Run: 2026-02-19-01KHT0VZ6E2BGAAZ757BQADH5Q

Run Details

Duration:
21.9s
Cost:
$0.046135
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora's fingers trembled as she twisted the third deadbolt into place. Eva had always been paranoid, and Aurora couldn’t blame her considering the path their lives had taken. But safe behind those deadbolts, she allowed herself a sigh of relief. BAM. BAM. BAM. Her body stiffened, a rush of adrenaline pushing through her veins. The knocks were forceful, jarring, and much too aggressive for Eva's typical visitors. Aurora's mind raced, cataloguing possibilities—debts, danger, demons—but nothing prepared her for the sight that greeted her when she pulled the door ajar with all three chains still latched. Lucien Moreau. He looked like he had stepped out of one of her memories, dressed in his charcoal suit that fit him like a second skin, his platinum hair catching the dim light from the corridor. One amber eye glinted; the other, black as her most guarded secrets. His ivory-handled cane rested against the doorframe, absurdly out of place in the underbelly of East London. "Aurora," he said smoothly. "Lucien." She struggled to keep her voice neutral, to erase that hitch of surprise that only he would notice. Her fingers reached for the door chains instinctively, but hesitation chained her to the spot. "What are you doing here?" "May I come in?" His tone was cultured, almost bored, but there was an underlying tension that only she would detect. It wasn’t just a request, not with Lucien. It was a looming conflict wrapped in a velvet glove. She unlaced the chains with slow deliberation. The door creaked open, wider than her comfort zone allowed. Lucien stepped inside, his cane tapping lightly on the floor, each sound a punctuation to his presence in the cramped space. "I wasn’t expecting guests," she said, attempting to gather her scattered composure. "You rarely do." He surveyed the room. Bookshelves groaned under the weight of tomes, scattered papers covered every surface, ink pots tipped precariously close to the edge. Ptolemy, Eva’s tabby cat, watched from his perch on a stack of books, eyes narrowing at the intruder. "Eva’s not here," Aurora added, closing the door behind him. Her hand lingered on the handle, fighting the urge to bolt it again. "I know. Hence my timing," Lucien replied, brows arched. He sauntered deeper into the room, his presence eating up the air. "We have unfinished business, you and I." Unfinished business. Aurora’s pulse quickened. The undercurrent of their last encounter rippled back into her consciousness. Harsh words, heated looks, and the unmistakable press of his hand on her wrist. The crescent-shaped scar there tinged with phantom pain. "What makes you think I want to reopen old wounds?" She moved to the cluttered table, shuffling papers just to keep her hands occupied. Lucien’s laugh was soft, a mix of amusement and something darker. "Want? No, Aurora, I don't delude myself into thinking this is anything less than necessary." "Necessary for whom?" She countered, her voice sharper than intended. Guilt flickered. "What trouble are you in this time, Luc?" It slipped out before she could stop it. "Your faith in me warms my heart," he murmured, voice dripping with sarcasm. He tapped the cane against the floor rhythmically. "The same old trouble, I suppose. Demons from Avaros don’t learn new tricks." She snorted, a bitter smile pulling at her lips. "And what does my humble abode have to do with them?" He took a step closer, the air thickening with unspoken words. "Information, Aurora. You seem to have developed a knack for stumbling upon fascinating tidbits, the sort of tidbits that save lives, or end them." "I don’t work for you," she said, matching his intensity, eyes locked on his mismatched ones. Damn those eyes. They hid more than they revealed, yet she was always drawn to them like a moth to a dangerous flame. His lips twitched into a near smile. "Perhaps not anymore. But let’s not pretend our interests don’t occasionally align." She brushed past him, heading to the kitchenette, more to escape his gravitational pull than out of any need for tea. Still, the ritual calmed her. "Tea?" She didn’t wait for his reply before filling the kettle. "Always hospitable," he observed, leaning against an old wingback chair that had seen better days. Old habits die hard. "Strange, isn’t it?" she murmured, setting the kettle on the stove. "One would think such hospitality borders on madness." "Madness runs in good company." The kettle hissed, steam swirling through the air. She kept her back to him, focusing on the rising water, letting the silence stretch. "You left," he said quietly, breaking the stillness. "And now you’re hiding." She turned, her resolve firmer. "I didn’t leave." The words carried a weight past betrayal and sacrifice. "I escaped." "From him," Lucien corrected, eyes softening for the briefest moment. "But also from me." "You were part of the issue." She met his gaze head-on. "A complication I couldn’t afford." He nodded, admitting without words what both knew to be true. "Yet here we are. Fate has an irritating way of weaving old threads." Before she could respond, a loud crash echoed from the front. The deadbolts rattled as the door shivered under the force. Her heart raced, reality slamming into her senses. "Friends of yours?" she taunted, though her grip on the tea mug turned vice-like. He grabbed his cane, slipping the thin blade free with an elegance that belied the danger. "Not quite." A second crash, followed by muffled growls. Demons don’t usually knock. Lucien moved quickly, his form a dark whip as he approached the door. "Brace yourself, Aurora." She barely had time to react before the third crash shattered the door. Figures cloaked in shadow flooded the room, hissing, growling, their eyes a menacing glint in the dim light. Aurora reached for the carved wooden dagger on the shelf, her body on autopilot even as her thoughts tangled in a web of fear and determination. Lucien was a flurry of precise strikes, the blade in his hand slicing through the air, trailing a faint shimmer of magic. He moved with lethal grace, every strike a punctuation of brutal efficiency. But for every demon that fell, two more seemed to take its place, a relentless tide of darkness. "Aurora!" Lucien's shout cut through the chaos. "The sigil on the window. Activate it!" She sprinted towards the window, every step a battle through the writhing shadows. Her fingers found the hidden latch, a rush of ancient runes glowing as she chanted hurried words. The air around the window shimmered, a protective barrier flaring into being just as a clawed hand swiped at her. Lucien was at her side in an instant, his cane-blade a whirling defence as he covered her. "We need to go. Now." "We can't just—" her protest cut off by the fierce look in his mismatched eyes. "They won't stop," he hissed, "Not until they tear this place apart and us with it." There was no hesitation now, no room for old wounds or unresolved feelings. She nodded, eyes scanning for the quickest escape route. Lucien pulled out a vial, smashing it to the floor. Smoke erupted, thick and blinding, cloaking their retreat. "Follow me," he ordered, his tone leaving no room for argument. They moved as one, slipping through the narrow hallways, every step a dance with shadows and danger. The back door loomed ahead, their last shot at escape. Lucien kicked it open, the night air a cold slap against their faces. Safe for now, but not for long. "We're not done," she panted, gripping his arm tighter. "We never were," he replied, pulling her into the safety of the night, leaving the chaos and shadows behind.
created_at"2026-02-19T03:59:59.712Z" 2/19/2026, 3:59:59 AM
model"openai/gpt-4o-2024-05-13"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency499
moderation_latency(null)
generation_time21751
tokens_prompt4556
tokens_completion2002
native_tokens_prompt4076
native_tokens_completion1717
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.046135
router(null)
provider_responses
0
endpoint_id"3d6584e7-a2bb-48d6-903d-24e3d90e7e55"
id"chatcmpl-DApUly2oxpupRwUd97oBvl78QjvnY"
is_byokfalse
latency467
model_permaslug"openai/gpt-4o-2024-05-13"
provider_name"OpenAI"
status200
api_type"completions"
id"gen-1771473599-BM714QdzHNTiKFSrMuoB"
upstream_id"chatcmpl-DApUly2oxpupRwUd97oBvl78QjvnY"
total_cost0.046135
cache_discount(null)
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags25
adverbTagCount2
adverbTags
0"he said smoothly [smoothly]"
1"he said quietly [quietly]"
dialogueSentences44
tagDensity0.568
leniency1
rawRatio0.08
effectiveRatio0.08
92.22% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1285
totalAiIsmAdverbs2
found
0
adverb"lightly"
count1
1
adverb"quickly"
count1
highlights
0"lightly"
1"quickly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
2.72% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1285
totalAiIsms25
found
0
word"trembled"
count1
1
word"raced"
count2
2
word"tension"
count1
3
word"looming"
count1
4
word"velvet"
count1
5
word"weight"
count2
6
word"pulse"
count1
7
word"quickened"
count1
8
word"encounter"
count1
9
word"tinged"
count1
10
word"flickered"
count1
11
word"unspoken"
count1
12
word"fascinating"
count1
13
word"intensity"
count1
14
word"silence"
count1
15
word"resolve"
count1
16
word"echoed"
count1
17
word"shattered"
count1
18
word"glint"
count1
19
word"shimmered"
count1
20
word"scanning"
count1
21
word"dance"
count1
22
word"loomed"
count1
highlights
0"trembled"
1"raced"
2"tension"
3"looming"
4"velvet"
5"weight"
6"pulse"
7"quickened"
8"encounter"
9"tinged"
10"flickered"
11"unspoken"
12"fascinating"
13"intensity"
14"silence"
15"resolve"
16"echoed"
17"shattered"
18"glint"
19"shimmered"
20"scanning"
21"dance"
22"loomed"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences94
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences94
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences112
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1279
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions14
unquotedAttributions0
matches(empty)
91.86% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions28
wordCount1032
uniqueNames10
maxNameDensity1.16
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Lucien"
discoveredNames
Aurora6
Eva3
Moreau1
East1
London1
Lucien12
Bookshelves1
Guilt1
Damn1
Old1
persons
0"Aurora"
1"Eva"
2"Moreau"
3"Lucien"
4"Bookshelves"
5"Guilt"
places
0"East"
1"London"
globalScore0.919
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences77
glossingSentenceCount1
matches
0"looked like he had stepped out of one of"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1279
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences112
matches
0"erase that hitch"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs50
mean25.58
std14.88
cv0.582
sampleLengths
040
13
252
32
463
54
639
739
838
912
1045
1123
1228
1338
1424
1526
1628
1734
1820
1935
2039
2119
2237
2315
2423
255
2623
2712
2819
2914
3016
3124
3229
3314
3418
3511
3616
3757
3852
3914
4050
4122
4215
4316
4440
4511
4640
477
489
4919
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences94
matches
0"was cultured"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs193
matches(empty)
91.84% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount2
semicolonCount1
flaggedSentences2
totalSentences112
ratio0.018
matches
0"Aurora's mind raced, cataloguing possibilities—debts, danger, demons—but nothing prepared her for the sight that greeted her when she pulled the door ajar with all three chains still latched."
1"One amber eye glinted; the other, black as her most guarded secrets."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1038
adjectiveStacks0
stackExamples(empty)
adverbCount28
adverbRatio0.02697495183044316
lyAdverbCount14
lyAdverbRatio0.01348747591522158
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences112
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences112
mean11.42
std6.2
cv0.543
sampleLengths
011
117
212
31
41
51
611
713
828
92
1034
1112
1217
134
1419
1515
165
1721
188
1910
207
2110
2221
2312
247
2520
2618
2710
2813
299
3012
317
322
333
3411
3514
368
3724
3811
3915
4010
412
4216
4313
448
4513
469
4711
4811
4924
67.56% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.4375
totalSentences112
uniqueOpeners49
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences87
matches(empty)
ratio0
8.51% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount46
totalSentences87
matches
0"Her body stiffened, a rush"
1"He looked like he had"
2"His ivory-handled cane rested against"
3"he said smoothly"
4"She struggled to keep her"
5"Her fingers reached for the"
6"His tone was cultured, almost"
7"It wasn’t just a request,"
8"It was a looming conflict"
9"She unlaced the chains with"
10"she said, attempting to gather"
11"He surveyed the room"
12"Her hand lingered on the"
13"He sauntered deeper into the"
14"She moved to the cluttered"
15"She countered, her voice sharper"
16"It slipped out before she"
17"he murmured, voice dripping with"
18"He tapped the cane against"
19"She snorted, a bitter smile"
ratio0.529
17.47% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount77
totalSentences87
matches
0"Aurora's fingers trembled as she"
1"Eva had always been paranoid,"
2"Her body stiffened, a rush"
3"The knocks were forceful, jarring,"
4"Aurora's mind raced, cataloguing possibilities—debts,"
5"He looked like he had"
6"His ivory-handled cane rested against"
7"he said smoothly"
8"She struggled to keep her"
9"Her fingers reached for the"
10"His tone was cultured, almost"
11"It wasn’t just a request,"
12"It was a looming conflict"
13"She unlaced the chains with"
14"The door creaked open, wider"
15"Lucien stepped inside, his cane"
16"she said, attempting to gather"
17"He surveyed the room"
18"Bookshelves groaned under the weight"
19"Ptolemy, Eva’s tabby cat, watched"
ratio0.885
57.47% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences87
matches
0"Before she could respond, a"
ratio0.011
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences44
technicalSentenceCount2
matches
0"Aurora's mind raced, cataloguing possibilities—debts, danger, demons—but nothing prepared her for the sight that greeted her when she pulled the door ajar with …"
1"Lucien was a flurry of precise strikes, the blade in his hand slicing through the air, trailing a faint shimmer of magic."
25.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags25
uselessAdditionCount5
matches
0"she said, attempting to gather her scattered composure"
1"She countered, her voice sharper than intended"
2"he murmured, voice dripping with sarcasm"
3"Lucien corrected, eyes softening for the briefest moment"
4"he ordered, his tone leaving no room for argument"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags15
fancyCount9
fancyTags
0"Aurora added (add)"
1"he murmured (murmur)"
2"he observed (observe)"
3"she murmured (murmur)"
4"Lucien corrected (correct)"
5"she taunted (taunt)"
6"he hissed (hiss)"
7"he ordered (order)"
8"she panted (pant)"
dialogueSentences44
tagDensity0.341
leniency0.682
rawRatio0.6
effectiveRatio0.409
78.4882%