Run: 2026-02-19-01KHTXE8S7N8J18TGDYBTH2B1P

Run Details

Duration:
1m 8s
Cost:
$0.003552
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Stone hissed past my ear, moss spraying hot to my cheek as I hit the mossy ground and rolled behind a weathered standing stone. The Heartstone Pendant pressed warm against my throat, a dull throb that felt like a stubborn heartbeat. I barely had time to steady my breath before the world pinched shut on one ear, then reopened a moment later with a hiss of leaves and something very close moving at the edge of vision. I pressed my back to the rough stone and peered along its edge. The grove lay quieter than a churchyard's midnight echo, but quiet was never the same here. Time cleaved and skewed inside The Fae Grove, the place where Earth and the fae realm bled together in a pocket where the ordinary rules forgot to apply. An hour inside could be minutes or days outside, the inscription on the oak boundary stones swaying in a wind that never seemed to come from any direction. The heart of it lay in the pulse of the pendant, a crimson tremor beneath my skin, whispering a truth I was supposed to know but had yet to recognise. I had come here for a reason, a reason tethered to a nameless benefactor who had slipped the pendant into my palm with a look no more innocent than a blade. The note had been simple: meet the grove. Find what lies beyond the gate. Bring back what the pendant is owed. I’d been careful to keep that promise, even formed a plan to use the Hel portal that slept somewhere inside this place to pry a memory loose from the pendant’s cold, red core. But there was no straight path in this wood; every path curled back on itself, and the trees watched. A glare of motion on the corner of my eye. I shifted behind the stone and kept still, listening as the world took an uneven breath. The air tasted of damp earth and something metallic—not blood, not quite, but the copper tang of something that had lived long enough to learn your name and forget it again. The edge of my vision shimmered with movement: a shadow that did not belong to a tree, a silhouette that did not need light to be seen. It slid along the moss, then blinked out. The noise returned a heartbeat later, a soft scuff and a rustle as if someone—something—were testing the boundary, the stones, me. I could not pretend the grove was empty. Not when the Heartstone Pendant warmed more insistently, as if angered by the quiet. I shifted a little, listening, letting the sounds settle into a rhythm that could be mistaken for calm. The stones around me carried a memory of rain long fallen and of footsteps from a time when the world held a dozen rings of truth and no one spoke them aloud. The standing stones looked like a chorus line of ancient sentinels, and each one seemed to lean closer when I drew nearer, as if to hear better what a single breath might reveal. I had come here with a purpose, yes, but the purpose kept adding its own marks to the night. The grove did not simply guard secrets; it concealed them behind a veil of breath and shadow, so you had to lean close enough to hear the chest rise and fall of something not quite human. The pendant throbbed, a measured, patient pulse. It reminded me of the way a barrister’s clock would tick in a quiet room—precise, inexorable, and unbothered by the chaos around it. I had looked into the edge of its warmth many times before, but tonight the warmth seemed to carry a scent, a whisper of something almost remembered. The first quiet sound that meant something more than wind was a breath, deliberate, as if someone—no, something—was testing my presence. The grove never breathed like people do; this was a careful exhalation, as if air itself were listening. Then the leaves moved in a way that did not correspond with any wind I could feel, the rustle soft and deliberate, like a hand smoothing a crease in a silk sleeve. The edge of vision caught a form, not quite human, a silhouette that did not stand so much as it insinuated itself between two breaths of air. It never stepped into the light, only stepped out of it and back again, a half-glimpsed thing that hovered on the boundary of perception. “Why here, Rory?” whispered a voice, not loud, but enough to tilt the world off its axis. It did not come from any one mouth; rather, it seemed to rise from the moss between my boots, as if the ground itself had learned to speak. The words found me, not the other way around. Rory—Aurora—Carter. All the names I carried like coins in a pocket, flipped and weighed and used when the moment demanded them. I did not answer aloud. Silence became the currency of the moment, and I paid with it. My eyes fixed on a sway of shadow that peeled away from a gnarled tree and coiled back into a knot of roots. The Heartstone Pendant gave a faint luminescence, a dull crimson glow that did not illuminate so much as insist. It was a signal, I knew, the pendant telling me we were close to something that did not belong to me, something older than my breath. “Not yet,” the grove seemed to say, though the words did not form as speech. It watched with an attention that felt almost affectionate, as if the old forest had adopted me for a night and decided to quiz me with fear. A branch snapped somewhere to my left, a little too loud for a creature that preferred the shadows. I swung my head, catching sight of a pair of eyes—bright, cold, and entirely inhuman—glinting between two trunks. They vanished as soon as I blinked. The impulse to chase rose in me, quickly checked by the pendant’s telltale warmth. It was not a lure, exactly; more a warning, a reminder that the Hel portal slept with one eye open, ready to wake if the right knot of fear was tugged at. The wrong knot, however, could wake something ancient and amused. The grove’s time behaved again, as if the hour inside decided to borrow a minute from the outside and wear it around its neck like a scarf. A clockwork chime—soft, distant, almost musical—tick-tocked inside the cavity of the trees. I realised something then: the grove did not merely hide; it restructured perception, bending sound, sight, and sensation to its own whim. The sense of being watched sharpened, not with malice but with the certainty that I had trespassed into a private performance without a programme. “Why here at all, Rory?” asked the voice again, closer this time, but still not revealing a face, or even a shape that could be pinned down. The question was not accusatory so much as inquisitive, as though a host were asking why a guest had chosen to knock on a door that was never meant to open. The pendant pulsed. It reminded me of a warmth you get when you lean into something that wants to be heard, not when you are trying to listen. The crimson stone caught the corner of my eye, and I felt the edge of a memory begin to surface—an image of a corridor, faint as a breath, and a name I had almost forgotten. I did not chase it, not yet; it would come when it was good and ready. There were rules in this place, and even I, with all my stubborn bluntness, knew better than to rush. A few metres away, the air thickened, and the grove seemed to lean in a little more. The standing stones, those ancient oak carved into stone, began to glitter faintly with a line of runes I did not recognise—not Greek, not Latin, something older, something that had learned to hide its language in the spaces between moments. The Heartstone Pendant flared with a soft, hot flare, then settled to a steady glow. It was not fear, I told myself; it was warning. The Hel portal—if it slept in this clay and moss—would drift closer to consciousness when the heart of the grove found a willing audience. “Tell me what you want,” I spoke aloud, though the words felt heavier on my tongue than they should. It did not help that the grove seemed to listen with a kind of patient, mossy indifference, as if it had heard the same question a thousand times and would answer only when it grew tired of silence. The reply came not as syllables but as a sensation, like stepping into a memory you recognised but had not lived. The air shifted, cooler, and the smell of damp soil sharpened into something metallic, almost coppery. A whisper skimmed along the back of my neck, a breath that wasn’t mine. The memory I had nearly remembered fluttered inside me again, a hallway with a door at the end and a name whispered behind it—names always begin with a syllable that sounds like a warning. The door, the memory, the corridor, the hooded figure—these threads tangled, not yet ready to be pulled. The pendant’s warmth steadied, insisting I stay grounded in the present, even as the present strained to become something older, something more dangerous. I stepped away from the stone, a careful move that kept my back to the ancient sentinel while my eyes tried to pry the shapes from the corner of vision. The grove was not empty; it never was. Figures lived in the periphery, watching not with eyes but with the sense that you were standing on a thread they could tug any moment. The thread teased the space between my heartbeat and the world’s hush, and I knew the pull would come not from my will but from something the grove wanted me to complete. “Rory,” whispered a voice again, clearer this time, almost intimate. It spoke like a confidant and a trap. “The pendant remembers you, even if you do not remember it.” I raised a hand to touch the chain of the Heartstone, to feel its cool metal against the heat of my skin. The chain could be a memory keeper or a chain that bound me to a future I had not chosen. The warmth grew inside the pendant, blooming into a pulse that throbbed in time with my own erratic breaths. If I could hold on to my nerve, I might coax the Hel portal to reveal a truth the pendant had swallowed long before I existed in this story. Something moved again, not a sound this time but a weight against the boundary as if someone had placed a finger on the inside of a door and pressed. The boundary—those ancient stones and the oaks around them—began to hum, a low, electrical murmur that thrummed through my ribs. The trees shed a memory of footsteps, a procession that had never ended, a march that was still marching somewhere beyond the perimeter of sight. I swallowed and steadied myself. A voice, cooler than the stone it emerged from, returned to me, not in words so much as in a suggestion. It asked for a bargain, the kind you make with a hand already forced into the pocket of night. The bargain was simple and terrible: keep the pendant close, and the grove would allow me to pass the threshold when the time came. Step beyond the threshold, and I would never be the same again. The price would be myself, or my past, or some memory I had not even admitted to having. “Don’t go,” the voice urged, almost tenderly. The grove did not beg; it offered an invitation and watched with cold fascination as people chose wrongly. I looked down at the pendant again. Its crimson glow seemed to respond to the thought of staying, of resisting the pull toward whatever lay beyond the stone circle. The air stung as if with a sharp, iron scent, and the grove’s hush shifted. It was no longer a mere whisper of breath; it held intention, a direction, a line drawn in shadow. The wrongness grew not with a scream but with a tightening, a sense that the space between here and there had thinned to a thread, and I was standing upon it with one foot in both worlds. We stood in that liminal moment, me and the grove, listening to the subtle music of leaves brushing against something unseen, waiting for the moment when I would choose how the memory would unfold. Then a sound, faint and cruelly precise, cut through the mossy quiet: a single dry crack, like a bone breaking beneath pressure, somewhere deep inside the grove. The kind of sound that makes your spine decide to take a step back without asking permission. The Heartstone fluttered against my chest, warmer now, a stubborn heat that would not be ignored. The line of the runes along the boundary stones glowed a pale blue and then faded. Time stuttered, the world blocking out for a heartbeat and then snapping back into place with a jolt. A sensation crawled along my skin as if fingers traced along the surface of my clothes, testing the fibre of my nerve. The air grew heavier, closer, as if I were breathing through water. The grove’s watchers shifted; I could feel their attention narrowing, the way someone would when they know a trap has sprung but do not yet know who tripped it. And then came the moment when the boundary began to fail in its own patient way. The edge of the world peeled away for a breath and returned, leaving a corridor of shadow visible between two trees, a doorway that should not exist in a place that never should have offered doorways to begin with. The corridor looked like a mouth—gaping, hungry, and waiting for a word to bite. My heartbeat thumped against the pendant’s warmth, and I knew I was closer to the truth I had come for, but also closer to something that did not care for me at all. I did not reach for the gate. I did not beg the grove to release its secret. I simply stood, body tense, eyes narrowed to that slim seam between shadow and light where a figure might step through, or where a memory might slip free. The pendant gave a final, stubborn pulse, and the seam widened, as if the forest itself decided to exhale. Then, in that moment of careful, almost ceremonial stillness, a shape moved out from behind the farthest trunk, not rushing but deliberate, not monstrous, just enough beyond human to unsettle your bones. It held something in its hand—thin, gleaming, a blade-like edge that reflected the faint glow of the pendant. It did not raise the item toward me; it simply stood there, as if waiting for permission to begin something I knew I should not permit. The grove’s hum intensified, a choir of unseen beings leaning closer, and the space between us felt as if it could crack and swallow a person whole. The Heartstone’s glow branched outward, stitching a thread of crimson light toward the figure, the same thread that had pulled at my memory moments before. The air grew colder, and a whisper rose from the ground itself, not a voice so much as a suggestion that if I took the next step, I would understand something both terrible and beautiful. The stranger did not move, but the ground beneath the figure did. The moss folded itself away, revealing a floor of old stone, carved not with names but with questions—questions meant to be asked, and meant to be left unanswered if you cherish what you still have. The corridor widened. The figure stepped closer, until I could see nothing more than the outline of a silhouette that could have belonged to a guardian or a gaoler, someone who would either keep me safe or deny me the access I sought. The moment hung, and the grove watched. The pendant thrummed once, a final, stubborn beat, and then the space between us cracked like a snared thread snapping free. The world tilted, a breath drawn too deep, and the chain of the Heartstone shifted against my skin, warm and insistent. I knew I could not turn away now. The time inside the grove had demanded a choice, and the choice would surely change what I had left to carry into the world beyond. The shadow moved, the corridor whispered again, and the first word I heard with certainty in the night sounded inside my chest rather than in the air: go. The word did not come with an object to hold or a promise to trust; it came with a warning. The Hel portal wanted something, and it wanted me to give it permission to wake. A step. A breath. A heartbeat. A tremor in the heart of the grove. And then the air split, not with a roar but with a sigh, and the world turned just a fraction as the boundary’s resistance collapsed. A hand—pale, pale as frost—slid from the shadow’s edge, curling around the hint of my ankle, and jerked me forward with a pressure that said I had crossed a line and would never be allowed to retreat. The corridor answered with a hiss of old magic and the sound of a door’s latch lifting. The gateway yawned open, a mouth made of trees and light and memory, and the figure stepped fully into the glow, offering a sight I did not quite dare to name. The Heartstone pulsed in time with the portal’s breath, and the grove leaned in, waiting to see if I would fall through or pull back. The moment stood still, waiting for me to decide which of the two futures would own me. And as the light thickened, and the figure ahead finally raised its head to meet my gaze, I felt the weight of what I had come here to learn settle in my bones—not as a comfort, but as a warning. The breath I took tasted of copper and rain that never fell, and in that breath I knew the truth would arrive not with a shout but with the first tremor of the ground beneath us. Something stirred behind the veil of shadow, a soft, inexorable sound like the turning of an old clock, and the grove exhaled a final, patient warning: watch your step, Rory. The door is waking.
created_at"2026-02-19T12:19:19.471Z" 2/19/2026, 12:19:19 PM
model"openai/gpt-5-nano-2025-08-07"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2215
moderation_latency(null)
generation_time68038
tokens_prompt4560
tokens_completion5518
native_tokens_prompt4064
native_tokens_completion8372
native_tokens_completion_images0
native_tokens_reasoning4608
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.003552
router(null)
provider_responses
0
endpoint_id"50329d77-04e1-4979-a184-c33030289476"
id"resp_0844a4edbb855662016996ffc78cc48196aefd287d06ec5bb2"
is_byokfalse
latency136
model_permaslug"openai/gpt-5-nano-2025-08-07"
provider_name"OpenAI"
status200
api_type"completions"
id"gen-1771503559-IfZzJhjn1TtHmPJr47Ps"
upstream_id"resp_0844a4edbb855662016996ffc78cc48196aefd287d06ec5bb2"
total_cost0.003552
cache_discount(null)
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
0.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags6
adverbTagCount3
adverbTags
0"asked the voice again [again]"
1"I spoke aloud [aloud]"
2"whispered a voice again [again]"
dialogueSentences7
tagDensity0.857
leniency1
rawRatio0.5
effectiveRatio0.5
95.24% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount3149
totalAiIsmAdverbs3
found
0
adverb"very"
count1
1
adverb"quickly"
count1
2
adverb"tenderly"
count1
highlights
0"very"
1"quickly"
2"tenderly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
34.90% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount3149
totalAiIsms41
found
0
word"throb"
count1
1
word"echo"
count1
2
word"pulse"
count4
3
word"shimmered"
count1
4
word"footsteps"
count2
5
word"sentinels"
count1
6
word"throbbed"
count2
7
word"measured"
count1
8
word"warmth"
count7
9
word"whisper"
count4
10
word"could feel"
count2
11
word"silk"
count1
12
word"silence"
count2
13
word"glinting"
count1
14
word"reminder"
count1
15
word"sense of"
count1
16
word"pulsed"
count2
17
word"fluttered"
count2
18
word"sentinel"
count1
19
word"weight"
count2
20
word"traced"
count1
21
word"gleaming"
count1
highlights
0"throb"
1"echo"
2"pulse"
3"shimmered"
4"footsteps"
5"sentinels"
6"throbbed"
7"measured"
8"warmth"
9"whisper"
10"could feel"
11"silk"
12"silence"
13"glinting"
14"reminder"
15"sense of"
16"pulsed"
17"fluttered"
18"sentinel"
19"weight"
20"traced"
21"gleaming"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes narrowed"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences152
matches
0"e with fear"
0.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount3
hedgeCount13
narrationSentences152
filterMatches
0"decide"
1"know"
2"watch"
hedgeMatches
0"seemed to"
1"begin to"
2"began to"
3"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences153
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen41
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords3121
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions10
unquotedAttributions1
matches
0"It was not fear, I told myself; it was warning."
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions27
wordCount3092
uniqueNames11
maxNameDensity0.29
worstName"Heartstone"
maxWindowNameDensity1
worstWindowName"Heartstone"
discoveredNames
Heartstone9
Pendant4
Fae1
Grove1
Earth1
Hel5
Aurora1
Carter1
Greek1
Latin1
Rory2
persons
0"Heartstone"
1"Pendant"
2"Grove"
3"Aurora"
4"Carter"
5"Rory"
places
0"Fae"
globalScore1
windowScore1
9.15% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences142
glossingSentenceCount8
matches
0"felt like a stubborn heartbeat"
1"not quite but the copper tang of something that had lived long enough to learn your name and forget it again"
2"looked like a chorus line of ancient sent"
3"not quite human"
4"not quite human, a silhouette that did not stand so much as it insinuated itself between two breaths of air"
5"looked like a mouth—gaping, hungry, and w"
6"as if waiting for permission to begin something I knew I should not permit"
7"not quite dare to name"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches14
per1kWords4.486
wordCount3121
matches
0"not blood, not quite, but the copper tang of something"
1"not quite, but the copper tang of something"
2"not loud, but enough to tilt the world off its axis"
3"not with malice but with the certainty"
4"not as syllables but as a sensation, like stepping into a memory you recognised b"
5"not with eyes but with the sense"
6"not from my will but from something the grove wanted me to complete"
7"not a sound this time but a weight against the boundary as if someone had placed a fin"
8"not with a scream but with a tightening, a sense"
9"not rushing but deliberate, not monstrous, just enough beyond human to unset"
10"not with names but with questions"
11"not with a roar but with a sigh"
12"not as a comfort, but as a warning"
13"not with a shout but with the first tremor of the ground beneath us"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences153
matches
0"keep that promise"
1"help that the"
46.80% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs38
mean82.13
std25.77
cv0.314
sampleLengths
077
1115
2104
3113
4105
5112
6122
775
885
942
1099
1185
1258
1398
14106
1557
16125
1795
1829
1990
2079
2194
2254
2371
2478
25113
26102
2764
2876
2987
3090
3182
3263
3314
3462
3573
3693
3734
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences152
matches
0"was supposed"
1"was tugged"
92.90% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount8
totalVerbs498
matches
0"were testing"
1"was testing"
2"were listening"
3"were asking"
4"was warning"
5"were standing"
6"was standing"
7"were breathing"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount27
semicolonCount14
flaggedSentences32
totalSentences153
ratio0.209
matches
0"But there was no straight path in this wood; every path curled back on itself, and the trees watched."
1"The air tasted of damp earth and something metallic—not blood, not quite, but the copper tang of something that had lived long enough to learn your name and forget it again."
2"The noise returned a heartbeat later, a soft scuff and a rustle as if someone—something—were testing the boundary, the stones, me."
3"The grove did not simply guard secrets; it concealed them behind a veil of breath and shadow, so you had to lean close enough to hear the chest rise and fall of something not quite human."
4"It reminded me of the way a barrister’s clock would tick in a quiet room—precise, inexorable, and unbothered by the chaos around it."
5"The first quiet sound that meant something more than wind was a breath, deliberate, as if someone—no, something—was testing my presence."
6"The grove never breathed like people do; this was a careful exhalation, as if air itself were listening."
7"It did not come from any one mouth; rather, it seemed to rise from the moss between my boots, as if the ground itself had learned to speak."
8"Rory—Aurora—Carter."
9"I swung my head, catching sight of a pair of eyes—bright, cold, and entirely inhuman—glinting between two trunks."
10"It was not a lure, exactly; more a warning, a reminder that the Hel portal slept with one eye open, ready to wake if the right knot of fear was tugged at."
11"A clockwork chime—soft, distant, almost musical—tick-tocked inside the cavity of the trees."
12"I realised something then: the grove did not merely hide; it restructured perception, bending sound, sight, and sensation to its own whim."
13"The crimson stone caught the corner of my eye, and I felt the edge of a memory begin to surface—an image of a corridor, faint as a breath, and a name I had almost forgotten."
14"I did not chase it, not yet; it would come when it was good and ready."
15"The standing stones, those ancient oak carved into stone, began to glitter faintly with a line of runes I did not recognise—not Greek, not Latin, something older, something that had learned to hide its language in the spaces between moments."
16"It was not fear, I told myself; it was warning."
17"The Hel portal—if it slept in this clay and moss—would drift closer to consciousness when the heart of the grove found a willing audience."
18"The memory I had nearly remembered fluttered inside me again, a hallway with a door at the end and a name whispered behind it—names always begin with a syllable that sounds like a warning."
19"The door, the memory, the corridor, the hooded figure—these threads tangled, not yet ready to be pulled."
20"The grove was not empty; it never was."
21"The boundary—those ancient stones and the oaks around them—began to hum, a low, electrical murmur that thrummed through my ribs."
22"The grove did not beg; it offered an invitation and watched with cold fascination as people chose wrongly."
23"It was no longer a mere whisper of breath; it held intention, a direction, a line drawn in shadow."
24"The grove’s watchers shifted; I could feel their attention narrowing, the way someone would when they know a trap has sprung but do not yet know who tripped it."
25"The corridor looked like a mouth—gaping, hungry, and waiting for a word to bite."
26"It held something in its hand—thin, gleaming, a blade-like edge that reflected the faint glow of the pendant."
27"It did not raise the item toward me; it simply stood there, as if waiting for permission to begin something I knew I should not permit."
28"The moss folded itself away, revealing a floor of old stone, carved not with names but with questions—questions meant to be asked, and meant to be left unanswered if you cherish what you still have."
29"The word did not come with an object to hold or a promise to trust; it came with a warning."
30"A hand—pale, pale as frost—slid from the shadow’s edge, curling around the hint of my ankle, and jerked me forward with a pressure that said I had crossed a line and would never be allowed to retreat."
31"And as the light thickened, and the figure ahead finally raised its head to meet my gaze, I felt the weight of what I had come here to learn settle in my bones—not as a comfort, but as a warning."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount3120
adjectiveStacks0
stackExamples(empty)
adverbCount116
adverbRatio0.03717948717948718
lyAdverbCount21
lyAdverbRatio0.006730769230769231
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences153
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences153
mean20.4
std9.62
cv0.471
sampleLengths
024
117
236
313
416
528
628
730
831
98
106
117
1233
1319
1410
1516
1631
1727
188
1921
208
2114
2218
2332
2433
2519
2636
277
2823
2927
3021
3118
3232
3327
3424
3517
3628
379
381
3920
405
4112
4223
4319
4426
4515
4627
4718
4818
497
25.16% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats38
diversityRatio0.1830065359477124
totalSentences153
uniqueOpeners28
67.57% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences148
matches
0"Then the leaves moved in"
1"Then a sound, faint and"
2"Then, in that moment of"
ratio0.02
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount42
totalSentences148
matches
0"I barely had time to"
1"I pressed my back to"
2"I had come here for"
3"I’d been careful to keep"
4"I shifted behind the stone"
5"It slid along the moss,"
6"I could not pretend the"
7"I shifted a little, listening,"
8"I had come here with"
9"It reminded me of the"
10"I had looked into the"
11"It never stepped into the"
12"It did not come from"
13"I did not answer aloud."
14"My eyes fixed on a"
15"It was a signal, I"
16"It watched with an attention"
17"I swung my head, catching"
18"They vanished as soon as"
19"It was not a lure,"
ratio0.284
17.43% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount131
totalSentences148
matches
0"Stone hissed past my ear,"
1"The Heartstone Pendant pressed warm"
2"I barely had time to"
3"I pressed my back to"
4"The grove lay quieter than"
5"Time cleaved and skewed inside"
6"An hour inside could be"
7"The heart of it lay"
8"I had come here for"
9"The note had been simple:"
10"I’d been careful to keep"
11"A glare of motion on"
12"I shifted behind the stone"
13"The air tasted of damp"
14"The edge of my vision"
15"It slid along the moss,"
16"The noise returned a heartbeat"
17"I could not pretend the"
18"I shifted a little, listening,"
19"The stones around me carried"
ratio0.885
33.78% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences148
matches
0"If I could hold on"
ratio0.007
0.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences122
technicalSentenceCount32
matches
0"The Heartstone Pendant pressed warm against my throat, a dull throb that felt like a stubborn heartbeat."
1"I had come here for a reason, a reason tethered to a nameless benefactor who had slipped the pendant into my palm with a look no more innocent than a blade."
2"I’d been careful to keep that promise, even formed a plan to use the Hel portal that slept somewhere inside this place to pry a memory loose from the pendant’s …"
3"The air tasted of damp earth and something metallic—not blood, not quite, but the copper tang of something that had lived long enough to learn your name and for…"
4"The noise returned a heartbeat later, a soft scuff and a rustle as if someone—something—were testing the boundary, the stones, me."
5"I shifted a little, listening, letting the sounds settle into a rhythm that could be mistaken for calm."
6"The standing stones looked like a chorus line of ancient sentinels, and each one seemed to lean closer when I drew nearer, as if to hear better what a single br…"
7"The first quiet sound that meant something more than wind was a breath, deliberate, as if someone—no, something—was testing my presence."
8"The grove never breathed like people do; this was a careful exhalation, as if air itself were listening."
9"Then the leaves moved in a way that did not correspond with any wind I could feel, the rustle soft and deliberate, like a hand smoothing a crease in a silk slee…"
10"The edge of vision caught a form, not quite human, a silhouette that did not stand so much as it insinuated itself between two breaths of air."
11"It never stepped into the light, only stepped out of it and back again, a half-glimpsed thing that hovered on the boundary of perception."
12"My eyes fixed on a sway of shadow that peeled away from a gnarled tree and coiled back into a knot of roots."
13"The Heartstone Pendant gave a faint luminescence, a dull crimson glow that did not illuminate so much as insist."
14"It was a signal, I knew, the pendant telling me we were close to something that did not belong to me, something older than my breath."
15"It watched with an attention that felt almost affectionate, as if the old forest had adopted me for a night and decided to quiz me with fear."
16"A branch snapped somewhere to my left, a little too loud for a creature that preferred the shadows."
17"I swung my head, catching sight of a pair of eyes—bright, cold, and entirely inhuman—glinting between two trunks."
18"The question was not accusatory so much as inquisitive, as though a host were asking why a guest had chosen to knock on a door that was never meant to open."
19"The standing stones, those ancient oak carved into stone, began to glitter faintly with a line of runes I did not recognise—not Greek, not Latin, something olde…"
20"It did not help that the grove seemed to listen with a kind of patient, mossy indifference, as if it had heard the same question a thousand times and would answ…"
21"The warmth grew inside the pendant, blooming into a pulse that throbbed in time with my own erratic breaths."
22"Something moved again, not a sound this time but a weight against the boundary as if someone had placed a finger on the inside of a door and pressed."
23"The boundary—those ancient stones and the oaks around them—began to hum, a low, electrical murmur that thrummed through my ribs."
24"The trees shed a memory of footsteps, a procession that had never ended, a march that was still marching somewhere beyond the perimeter of sight."
25"The Heartstone fluttered against my chest, warmer now, a stubborn heat that would not be ignored."
26"A sensation crawled along my skin as if fingers traced along the surface of my clothes, testing the fibre of my nerve."
27"The air grew heavier, closer, as if I were breathing through water."
28"My heartbeat thumped against the pendant’s warmth, and I knew I was closer to the truth I had come for, but also closer to something that did not care for me at…"
29"It held something in its hand—thin, gleaming, a blade-like edge that reflected the faint glow of the pendant."
30"The grove’s hum intensified, a choir of unseen beings leaning closer, and the space between us felt as if it could crack and swallow a person whole."
31"The Heartstone’s glow branched outward, stitching a thread of crimson light toward the figure, the same thread that had pulled at my memory moments before."
41.67% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags6
uselessAdditionCount1
matches
0"I spoke aloud, though the words felt heavier on my tongue than they should"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount5
fancyTags
0"whispered a voice (whisper)"
1"the grove seemed (seem)"
2"I spoke aloud (speak)"
3"whispered a voice again (whisper)"
4"the voice urged (urge)"
dialogueSentences7
tagDensity0.857
leniency1
rawRatio0.833
effectiveRatio0.833
62.1537%