Run: 2026-02-19-01KHTR20K46KWW9FGCGMZQ4TDZ

Run Details

Duration:
16.0s
Cost:
$0.000353

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The front door of Eva’s flat groaned under the weight of someone’s heavy footfall, the deadbolt clattering against the frame with a sound like a warning. Aurora Carter—Rory, to those who knew her—hadn’t expected anyone. Not after the way things ended last time. The last time she’d been here, she’d been running. Now, the door swung open with a force that made the frame shudder, and Lucien Moreau stood there, his cane tapping against the worn linoleum with the deliberate precision of a man who’d spent years mastering the art of being in control. His suit was immaculate, his hair slicked back just so, but his eyes—one amber, one black—held something she’d seen before in the dim light of her own flat: a flicker of something dangerous. “You’re late,” she said, voice sharp as the blade at the end of his cane. Lucien didn’t flinch. “I’m never late for a job.” His gaze flicked over her, taking in the way her fingers were curled around the edge of the doorframe, the way her breath hitched when he stepped closer. “Or a woman who owes me money.” “You’re not here about money,” she muttered, stepping back as if he’d struck her. “Not after what you did.” “And what did I do?” His voice was low, smooth, the kind of voice that made her skin prickle. “I told you to leave. You didn’t listen.” The air between them thickened, charged with the kind of tension that had always been there between them—before, during, and after. Before the way she’d seen the way he looked at her, before the way he’d made her forget her own name. Before the way she’d let him. “You were right,” she said, her voice barely above a whisper. “I should’ve left.” “And yet,” he said, stepping closer, “you didn’t.” The door swung shut behind him with a finality that made her stomach twist. She shouldn’t have come. She shouldn’t have let herself hope. But here she was, standing in the middle of Eva’s cluttered flat, the scent of old books and something faintly metallic from the cat—Ptolemy—lingering in the air. The cat, sprawled across the armchair, didn’t even look up. “You’re not welcome here,” she said, her voice breaking just slightly. Lucien’s fingers twitched toward the cane. “I’m not here to be welcome.” The flat was a maze of bookshelves and half-finished projects, the kind of place that made her feel like she was intruding on someone else’s life. But she was here now, and she wasn’t going anywhere. Not until he left. “Why did you come?” she asked, her voice barely audible over the hum of the flat’s old fridge. Lucien didn’t answer right away. He just stood there, watching her, his gaze darkening with something she couldn’t name. “Because you’re trouble,” he said finally. “And I like trouble.” The words hit her like a punch to the gut. She’d thought she’d left that behind. She’d thought she was done with him. But here he was, standing in her space, and she was still here, still breathing, still *alive*. “You’re not the only one who owes me,” she said, her voice trembling. “You owe me an explanation.” Lucien’s smile was slow, knowing. “And what explanation would that be?” She opened her mouth to speak, but the words stuck in her throat. Instead, she reached for the door handle, her fingers trembling. “I’m going to leave.” Lucien’s cane tapped against the floor again, this time with a rhythm that was almost musical. “No,” he said, his voice a low rumble. “You’re not.” The flat seemed to close in around her, the air thick with the weight of what had been and what was to come. She should’ve left. She should’ve run. But she was here, and he was here, and the past was a tangled mess of promises broken and words left unsaid. “You don’t get to tell me what to do,” she said, her voice breaking. “Not after everything.” Lucien’s smile was a blade, sharp and cutting. “And yet, here you are.” The door swung open again, this time with a force that made the flat tremble. Eva’s flat. Rory’s flat. The same place where they’d first met, where they’d fallen, where they’d broken. And now, here they were again, caught in the same web of attraction and pain. “You’re not welcome here,” she said, her voice breaking. “Not after what you did.” Lucien stepped closer, his cane tapping against the floor with the rhythm of a metronome counting down to something terrible. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The flat seemed to close in around them, the air thick with the weight of what had been and what was to come. She should’ve left. She should’ve run. But she was here, and he was here, and the past was a tangled mess of promises broken and words left unsaid. “You’re not the only one who owes me,” she said, her voice trembling. “You owe me an explanation.” Lucien’s fingers twitched toward the cane, the blade hidden just beneath the surface. “And what explanation would that be?” She reached for the door handle, her fingers trembling. “I’m going to leave.” Lucien’s smile was slow, knowing. “No,” he said, his voice a low rumble. “You’re not.” The flat seemed to close in around them, the air thick with the weight of what had been and what was to come. The cat, Ptolemy, stretched out on the armchair, his tail flicking lazily as if he didn’t give a damn about any of it. “You don’t get to tell me what to do,” she said, her voice breaking. “Not after everything.” Lucien’s smile was a blade, sharp and cutting. “And yet, here you are.” The door swung shut behind them, the deadbolt clicking into place with a finality that made her stomach twist. She should’ve left. She should’ve run. But she was here, and he was here, and the past was a tangled mess of promises broken and words left unsaid. “You’re not welcome here,” she said, her voice breaking. “Not after what you did.” Lucien stepped closer, his cane tapping against the floor with the rhythm of a metronome counting down to something terrible. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The flat was a maze of shadows and half-lit corners, the scent of old books and something faintly metallic from the cat’s fur lingering in the air. The cat, Ptolemy, didn’t even look up as they stood there, trapped in the same moment, the same past, the same future that was already written in the way their eyes met. “You’re not the only one who owes me,” she said, her voice barely audible over the hum of the flat’s old fridge. “You owe me an explanation.” Lucien’s fingers brushed against the cane, the blade glinting in the dim light. “And what explanation would that be?” he asked, his voice a low rumble, the words carrying the weight of something he’d been waiting to say for years. “Because I know what you did.” She should’ve left. She should’ve run. But she was here, standing in the middle of Eva’s flat, the scent of old books and something faintly metallic from the cat’s fur clinging to her skin. The cat, Ptolemy, stretched out on the armchair, his tail flicking lazily, as if he didn’t give a damn about any of it. “You’re not welcome here,” she said, her voice breaking. “Not after what you did.” Lucien’s smile was slow, knowing. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The door swung shut behind them, the deadbolt clicking into place with a finality that made her stomach twist. The flat seemed to close in around them, the air thick with the weight of what had been and what was to come. “You don’t get to tell me what to do,” she said, her voice trembling. “Not after everything.” Lucien’s cane tapped against the floor, the blade hidden just beneath the surface, ready to strike. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The cat, Ptolemy, didn’t even blink as they stood there, the past a tangled mess of promises broken and words left unsaid. She should’ve left. She should’ve run. But she was here, and he was here, and the future was already written in the way their eyes met, in the way his fingers twitched toward the blade at the end of his cane. “You’re not the only one who owes me,” she said, her voice barely a whisper. “You owe me an explanation.” Lucien’s smile was a blade, sharp and cutting, as he stepped closer, the air between them thick with the weight of what had been and what was to come. The cat, Ptolemy, stretched out on the armchair, his tail flicking lazily, as if he didn’t care about any of it. “You know,” he said, his voice a low rumble, “I’ve been waiting for this moment for a long time.” The doorframe loomed between them, the deadbolt locked with finality. The scent of old books and something faintly metallic from the cat’s fur filled the air, thick and heavy. Aurora’s breath came in ragged gasps, her fingers digging into the doorframe as she tried to pull away. Lucien’s cane tapped against the floor, the blade glinting in the dim light, ready to strike. “You know,” he said, his voice a low rumble, “I’ve been waiting for this moment for a long time.” She turned to face him, her eyes wide with fear and something else—something she couldn’t name. The cat, Ptolemy, didn’t even move, sprawled across the armchair, his tail flicking lazily, as if he were indifferent to the storm brewing between them. “You don’t get to tell me what to do,” she whispered, her voice breaking. “Not after everything.” Lucien’s smile was slow, knowing. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The flat’s walls seemed to close in around them, the air thick with the weight of the past and the promise of the future. The cat, Ptolemy, didn’t even look up as Lucien stepped closer, his cane tapping against the floor, the blade hidden beneath the surface, ready to strike. “You’re not the only one who owes me,” she said, her voice barely audible, her heart pounding in her chest. “You owe me an explanation.” Lucien’s fingers brushed against the cane, the blade catching the light. “And what explanation would that be?” His voice was a low rumble, the words carrying the weight of secrets buried deep. She should’ve run. She should’ve left. But here she was, standing in the middle of Eva’s flat, the scent of old books and the faint metallic tang of the cat’s fur clinging to her skin. The cat, Ptolemy, stretched lazily on the armchair, his tail flicking, as if he didn’t care about the storm brewing between them. “You know,” Lucien said, his voice low, “I’ve been waiting for this moment for years.” The doorframe pressed against her back, the deadbolt locked tight. The air between them crackled with tension, thick with the weight of what had been and the promise of what was yet to come. “You don’t get to tell me what to do,” she whispered, her fingers digging into the wood. “Not after everything.” Lucien’s smile was a blade, sharp and cold. “And yet,” he said, his voice a low growl, “I’m not going anywhere.” The flat’s walls seemed to pulse around them, the scent of old books and the faint metallic tang of the cat’s fur mixing with the sharp, acrid smell of something else—something that made her stomach clench. “You’re not welcome here,” she said, her voice barely a breath. “Not after what you did.” Lucien’s cane tapped against the floor, the blade glinting in the dim light. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The cat, Ptolemy, didn’t stir. He didn’t even blink. He was just there, sprawled across the armchair, his tail flicking lazily, as if he didn’t care about the storm that was about to break. “You know,” Lucien said, his voice low, his eyes dark with something she couldn’t name. “I’ve been waiting for this moment for a long time.” She should’ve left. She should’ve run. But she couldn’t move. She was trapped, caught between the past and the present, the weight of what had been and the promise of what was to come. “You’re not the only one who owes me,” she said, her voice barely a whisper. “You owe me an explanation.” Lucien stepped closer, his cane tapping against the floor, the blade hidden beneath the surface. The air between them was thick with the scent of old books and the faint metallic tang of the cat’s fur, mixed with something else—something darker, something more dangerous. “And what explanation would that be?” His voice was a low rumble, the words carrying the weight of secrets buried deep. “Because I know what you did.” She should’ve run. She should’ve left. But here she was, standing in the middle of Eva’s flat, the scent of old books and the faint metallic tang of the cat’s fur clinging to her skin. The cat, Ptolemy, stretched lazily on the armchair, his tail flicking, as if he didn’t care about the storm brewing between them. The door swung open again, the deadbolt clicking shut with a finality that made her breath catch. The air between them was thick with tension, with the weight of what had been and the promise of what was to come. “You don’t get to tell me what to do,” she whispered, her fingers digging into the doorframe. “Not after everything.” Lucien’s smile was slow, knowing. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The flat’s walls seemed to close in around them, the scent of old books and the faint metallic tang of the cat’s fur thick in the air. The cat, Ptolemy, didn’t even look up as Lucien stepped closer, his cane tapping against the floor, the blade glinting in the dim light. “You’re not the only one who owes me,” she said, her voice barely audible. “You owe me an explanation.” Lucien’s fingers brushed against the cane, the blade catching the light. “And what explanation would that be?” His voice was a low rumble, the words carrying the weight of secrets she didn’t want to hear. She should’ve run. She should’ve left. But she couldn’t. Not now. Not when he was here, standing in her space, his presence a storm gathering in the corners of the flat. “You know,” he said, his voice low, his eyes dark with something she couldn’t ignore. “I’ve been waiting for this moment for years.” The scent of old books and the faint metallic tang of the cat’s fur filled the air, thick and heavy, the flat seeming to close in around them. The cat, Ptolemy, sprawled on the armchair, his tail flicking lazily, as if indifferent to the storm about to break. Aurora’s breath came in ragged gasps, her fingers digging into the doorframe. “You don’t get to tell me what to do,” she whispered, her voice breaking. Lucien’s smile was a blade, sharp and cold. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The deadbolt clicked shut behind them, the doorframe pressing against her back. The air was thick with the weight of secrets, of promises broken and words left unsaid. “You’re not welcome here,” she said, her voice barely a whisper. “Not after what you did.” Lucien’s cane tapped against the floor, the blade hidden beneath the surface. “And yet,” he said, his voice low, his eyes dark with something she couldn’t look away from. “I’m not going anywhere.” The flat’s walls seemed to pulse around them, the scent of old books and the faint metallic tang of the cat’s fur mixing with the sharp, acrid tang of something else—something that made her stomach twist. “You know,” he said, his voice a low rumble, “I’ve been waiting for this moment for a long time.” Aurora’s pulse pounded in her ears, her fingers trembling against the doorframe. The cat, Ptolemy, didn’t even blink, sprawled across the armchair, his tail flicking lazily, as if he didn’t care about the storm brewing between them. “You owe me an explanation,” she said, her voice barely a breath. “And you know what that means.” Lucien’s smile was slow, knowing. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The door swung shut again, the deadbolt clicking into place with finality. The air between them was charged, thick with the scent of old books, the faint metallic tang of the cat’s fur, and the promise of something darker, something more dangerous. “You’re not welcome here,” she said, her voice breaking. “Not after everything.” Lucien stepped closer, his cane tapping against the floor, the blade glinting in the dim light. The cat, Ptolemy, didn’t stir. He was just there, his tail flicking lazily, as if he didn’t care about the storm gathering between them. “You know,” he murmured, his voice a low rumble, “I’ve been waiting for this moment for a long time.” Aurora’s breath hitched. The flat seemed to hold its breath with her, the scent of old books and the faint metallic tang of the cat’s fur thick in the air. The past was a tangled mess of promises, of broken words, of moments she’d tried to forget. “You don’t get to tell me what to do,” she whispered, her fingers digging into the doorframe. “Not after everything.” Lucien’s smile was a blade. “And yet,” he said, his voice a low growl, “I’m not going anywhere.” The flat’s walls pressed in, the air charged with the weight of secrets and the promise of what was to come. The cat, Ptolemy, didn’t even look up. He was just there, sprawled across the armchair, his tail flicking lazily, as if he didn’t care about the storm that was about to break. “You’re not the only one who owes me,” she said, her voice barely audible. “You owe me answers.” Lucien’s cane tapped against the floor, the blade catching the light. “And what answers would those be?” His voice was low, his eyes dark with something she couldn’t ignore. Aurora’s breath came in shallow gasps, her vision blurring with the weight of the past and the fear of what was to come. The scent of old books and the faint metallic tang of the cat’s fur filled her nostrils, but it was the scent of something else that lingered, something sharp and bitter. “You know,” Lucien said, his voice low, his eyes dark with something she couldn’t name. “I’ve been waiting for this moment for years.” The doorframe pressed against her back, the deadbolt locked tight. The air between them was thick with tension, with secrets buried deep and promises left unfulfilled. “You don’t get to tell me what to do,” she whispered, her voice breaking. “Not after everything.” Lucien’s smile was slow, knowing. “And yet,” he said, his voice a low rumble, “I’m not going anywhere.” The flat’s walls seemed to close in, the scent of old books and the faint metallic tang of the cat’s fur mixing with the acrid tang of something darker. The cat, Ptolemy, didn’t stir. He was just there, sprawled across the armchair, his tail flicking lazily, as if he didn’t care about the storm that was about to consume them. “You’re not welcome here,” she said, her voice barely a whisper. “Not after what you did.” Lucien’s fingers brushed the cane, the blade glinting in the dim light. “And yet,” he said, his voice low, his eyes dark with something she couldn’t look away from. “I’m not going anywhere.” Aurora’s pulse roared in her ears, her fingers digging into the doorframe. The past was a storm, a mess of broken promises and unspoken words. The flat seemed to hold its breath, waiting for what was to come. “You owe me,” she said, her voice barely a breath. “You owe me everything.”
total_cost0.00035287999999999997

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags63
adverbTagCount1
adverbTags
0"he said finally [finally]"
dialogueSentences110
tagDensity0.573
leniency1
rawRatio0.016
effectiveRatio0.016
79.38% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount3395
totalAiIsmAdverbs14
found
0
adverb"barely above a whisper"
count1
1
adverb"slightly"
count1
2
adverb"lazily"
count12
highlights
0"barely above a whisper"
1"slightly"
2"lazily"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
26.36% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount3395
totalAiIsms50
found
0
word"weight"
count17
1
word"footfall"
count1
2
word"flicker"
count1
3
word"flicked"
count1
4
word"charged"
count3
5
word"tension"
count4
6
word"whisper"
count5
7
word"stomach"
count5
8
word"glinting"
count6
9
word"loomed"
count1
10
word"pounding"
count1
11
word"pulse"
count4
12
word"unspoken"
count1
highlights
0"weight"
1"footfall"
2"flicker"
3"flicked"
4"charged"
5"tension"
6"whisper"
7"stomach"
8"glinting"
9"loomed"
10"pounding"
11"pulse"
12"unspoken"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"air was thick with"
count1
highlights
0"The air was thick with"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences215
matches
0"e with fear"
49.83% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount13
narrationSentences215
filterMatches
0"feel"
hedgeMatches
0"seemed to"
1"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences261
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen42
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans1
markdownWords1
totalWords3382
ratio0
matches
0"alive"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions64
unquotedAttributions0
matches(empty)
83.31% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions71
wordCount2774
uniqueNames7
maxNameDensity1.33
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Lucien"
discoveredNames
Eva6
Carter1
Rory2
Lucien37
Moreau1
Ptolemy17
Aurora7
persons
0"Eva"
1"Carter"
2"Rory"
3"Lucien"
4"Moreau"
5"Ptolemy"
6"Aurora"
places(empty)
globalScore0.833
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences160
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount3382
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences261
matches(empty)
98.19% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs112
mean30.2
std14.91
cv0.494
sampleLengths
052
175
215
344
419
527
648
714
88
961
1011
1112
1240
1318
1429
1540
1618
1711
1827
1926
2051
2117
2213
2347
2414
2533
2651
2718
2819
2913
3015
3146
3217
3313
3447
3514
3633
3759
3827
3946
4057
4114
4218
4342
4417
4529
4663
4720
4850
4919
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences215
matches
0"were curled"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount6
totalVerbs484
matches
0"was, standing"
1"was intruding"
2"wasn’t going"
3"was, standing"
4"was, standing"
5"was, standing"
55.28% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount11
semicolonCount0
flaggedSentences8
totalSentences261
ratio0.031
matches
0"Aurora Carter—Rory, to those who knew her—hadn’t expected anyone."
1"His suit was immaculate, his hair slicked back just so, but his eyes—one amber, one black—held something she’d seen before in the dim light of her own flat: a flicker of something dangerous."
2"The air between them thickened, charged with the kind of tension that had always been there between them—before, during, and after."
3"But here she was, standing in the middle of Eva’s cluttered flat, the scent of old books and something faintly metallic from the cat—Ptolemy—lingering in the air."
4"She turned to face him, her eyes wide with fear and something else—something she couldn’t name."
5"The flat’s walls seemed to pulse around them, the scent of old books and the faint metallic tang of the cat’s fur mixing with the sharp, acrid smell of something else—something that made her stomach clench."
6"The air between them was thick with the scent of old books and the faint metallic tang of the cat’s fur, mixed with something else—something darker, something more dangerous."
7"The flat’s walls seemed to pulse around them, the scent of old books and the faint metallic tang of the cat’s fur mixing with the sharp, acrid tang of something else—something that made her stomach twist."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount2787
adjectiveStacks0
stackExamples(empty)
adverbCount77
adverbRatio0.027628274129888768
lyAdverbCount31
lyAdverbRatio0.011123071402942232
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences261
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences261
mean12.96
std8.52
cv0.657
sampleLengths
026
19
28
39
442
533
615
73
834
97
1014
115
1219
138
1421
1521
166
1711
183
198
2014
214
226
2327
2410
2511
266
276
2826
2910
304
3118
325
3314
346
354
3610
376
387
3917
4013
415
425
436
4413
4510
464
4716
488
492
34.67% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats40
diversityRatio0.07662835249042145
totalSentences261
uniqueOpeners20
15.72% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences212
matches
0"Instead, she reached for the"
ratio0.005
42.64% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount94
totalSentences212
matches
0"His suit was immaculate, his"
1"she said, voice sharp as"
2"His gaze flicked over her,"
3"she muttered, stepping back as"
4"His voice was low, smooth,"
5"she said, her voice barely"
6"he said, stepping closer"
7"She shouldn’t have come."
8"She shouldn’t have let herself"
9"she said, her voice breaking"
10"she asked, her voice barely"
11"He just stood there, watching"
12"he said finally"
13"She’d thought she’d left that"
14"She’d thought she was done"
15"she said, her voice trembling"
16"She opened her mouth to"
17"he said, his voice a"
18"She should’ve left."
19"She should’ve run."
ratio0.443
7.17% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount192
totalSentences212
matches
0"The front door of Eva’s"
1"Aurora Carter—Rory, to those who"
2"The last time she’d been"
3"His suit was immaculate, his"
4"she said, voice sharp as"
5"Lucien didn’t flinch."
6"His gaze flicked over her,"
7"she muttered, stepping back as"
8"His voice was low, smooth,"
9"The air between them thickened,"
10"she said, her voice barely"
11"he said, stepping closer"
12"The door swung shut behind"
13"She shouldn’t have come."
14"She shouldn’t have let herself"
15"The cat, sprawled across the"
16"she said, her voice breaking"
17"Lucien’s fingers twitched toward the"
18"The flat was a maze"
19"she asked, her voice barely"
ratio0.906
70.75% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount3
totalSentences212
matches
0"Now, the door swung open"
1"Before the way she’d seen"
2"Before the way she’d let"
ratio0.014
11.66% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences98
technicalSentenceCount18
matches
0"Now, the door swung open with a force that made the frame shudder, and Lucien Moreau stood there, his cane tapping against the worn linoleum with the deliberate…"
1"The door swung shut behind him with a finality that made her stomach twist."
2"The flat was a maze of bookshelves and half-finished projects, the kind of place that made her feel like she was intruding on someone else’s life."
3"He just stood there, watching her, his gaze darkening with something she couldn’t name."
4"Lucien stepped closer, his cane tapping against the floor with the rhythm of a metronome counting down to something terrible."
5"Lucien stepped closer, his cane tapping against the floor with the rhythm of a metronome counting down to something terrible."
6"But she was here, standing in the middle of Eva’s flat, the scent of old books and something faintly metallic from the cat’s fur clinging to her skin."
7"The cat, Ptolemy, didn’t even move, sprawled across the armchair, his tail flicking lazily, as if he were indifferent to the storm brewing between them."
8"But here she was, standing in the middle of Eva’s flat, the scent of old books and the faint metallic tang of the cat’s fur clinging to her skin."
9"The cat, Ptolemy, stretched lazily on the armchair, his tail flicking, as if he didn’t care about the storm brewing between them."
10"The flat’s walls seemed to pulse around them, the scent of old books and the faint metallic tang of the cat’s fur mixing with the sharp, acrid smell of somethin…"
11"But here she was, standing in the middle of Eva’s flat, the scent of old books and the faint metallic tang of the cat’s fur clinging to her skin."
12"The cat, Ptolemy, stretched lazily on the armchair, his tail flicking, as if he didn’t care about the storm brewing between them."
13"The cat, Ptolemy, didn’t even look up as Lucien stepped closer, his cane tapping against the floor, the blade glinting in the dim light."
14"The flat’s walls seemed to pulse around them, the scent of old books and the faint metallic tang of the cat’s fur mixing with the sharp, acrid tang of something…"
15"The cat, Ptolemy, didn’t even blink, sprawled across the armchair, his tail flicking lazily, as if he didn’t care about the storm brewing between them."
16"Lucien stepped closer, his cane tapping against the floor, the blade glinting in the dim light."
17"He was just there, his tail flicking lazily, as if he didn’t care about the storm gathering between them."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags63
uselessAdditionCount46
matches
0"she said, her voice barely above a whisper"
1"she said, her voice breaking just slightly"
2"she said, her voice trembling"
3"he said, his voice a low rumble"
4"she said, her voice breaking"
5"she said, her voice breaking"
6"he said, his voice a low rumble,"
7"she said, her voice trembling"
8"he said, his voice a low rumble"
9"she said, her voice breaking"
10"she said, her voice breaking"
11"he said, his voice a low rumble,"
12"she said, her voice breaking"
13"he said, his voice a low rumble,"
14"she said, her voice trembling"
15"he said, his voice a low rumble,"
16"she said, her voice barely a whisper"
17"he said, his voice a low rumble,"
18"he said, his voice a low rumble,"
19"she whispered, her voice breaking"
20"he said, his voice a low rumble,"
21"she said, her voice barely audible, her heart pounding in her chest"
22"Lucien said, his voice low,"
23"she whispered, her fingers digging into the wood"
24"he said, his voice a low growl,"
25"she said, her voice barely a breath"
26"he said, his voice a low rumble,"
27"she said, her voice barely a whisper"
28"she whispered, her fingers digging into the doorframe"
29"he said, his voice a low rumble,"
30"she said, her voice barely audible"
31"she whispered, her voice breaking"
32"he said, his voice a low rumble,"
33"she said, her voice barely a whisper"
34"he said, his voice a low rumble,"
35"she said, her voice barely a breath"
36"he said, his voice a low rumble,"
37"she said, her voice breaking"
38"he murmured, his voice a low rumble,"
39"she whispered, her fingers digging into the doorframe"
40"he said, his voice a low growl,"
41"she said, her voice barely audible"
42"she whispered, her voice breaking"
43"he said, his voice a low rumble,"
44"she said, her voice barely a whisper"
45"she said, her voice barely a breath"
81.03% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags58
fancyCount8
fancyTags
0"she muttered (mutter)"
1"she whispered (whisper)"
2"she whispered (whisper)"
3"she whispered (whisper)"
4"she whispered (whisper)"
5"he murmured (murmur)"
6"she whispered (whisper)"
7"she whispered (whisper)"
dialogueSentences110
tagDensity0.527
leniency1
rawRatio0.138
effectiveRatio0.138
75.2006%