Run: 2026-02-19-01KHTX3PVD9YCWG873TXBGGBKF

Run Details

Duration:
8.4s
Cost:
$0.000000
Provider:
Stealth

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
A glass smashed against the bar top, spilling amber across the polished wood. Rory slipped the broken shards into the sink, her bright blue eyes scanning the room for a familiar face. The neon green sign above the doorway pulsed rhythmically, casting a sickly hue over the patrons. She was midway through a delivery run for Yu‑Fei Cheung's Golden Empress, the scent of ginger and soy clinging to her coat, when she noticed a man in the corner nursing a single whisky. His silver signet ring glinted on his right hand, the slight limp in his left leg giving him a deliberate swagger. Silas Blackwood stared at the glass, his hazel gaze flickering between the amber spill and the man who had just entered. He glanced at the empty stool opposite him, then at the bookshelf that concealed the hidden back room, the faint scent of old maps and cigarette smoke hanging in the air. He lifted his glass, the amber catching the green light, and set it down with a quiet clink. "Rory?" he said, his voice low but unmistakable. "Silas." She smiled, the crescent scar on her left wrist catching a flash of light as she brushed her hair from her face. "You look like you haven't moved in decades." He chuckled, the sound rough around his grey‑streaked auburn hair. "Time has a habit of standing still for those who sit behind a bar." The bartender, a wiry man with a tattoo of a dragon curling up his forearm, poured another whisky and slid it across the counter. The liquid swirled, catching the neon glow. "I've been hearing rumors about the Nest," Rory said, leaning forward, her shoulders relaxed but her jaw tight. "Word's you run a little... side business." Silas's eyes narrowed, the hint of a smile tugging at his lips. "You always liked the spice of the unknown. The side business is just a side of the same coin." "Coin?" She tilted her head, the scar glinting. "You mean the old intel runs? The ones you used to whisper about at university parties?" He tapped the ring on his finger, the metal cool against his skin. "Those nights are dead. The only thing that lives now is the bar." Rory's gaze drifted to the back wall where a bookshelf hid a narrow doorway. "And the secret room? Still there?" A faint rustle rose from the shelves as a patron shifted, a stack of newspapers teetering. Silas's limp shifted, his weight settling on his good leg. "The room is just a room. It holds nothing if you don't bring anything." She laughed, a sound that cut through the low hum of conversation. "You always did love your riddles." Silas leaned forward, his elbow resting on the bar. "You think you've left the past behind, but the past has a habit of following you like a stray dog." Rory's fingers brushed the scar, the memory of a childhood accident flashing briefly. "I left Cardiff because of a man named Evan. You were the only one who ever believed I could disappear." He stared at her, the hazel eye catching the green glow. "You vanished into the night, and the city swallowed you. I watched the streets you walked, hoping you'd return." She pressed her palm against the wood, feeling the faint vibration of the neon sign. "I came back because of Eva. The delivery gig kept me moving. The bar kept me alive." Silas's hand tightened around his glass. "You used to be a law student. You had a future carved in courtroom marble. Now you carry food on a bike." Rory's smile faded, the edge of her mouth tightening. "You can still see the same girl behind the bike, can't you? The one who could argue a judge into silence." He chuckled, a breath that seemed to carry years of secrets. "I saw you argue with a judge, then later saw you argue with a bartender about the price of a pint." She raised an eyebrow. "What about the scar? Still there, I assume." Silas placed his thumb over his own scar, a faint line on his left forearm. "We both wear our scars, Rory. Some are visible, some are not." The neon sign flickered, casting a brief strobe across the room. A sudden crash echoed from the back of the bar as a shelf toppled, sending a cascade of old photographs onto the floor. The patrons gasped, the sound of breaking glass mingling with murmured curses. Rory's eyes darted to the chaos, her mind racing. "What did you hide in that secret room, Silas? Something that could bring all this down?" Silas's hand moved to the signet ring, his fingers twisting it. "The only thing I hide is what I cannot forget." A figure slipped into the shadows of the hidden doorway, a silhouette moving with practiced silence. The air grew colder, the scent of copper and dust filling the space between them. "Who?" Rory whispered, her voice barely audible over the murmurs. Silas's lips curled into a thin line. "Someone who knows the price of secrets." The figure emerged, a man in a dark coat, his face obscured by a cap. He placed a single envelope on the bar, the paper thick and heavy. Silas's eyes narrowed, his grip tightening around his glass. Rory reached for the envelope, her fingertips brushing the edge. "What is it?" Silas's voice was a low growl. "A choice. One that will either bind us to the past or cut it clean." She hesitated, the weight of the envelope matching the weight of the years between them. "You always liked to make me choose." A sudden scream rose from the back room, a woman's voice tearing through the quiet. The hidden door swung open, revealing a flash of white light and a silhouette that fell to the floor. Silas lunged forward, his limp momentarily forgotten, his hand reaching for a weapon concealed beneath the bar. Rory's breath caught, her heart hammering against her ribs. The neon sign flickered again, the green light sputtering as if struggling to stay alive. The bartender shouted, his voice cutting through the tension. "Everyone stay back!" Rory stepped back, her eyes locked on Silas as he pulled a sleek, black pistol from beneath the counter. The gun clicked, a sound that reverberated like a metronome in the dim room. Silas stared at her, his hazel gaze now a mixture of anger and regret. "You never meant to leave, did you? You just... disappeared." Rory's voice trembled, but she forced it steady. "I came back for you. For the bar. For the chance to make things right." Silas's finger hovered over the trigger, his ring glinting in the green light. "Right? Or do you think we can erase what we did?" The figure from the shadows raised a hand, the cap sliding back to reveal a familiar face—Eva, Rory's childhood friend, her eyes dark with urgency. She whispered, "Don't let him—" A sudden crash of metal echoed as the shelf behind the secret door gave way, the hidden room exposing a wall of surveillance screens flickering with static and images of past operations. Silas's eyes widened, his grip faltering. "What the—" Rory lunged, grabbing the edge of the shelf, pulling it forward. The screens cracked, spraying shards of glass across the bar. A hissing sound rose as a wire sparked, sending a pulse of electricity through the room. The neon sign sputtered, then flared bright, casting a harsh white light over the chaos. In that split second, Silas's pistol slipped from his hand, skidding across the floor and landing with a dull thud. Silas stared at the gun, his breath shallow, his mind racing through decades of covert missions and quiet betrayals. He lowered his head, the weight of his signet ring suddenly heavy. Rory's hand shook as she reached for the envelope, the paper crinkling under her grip. She glanced at Silas, then at Eva, the tension in the room palpable as a taut string. A sudden shout erupted from the doorway, a voice muffled but urgent. "Police! Get back!" Silas's eyes flicked to the entrance, the green neon sign now flashing erratically. He raised his hand, the signet ring catching the light, and whispered, "We have to go." Rory's voice cut through the clamor, fierce and determined. "No. We stay." The back room door burst open, a flood of officers spilling in, their guns raised, their faces sharp with purpose. Silas's limp faltered, his body swaying as he tried to steady himself. A barrel of smoke curled around the bar, the scent of burnt paper and metal thickening. The police officer at the front raised his weapon, his muzzle aiming at the hidden doorway. Silas's gaze locked onto Rory's, the crescent scar on her wrist shimmering in the neon light. A single, unspoken thought passed between them—a memory of a night in London, a promise whispered in the dark, a regret that had festered for years. The officer shouted, "Hold it! Everyone, on the ground!" Rory dropped to her knees, the envelope falling from her grasp, its contents spilling onto the floor—a stack of photographs, a blood‑stained ledger, a key to a rusted safe. Silas knelt beside her, his hand trembling as he lifted a photograph—a young woman with a bright smile, a child in her arms, a man with a familiar grin. A sudden, deafening crack reverberated through the bar as a pipe burst, water flooding the floor, the neon sign sputtering and then going dark. The room plunged into blackness, broken only by the frantic shouts of the police and the shattering of glass. In the darkness, a single hand grasped another, fingers interlacing with a desperate urgency. Silas's voice, hoarse and strained, whispered, "Rory—" She turned her head, eyes wide, the glow of the police lights painting her face in stark red. "What have we done?" she breathed. A distant siren wailed, growing louder as it approached the building, its echo bouncing off the walls of the Nest. The water surged, the floor slick, the secret room's hidden door ajar, a faint glow emanating from within. Silas's mouth opened, a sound caught in his throat, as a sudden, metallic clang rang out—something heavy fell from the hidden room, striking the bar and sending a shockwave through the room. The bar's green neon sign flickered one final time, casting a fleeting, eerie illumination over the scene. The police officers froze, their weapons lowered, as the floodwaters rose, swallowing the floor, the secrets, and the weight of years. Rory's eyes met Silas's, a silent question hanging in the air, just as a hand emerged from the shadows, gripping a pistol, the barrel pointed directly at them. The click of the trigger echoed like a promise unkept.
created_at"2026-02-19T12:13:33.429Z" 2/19/2026, 12:13:33 PM
model"openrouter/aurora-alpha"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1996
moderation_latency(null)
generation_time8095
tokens_prompt4618
tokens_completion2682
native_tokens_prompt4083
native_tokens_completion2314
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0
router(null)
provider_responses(null)
api_type"completions"
id"gen-1771503213-9wvHbEE5dyhu6VJlRysu"
upstream_id"gen-1771503213-9wvHbEE5dyhu6VJlRysu"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Stealth"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags9
adverbTagCount0
adverbTags(empty)
dialogueSentences41
tagDensity0.22
leniency0.439
rawRatio0
effectiveRatio0
97.23% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1807
totalAiIsmAdverbs1
found
0
adverb"suddenly"
count1
highlights
0"suddenly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1807
totalAiIsms38
found
0
word"scanning"
count1
1
word"familiar"
count3
2
word"pulsed"
count1
3
word"glinting"
count2
4
word"whisper"
count1
5
word"weight"
count5
6
word"marble"
count1
7
word"silence"
count2
8
word"eyebrow"
count1
9
word"flickered"
count3
10
word"echoed"
count3
11
word"racing"
count2
12
word"tension"
count2
13
word"reverberated"
count2
14
word"trembled"
count1
15
word"pulse"
count1
16
word"palpable"
count1
17
word"flicked"
count1
18
word"determined"
count1
19
word"unspoken"
count1
20
word"stark"
count1
21
word"echo"
count1
22
word"fleeting"
count1
highlights
0"scanning"
1"familiar"
2"pulsed"
3"glinting"
4"whisper"
5"weight"
6"marble"
7"silence"
8"eyebrow"
9"flickered"
10"echoed"
11"racing"
12"tension"
13"reverberated"
14"trembled"
15"pulse"
16"palpable"
17"flicked"
18"determined"
19"unspoken"
20"stark"
21"echo"
22"fleeting"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches3
maxInWindow2
found
0
label"eyes widened/narrowed"
count3
highlights
0"eyes narrowed"
1"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences95
matches
0"k with urgency"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences95
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences126
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1803
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions13
unquotedAttributions0
matches(empty)
61.10% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions51
wordCount1406
uniqueNames9
maxNameDensity1.78
worstName"Silas"
maxWindowNameDensity3
worstWindowName"Silas"
discoveredNames
Cheung1
Golden1
Empress1
Blackwood1
Silas25
Eva2
Rory18
London1
Nest1
persons
0"Cheung"
1"Blackwood"
2"Silas"
3"Eva"
4"Rory"
places
0"London"
globalScore0.611
windowScore0.667
95.05% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences91
glossingSentenceCount2
matches
0"breath that seemed to carry years of secrets"
1"as if struggling to stay alive"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1803
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences126
matches(empty)
90.28% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs62
mean29.08
std13.55
cv0.466
sampleLengths
013
190
270
38
431
524
631
725
831
924
1026
1120
1240
1318
1429
1533
1630
1732
1828
1930
2032
2112
2227
2346
2425
2521
2631
2710
2814
2937
3013
3121
3222
3334
3426
3527
3633
3724
3823
3924
4030
4132
428
4337
4435
4531
4632
4715
4829
4912
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences95
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs221
matches(empty)
29.48% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount5
semicolonCount0
flaggedSentences5
totalSentences126
ratio0.04
matches
0"The figure from the shadows raised a hand, the cap sliding back to reveal a familiar face—Eva, Rory's childhood friend, her eyes dark with urgency."
1"A single, unspoken thought passed between them—a memory of a night in London, a promise whispered in the dark, a regret that had festered for years."
2"Rory dropped to her knees, the envelope falling from her grasp, its contents spilling onto the floor—a stack of photographs, a blood‑stained ledger, a key to a rusted safe."
3"Silas knelt beside her, his hand trembling as he lifted a photograph—a young woman with a bright smile, a child in her arms, a man with a familiar grin."
4"Silas's mouth opened, a sound caught in his throat, as a sudden, metallic clang rang out—something heavy fell from the hidden room, striking the bar and sending a shockwave through the room."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1410
adjectiveStacks0
stackExamples(empty)
adverbCount25
adverbRatio0.01773049645390071
lyAdverbCount9
lyAdverbRatio0.006382978723404255
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences126
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences126
mean14.31
std6.61
cv0.462
sampleLengths
013
119
216
334
421
521
631
718
88
923
108
1110
1214
1324
147
1518
167
1712
1819
198
2016
2113
2213
2314
246
2516
2610
2714
2812
296
309
3120
3213
3320
3411
3519
3615
3717
386
3922
409
4121
4211
4321
444
458
4615
4712
4811
4923
46.83% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats4
diversityRatio0.18253968253968253
totalSentences126
uniqueOpeners23
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences93
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount20
totalSentences93
matches
0"She was midway through a"
1"His silver signet ring glinted"
2"He glanced at the empty"
3"He lifted his glass, the"
4"he said, his voice low"
5"She smiled, the crescent scar"
6"He chuckled, the sound rough"
7"She tilted her head, the"
8"He tapped the ring on"
9"She laughed, a sound that"
10"He stared at her, the"
11"She pressed her palm against"
12"He chuckled, a breath that"
13"She raised an eyebrow."
14"He placed a single envelope"
15"She hesitated, the weight of"
16"He lowered his head, the"
17"She glanced at Silas, then"
18"He raised his hand, the"
19"She turned her head, eyes"
ratio0.215
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount91
totalSentences93
matches
0"A glass smashed against the"
1"Rory slipped the broken shards"
2"The neon green sign above"
3"She was midway through a"
4"His silver signet ring glinted"
5"Silas Blackwood stared at the"
6"He glanced at the empty"
7"He lifted his glass, the"
8"he said, his voice low"
9"She smiled, the crescent scar"
10"He chuckled, the sound rough"
11"The bartender, a wiry man"
12"The liquid swirled, catching the"
13"Rory said, leaning forward, her"
14"Silas's eyes narrowed, the hint"
15"She tilted her head, the"
16"He tapped the ring on"
17"Rory's gaze drifted to the"
18"A faint rustle rose from"
19"Silas's limp shifted, his weight"
ratio0.978
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences93
matches(empty)
ratio0
72.43% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences71
technicalSentenceCount7
matches
0"Silas Blackwood stared at the glass, his hazel gaze flickering between the amber spill and the man who had just entered."
1"He glanced at the empty stool opposite him, then at the bookshelf that concealed the hidden back room, the faint scent of old maps and cigarette smoke hanging i…"
2"The hidden door swung open, revealing a flash of white light and a silhouette that fell to the floor."
3"The neon sign flickered again, the green light sputtering as if struggling to stay alive."
4"In that split second, Silas's pistol slipped from his hand, skidding across the floor and landing with a dull thud."
5"Rory dropped to her knees, the envelope falling from her grasp, its contents spilling onto the floor—a stack of photographs, a blood‑stained ledger, a key to a …"
6"A distant siren wailed, growing louder as it approached the building, its echo bouncing off the walls of the Nest."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags9
uselessAdditionCount4
matches
0"he said, his voice low but unmistakable"
1"She tilted, the scar glinting"
2"Rory whispered, her voice barely audible over the murmurs"
3"He raised, the signet ring catching the light, and whispered,"
52.44% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount4
fancyTags
0"Rory whispered (whisper)"
1"She whispered (whisper)"
2"The officer shouted (shout)"
3"she breathed (breathe)"
dialogueSentences41
tagDensity0.146
leniency0.293
rawRatio0.667
effectiveRatio0.195
73.7168%