline,"
18"She knew then, in that"
19"she said, the words barely"
ratio0.37
6.30% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount49
totalSentences54
matches
0"Rory's fingers froze on the"
1"She wasn't expecting anyone, especially"
2"The clock on her phone"
3"A swift glance around her"
4"She pushed back her chair,"
5"The peephole revealed a figure"
6"Her mind stuttered over the"
7"She felt like she was"
8"The doorbell screamed again, more"
9"Rory took a deep breath,"
10"She pulled the door open,"
11"Lucien stood under the dim"
12"His tailored charcoal suit seemed"
13"The ivory-handled cane, a constant"
14"Rory said, her voice steady,"
15"The bright blue of her"
16"he replied, his deep voice"
17"His heterochromatic eyes, one amber"
18"Rory hesitated, a brief, internal"
19"She stepped aside, allowing Lucien"
ratio0.907
92.59% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences54
matches
0"Yet, as their eyes locked,"
ratio0.019
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences35
technicalSentenceCount2
matches
0"He moved with the grace of a cat, his eyes scanning the room with interest, taking in the scattered books and the half-eaten bowl of noodles on the coffee table…"
1"His voice was tinged with a sincerity that made Rory's wariness spike."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags12
uselessAdditionCount3
matches
0"Her sentence trailed, unfinished"
1"she admitted finally, the confession surprising her"
2"he added, a hint of mischief dancing in his voice"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags10
fancyCount4
fancyTags
0"Rory muttered (mutter)"
1"she admitted finally (admit)"
2"Rory repeated (repeat)"
3"he added (add)"
dialogueSentences18
tagDensity0.556
leniency1
rawRatio0.4
effectiveRatio0.4
68.4162%