Run: 2026-02-19-01KHTXSPJD6PC9PAK0ZJA5AKF6

Run Details

Duration:
1m 8s
Cost:
$0.003091
Provider:
Novita

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The bus dropped her at the empty bus stop on Richmond Park's outer edge, and the red taillights disappeared down the dark road before Rory had even stepped onto the pavement. She checked her phone. No signal, of course. She'd known that before she'd come, had deliberately left her charger at home as though punishing herself in advance for whatever she was about to do. The pendant pulsed against her chest, warm through her thin jacket. She'd felt it for three days now—a faint thrumming that coincided with the dreams. In the dreams, she stood in a forest she didn't recognize, the trees too tall, the air too thick, and something watched her from between the trunks. She'd wake with the taste of copper on her tongue and the absolute certainty that she needed to come here. The path into the park was barely visible in the darkness. Moonlight filtered through the overhead canopy, turning the gravel into a river of pale stones. Her footsteps sounded too loud, too present, as though the silence around them was holding its breath. She'd asked Silas about the grove. He'd stiffened in that way he did when a topic touched something he didn't want to discuss, his hands stilling on the glass he'd been polishing. No one goes there at night, he'd said. That's not a place for people like us. People like us. Working-class Londoners. People who delivered Chinese food to flats above bars and lived in studio apartments that smelled of stale beer and other people's cigarettes. Not the sort of people who walked into ancient magic circles after midnight. But the pendant had pulsed warmer at his words, and Rory had known with a certainty that sat uncomfortable in her stomach that this was where she needed to be. The trees thinned. The grove opened before her like a held breath finally released. The standing stones rose from the wildflowers, ancient oaks that had been shaped by hands older than memory into perfect arches and upright sentinels. Even in the darkness, Rory could see them—the bark gnarled and thick, the branches reaching toward each other as though in constant conversation. The flowers should not have been visible, should not have been blooming at all in the middle of October, but they carpeted the ground in colors she couldn't quite name. Not quite white. Not quite blue. Something in between that her eyes refused to settle on. She stepped inside the circle. The wrongness started small. A pressure at the back of her skull, like being stared at from just behind. She turned. Nothing. The trees stood sentinel around the clearing's edge, their branches swaying in a wind she couldn't feel on her skin. Rory walked to the center of the grove. The pendant burned hotter now, a steady pulse that matched the heartbeat she could feel hammering in her throat. She pulled it out from under her shirt. The heartstone glowed—a deep crimson light that should have been visible for miles, that should have attracted attention from every living thing in the park, but seemed instead to be contained, to be reaching for something just beyond her sightline. A sound. Not a twig breaking—nothing so obvious. More like the memory of a sound, an impression of movement that her brain tried to assemble into something recognizable. She stood motionless, her breath shallow, her eyes scanning the tree line. Nothing moved. Nothing made itself seen. But the feeling of being watched intensified. She thought of Eva, her friend who'd convinced her to leave Cardiff, to start over. Thought of the flat above Silas' bar that she'd lived in for eight months now, the narrow bed, the window that looked out onto the alley where the bins sat waiting to be collected. Thought of the restaurant where she delivered pad thai and spring rolls to wealthy clients who never looked her in the eye. She did not think of Evan. She had trained herself, over many months, not to think of Evan. The silence in the grove was absolute. No insects, no rustling of animals in the undergrowth, no wind through leaves. Her own heartbeat seemed obscene in the quiet, a drum marking time in a place where time had no meaning. The flowers at the base of the nearest standing stone moved. Not from wind—there was no wind—but as though something had brushed through them. Rory watched, unable to look away, as a path was pressed down in the blooms. The path led from the tree line to the stone and stopped. No one was there. The path remained, a visible dent in the growth, pointing directly at her. Rory's hand went to her wrist, her fingers finding the small crescent scar there. A childhood accident. That's what she'd always been told. She didn't remember it, had been too young, but she'd grown up with the story: the fall, the glass, the blood. Her mother's panicked face. The scar that never quite faded. The scar that, she realized now, the pendant was wrapped around. She wore it on a thin silver chain, the heartstone resting in the hollow of her throat, but she'd tied the chain to the pendant's own chain and worn it like a bracelet since the dreams started. She didn't know why. It had felt important. The pendant pulsed, and the standing stone hummed. She heard it then. Not a voice—nothing so distinct. More like the idea of a voice, a presence of meaning without sound. It came from everywhere and nowhere, from the stones and the flowers and the dark spaces between the trees. It was not speaking to her. It was speaking around her, about her, as though she were a subject being discussed in a language she almost understood. Her skin prickled. The air had grown colder, though she couldn't say when the change had happened. Rory forced herself to breathe. In. Out. In. She was not going to panic. Panic was for people who couldn't think, and she had always been able to think her way out of things. She had thought her way out of Cardiff. Out of Evan's flat. Out of the situation that had left her with a scar on her wrist and a fear of raised voices. She needed to understand what was happening. She needed more information. She walked toward the stone where the path had appeared. The flowers parted for her, not bending but simply not existing in the spaces where her feet landed. The hum grew louder, more insistent, and she realized it was coming from the stone itself—from deep within the oak, from a place below the bark and the wood and the roots that must stretch down into the earth for miles. She pressed her palm flat against the trunk. The world inverted. She saw the grove from above, from a height that shouldn't exist, and she saw herself—a small figure in a dark jacket, her black hair stirring in a wind that still didn't touch the ground below. She saw the other figures too, standing at the edges of the clearing, just beyond the ring of stones. Human-shaped but not human. Still in a way that living things never were. Waiting. They were waiting for her to turn around. Rory pulled her hand away from the stone. The vision snapped shut like a door. She was herself again, standing in the center of the grove, the pendant pulsing wildly against her chest. The wrongness was no longer subtle. The flowers had stopped pretending to be flowers. They still looked like blooms, still had petals and stems, but now they were clearly something else—something that only chose to resemble flowers because it made sense to do so in this place. The standing stones had not moved, but they had changed their arrangement in her perception, had become a circle that faced inward with intention, with purpose. And at the edge of the grove, exactly where she had seen them in the vision, the figures waited. She could see them now. Not clearly—they were more impressions than beings, more suggestions of form than solid shapes—but they were there. Tall. Thin. Watching her with attention so focused it felt like physical pressure against her skin. One of them stepped forward. Rory did not run. Running would mean turning her back, would mean not seeing what was coming. Instead, she stepped backward, keeping her eyes on the figure, her hand closing around the pendant. The heartstone burned her palm, hot enough that she should have felt pain, but the sensation was distant, muffled, as though it were happening to someone else. The figure stopped at the edge of the flowers. It had a face now, or something that served as one—features that suggested humanity without achieving it, that pointed toward a person-shaped absence rather than an actual person. It spoke. The sound was not sound. It was meaning imposed directly on her thoughts, words that arrived fully formed without traveling through her ears. You called. The word carried a weight that made her knees want to buckle. You brought the stone. You came to the door. Rory swallowed. Her voice came out steadier than she felt. "I didn't call anyone. I came here because—" Because you remembered. The figure tilted its head. Because the blood remembers what the mind forgets. Her wrist throbbed. She looked down at the scar, the small crescent mark she had carried since childhood, and she understood nothing, understood less than nothing, but she understood that she was in danger and that the danger was very old and that the pendant had brought her here for a reason she was not yet allowed to know. The other figures shifted at the tree line. Their attention was a living thing, a weight that pressed against the air in the clearing. The figure extended a hand. Long fingers. Too many joints. A hand that had never belonged to anything human. Come, it said. The door is open. You have been chosen. Rory thought of Eva, who had given her a place to stay. Thought of Silas, who had never asked questions about the girl who appeared on his doorstep with a bag and a bruise on her cheek. Thought of her mother in Cardiff, who still called every Sunday, who still didn't know the full truth of what had happened. She thought of the flowers, and the standing stones, and the path that had appeared from nowhere. She thought of the scar. And she understood, with a clarity that felt like ice water in her veins, that she had a choice. She had always had a choice. That was the horror of it—not that she was trapped, but that she was not, that she was free to walk forward into the dark if she chose, that the door the figure mentioned was not a door at all but an invitation, and the invitation had been extended to her specifically because she had answered. The pendant pulsed. The figures waited. The grove held its breath. Rory opened her mouth to speak.
created_at"2026-02-19T12:25:34.035Z" 2/19/2026, 12:25:34 PM
model"minimax/minimax-m2.5-20260211"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1076
moderation_latency(null)
generation_time68456
tokens_prompt1038
tokens_completion3173
native_tokens_prompt910
native_tokens_completion2553
native_tokens_completion_images0
native_tokens_reasoning369
native_tokens_cached909
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.00309117
router(null)
provider_responses
0
endpoint_id"05387b87-6e10-4520-87e9-be7c49693ba1"
id"6972ee0b222384f6852c7cf94b88264c"
is_byokfalse
latency1076
model_permaslug"minimax/minimax-m2.5-20260211"
provider_name"Novita"
status200
api_type"completions"
id"gen-1771503934-Jn1FyISJMTOj2QW8m5bv"
upstream_id"6972ee0b222384f6852c7cf94b88264c"
total_cost0.00309117
cache_discount0.00024543
upstream_inference_cost0
provider_name"Novita"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags0
94.66% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1871
totalAiIsmAdverbs2
found
0
adverb"deliberately"
count1
1
adverb"very"
count1
highlights
0"deliberately"
1"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
54.57% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1871
totalAiIsms17
found
0
word"pulsed"
count4
1
word"footsteps"
count1
2
word"silence"
count2
3
word"stomach"
count1
4
word"perfect"
count1
5
word"sentinels"
count1
6
word"sentinel"
count1
7
word"pulse"
count1
8
word"could feel"
count1
9
word"scanning"
count1
10
word"weight"
count2
11
word"throbbed"
count1
highlights
0"pulsed"
1"footsteps"
2"silence"
3"stomach"
4"perfect"
5"sentinels"
6"sentinel"
7"pulse"
8"could feel"
9"scanning"
10"weight"
11"throbbed"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences155
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences155
filterMatches(empty)
hedgeMatches
0"tried to"
1"tended to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences156
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen57
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1854
ratio0
matches(empty)
89.29% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions7
unquotedAttributions1
matches
0"Come, it said."
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions36
wordCount1817
uniqueNames13
maxNameDensity0.66
worstName"Rory"
maxWindowNameDensity2
worstWindowName"You"
discoveredNames
Richmond1
Park1
Rory12
Silas2
Londoners1
Chinese1
October1
Eva2
Cardiff3
Thought4
Evan3
Sunday1
You4
persons
0"Rory"
1"Silas"
2"Eva"
3"Evan"
4"You"
places
0"Richmond"
1"Park"
2"Cardiff"
globalScore1
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences99
glossingSentenceCount6
matches
0"as though punishing herself in advance for whatever she was about to do"
1"quite name"
2"seemed obscene in the quiet, a drum marking time in a place where time had no meaning"
3"looked like blooms, still had petals and"
4"felt like physical pressure against her"
5"felt like ice water in her veins, that"
38.19% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches3
per1kWords1.618
wordCount1854
matches
0"not bending but simply not existing in the spaces"
1"not that she was trapped, but"
2"not a door at all but an invitation"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences156
matches
0"understood that she"
1"chose, that the"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs54
mean34.33
std25.29
cv0.737
sampleLengths
065
172
243
348
441
530
614
793
85
942
1075
1140
126
137
1471
1518
1640
1751
184
1913
2054
2156
228
2368
2417
2566
2611
2769
288
293
3069
318
3233
336
3467
3519
3638
375
3860
3937
4025
4123
4218
4316
4459
4524
4619
4711
4859
4917
87.15% Passive voice overuse
Target: ≤2% passive sentences
passiveCount8
totalSentences155
matches
0"been shaped"
1"being stared"
2"was pressed"
3"been told"
4"was wrapped"
5"being discussed"
6"been chosen"
7"been extended"
0.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount9
totalVerbs298
matches
0"was holding"
1"was not speaking"
2"was speaking"
3"was happening"
4"was coming"
5"were waiting"
6"was coming"
7"were happening"
8"was meaning"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount14
semicolonCount0
flaggedSentences12
totalSentences156
ratio0.077
matches
0"She'd felt it for three days now—a faint thrumming that coincided with the dreams."
1"Even in the darkness, Rory could see them—the bark gnarled and thick, the branches reaching toward each other as though in constant conversation."
2"The heartstone glowed—a deep crimson light that should have been visible for miles, that should have attracted attention from every living thing in the park, but seemed instead to be contained, to be reaching for something just beyond her sightline."
3"Not a twig breaking—nothing so obvious."
4"Not from wind—there was no wind—but as though something had brushed through them."
5"Not a voice—nothing so distinct."
6"The hum grew louder, more insistent, and she realized it was coming from the stone itself—from deep within the oak, from a place below the bark and the wood and the roots that must stretch down into the earth for miles."
7"She saw the grove from above, from a height that shouldn't exist, and she saw herself—a small figure in a dark jacket, her black hair stirring in a wind that still didn't touch the ground below."
8"They still looked like blooms, still had petals and stems, but now they were clearly something else—something that only chose to resemble flowers because it made sense to do so in this place."
9"Not clearly—they were more impressions than beings, more suggestions of form than solid shapes—but they were there."
10"It had a face now, or something that served as one—features that suggested humanity without achieving it, that pointed toward a person-shaped absence rather than an actual person."
11"That was the horror of it—not that she was trapped, but that she was not, that she was free to walk forward into the dark if she chose, that the door the figure mentioned was not a door at all but an invitation, and the invitation had been extended to her specifically because she had answered."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount612
adjectiveStacks0
stackExamples(empty)
adverbCount21
adverbRatio0.03431372549019608
lyAdverbCount3
lyAdverbRatio0.004901960784313725
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences156
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences156
mean11.88
std10.36
cv0.871
sampleLengths
031
14
24
326
411
514
627
720
811
915
1017
116
1226
138
148
153
162
1723
1813
1930
203
2111
2224
2323
2430
253
263
2710
285
294
3015
312
321
3320
348
3519
368
3740
382
396
4020
4112
422
434
447
4515
4634
4722
486
4912
35.26% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats23
diversityRatio0.2564102564102564
totalSentences156
uniqueOpeners40
95.24% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount4
totalSentences140
matches
0"More like the memory of"
1"More like the idea of"
2"Instead, she stepped backward, keeping"
3"Too many joints."
ratio0.029
82.86% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount48
totalSentences140
matches
0"She checked her phone."
1"She'd known that before she'd"
2"She'd felt it for three"
3"She'd wake with the taste"
4"Her footsteps sounded too loud,"
5"She'd asked Silas about the"
6"He'd stiffened in that way"
7"She stepped inside the circle."
8"She pulled it out from"
9"She stood motionless, her breath"
10"She thought of Eva, her"
11"She did not think of"
12"She had trained herself, over"
13"Her own heartbeat seemed obscene"
14"She didn't remember it, had"
15"Her mother's panicked face."
16"She wore it on a"
17"She didn't know why."
18"It had felt important."
19"She heard it then."
ratio0.343
81.43% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount106
totalSentences140
matches
0"The bus dropped her at"
1"She checked her phone."
2"She'd known that before she'd"
3"The pendant pulsed against her"
4"She'd felt it for three"
5"She'd wake with the taste"
6"The path into the park"
7"Moonlight filtered through the overhead"
8"Her footsteps sounded too loud,"
9"She'd asked Silas about the"
10"He'd stiffened in that way"
11"That's not a place for"
12"People like us."
13"People who delivered Chinese food"
14"The trees thinned."
15"The grove opened before her"
16"The standing stones rose from"
17"The flowers should not have"
18"Something in between that her"
19"She stepped inside the circle."
ratio0.757
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount3
totalSentences140
matches
0"Even in the darkness, Rory"
1"Because you remembered."
2"Because the blood remembers what"
ratio0.021
0.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences69
technicalSentenceCount15
matches
0"Her footsteps sounded too loud, too present, as though the silence around them was holding its breath."
1"He'd stiffened in that way he did when a topic touched something he didn't want to discuss, his hands stilling on the glass he'd been polishing."
2"People who delivered Chinese food to flats above bars and lived in studio apartments that smelled of stale beer and other people's cigarettes."
3"But the pendant had pulsed warmer at his words, and Rory had known with a certainty that sat uncomfortable in her stomach that this was where she needed to be."
4"The standing stones rose from the wildflowers, ancient oaks that had been shaped by hands older than memory into perfect arches and upright sentinels."
5"Even in the darkness, Rory could see them—the bark gnarled and thick, the branches reaching toward each other as though in constant conversation."
6"The pendant burned hotter now, a steady pulse that matched the heartbeat she could feel hammering in her throat."
7"The heartstone glowed—a deep crimson light that should have been visible for miles, that should have attracted attention from every living thing in the park, bu…"
8"The hum grew louder, more insistent, and she realized it was coming from the stone itself—from deep within the oak, from a place below the bark and the wood and…"
9"She saw the grove from above, from a height that shouldn't exist, and she saw herself—a small figure in a dark jacket, her black hair stirring in a wind that st…"
10"The standing stones had not moved, but they had changed their arrangement in her perception, had become a circle that faced inward with intention, with purpose."
11"Instead, she stepped backward, keeping her eyes on the figure, her hand closing around the pendant."
12"The heartstone burned her palm, hot enough that she should have felt pain, but the sensation was distant, muffled, as though it were happening to someone else."
13"It had a face now, or something that served as one—features that suggested humanity without achieving it, that pointed toward a person-shaped absence rather tha…"
14"And she understood, with a clarity that felt like ice water in her veins, that she had a choice."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags0
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
78.6211%