Run: 2026-02-19-01KHTR6QM1Y2ACWHX5BA2A7DHS

Run Details

Duration:
34.5s
Cost:
$0.001384

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rustle of leaves whispered secrets as Aurora Carter stepped into the Fae Grove, the ancient oak standing stones looming like sentinels around her. She paused, the faint glow of her Heartstone Pendant pulsing against her chest, a reminder of the task that had drawn her here. The air felt thick, charged with an energy that prickled her skin, and she shivered, though the night was still. “Just a quick look,” she muttered to herself, her voice swallowed by the shadows. The grove had always been a place of mystery, a pocket of the Fae realm that danced on the edge of reality. But tonight, it felt different—heavier, as if the very ground beneath her feet held its breath. Aurora moved deeper into the grove, her footsteps muffled by the carpet of wildflowers that bloomed year-round. The vibrant colours seemed to pulse in the dim light, a stark contrast to the encroaching darkness. She had come seeking answers, a way to sever the ties of her past, but the deeper she ventured, the more the air thickened with an unsettling presence. A snap of a twig echoed behind her, sharp and sudden. She spun around, heart racing, but the grove remained still, the trees standing silent and watchful. “Get a grip, Rory,” she chided herself, forcing her feet to move forward. The pendant warmed against her skin, a gentle reminder of the power it held, but it did little to quell the unease creeping up her spine. As she walked, the sounds of the grove shifted. The rustling leaves morphed into whispers, indistinct yet insistent, as if the very flora conspired against her. She strained to catch a word, a name, anything that might explain the growing sense of dread. But the whispers faded into the rustle of the wind, leaving her alone with her thoughts. A flicker of movement caught her eye—a shadow darting between the trees. She froze, breath hitching in her throat. “Hello?” The word slipped from her lips, a fragile sound in the oppressive silence. No response, only the echo of her own voice fading into the night. Aurora pressed on, her pulse quickening. The grove felt alive, the trees shifting as if they were watching her every move. She could almost feel their gnarled roots reaching out, testing her resolve. The pendant throbbed with warmth, urging her forward, but the deeper she went, the more the shadows seemed to stretch and twist, warping the familiar into the grotesque. A low growl rumbled from somewhere beyond her line of sight, a sound that sent a jolt of fear through her. She turned, scanning the darkness, but the source remained hidden. “This isn’t funny,” she called out, her voice steadier than she felt. “I’m not here to play games.” The growl morphed into a series of guttural sounds, a language she couldn’t comprehend but instinctively understood as a warning. Aurora’s heart raced, and she took a step back, her instincts screaming at her to flee. But the pendant pulsed again, a steady rhythm that anchored her in place. She had come too far to turn back now. A flicker of movement to her left drew her attention. She turned, and for a brief moment, she caught a glimpse of something—an outline, a figure cloaked in shadow, watching her from the edge of the grove. It stood still, its form indistinct, but the weight of its gaze pressed down on her, heavy and suffocating. “Who’s there?” she demanded, her voice trembling despite her bravado. The figure didn’t move, didn’t respond, and the silence stretched, thick and suffocating. Aurora’s breath quickened, and she took another step back, her instincts screaming at her to run. But the pendant flared to life, a sudden warmth flooding her chest, and she felt an inexplicable pull towards the figure. It was as if the Heartstone recognised something in the shadow, something that called to her very essence. She hesitated, torn between the primal urge to flee and the magnetic draw of the unknown. The figure shifted, stepping into the faint light filtering through the trees. Aurora’s breath caught in her throat. It was a woman, her features obscured by a veil of darkness, but the glint of bright blue eyes pierced through the shadows, locking onto Aurora’s own. “Come closer,” the woman beckoned, her voice a melodic whisper that danced on the edge of comprehension. “You seek answers, do you not?” Aurora’s heart raced, a mix of fear and curiosity swirling within her. “I—” she started, but the words caught in her throat. The woman’s presence was both alluring and terrifying, a paradox that drew her in even as it warned her to stay away. “Your heartstone guides you,” the woman continued, stepping closer, the shadows swirling around her like a living cloak. “But it is not the only thing that pulses with power in this grove.” The air thickened, and Aurora felt the weight of the grove’s energy pressing down on her. The whispers grew louder, a cacophony of voices that seemed to echo her thoughts, her fears. She could almost make out words—her name, her past, the darkness that had chased her to this very moment. “Why are you here?” Aurora asked, her voice barely above a whisper. “What do you want from me?” The woman smiled, a slow, knowing smile that sent a shiver down Aurora’s spine. “You are not alone, dear one. The shadows have always watched over you. They know your pain, your struggles. They wish to help.” A chill swept through the grove, and Aurora’s instincts screamed at her to run. “Help? Or trap?” she shot back, her voice rising. “I’ve seen what darkness can do. I won’t be another victim.” The woman’s expression shifted, the shadows around her darkening. “You misunderstand. The darkness is not your enemy. It is a part of you, as much as the light. Embrace it, and you will find the strength you seek.” “No!” Aurora shouted, stepping back, her heart pounding in her chest. The pendant throbbed violently, a warning that resonated deep within her. She turned to flee, but the shadows twisted, coiling around her ankles like serpents, holding her in place. “Stay!” the woman commanded, her voice now a low growl, echoing through the grove. “You cannot escape what you are.” Aurora struggled against the shadows, panic rising within her. The whispers crescendoed, a chaotic symphony of voices that clawed at her mind. She could feel the weight of their gaze, the pressure of their expectations, and the darkness that threatened to consume her. With a surge of determination, she yanked her foot free, breaking the hold of the shadows. She sprinted deeper into the grove, the pendant’s warmth guiding her through the chaos. The whispers morphed into screams, a cacophony of despair that echoed in her ears, urging her to stop, to listen, to surrender. But she wouldn’t. Not now. Not ever. The trees closed in around her, branches clawing at her clothes, but she pushed through, heart racing, breath coming in ragged gasps. The shadows writhed, reaching for her, but she was faster, driven by a primal instinct to survive. Ahead, the standing stones loomed, a barrier between her and the darkness that threatened to swallow her whole. She could feel the energy pulsing from the Heartstone, a beacon of hope in the encroaching night. With one final burst of speed, she dashed towards the stones, the whispers fading into a haunting echo behind her. As she crossed the threshold, the shadows recoiled, the woman’s voice trailing off into the night. “You cannot run forever, Aurora Carter. The darkness will find you.” Aurora stumbled to a halt, breathless and trembling, the grove falling silent behind her. She turned, heart pounding, but the shadows had receded, leaving only the faint glow of the Heartstone to illuminate her path. The grove felt different now, a lingering sense of wrongness hanging in the air, but she had escaped—at least for the moment. But the woman’s words echoed in her mind, a chilling reminder that the darkness was not done with her yet.
total_cost0.0013843899999999999

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags12
adverbTagCount0
adverbTags(empty)
dialogueSentences21
tagDensity0.571
leniency1
rawRatio0
effectiveRatio0
81.59% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1358
totalAiIsmAdverbs5
found
0
adverb"very"
count4
1
adverb"barely above a whisper"
count1
highlights
0"very"
1"barely above a whisper"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1358
totalAiIsms58
found
0
word"looming"
count1
1
word"sentinels"
count1
2
word"reminder"
count3
3
word"charged"
count1
4
word"footsteps"
count1
5
word"pulse"
count2
6
word"stark"
count1
7
word"echoed"
count3
8
word"racing"
count2
9
word"sense of"
count2
10
word"flicker"
count2
11
word"oppressive"
count1
12
word"silence"
count2
13
word"echo"
count3
14
word"resolve"
count1
15
word"throbbed"
count2
16
word"warmth"
count3
17
word"familiar"
count1
18
word"scanning"
count1
19
word"raced"
count2
20
word"pulsed"
count1
21
word"weight"
count3
22
word"quickened"
count1
23
word"magnetic"
count1
24
word"glint"
count1
25
word"whisper"
count2
26
word"cacophony"
count2
27
word"chill"
count1
28
word"pounding"
count2
29
word"resonated"
count1
30
word"echoing"
count1
31
word"chaotic"
count1
32
word"symphony"
count1
33
word"could feel"
count2
34
word"loomed"
count1
35
word"beacon"
count1
36
word"chilling"
count1
highlights
0"looming"
1"sentinels"
2"reminder"
3"charged"
4"footsteps"
5"pulse"
6"stark"
7"echoed"
8"racing"
9"sense of"
10"flicker"
11"oppressive"
12"silence"
13"echo"
14"resolve"
15"throbbed"
16"warmth"
17"familiar"
18"scanning"
19"raced"
20"pulsed"
21"weight"
22"quickened"
23"magnetic"
24"glint"
25"whisper"
26"cacophony"
27"chill"
28"pounding"
29"resonated"
30"echoing"
31"chaotic"
32"symphony"
33"could feel"
34"loomed"
35"beacon"
36"chilling"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"sent a shiver through"
count1
highlights
0"sent a shiver down"
93.75% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells3
narrationSentences80
matches
0"d with warmth"
1"a jolt of fear"
2"a surge of determination"
89.29% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount3
narrationSentences80
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences89
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen29
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1352
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions10
unquotedAttributions0
matches(empty)
50.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions24
wordCount1210
uniqueNames6
maxNameDensity1.24
worstName"Aurora"
maxWindowNameDensity3.5
worstWindowName"Aurora"
discoveredNames
Aurora15
Carter1
Fae2
Grove1
Heartstone4
Pendant1
persons
0"Aurora"
1"Carter"
2"Pendant"
places
0"Fae"
1"Grove"
globalScore0.88
windowScore0.5
85.06% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences77
glossingSentenceCount2
matches
0"It was as if the Heartstone recognised something in the shadow, something that called to her very essence"
1"voices that seemed to echo her thoughts, her fears"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1352
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences89
matches(empty)
56.48% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs31
mean43.61
std15.16
cv0.348
sampleLengths
067
152
262
366
459
546
661
749
858
956
1039
1155
1245
1323
1444
1532
1651
1718
1837
1934
2038
2140
2220
2343
2452
257
2639
2755
2827
2957
3020
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences80
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs210
matches
0"were watching"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount5
semicolonCount0
flaggedSentences5
totalSentences89
ratio0.056
matches
0"But tonight, it felt different—heavier, as if the very ground beneath her feet held its breath."
1"A flicker of movement caught her eye—a shadow darting between the trees."
2"She turned, and for a brief moment, she caught a glimpse of something—an outline, a figure cloaked in shadow, watching her from the edge of the grove."
3"She could almost make out words—her name, her past, the darkness that had chased her to this very moment."
4"The grove felt different now, a lingering sense of wrongness hanging in the air, but she had escaped—at least for the moment."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1216
adjectiveStacks0
stackExamples(empty)
adverbCount26
adverbRatio0.02138157894736842
lyAdverbCount5
lyAdverbRatio0.004111842105263158
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences89
echoCount0
echoWords(empty)
98.33% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences89
mean15.19
std6.01
cv0.396
sampleLengths
024
123
220
314
422
516
617
717
828
911
1016
1113
1226
139
1417
1517
1616
1712
187
1914
2013
216
2215
2312
2428
2521
2610
2712
286
2920
3016
3113
329
3310
3427
3519
3610
3713
3816
3921
4018
4116
4212
436
4427
4517
466
4712
4810
4922
46.63% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats3
diversityRatio0.2696629213483146
totalSentences89
uniqueOpeners24
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences78
matches(empty)
ratio0
91.79% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount25
totalSentences78
matches
0"She paused, the faint glow"
1"she muttered to herself, her"
2"She had come seeking answers,"
3"She spun around, heart racing,"
4"she chided herself, forcing her"
5"She strained to catch a"
6"She froze, breath hitching in"
7"She could almost feel their"
8"She turned, scanning the darkness,"
9"she called out, her voice"
10"She had come too far"
11"She turned, and for a"
12"It stood still, its form"
13"she demanded, her voice trembling"
14"It was as if the"
15"She hesitated, torn between the"
16"It was a woman, her"
17"she started, but the words"
18"She could almost make out"
19"she shot back, her voice"
ratio0.321
36.92% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount66
totalSentences78
matches
0"The rustle of leaves whispered"
1"She paused, the faint glow"
2"The air felt thick, charged"
3"she muttered to herself, her"
4"The grove had always been"
5"Aurora moved deeper into the"
6"The vibrant colours seemed to"
7"She had come seeking answers,"
8"A snap of a twig"
9"She spun around, heart racing,"
10"she chided herself, forcing her"
11"The pendant warmed against her"
12"The rustling leaves morphed into"
13"She strained to catch a"
14"A flicker of movement caught"
15"She froze, breath hitching in"
16"The word slipped from her"
17"Aurora pressed on, her pulse"
18"The grove felt alive, the"
19"She could almost feel their"
ratio0.846
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences78
matches(empty)
ratio0
0.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences58
technicalSentenceCount12
matches
0"She paused, the faint glow of her Heartstone Pendant pulsing against her chest, a reminder of the task that had drawn her here."
1"The grove had always been a place of mystery, a pocket of the Fae realm that danced on the edge of reality."
2"But tonight, it felt different—heavier, as if the very ground beneath her feet held its breath."
3"Aurora moved deeper into the grove, her footsteps muffled by the carpet of wildflowers that bloomed year-round."
4"The rustling leaves morphed into whispers, indistinct yet insistent, as if the very flora conspired against her."
5"A low growl rumbled from somewhere beyond her line of sight, a sound that sent a jolt of fear through her."
6"It was as if the Heartstone recognised something in the shadow, something that called to her very essence."
7"The whispers grew louder, a cacophony of voices that seemed to echo her thoughts, her fears."
8"She could almost make out words—her name, her past, the darkness that had chased her to this very moment."
9"She could feel the weight of their gaze, the pressure of their expectations, and the darkness that threatened to consume her."
10"The trees closed in around her, branches clawing at her clothes, but she pushed through, heart racing, breath coming in ragged gasps."
11"Ahead, the standing stones loomed, a barrier between her and the darkness that threatened to swallow her whole."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags12
uselessAdditionCount5
matches
0"she called out, her voice steadier than she felt"
1"she demanded, her voice trembling despite her bravado"
2"she started, but the words caught in her throat"
3"Aurora asked, her voice barely above a whisper"
4"she shot back, her voice rising"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount5
fancyTags
0"she muttered (mutter)"
1"she called out (call out)"
2"she demanded (demand)"
3"the woman continued (continue)"
4"Aurora shouted (shout)"
dialogueSentences21
tagDensity0.286
leniency0.571
rawRatio0.833
effectiveRatio0.476
67.6614%