Run: 2026-02-19-01KHTQWZMY3JVFSR5XT447T5ZT

Run Details

Duration:
42.2s
Cost:
$0.001707

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rustle crept closer, a faint whisper weaving through the dense underbrush. Aurora Carter pressed herself deeper against the rough bark of an ancient oak, her breath trembling in the sudden stillness. The Fae Grove, they had said, held wonders, a pocket of magic wrapped in the ordinary cloak of Richmond Park. Yet tonight, it felt far less enchanting than foreboding. A sharp snap of a twig shattered the silence, and her bright blue eyes darted toward the source. Shadows danced just beyond her reach, elusive figures flickering like candle flames at the edge of her vision. Forcing her fear down, she clutched the Heartstone Pendant around her neck. The deep crimson gem pulsed rhythmically, a steady warmth against her chest. *Keep it close, it knows the way*, the old woman’s voice echoed in her mind. But the comfort it was supposed to provide felt hollow against the encroaching darkness. Rory had come seeking answers, driven by the need to understand why the world of Fae lore pulled sharply at her gut. Something deeper than mere curiosity stirred within her, a sense of connection she hadn’t quite deciphered. She had heard whispers of the Grove, a liminal space, where time folded in on itself and the mundane intermingled with the mystical. Perhaps this was where she could uncover the truth behind her lineage, link the ethereal to her life. But the moment she stepped through the old standing stones, she had felt the change, like breathing a different air. *A bad idea, Rory. Bad idea,* she chided herself silently, the warning echoing louder than the rustling. She forced herself to focus, willing her eyes to adjust to the darkness. The moon hung heavy, a silver sentinel overhead, casting silvery beams onto the wildflowers that somehow bloomed year-round. They appeared ordinary but shifted—was that a shimmer of movement? Her pulse quickened. It wasn’t just the shadows that dragged at her mind now, but the sounds whispering from the depths of the grove. An odd melody wove through the air, ragged and strangely beautiful, plucking at her thoughts like a delicate string. It resonated in her core, sinister yet alluring. An intoxicating pull she fought to resist. “There’s nothing here,” she muttered under her breath, the sound of her own voice less comforting than she’d hoped. The Grove, once a serene place of escape, felt hostile tonight—a gallery of murmurs and unseen eyes. She turned slightly, willing herself to move, to explore this isolation that had trapped her here, but the instinct to flee held her rooted. A low growl echoed from somewhere in the thicket. Fear slithered down her spine, clawing at her resolve. She was not alone. The certainty crashed over her like a tide. Something watched, something that should not have belonged in this Fae paradise. “Who’s there?” Her voice trembled, shaking the gathering dark like a lit candle in the thickening gloom. For a moment, she stood still, the silence returning, mocking. She felt exposed, just a frail human among ancient spirits twisted into grotesque shapes. Tentatively, she took a step forward, compelled by the pulsing of the Heartstone, which warmed as if whispering promises of protection—and peril. The underbrush brushed her ankles, the ground soft beneath her soles as she slipped into the unknown. Each step brought her deeper into the heart of the Grove, where shadows clung to life like a theatre of ghosts waiting for their cue. As she pressed on, the growling returned, a low rumble that vibrated through the very roots of the standing stones. Yes, they surrounded her now, aged and wise, but tonight they felt like grim sentinels. Then came a rustling—lighter this time, a delicate weave, almost angelic, immediately offset by the dreadful animalistic snarl. It was a duality, a harsh clash of light and dark, and she froze, gripped by horror. What lurked in the shadows? She strained, trying to grasp the outline of movement flitting between the trees. “Hello?” she called again. Pieces of her confidence crumbled under the weight of her own voice, each syllable resonating off the trees and swirling back in dreadful echoes. Silence greeted her. Sweet, dreadful silence. And then, that haunting melody melded once more—a symphony woven of whispers—pulsating through her. She felt something brush against her wrist, and the crescent scar burned. She flinched, instinctively reaching for it, a visceral reminder of the past clashing with this present reality. Suddenly, a figure shot past her peripheral vision, an elfin shape big and luminous, darting just out of reach. She turned, breath constricting in her throat. But nothing stood there, only shadows hiding secrets. Yet, it had felt real, tangible. Something moved again, but it wasn’t just in the shadows this time. There was a glimmer deeper within, a soft light behind the trees. Was it a pathway? A wayward illusion? Her heart raced as she followed the gentle glow, the Heartstone burning fervently against her skin. With each step, the eerie cacophony thickened around her, breathing insistently, tempting. She turned, half-expecting something to pounce, but the darkness swallowed even the sound of her own heartbeat. The glow persisted, inviting. It shimmered like a promise, twinkling just beyond the veil of night. But Rory knew something was off; attraction mingled with despair, a cruel game playing in this realm between the worlds. Why did her heart race? Was it danger, or seduction? A whisper floated to her ears: “One of us…” She staggered back as the realization crashed over her like an icy wave. She was not a stranger here; the Grove pulsed in recognition. Whatever lingered just outside of sight beckoned to a part of her she hadn’t yet found—a legacy entwining her roots deep within these enchanted woods. Then it became clearer; messages woven in threads of sound and shadows, the tangled whispers beckoning at her from hidden corners. Rory felt them shift, achieving a presence that rippled with escalating fear. The darkness vibrated with anticipation, an audience ready for the performance to escalate. “No, no, no…” she murmured, whirling about, searching for the escape. The growls had grown louder, now joined by a cacophony of rustles and scarcely stifled giggles that skittered through the trees like sharp daggers. A hunter, and a prey. Instinct battered against her logic. The ground trembled as she stumbled back in fright, her pulse pounding like a drum. Breath hitched in her throat, panic flared, and she felt trapped within her own skin. She turned, heart racing faster than a fleeting thought, prepared to run. But the grove wasn’t merely a backdrop; it stuck to her like a living thing, unbeknownst to her—it grasped her with roots of gnarl and shadow. She leaped forward, retreating from the sound, but the chorus seemed to amplify, an insistent call layered with menace. “Help!” she cried, voice cracking, lost among echoes that mocked her desperation. The glowing light beckoned, twisted almost cruelly within the trees. Perhaps it would give her sanctuary, or— Something lunged from the depths, monstrous yet glimmering, the shadows swirling around it like voluminous smoke. The sound of heartbeat intensified, her own pounding as loudly in her ears as the haunting melody that suddenly morphed into a wild crescendo of laughter. Rory spun around, met with eyes glistening like obsidian in the darkness, a scuttling wave of figures emerging towards her from the shadows. Fear enveloped her, a gnawing certainty grounding her with terrifying clarity—she wasn’t welcome in this grove; they had animated the night, and she had become the quarry. The Heartstone blazed brightly against the looming figures, an ember of defiance versus the encroaching shadows. Time rippled, wrenching her reality deeper into chaos as her scream, strangled and raw, pierced the velvet night. She turned to run, desperate for a way out—but the grove twisted into a disorienting maze, a treacherous trap of undeath and decay, sly laughter mingling with her screams. In the dimness, she felt the approach of darkness closing in, breaking over her like a tidal wave, the world fracturing, parting, as a guttural growl reverberated into the night. There, amidst the chaos, she stood at the precipice of an abyss, terrified and exhilarated—the moment teetering at the edge with her heart, just before the fall awaited her.
total_cost0.00170655

Evaluation details

Result Evaluator Details Meta Data
33.33% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags6
adverbTagCount1
adverbTags
0"she called again [again]"
dialogueSentences6
tagDensity1
leniency1
rawRatio0.167
effectiveRatio0.167
78.42% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1390
totalAiIsmAdverbs6
found
0
adverb"sharply"
count1
1
adverb"slightly"
count1
2
adverb"very"
count1
3
adverb"suddenly"
count2
4
adverb"fervently"
count1
highlights
0"sharply"
1"slightly"
2"very"
3"suddenly"
4"fervently"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1390
totalAiIsms56
found
0
word"whisper"
count2
1
word"foreboding"
count1
2
word"shattered"
count1
3
word"silence"
count4
4
word"pulsed"
count2
5
word"warmth"
count1
6
word"echoed"
count2
7
word"sense of"
count1
8
word"echoing"
count1
9
word"sentinel"
count1
10
word"pulse"
count2
11
word"quickened"
count1
12
word"depths"
count2
13
word"resonated"
count1
14
word"sinister"
count1
15
word"comforting"
count1
16
word"down her spine"
count1
17
word"resolve"
count1
18
word"trembled"
count2
19
word"gloom"
count1
20
word"peril"
count1
21
word"vibrated"
count2
22
word"sentinels"
count1
23
word"weight"
count1
24
word"echoes"
count2
25
word"symphony"
count1
26
word"reminder"
count1
27
word"tangible"
count1
28
word"raced"
count1
29
word"cacophony"
count2
30
word"shimmered"
count1
31
word"race"
count1
32
word"anticipation"
count1
33
word"pounding"
count2
34
word"racing"
count1
35
word"fleeting"
count1
36
word"sanctuary"
count1
37
word"glistening"
count1
38
word"looming"
count1
39
word"velvet"
count1
40
word"treacherous"
count1
41
word"reverberated"
count1
42
word"amidst"
count1
highlights
0"whisper"
1"foreboding"
2"shattered"
3"silence"
4"pulsed"
5"warmth"
6"echoed"
7"sense of"
8"echoing"
9"sentinel"
10"pulse"
11"quickened"
12"depths"
13"resonated"
14"sinister"
15"comforting"
16"down her spine"
17"resolve"
18"trembled"
19"gloom"
20"peril"
21"vibrated"
22"sentinels"
23"weight"
24"echoes"
25"symphony"
26"reminder"
27"tangible"
28"raced"
29"cacophony"
30"shimmered"
31"race"
32"anticipation"
33"pounding"
34"racing"
35"fleeting"
36"sanctuary"
37"glistening"
38"looming"
39"velvet"
40"treacherous"
41"reverberated"
42"amidst"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
98.96% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells3
narrationSentences96
matches
0"gripped by horror"
1"d with despair"
2"d with anticipation"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences96
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences96
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen30
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords13
totalWords1378
ratio0.009
matches
0"Keep it close, it knows the way"
1"A bad idea, Rory. Bad idea,"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions4
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions22
wordCount1365
uniqueNames9
maxNameDensity0.37
worstName"Grove"
maxWindowNameDensity1
worstWindowName"Fae"
discoveredNames
Carter1
Fae3
Grove5
Richmond1
Park1
Heartstone4
Pendant1
Rory5
Pieces1
persons
0"Carter"
1"Heartstone"
2"Rory"
places
0"Fae"
1"Grove"
2"Richmond"
3"Park"
globalScore1
windowScore1
28.05% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences82
glossingSentenceCount4
matches
0"quite deciphered"
1"appeared ordinary but shifted—was that a shimmer of movement"
2"as if whispering promises of protection—and peril"
3"felt like grim sentinels"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1378
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences96
matches
0"was that a"
58.50% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs28
mean49.21
std17.46
cv0.355
sampleLengths
061
189
299
358
458
560
642
741
864
935
1053
114
1230
1343
1440
1547
1645
1739
1849
1946
2045
2142
2245
2329
2442
2550
2663
2759
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences96
matches
0"was supposed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs246
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount12
semicolonCount5
flaggedSentences14
totalSentences96
ratio0.146
matches
0"They appeared ordinary but shifted—was that a shimmer of movement?"
1"The Grove, once a serene place of escape, felt hostile tonight—a gallery of murmurs and unseen eyes."
2"Tentatively, she took a step forward, compelled by the pulsing of the Heartstone, which warmed as if whispering promises of protection—and peril."
3"Then came a rustling—lighter this time, a delicate weave, almost angelic, immediately offset by the dreadful animalistic snarl."
4"And then, that haunting melody melded once more—a symphony woven of whispers—pulsating through her."
5"But Rory knew something was off; attraction mingled with despair, a cruel game playing in this realm between the worlds."
6"She was not a stranger here; the Grove pulsed in recognition."
7"Whatever lingered just outside of sight beckoned to a part of her she hadn’t yet found—a legacy entwining her roots deep within these enchanted woods."
8"Then it became clearer; messages woven in threads of sound and shadows, the tangled whispers beckoning at her from hidden corners."
9"But the grove wasn’t merely a backdrop; it stuck to her like a living thing, unbeknownst to her—it grasped her with roots of gnarl and shadow."
10"Perhaps it would give her sanctuary, or—"
11"Fear enveloped her, a gnawing certainty grounding her with terrifying clarity—she wasn’t welcome in this grove; they had animated the night, and she had become the quarry."
12"She turned to run, desperate for a way out—but the grove twisted into a disorienting maze, a treacherous trap of undeath and decay, sly laughter mingling with her screams."
13"There, amidst the chaos, she stood at the precipice of an abyss, terrified and exhilarated—the moment teetering at the edge with her heart, just before the fall awaited her."
99.42% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1377
adjectiveStacks0
stackExamples(empty)
adverbCount56
adverbRatio0.04066811909949165
lyAdverbCount19
lyAdverbRatio0.013798111837327523
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences96
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences96
mean14.35
std6.81
cv0.475
sampleLengths
012
120
220
39
418
518
612
712
815
914
1022
1116
1223
1318
1420
154
1613
1713
1818
1910
203
2121
2219
238
247
2519
2617
2724
289
299
304
318
3212
3317
3410
3514
3622
3717
3825
3920
4015
4118
4217
435
4413
454
4624
473
483
4914
72.57% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats2
diversityRatio0.4479166666666667
totalSentences96
uniqueOpeners43
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount6
totalSentences96
matches
0"Perhaps this was where she"
1"Tentatively, she took a step"
2"Then came a rustling—lighter this"
3"Suddenly, a figure shot past"
4"Then it became clearer; messages"
5"Perhaps it would give her"
ratio0.063
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount27
totalSentences96
matches
0"She had heard whispers of"
1"She forced herself to focus,"
2"They appeared ordinary but shifted—was"
3"Her pulse quickened."
4"It wasn’t just the shadows"
5"It resonated in her core,"
6"she muttered under her breath,"
7"She turned slightly, willing herself"
8"She was not alone."
9"Her voice trembled, shaking the"
10"She felt exposed, just a"
11"It was a duality, a"
12"She strained, trying to grasp"
13"she called again"
14"She felt something brush against"
15"She flinched, instinctively reaching for"
16"She turned, breath constricting in"
17"Her heart raced as she"
18"She turned, half-expecting something to"
19"It shimmered like a promise,"
ratio0.281
100.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount68
totalSentences96
matches
0"The rustle crept closer, a"
1"Aurora Carter pressed herself deeper"
2"The Fae Grove, they had"
3"A sharp snap of a"
4"Shadows danced just beyond her"
5"The deep crimson gem pulsed"
6"Rory had come seeking answers,"
7"Something deeper than mere curiosity"
8"She had heard whispers of"
9"*A bad idea, Rory."
10"She forced herself to focus,"
11"The moon hung heavy, a"
12"They appeared ordinary but shifted—was"
13"Her pulse quickened."
14"It wasn’t just the shadows"
15"An odd melody wove through"
16"It resonated in her core,"
17"An intoxicating pull she fought"
18"she muttered under her breath,"
19"The Grove, once a serene"
ratio0.708
52.08% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences96
matches
0"Yet, it had felt real,"
ratio0.01
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences67
technicalSentenceCount2
matches
0"Tentatively, she took a step forward, compelled by the pulsing of the Heartstone, which warmed as if whispering promises of protection—and peril."
1"Rory felt them shift, achieving a presence that rippled with escalating fear."
41.67% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags6
uselessAdditionCount1
matches
0"she cried, voice cracking, lost among echoes that mocked her desperation"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags4
fancyCount3
fancyTags
0"she muttered (mutter)"
1"she murmured (murmur)"
2"she cried (cry)"
dialogueSentences6
tagDensity0.667
leniency1
rawRatio0.75
effectiveRatio0.75
78.7664%