Run: 2026-02-19-01KHTR69WMRAGX1MVESEW0TJGM

Run Details

Duration:
1m 11s
Cost:
$0.044687
Provider:
Cohere

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
When the door finally surrendered to her determined tapping, Aurora's jaw slackened. Had she the wrong flat? The man standing in the doorway was undoubtedly familiar, but... different. He'd always been a suave, polished, and rather classically attractive Frenchman. Now, this Lucien Moreau had slicked-back white-blond hair and a distinctly sinister air about him. She remembered his striking heterochromia more than his face: one amber and one pitch-black iris. Those eyes, no doubt, were why she'd called him a 'rather attractive man' when she first met him. "Laila," he greeted, his voice like warm treacle. Was that an amused glint in his eye? She mustered her reserve, forcing her gaze to meet his. "What do you want?" He leaned casually against the doorframe, uninvited and utterly unbothered. "A chat." "Well, you've clearly mistaken me for someone else." She began to push the door shut, except he stopped it with his polished shoe. With a weary sigh, Aurora stepped back and allowed entrance. "You have five minutes before I throw you out, Luc. Should be enough time for your so-called 'chat'." As he sauntered in, she couldn't help but notice his stride. The confident sway of his body suggested he didn't expect to be tossed out on his ear anytime soon. Ptolemy, Eva's tabby, wound around Lucien's legs, meowing. Ignoring the cat, he remarked, "Nice security. Your friend has three bolts on her front door." "She has good reason to." "Admirable precautionary measures. But you, precious Malphora, evade even her protection." "I've not seen her in months," Aurora replied. "I've been staying low." Or trying to, at least. Lucien raised an eyebrow. "Busy on council business, I assume?" "We don't need to discuss it." "But I do." His voice hardened. She whirled around, hands on her hips. "It's none of your business, Lucifer." "It's all my business," he corrected, eyes narrowing. "The goings-on in our little corner of the world are particularly pertinent to me." "I wouldn't stay here if I were you." "I'm staying until I get what I came for." She snorted. "As if you need to ask. You won everything from him. What's your game now?" "Answers, for a start." She fixed him with a stony glare. "Noted. And what have you come to give in return?" His lips quirked. "I'm more concerned with what you have to give than what I can bestow, Aurora. You haven't been forthcoming with certain... assets of yours. Assets I know you possess." "You overestimate my capabilities." "Do I?" "Or perhaps you assume everyone is as willing to trade secrets as you are." "If they have nothing to hide, they shouldn't fear exposure," he countered smoothly. "You're a snake. Always have been." "We didn't part on the best of terms, I admit. But I've come to set things right, starting with reparations for your loss of service." "My loss of service?" Aurora scoffed. "You mean my near-death experience at the hands of your dear friends?" Lucien's jaw clenched, and his eyes flickered with a hint of something darker. "Their actions were regrettable. Your pain was not intended." "Not intended? You'd have let them rip me to shreds had I not managed to escape." "You were never the target," he insisted. "Merely a casualty of their thirst for power and knowledge. A means to an end." "Some casu-" she began, only to be cut off. "That end being you. They aimed to bend your considerable powers to their will. Impress you into their service. And in doing so, they overlooked your value. Your potential." She crossed her arms. "I'm listening." "You had been instructed to lie low and await further orders. I assumed you wouldn't stray far from Brendan and Jennifer Carter in that time, but I underestimated both your foresight and your resourcefulness. Your disappearance was most impressive, given your weakened state." "It's called grit, Mr Moreau," she declared, "something you wouldn't understand." His eyes flashed, and for a moment, Aurora could've sworn she saw a flicker of red. "You call me by my last name, yet you have the audacity to speak of overestimating?" He took a menacing step forward. "Perhaps you need a reminder of just how comprehensive my network is, my dear," he whispered. "Or perhaps you like playing the big fish in a tiny pond, preying on unaware people! Threatening old men and their families is hardly impressive, you know!" She stood her ground despite the heat of his amber eye boring into her. For a moment, the silence settled between them, heavy and foreboding. Lucien's nostril's flared, and his hand twitched towards his cane. The ivory handle of the cane, she noted, concealed a thin silver blade. Taking a breath, she continued, "So why are you here? Why not send one of your thugs?" "I thought it best to appeal to your... better nature, shall we say?" Aurora raised her eyebrows. "Do I have one?" He smirked, the tension easing slightly. "Then let's see about that. Instead of flaunting your skills and courting danger, might I suggest we discuss an arrangement?" "You know I'm no one's lackey. What makes you think I'd consider working with you again?" "Because," he drawled, "it's a favour for a favour, Malphora, dearest. I'm willing to let bygones be bygones, but first, I want the truth. What prompted you to desert your post?" "I'd rather not say." "I need more than your enigmatic antics, Aurora. Tell me what you know." She opened her mouth to argue, but he held up a hand. "Before you decline," he said, "I should tell you something. You remember my son, Mephisto?" "Mephisto," she repeated, resisting the shudder the name evoked. "Your son. The demon. The... terrifying creature with a rather unpleasant habit of luring humans to their doom." "Among other things." His tone was guarded. "He's gone." Aurora stilled. "Gone?" "In every sense of the word." Lucien's eyes were shadowed, a haunted look on his face. "A father's grief is nothing to mock. But..." He nodded. "He disappeared a month ago. There have been no sightings of him since. Not a whisper, not a clue, nada. He's dropped off everyone's radar." She considered this. "Maybe he finally... passed on?" A bitter smile crept across his face. "Not likely. Demonic entities have a habit of enduring." A thought occurred to her. "You think something happened. That he was taken." "Exactly." Lucien straightened, his eyes hardening. "I know my son, his habits, and his strange... appetites. He's meticulous in his perversions. Whatever has befallen him, it's unprecedented. Something powerful enough to wrench him from this plane without a trace, and I need to know what." "Why, Moreau? You barely know him, from what I've heard. Why now?" "Because," he began, voice thick with unspoken emotion, "he's my son, and I'm willing to make amends for my shortcomings as his father." Watching him carefully, Aurora asked, "And where do I fit into this quest for redemption?" "He has always been difficult to find. But you... you tracked him once before, if memory serves." "I happened to be in the right place at the right time. Hardly an endorsement of my abilities," she said lightly, hoping to downplay her involvement. "I think you underestimate yourself, Miss Carter. Well, we shall see. For your assistance, I can offer you a favour—a rather substantial one, I might add. It could prove useful in the future." She eyed him warily. "And what's to stop you from betraying me again?" Lucien smiled. "The fact that you're right here, in perfect health, is testament enough, no? Just think of all the good you could do with a powerful ally like me in your corner." "Or the chaos I could unleash, given your less savory connections." "Indeed," he agreed, amused. "That is the devil's bargain, is it not? But you can trust me, Aurora. This time." She bit her lip, debating. It was unlike her to trust so easily, yet something told her this was different. Perhaps it was genuine desperation she saw in his eyes; maybe his words held more sincerity than she wanted to admit. Either way, she decided, it was a risk worth taking. "Alright, I'm in," she said finally. "I'll help you find your son, Lucifer. But on one condition." She took a step closer. "Oh?" "This favour is already yours," she waved her hand, dismissing it. "But I get to decide how and when it's paid. You have no say in the matter." His eyebrows raised, and a small smile appeared. "Agreed." She held out her hand. "Agreed." After a moment, he shook it, his grip firm and resolute. "Partners?" "Partners," she affirmed, surprised to find she meant it. "Partners." As she released his hand, however, a flicker of movement caught her eye. Lucien's leg straightened, seemingly ready to pounce. But it was Ptolemy who leaped onto the counter, his eyes narrowing at the new arrival. "Goodness," she said softly, her hand going to her heart. "We have company." Lucien chuckled. "I believe they say that about me, actually." "You think this is funny?" she demanded, her gaze flitting back to the window, searching. "I think we're about to get our answer," he replied, and extended his hand. "Shall we?" Her heart hammered as she placed her hand in his, the warmth of his skin burning through her sleeve. Together, they turned to face the door—her heart, she realized, was racing. But for what? The sound of their pursuer's breath was heavy and laboured. A shadow crossed the window, and a shrill, animalistic noise tore through the air. "Well, this won't do," Lucien remarked coolly, his free hand resting on his cane. He strode towards the door, throwing it open with a flourish. "Shall we, my dear?" Her gaze fixed on his back, his fluid, almost lazy movements towards the staircase as he descended. For a moment, she hesitated, then she followed, her mouth dry. "Malphora," he called over his shoulder, "you're positively radiant when you're terrified." "This is hardly the time," she cried, rounding the stairs before she realised. Lucien, it seemed, had vanished entirely. There was nothing but darkness and silence, and the sound of the door, still swinging gently on its hinges. A noise from below, low and menacing, brought her attention back to the landing. There, descending from the shadows, was a hulking, menacing figure. In the darkness, its face was unreadable, but its eyes burned with a deep, malevolent fire. "Who are you?" she whispered, her voice steady despite her fear. "What do you want?" A raspy, inhuman voice scratched its way into her mind. "Your friend has..." It paused, as if searching for the right words. "Interesting... tastes." At the word 'friend', the creature's eyes shifted, its gaze fixing on her pointedly. "I don't know what you're talking about," she said, her voice shaking slightly. "I'm just a simple student, studying..." Her words stumbled over each other, betraying her. "You lie. Deception has no place here." The creature stepped forward, tendrils of darkness swirling around its feet. "I can sense your fear, your... anticipation." Aurora bit back a gasp, not daring to breathe. Lucien had vanished, and now she was alone, face to face with her worst nightmares come to life. "You're afraid, Aurora. And with good reason." The creature laughed, the sound like glass shattering. "One more thing: be careful what you wish for. Your mistakes will not be forgiven." "What do you want?" she repeated, her voice barely above a whisper. "I don't even know who you are!" "I know you, Aurora. And I know what you've done." A look of unbridled joy crossed its face, its jagged maw splitting into an unholy smile. "I don't... wait. What have I done?" The creature's eyes turned cold. "Tell me what you know about your friend, and you might live to see the light of day again." Aurora's heart began to race. Her breath quickened as comprehension dawned. "You... you're the one from the hospital. You were there when—" "Why did you run, little witch?" Its voice was sharp, angry. "Why did you abandon me?" "I didn't know what I was doing!" She pleaded, her eyes welling. "I didn't mean to—" "No more," the creature snarled, cutting her off. "I want answers, and I want them now." The world seemed to come to a stop as the creature stepped forward, its ragged claws reaching for her throat. Aurora's heart thundered in her chest, and she felt her body begin to shake. In one swift motion, Lucien materialised from the shadows. His cane swung through the air, a silver blade glistening in the dim light. With a violent slash, he severed the creature's head from its body, and it collapsed in a mangled heap at his feet. Time seemed to stand still. Aurora, frozen in place, could only stare in horror at the scene before her: Lucien, standing over the dead creature, his blade covered in its dark blood, his eyes blazing with a terrifying intensity. And before him, the lifeless, decapitated body, its limbs twisted in a macabre dance. "It's over." His voice was low, soothing, but beneath it lay an undercurrent of steel. "You're safe." It took a moment for Aurora's numbed brain to process his words. Shaking her head, she looked around, dazed. The stairs. The door. The dark figure. She remembered. "I... I think I need to sit down," she managed, her legs suddenly weak. He moved with frightening speed, scooping her into his arms and carrying her to a chair, while she clutched her throat, her mind reeling. "We're not safe," she choked out. "It said... You heard it. We—" Lucien's eyes were cold, his jaw set. "I'll deal with this. You rest." And with that, he turned on his heel, disappearing into the dark.
created_at"2026-02-19T10:47:35.581Z" 2/19/2026, 10:47:35 AM
model"cohere/command-r-plus-08-2024"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency797
moderation_latency132
generation_time70412
tokens_prompt4556
tokens_completion3576
native_tokens_prompt4143
native_tokens_completion3433
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0446875
router(null)
provider_responses
0
endpoint_id"cd63714a-d459-4806-bdf2-0dfea4f6614c"
id"25537e4e-123f-4d58-a910-3c869f8fba52"
is_byokfalse
latency797
model_permaslug"cohere/command-r-plus-08-2024"
provider_name"Cohere"
status200
api_type"completions"
id"gen-1771498055-ROzXSWnfoenyKeUQOfmQ"
upstream_id"25537e4e-123f-4d58-a910-3c869f8fba52"
total_cost0.0446875
cache_discount(null)
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provider_name"Cohere"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags48
adverbTagCount6
adverbTags
0"he countered smoothly [smoothly]"
1"she began only [only]"
2"she said lightly [lightly]"
3"she said finally [finally]"
4"she said softly [softly]"
5"Lucien remarked coolly [coolly]"
dialogueSentences123
tagDensity0.39
leniency0.78
rawRatio0.125
effectiveRatio0.098
76.21% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2312
totalAiIsmAdverbs11
found
0
adverb"utterly"
count1
1
adverb"slightly"
count2
2
adverb"carefully"
count1
3
adverb"lightly"
count1
4
adverb"warily"
count1
5
adverb"softly"
count1
6
adverb"coolly"
count1
7
adverb"gently"
count1
8
adverb"barely above a whisper"
count1
9
adverb"suddenly"
count1
highlights
0"utterly"
1"slightly"
2"carefully"
3"lightly"
4"warily"
5"softly"
6"coolly"
7"gently"
8"barely above a whisper"
9"suddenly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
22.15% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2312
totalAiIsms36
found
0
word"determined"
count1
1
word"familiar"
count1
2
word"sinister"
count1
3
word"glint"
count1
4
word"eyebrow"
count1
5
word"jaw clenched"
count1
6
word"flickered"
count1
7
word"potential"
count1
8
word"flicker"
count2
9
word"reminder"
count1
10
word"silence"
count2
11
word"foreboding"
count1
12
word"tension"
count1
13
word"enigmatic"
count1
14
word"sense of"
count1
15
word"whisper"
count2
16
word"unspoken"
count1
17
word"perfect"
count1
18
word"testament"
count1
19
word"warmth"
count1
20
word"racing"
count1
21
word"radiant"
count1
22
word"hulking"
count1
23
word"unreadable"
count1
24
word"anticipation"
count1
25
word"maw"
count1
26
word"race"
count1
27
word"quickened"
count1
28
word"thundered"
count1
29
word"glistening"
count1
30
word"intensity"
count1
31
word"macabre"
count1
32
word"dance"
count1
highlights
0"determined"
1"familiar"
2"sinister"
3"glint"
4"eyebrow"
5"jaw clenched"
6"flickered"
7"potential"
8"flicker"
9"reminder"
10"silence"
11"foreboding"
12"tension"
13"enigmatic"
14"sense of"
15"whisper"
16"unspoken"
17"perfect"
18"testament"
19"warmth"
20"racing"
21"radiant"
22"hulking"
23"unreadable"
24"anticipation"
25"maw"
26"race"
27"quickened"
28"thundered"
29"glistening"
30"intensity"
31"macabre"
32"dance"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"jaw/fists clenched"
count1
1
label"couldn't help but"
count1
highlights
0"jaw clenched"
1"couldn't help but notice"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences134
matches
0"e in horror"
89.55% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount5
narrationSentences134
filterMatches(empty)
hedgeMatches
0"began to"
1"seemed to"
2"begin to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences207
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen43
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2304
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions40
unquotedAttributions0
matches(empty)
80.19% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions36
wordCount1146
uniqueNames8
maxNameDensity1.4
worstName"Lucien"
maxWindowNameDensity2.5
worstWindowName"Aurora"
discoveredNames
Aurora13
Frenchman1
Lucien16
Moreau1
Was1
Eva1
Watching1
Ptolemy2
persons
0"Aurora"
1"Lucien"
2"Moreau"
3"Was"
4"Eva"
places(empty)
globalScore0.802
windowScore0.833
91.86% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences86
glossingSentenceCount2
matches
0"straightened, seemingly ready to pounce"
1"as if searching for the right words"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2304
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences207
matches
0"Was that an"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs115
mean20.03
std13.18
cv0.658
sampleLengths
087
116
214
312
423
528
654
75
811
917
1010
116
126
1313
1422
158
169
1717
184
1917
2032
214
222
2314
2413
256
2625
2718
2822
2916
3022
319
3229
336
3443
3511
3654
3741
3834
3917
4013
418
4226
4316
4431
454
4613
4712
4815
4927
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences134
matches
0"were shadowed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs248
matches
0"was racing"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount1
flaggedSentences2
totalSentences207
ratio0.01
matches
0"Perhaps it was genuine desperation she saw in his eyes; maybe his words held more sincerity than she wanted to admit."
1"Together, they turned to face the door—her heart, she realized, was racing."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount984
adjectiveStacks1
stackExamples
0"back white-blond hair"
adverbCount37
adverbRatio0.037601626016260166
lyAdverbCount14
lyAdverbRatio0.014227642276422764
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences207
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences207
mean11.13
std7.65
cv0.687
sampleLengths
012
15
210
31
411
515
615
718
88
98
1010
114
1210
132
1423
1510
1618
1711
1819
198
2016
215
2211
238
249
254
266
276
286
297
306
318
3214
338
349
352
3615
374
387
3910
403
4129
424
432
4414
4513
466
4725
486
4912
53.95% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats15
diversityRatio0.3671497584541063
totalSentences207
uniqueOpeners76
28.25% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences118
matches
0"Perhaps it was genuine desperation"
ratio0.008
30.17% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount56
totalSentences118
matches
0"He'd always been a suave,"
1"She remembered his striking heterochromia"
2"he greeted, his voice like"
3"She mustered her reserve, forcing"
4"He leaned casually against the"
5"She began to push the"
6"His voice hardened"
7"She whirled around, hands on"
8"he corrected, eyes narrowing"
9"She fixed him with a"
10"His lips quirked."
11"he countered smoothly"
12"she began, only to be"
13"She crossed her arms."
14"His eyes flashed, and for"
15"He took a menacing step"
16"She stood her ground despite"
17"He smirked, the tension easing"
18"She opened her mouth to"
19"she repeated, resisting the shudder"
ratio0.475
74.41% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount91
totalSentences118
matches
0"The man standing in the"
1"He'd always been a suave,"
2"She remembered his striking heterochromia"
3"Those eyes, no doubt, were"
4"he greeted, his voice like"
5"She mustered her reserve, forcing"
6"He leaned casually against the"
7"She began to push the"
8"The confident sway of his"
9"Ptolemy, Eva's tabby, wound around"
10"Lucien raised an eyebrow."
11"His voice hardened"
12"She whirled around, hands on"
13"he corrected, eyes narrowing"
14"She fixed him with a"
15"His lips quirked."
16"he countered smoothly"
17"Lucien's jaw clenched, and his"
18"she began, only to be"
19"She crossed her arms."
ratio0.771
84.75% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount2
totalSentences118
matches
0"Now, this Lucien Moreau had"
1"Either way, she decided, it"
ratio0.017
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences44
technicalSentenceCount2
matches
0"Aurora, frozen in place, could only stare in horror at the scene before her: Lucien, standing over the dead creature, his blade covered in its dark blood, his e…"
1"He moved with frightening speed, scooping her into his arms and carrying her to a chair, while she clutched her throat, her mind reeling."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags48
uselessAdditionCount14
matches
0"he corrected, eyes narrowing"
1"Lucien straightened, his eyes hardening"
2"he began, voice thick with unspoken emotion,"
3"she affirmed, surprised to find she meant it"
4"she said softly, her hand going to her heart"
5"she demanded, her gaze flitting back to the window, searching"
6"Lucien remarked coolly, his free hand resting on his cane"
7"she whispered, her voice steady despite her fear"
8"It paused, as if searching for the right words"
9"she said, her voice shaking slightly"
10"she repeated, her voice barely above a whisper"
11"unbridled joy crossed, its jagged maw splitting into an unholy smile"
12"She pleaded, her eyes welling"
13"she managed, her legs suddenly weak"
19.92% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags25
fancyCount16
fancyTags
0"he corrected (correct)"
1"he insisted (insist)"
2"she declared (declare)"
3"he whispered (whisper)"
4"a breath she continued (continue)"
5"he drawled (drawl)"
6"she repeated (repeat)"
7"he agreed (agree)"
8"she demanded (demand)"
9"she cried (cry)"
10"she whispered (whisper)"
11"The creature laughed (laugh)"
12"she repeated (repeat)"
13"She pleaded (plead)"
14"the creature snarled (snarl)"
15"she choked (choke)"
dialogueSentences123
tagDensity0.203
leniency0.407
rawRatio0.64
effectiveRatio0.26
80.4021%