Run: 2026-02-19-01KHTXAMMPD4Q1EVX929KVH64Z

Run Details

Duration:
8.9s
Cost:
$0.000000
Provider:
Stealth

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The glass flew across the low‑lit room, shattering against the green neon sign. A sudden clatter cut through the hum of conversations, and a few heads turned as shards glittered on the polished wood. Rory slipped inside, shoulders hunched beneath the weight of a battered cardboard box, her bright blue eyes scanning the crowd for a familiar face. The scent of stale beer and fried fish mixed with a hint of copper, the latter stinging her nostrils as if reminder of a recent delivery from Yu‑Fei Cheung’s Golden Empress. She set the box on the bar, the wood sighing under its heft. Silas stood behind the mahogany counter, his hazel gaze landing on the newcomer with a flicker of recognition. The slight limp in his left leg forced him to shift weight onto his right foot as he reached for the familiar silver signet ring perched on his right hand. He brushed a stray lock of grey‑streaked auburn hair away from his brow and studied the scar on her left wrist—a crescent‑shaped reminder of a childhood accident. “Rory,” he said, voice low but clear, “you look like you’ve been hunting ghosts.” She gave a half‑smile, the corners of her mouth tightening. “Only the kind that pay in cash.” “Golden Empress deliveries?” Silas asked, leaning against the bar, his gaze flicking to the box. “Special orders,” she replied, tapping the side of the box. “The usual.” The bar’s green neon sputtered, casting a faint glow over the rows of old maps and black‑and‑white photographs that lined the walls. A low‑rumble of conversation rose, punctuated by the occasional clink of glasses. In the corner, a bookshelf stood against the wall, its spines crooked, a secret back room hidden behind it. “Did you ever think we’d meet again?” Silas asked, his tone even, yet something trembled beneath the surface. “I thought you’d have vanished into the shadows by now,” Rory answered, eyes narrowing as she took a sip from a chipped mug. “You always liked the dark.” Silas chuckled, a dry sound that barely rose above the background chatter. “The dark is where I keep my secrets. The light’s for the naïve.” A sudden crash echoed from the far side of the room as a patron knocked over a tray of drinks. The bartender, a wiry man with a tattooed forearm, shouted, “Watch it, mate!” The bar’s atmosphere snapped back to its usual rhythm. Rory’s fingers brushed the scar on her wrist, the crescent shape catching the dim light. She felt the old ache, a reminder of the accident that had left her with a fear of losing control. “You never changed, Silas,” she murmured, more to herself than to him. Silas stared at the scar, his gaze softening for a heartbeat. “You’ve changed,” he said, voice barely audible. “You carry more than a box now.” She set the mug down, the porcelain clinking against the bar. “I carry a name,” she replied, “and a ledger of debts I never asked for.” Silas lifted his hand, the silver signet ring glinting. “You were always good at reading between the lines, Rory. That’s why you’re here.” “Because I have a delivery for you,” she said, sliding a thin envelope across the counter. The paper felt heavy, the scent of cheap perfume and ink rising as it unfurled. Silas opened the envelope with deliberate slowness, his fingers moving with practiced precision. Inside lay a single photograph—a black‑and‑white image of a young woman standing in front of a rusted gate, her face obscured by shadow. The back bore a single line of handwriting: “The Nest.” Rory watched his eyes flicker over the image. “You kept this?” she asked, voice low. He closed the envelope, the crack of the paper echoing in the quiet corner. “I keep what matters,” he said, “and I hide what doesn’t.” A low chuckle escaped Rory’s lips. “You always liked your secrets.” Silas turned, his gaze meeting hers. “You’ve become a ghost, Rory. A courier for whispers no one dares to hear.” She stared at the green neon sign, the flicker reflecting off the scar. “I’m a courier for truth,” she whispered, “and for people who think they can buy it.” A sudden clang sounded as the bar’s back door burst open, a gust of cold air spilling in. A figure slipped in, cloaked in a dark coat, shoulders hunched, moving with purpose. The newcomer’s boots thudded against the floor, a rhythm that matched the tick‑tock of an unseen clock. Silas’s hand drifted to the back of the bar, fingers brushing the spines of the books. He glanced at Rory, his eyes narrowing. “You see that?” he asked, voice barely a whisper. She followed his gaze, spotting the figure’s silhouette against the bookshelf. The stranger placed a hand on a particular volume—a battered leather‑bound journal—and pulled it gently. The bookshelf swung inward with a soft sigh, revealing a narrow passageway dimly lit by a single amber lamp. “Secret room,” Silas muttered, a hint of reverence in his tone. “The Nest’s heart.” Rory’s breath caught. “You never told me about this.” Silas smiled, a thin line that did not reach his eyes. “You never asked.” The cloaked stranger turned, a glint of metal catching the lamp’s glow. “You’re late,” he said, voice flat, “and the courier is impatient.” Rory stepped forward, the scar on her wrist flashing. “I’m the courier,” she said, voice steady. “And I’m not leaving without what I came for.” The stranger’s hand slipped into his coat, fingers closing around a cold steel object. Silas’s eyes flicked to the silver signet ring on his own hand, a silent reminder of old loyalties. “Do you trust him?” Silas asked, his tone measured. Rory’s gaze hardened. “Trust is a luxury we can’t afford.” She lifted the envelope, the paper crinkling. “The information inside could ruin us both.” The stranger laughed, a short, bitter sound. “Or save us. Depends on who reads it first.” A sudden thud reverberated from the hidden room, the floorboards creaking as something shifted inside. A low hum rose, like a distant engine, and the amber lamp flickered, casting uneasy shadows across the bar. “Time’s ticking,” Silas whispered, his fingers tightening around the signet ring. “The Nest won’t stay quiet forever.” Rory placed the envelope on the bar, the paper sliding with a soft sigh. “Then let’s make sure it doesn’t fall into the wrong hands.” The cloaked figure stepped closer, the steel object now visible—a compact, finely crafted pistol, its barrel glinting ominously. “You have a choice,” he said, “run, or stay and die.” Silas’s limp tightened, his weight shifting onto his left leg as he steadied himself. “I’ve survived worse,” he muttered, his voice low. Rory’s eyes narrowed. “You think you can protect us both?” The stranger raised the pistol, the barrel aimed at the back of the bar. “I think you know what’s at stake,” he said, “and I think you’re ready to pay the price.” A sudden scream tore through the bar, a woman’s voice cracking with panic as a glass shattered on the floor. The bar’s green neon sign flickered again, the light stuttered, and the hidden passageway beyond the bookshelf began to glow brighter, as if something inside was awakening. Rory’s hand slipped to the scar on her wrist, the crescent shape pulsing with a strange heat. “What do you want from me?” she demanded, voice firm. The cloaked figure lowered the pistol, a smile curling his lips. “Only the truth you carry,” he replied. “And the silence you hide.” Silas stepped forward, his silhouette merging with the shadows. “Enough,” he said, voice resonant. “We decide now, or the Nest decides for us.” The bar’s door swung open again, a cold wind slamming against the frame. A figure in a dark coat burst through, eyes wild, clutching a leather‑bound dossier. The man’s voice rose above the din. “The police are coming! They’ve traced the signal!” Rory’s breath hitched, the weight of the envelope in her hand suddenly feeling like a bomb. Silas’s gaze flicked to the hidden passage, the amber lamp now casting a fierce glow. “Who’s the police?” Silas asked, his tone low. The newcomer shouted, “The Ministry! They know everything! The Nest is compromised!” A sudden burst of gunfire cracked through the bar, the sound echoing off the walls, shattering glass once more. The neon sign sputtered, the green flickering to a dying hue. The pistol in the cloaked figure’s hand recoiled, a flash of light igniting the shadows. The secret room behind the bookshelf burst open, a hidden door swinging wide, revealing rows of crates marked with foreign insignia. A low, metallic clang rose as a steel latch fell away, exposing a dark tunnel that seemed to swallow the light. Rory stared at the tunnel, the scar on her wrist throbbing. “What’s in there?” she whispered. Silas gripped his signet ring, his knuckles white. “Answers,” he said, voice barely audible. The cloaked figure lowered his pistol, the barrel now empty, the echo of the shot lingering. “You’ve got one chance,” he said, “to walk out alive.” The bar’s patrons froze, eyes darting between the chaos and the hidden doorway. A sudden, deafening roar rose from the tunnel, the sound of something massive moving in the darkness. Rory stepped toward the hidden passage, the envelope clutched tightly. Silas placed a hand on her shoulder, his grip firm. “Don’t look back,” he said, “or you’ll lose everything.” A sudden clang reverberated from the tunnel, a heavy metal door slamming shut behind them, sealing the secret room. The neon sign flickered once more, then died, plunging the bar into darkness. The cloaked figure’s voice cut through the gloom. “You’ve opened the Nest,” he whispered, “and there’s no turning back.” Rory’s breath caught, the scar on her wrist glowing faintly. Silas’s eyes narrowed, the silver ring catching the last dying light. A low, guttural growl rose from the tunnel, something unseen stirring, the tension in the air snapping like a taut wire. The bar’s door slammed shut, the hinges screaming, as the hidden passage behind the bookshelf began to pulse, the amber lamp flaring brighter, casting eerie shadows across the faces of the two old friends. The sound of a distant gun click echoed, right the air thick with anticipation. Rory turned to Silas, her voice a low hiss. “What now?” Silas stared into the darkness, his face set. “Now we walk into the fire.”
created_at"2026-02-19T12:17:20.541Z" 2/19/2026, 12:17:20 PM
model"openrouter/aurora-alpha"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2997
moderation_latency(null)
generation_time8204
tokens_prompt4618
tokens_completion2815
native_tokens_prompt4083
native_tokens_completion2349
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0
router(null)
provider_responses(null)
api_type"completions"
id"gen-1771503440-LwDPyJonxG9K8s9kW8Vs"
upstream_id"gen-1771503440-LwDPyJonxG9K8s9kW8Vs"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Stealth"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags34
adverbTagCount0
adverbTags(empty)
dialogueSentences56
tagDensity0.607
leniency1
rawRatio0
effectiveRatio0
91.41% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1746
totalAiIsmAdverbs3
found
0
adverb"gently"
count1
1
adverb"suddenly"
count1
2
adverb"tightly"
count1
highlights
0"gently"
1"suddenly"
2"tightly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1746
totalAiIsms40
found
0
word"weight"
count4
1
word"scanning"
count1
2
word"familiar"
count2
3
word"reminder"
count4
4
word"flicker"
count3
5
word"trembled"
count1
6
word"echoed"
count2
7
word"porcelain"
count1
8
word"glinting"
count2
9
word"echoing"
count2
10
word"whisper"
count1
11
word"glint"
count1
12
word"flicked"
count2
13
word"measured"
count1
14
word"reverberated"
count2
15
word"flickered"
count3
16
word"shattered"
count1
17
word"silence"
count1
18
word"traced"
count1
19
word"echo"
count1
20
word"gloom"
count1
21
word"tension"
count1
22
word"pulse"
count1
23
word"anticipation"
count1
highlights
0"weight"
1"scanning"
2"familiar"
3"reminder"
4"flicker"
5"trembled"
6"echoed"
7"porcelain"
8"glinting"
9"echoing"
10"whisper"
11"glint"
12"flicked"
13"measured"
14"reverberated"
15"flickered"
16"shattered"
17"silence"
18"traced"
19"echo"
20"gloom"
21"tension"
22"pulse"
23"anticipation"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches3
maxInWindow2
found
0
label"eyes widened/narrowed"
count2
1
label"flicker of emotion"
count1
highlights
0"eyes narrowed"
1"a flicker of recognition"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells2
narrationSentences116
matches
0"g with panic"
1"k with anticipation"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount3
narrationSentences116
filterMatches(empty)
hedgeMatches
0"began to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences138
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1741
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions30
unquotedAttributions0
matches(empty)
66.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions43
wordCount1388
uniqueNames5
maxNameDensity1.66
worstName"Silas"
maxWindowNameDensity3
worstWindowName"Silas"
discoveredNames
Cheung1
Golden1
Empress1
Rory17
Silas23
persons
0"Cheung"
1"Rory"
2"Silas"
places(empty)
globalScore0.671
windowScore0.667
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences92
glossingSentenceCount1
matches
0"tunnel that seemed to swallow the light"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1741
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences138
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs63
mean27.63
std14.18
cv0.513
sampleLengths
034
168
275
314
417
515
612
753
818
928
1025
1142
1247
1325
1426
1523
1631
1746
1815
1925
2011
2120
2229
2349
2432
2545
2614
279
2814
2923
3025
3132
329
3324
3416
3534
3617
3725
3829
3922
4010
4132
4247
4327
4423
4523
4642
4731
488
4912
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences116
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs243
matches
0"was awakening"
60.04% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount5
semicolonCount0
flaggedSentences4
totalSentences138
ratio0.029
matches
0"He brushed a stray lock of grey‑streaked auburn hair away from his brow and studied the scar on her left wrist—a crescent‑shaped reminder of a childhood accident."
1"Inside lay a single photograph—a black‑and‑white image of a young woman standing in front of a rusted gate, her face obscured by shadow."
2"The stranger placed a hand on a particular volume—a battered leather‑bound journal—and pulled it gently."
3"The cloaked figure stepped closer, the steel object now visible—a compact, finely crafted pistol, its barrel glinting ominously."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1393
adjectiveStacks0
stackExamples(empty)
adverbCount27
adverbRatio0.019382627422828428
lyAdverbCount11
lyAdverbRatio0.007896625987078248
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences138
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences138
mean12.62
std6.02
cv0.477
sampleLengths
013
121
224
331
413
518
630
727
814
910
107
1115
1210
132
1422
1512
1619
1718
1823
195
2012
2113
2220
2322
2415
2520
2612
2711
287
297
3011
3115
329
3314
3416
3515
3613
3723
3810
398
407
4114
4211
436
445
456
4614
4713
4816
4918
42.03% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats11
diversityRatio0.21014492753623187
totalSentences138
uniqueOpeners29
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences106
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount23
totalSentences106
matches
0"She set the box on"
1"He brushed a stray lock"
2"he said, voice low but"
3"She gave a half‑smile, the"
4"she replied, tapping the side"
5"She felt the old ache,"
6"she murmured, more to herself"
7"he said, voice barely audible"
8"She set the mug down,"
9"she said, sliding a thin"
10"she asked, voice low"
11"He closed the envelope, the"
12"She stared at the green"
13"He glanced at Rory, his"
14"he asked, voice barely a"
15"She followed his gaze, spotting"
16"he said, voice flat"
17"she said, voice steady"
18"She lifted the envelope, the"
19"he muttered, his voice low"
ratio0.217
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount104
totalSentences106
matches
0"The glass flew across the"
1"A sudden clatter cut through"
2"Rory slipped inside, shoulders hunched"
3"The scent of stale beer"
4"She set the box on"
5"Silas stood behind the mahogany"
6"The slight limp in his"
7"He brushed a stray lock"
8"he said, voice low but"
9"She gave a half‑smile, the"
10"Silas asked, leaning against the"
11"she replied, tapping the side"
12"The bar’s green neon sputtered,"
13"A low‑rumble of conversation rose,"
14"Silas asked, his tone even,"
15"Rory answered, eyes narrowing as"
16"Silas chuckled, a dry sound"
17"A sudden crash echoed from"
18"The bartender, a wiry man"
19"Rory’s fingers brushed the scar"
ratio0.981
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences106
matches(empty)
ratio0
88.74% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences66
technicalSentenceCount5
matches
0"The scent of stale beer and fried fish mixed with a hint of copper, the latter stinging her nostrils as if reminder of a recent delivery from Yu‑Fei Cheung’s Go…"
1"The bar’s green neon sputtered, casting a faint glow over the rows of old maps and black‑and‑white photographs that lined the walls."
2"The newcomer’s boots thudded against the floor, a rhythm that matched the tick‑tock of an unseen clock."
3"The bar’s green neon sign flickered again, the light stuttered, and the hidden passageway beyond the bookshelf began to glow brighter, as if something inside wa…"
4"A low, metallic clang rose as a steel latch fell away, exposing a dark tunnel that seemed to swallow the light."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags34
uselessAdditionCount16
matches
0"he said, voice low but clear,"
1"she murmured, more to herself than to him"
2"he said, voice barely audible"
3"she asked, voice low"
4"he asked, voice barely a whisper"
5"Silas muttered, a hint of reverence in his tone"
6"he said, voice flat,"
7"she said, voice steady"
8"Silas asked, his tone measured"
9"She lifted, the paper crinkling"
10"Silas whispered, his fingers tightening around the signet ring"
11"he muttered, his voice low"
12"she demanded, voice firm"
13"he said, voice resonant"
14"Silas asked, his tone low"
15"he said, voice barely audible"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags32
fancyCount10
fancyTags
0"forearm shouted (shout)"
1"she murmured (murmur)"
2"she whispered (whisper)"
3"Silas muttered (mutter)"
4"Silas whispered (whisper)"
5"he muttered (mutter)"
6"she demanded (demand)"
7"The newcomer shouted (shout)"
8"she whispered (whisper)"
9"he whispered (whisper)"
dialogueSentences56
tagDensity0.571
leniency1
rawRatio0.313
effectiveRatio0.313
73.8519%