Run: 2026-02-19-01KHTXT5XJ0M3ZT93VM3JQ5571

Run Details

Duration:
1m 15s
Cost:
$0.011380
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora tasted iron and kept her hand clamped over the Heartstone as if the pendant might try to run. The silver chain cut a white line across her knuckles. She had crouched between two ancient oak standing stones and felt a warmth crawl up her wrist, the small crescent scar at the base of her palm suddenly prickling as if something old remembered her. She had come here because the pendant had hummed in Taunton Road three nights ago, because it had pulsed so insistently against her ribcage on a delivery run that she nearly crashed the bicycle into a bollard. Someone, somewhere, had put Dymas’ work into her hands for a reason. The Grove, they said in half-words and full warnings, kept things that belonged elsewhere. It kept time odd. It kept bargains unpaid. Aurora had not expected the sound to be wrong the moment she stepped over the low mossy lip that marked the boundary. She had expected quiet, and she had expected trees. Not the small, precise wrongness that made her look twice at the shadows. A laugh threaded through the oaks, bright and thin, the wrong pitch and wrong place for human lungs. It came from the east and from the west at once, the same sound folded and stacked like poorly bound paper. Leaves did not rustle in agreement, but the wildflowers along the clearing's edge trembled as if they could hear. The pendant pulsed, a deeper beat. Warmth spread into her palm and up her arm like an invitation, like a tide. She forced herself to breathe around it. Work first, curiosity later. She checked her phone. The lock screen read a time that had to be wrong, digits sliding like a cheap slot machine, one minute ahead, then three hours behind. When she looked up, the trees seemed fractionally closer, their trunks rearranged, a path that had not been there when she passed through the stones now peeled off into gloom. "Not tonight," she whispered, because even her cool head obeyed ritual. She pressed the pendant against the crescent scar, as if the metal would steady her. The scar said nothing. It felt private, an old bartered thing. The Grove doled out replies slow and precise. Aurora counted small rules. Keep still when something watches. Don't name what you fear. If you must move, move like you have a purpose. She had a purpose: find a portal marker, learn what the pendant wanted, and leave. Footsteps answered her purpose, thin pat-pat that sounded like someone walking on pine cones. They came from behind a stand of bluebells, but the ground around the stems was untrodden. She turned and saw a rabbit, too many rabbits. At the edge of her vision a pair of eyes blinked; when she focused, the eyes belonged to bark, to a knot in an oak, to a fox huddled and asleep. Each blink came a breath late or early. Her pulse stepped into the pendant's rhythm. She moved on. Each step had to be deliberate, each footfall on moss considered. The stones ringed the clearing, older than the city, they tilted just enough to look like a crowd leaning in. Small petals, pale and thick with scent, dropped around her, spattered with dew that smelled faintly of copper, not quite blood, not quite coin, some metallic tang that tugged at memories she did not want. Copper stung her nose. The memory of a different scream lurched at the corner of her mind and she shoved it down like a heavy lid. Something that could not quite be called wind sharpened its teeth and moved the wildflowers as though it were reading them aloud. A voice layered itself under the sound, a chorus of syllables too clean and too old. It did not speak her name at first. It hummed distances and directions, things like "north" said in a hundred ways. Then it settled on a single sound, a syllable curled inward. "Laila." Her skin went cold. The name had not been hers in years. It clung to the underside of childhood bedrooms, to nights she had rewritten. The pendant, small as it was, pressed heavier in her fist. "Not mine," she said. Her voice stayed small. She had cultivated a voice that measured and accounted. Saying things aloud in a place like this felt like handing a thief your wallet. The voice laughed, a sound like ice settling on a tin roof. It laughed with the patience of something that had watched centuries pass without blinking. "Malphora," it corrected, the word a silk knot. "Or will you keep each name like a receipt until you empty your pockets?" Aurora swallowed. She had avoided the old names for a reason. Names carried history, and history could be pulled like a thread through the Grove until you unravelled. She let the pendant go, let it rest on the moss, and drew back as if she had laid a live coal on the ground. The Heartstone pulsed faster, brightening inside its crimson like a heartbeat that wanted to be heard. "Who are you?" she asked, and the question carried more diplomacy than fear. She sounded like herself, not a hunted thing. That steadiness had always been the part of her that kept her alive. A shadow moved at the edge of the stones, not quite matching the space it occupied. It shifted left and then, with no logical motion, took a breath and became a woman, a woman shaped from bark and shadow and lichen, hair a tangle of tiny white flowers. Her eyes were not black or brown, they were the colour of old coins left in a river. She tilted her head, and the motion was both invitation and threat. "You have it," she observed. Her words scattered like seeds. "You hold the wrong heart." Aurora kept her hands where she could see them. "It found me. I have no idea who left it." "You are always honest when the moon does not question you," the woman said. "But the Grove remembers debt. The Grove remembers hands." She stepped closer and the ground around her did not darken, it brightened, as if the flora drank the light and exhaled something older. "Then remind the Grove," Aurora replied, because protesting silence felt like hospitality. "I just want to know what's here." The woman's smile did not reach her coin-coloured eyes. "You do not come for knowledge. You come for repair." Her voice folded around the word, made it smaller, less telling. "A mending. A binding. You hold something that seeks its door." She nodded at the pendant. "And we keep doors." The Heartstone thudded, and for the first time since she arrived Aurora felt the pendant tug, like an animal on a leash. The silver chain whispered over moss; she let it. She watched blades of grass part as if by invisible fingers. In the clearing the flowers reoriented, their faces all tilting toward the pendant like an audience waiting for a performer. "Tell me what you want me to do," Aurora said. She tested the words like a key in a lock. Her voice did not tremble. Her palms were steady. "You can place it," the woman said. "You can hand it to us. You can open it after binding, and it will offer you a path out." The woman gestured at the standing stones. "Or you can bury it under the old root and leave, and everything will go back to the mannered silence you preferred." The choice felt simple on the surface, reductive. But the pendant pulsed with warmth that reached her chest. It felt like a heart asking permission. She imagined pockets and doors, the invisible make-and-break of things that should not be opened. "Why me?" she asked. "Why now?" The woman leaned on a thornless branch as if on a walking stick. "Because someone paid the price of forgetting," she said. "Because someone across the sea tied a loose end with fine thread and the end came to your palm like a wrapped gift. Because you have a wrist with a scar that fits the groove of a binding." Aurora twisted her wrist as if she could make the scar smaller. The crescent held sunlight the way old coins held stories. "Then see if the binding still fits," the woman said, and there was no malice in it, only the neutral cruelty of things that do not belong to human rule. "We will accept if the price pleases." She stepped forward. The pendant pulsed so hard Aurora felt the warmth climb up her throat. She could place it onto the exposed root that coiled like a sleeping fist in the clearing's centre. She could hand it to this woman. She could leave the Grove and call Silas tomorrow and pretend none of it had happened. Instead she reached, because curiosity and fear and duty braided tight in her chest. Her fingers brushed the silver. For a moment the world was only the press of metal, the throb of the gem like something alive under skin. Then, like a sound recorded and replayed too fast, the clearing deepened. The woman's face rewound into something else: younger, older, a child with lichen under its nails, a man whose beard was braided with ivy. The shift made Aurora's vision swim. Something moved behind her, sudden and sure. A shadow slid across the small of her back but did not belong to the woman in front. She turned, the motion tight and quick, and a second figure stepped from between the stones, all wrong-length limbs and wrong-angled shoulders. It wore a coat sewn from night and river muck; where its face should have been there was a mask of half-formed bone. Its mouth opened and closed, but sound came from where it did not move, a soft, urgent rustle like leaves rubbing together. Aurora's hand left the pendant. The Heartstone flashed, then flared, so bright she had to blink. The warmth became a burn, searing down her arm. She had not felt that kind of heat since a kitchen flame had licked her fingers in a flat above Silas' bar and left a line scar along a knuckle. Her breath came fast now, not with terror, but with the sharp, precise clarity that comes when a test replaces a question. "You are not alone," the bone-masked thing said, voice low and layered with the sound of running water and distant footsteps. "I know," Aurora answered. She did not reach for the pendant again. She had a trick for things that wanted her to hand over what she carried: move the object into a place where it could be watched, not touched. She placed the pendant on the root and stepped back two paces. The Heartstone kept pulsing, but its pace became measured, like someone checking a calf's leg. The woman, the many-faced keeper of the Grove, watched Aurora with a look that might have been approval if one stretched the word thin. "Rules," Aurora said. "Your rules. I will not open it. I will not hand it. I will ask questions and walk away." "Questions are currency," the woman said. "They pay for answers or they pay for teeth. Choose." Aurora set her jaw. She knew how to barter. She had taken on legal training before running, had learned to fold words into agreements that held. Now in a clearing that kept its own time, those lessons felt both useful and useless. She met the woman's coin eyes and said, "Who left it?" There was a pause that felt like someone turning the page of an old book. The woman smiled without humour. "A hand that has since learned to forget. A mouth that cannot keep silence. Dymas keeps quiet, but he cannot stop the stone from seeking its doorway. Someone in the old city sealed a grief with a gem." "Who?" Aurora pressed. The air tightened like a drawn bow. The rabbit-eyed shadows multiplied until she saw them moving as a tide. The woman lowered her voice to something silky and sharp. "A name you would prefer never to name," she said. "He lives in a place of boards and light, speaks with soft promises. He keeps his hands like you once kept yours. He is called Evan." Evan. The syllable landed like a dropped coin. Aurora's jaw clenched. Past and present folded. The Grove leaned. "Why would he—" "Because debts vary," the woman interrupted, "and some debts are paid in absence. He paid the wrong thing." Her face softened, a careful pity. "You may have left him. He did not leave you." Heat in her chest made Aurora's vision ring. The Grove's time shimmered and she saw, for a blink, a thread from the pendant that led across city streets and over roofs, ending in the shape of a hand that boxed the word Evan with neat angry curves. "Is he here?" she asked, even though she already knew. The wrongness had been growing from the second she arrived; it had been tracing the shape of his restraint. "Parts of him," the woman said. "Parts of him wish to be more. We like pieces that wish." She looked over at the bone-masked figure, and its masked mouth moved in a dry, satisfied sound. "He sent what fit in a pocket. He thought it would find you at the other end, and it did. But the Grove keeps its share." Aurora's knuckles whitened around her own wrist. The Heartstone pulsed so hard it felt like a second heartbeat. She had, at every stage of her life, tried to tidy consequences into neat piles. Tonight consequences kept stepping out of the dark. Something shifted in the trees, a collective intake of breath. The flowers held their faces like a congregation witnessing a small, terrible law. The bone-masked thing knelt, the motion simple, and reached out a hand toward the pendant. Aurora moved before she could think, not a run or a flight but a cut, a professional motion trained to unbalance. She shoved the root aside and spat the pendant into the hollow it had concealed beneath. Soil swallowed light. The Heartstone's pulse stuttered, then dimmed, distant as a trapped ember. The woman sighed in a way that sounded like the closing of a book. "You will not find it by calling," she said. "The Grove keeps what it is offered." "Then give me a way out," Aurora said. She had come here for a reason, and the reason had not been to trade whispers for riddles. "Who protects the doorway? If Evan sent it, what guards the place where it wants to go?" The woman smiled again, the expression a slow unwinding. "You are curious," she observed. "Good. Curiosity feeds both the small and the vast. But take care. The more you ask, the more you will need to answer." Aurora did not like the choice that implied at the edges. Choices like that hollowed people, left them lessons and scars. She heard her own voice, low and steady. "Then tell me where he will try next." Wind or memory or something else carried a sound like a bell chiming under water. "He will try where bones are thin," the woman said. "Where promises are quick and unanchored. Where a heart can open like a door." Aurora's mouth tasted of metal. The Grove's answer did not satisfy her the way she wished. It did not give a map or a time or a guarantee. It gave a rule. It gave an omen. "One more," she said, because she had learned that payment bought clarity at a price. "Ask." "Will the Heartstone lead him back to me if I take it?" The woman leaned so close Aurora saw thousands of tiny lichen freckles on her skin. "If you return it to the path, he will follow the light it casts," she said. "If you bury it, you bury the calling. If you give it to us, we will deal only in exchange." Aurora's head pulsed with a sudden frustration. All options walked away from what she wanted, which was the simplest one: to be finished with the past. She had thought delivering meals at Golden Empress would let her live between familiar things, but she had traded one kind of hunger for another. A twig snapped behind her, sharp and deliberate. The bone-masked thing shifted, and the hollow where the pendant had gone glowed faintly, a breath of red like a heart seen through skin. The ground at Aurora's feet bucked, small tremor that felt like a drumbeat calling names. The woman's face folded into something like hunger. "Decide," she said. Before Aurora could answer, the trees answered for her. A shadow uncoiled itself from the underbrush and moved as if the Grove had cleared a corridor. It held form better than the rest, a human outline that walked on two feet, and when it stepped into the clearing the moonless light threw its features into sharp, terrible relief. It smiled, and its smile fit a mouth she knew far too well. "Evan," she said, and the name cut like a reported wound. He did not look like the Evan who had once pressed his palm to her throat. He looked like an arrangement of memories, like a sculpture put together from photographs. He had Evan's hands, the tilt of his jaw, and something grafted over his face that was wrong. The Grove had repaired him in pieces. Aurora's fingers brushed the scar on her wrist, feeling the crescent as if it might be a key. The pendant below thudded once, like something waking. "Rory," Evan said, voice smooth and small-town civil, as if he had stopped by to borrow sugar. "You really shouldn't leave without settling accounts." The bone-masked figure bared its half-formed teeth and the woman behind it laughed, a sound like doors opening. Aurora's next move came without a thought. She dug the heel of her hand into the ground where the Heartstone had last dimmed, and the dirt gave, soft and warm, as if something beneath had been waiting for heat to wake. The pendant answered with a bright, insistent ache. Roots shivered. The standing stones hummed. The Grove closed in, and the figures stepped forward. The wrongness grew teeth. Aurora rose with the pendant in her fist and felt the world tilt under the old rules: keep a purpose, move with intent. She had come here to see, and she had found more. She had come for a reason, and now the reason had stood up and smiled. The clearing held its breath as the pendant's crimson light spread like a heartbeat visible through the dark, and something that was not entirely human smiled as if it had always known the cost of the coin in her palm.
created_at"2026-02-19T12:25:49.756Z" 2/19/2026, 12:25:49 PM
model"openai/gpt-5-mini-2025-08-07"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency3391
moderation_latency(null)
generation_time74548
tokens_prompt4560
tokens_completion5689
native_tokens_prompt4064
native_tokens_completion5182
native_tokens_completion_images0
native_tokens_reasoning1216
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.01138
router(null)
provider_responses
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endpoint_id"c4f66d01-20b0-4c27-a225-438ea22fda43"
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is_byokfalse
latency166
model_permaslug"openai/gpt-5-mini-2025-08-07"
provider_name"OpenAI"
status200
api_type"completions"
id"gen-1771503949-9F2wS8YSrMk5d4qfdpqw"
upstream_id"resp_0049576ef40f690a016997014de41c81968896d2340eb14321"
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provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags38
adverbTagCount1
adverbTags
0"Her voice folded around [around]"
dialogueSentences63
tagDensity0.603
leniency1
rawRatio0.026
effectiveRatio0.026
96.85% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount3170
totalAiIsmAdverbs2
found
0
adverb"suddenly"
count1
1
adverb"really"
count1
highlights
0"suddenly"
1"really"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
49.53% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount3170
totalAiIsms32
found
0
word"warmth"
count5
1
word"pulsed"
count7
2
word"trembled"
count1
3
word"gloom"
count1
4
word"footsteps"
count2
5
word"pulse"
count2
6
word"footfall"
count1
7
word"lurched"
count1
8
word"measured"
count2
9
word"silk"
count1
10
word"silence"
count3
11
word"throb"
count1
12
word"searing"
count1
13
word"jaw clenched"
count1
14
word"shimmered"
count1
15
word"tracing"
count1
16
word"familiar"
count1
highlights
0"warmth"
1"pulsed"
2"trembled"
3"gloom"
4"footsteps"
5"pulse"
6"footfall"
7"lurched"
8"measured"
9"silk"
10"silence"
11"throb"
12"searing"
13"jaw clenched"
14"shimmered"
15"tracing"
16"familiar"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"jaw/fists clenched"
count1
highlights
0"jaw clenched"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells2
narrationSentences216
matches
0"d with warmth"
1"t with terror"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount2
narrationSentences216
filterMatches
0"look"
hedgeMatches
0"try to"
1"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences242
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen40
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords3153
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions39
unquotedAttributions1
matches
0"The Grove, they said in half-words and full warnings, kept things that belonged elsewhere."
66.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions61
wordCount2582
uniqueNames10
maxNameDensity1.2
worstName"Aurora"
maxWindowNameDensity3
worstWindowName"Aurora"
discoveredNames
Heartstone8
Taunton1
Road1
Grove11
Aurora31
Silas1
Evan5
Heat1
Golden1
Empress1
persons
0"Heartstone"
1"Grove"
2"Aurora"
3"Silas"
4"Evan"
5"Empress"
places
0"Taunton"
1"Road"
2"Golden"
globalScore0.9
windowScore0.667
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences162
glossingSentenceCount15
matches
0"seemed fractionally closer their trunks rearranged, a path that had not been there when she passed through the stones now peeled off into gloom"
1"sounded like someone walking on pine cones"
2"not quite blood, not quite coin, some metallic tang that tugged at memories she did not want"
3"not quite coin, some metallic tang that tugged at memories she did not want"
4"not quite be called wind sharpened its teeth and moved the wildflowers as though it were reading them aloud"
5"felt like handing a thief your wallet"
6"sounded like herself, not a hunted thing"
7"not quite matching the space it occupied"
8"felt like hospitality"
9"felt like a heart asking permission"
10"felt like someone turning the page of a"
11"felt like a second heartbeat"
12"sounded like the closing of a book"
13"felt like a drumbeat calling names"
14"something like hunger"
15"looked like an arrangement of memories, l"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords0.634
wordCount3153
matches
0"not with terror, but with the sharp, precise clarity"
1"not a run or a flight but a cut, a professional motion trained to unbalance"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences242
matches
0"felt that kind"
1"learned that payment"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs72
mean43.79
std24.42
cv0.558
sampleLengths
064
1115
279
370
484
585
695
771
836
932
1048
1169
1234
1378
1415
1519
1647
1719
1850
1962
2029
2156
2240
236
2460
2522
2637
2771
2868
2992
3077
3121
3240
3351
3422
3516
3653
3758
383
3965
4018
413
4234
4347
4429
4561
4641
4738
4851
4930
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences216
matches
0"was, pressed"
1"was braided"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs462
matches
0"were reading"
95.63% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount4
flaggedSentences4
totalSentences242
ratio0.017
matches
0"At the edge of her vision a pair of eyes blinked; when she focused, the eyes belonged to bark, to a knot in an oak, to a fox huddled and asleep."
1"The silver chain whispered over moss; she let it."
2"It wore a coat sewn from night and river muck; where its face should have been there was a mask of half-formed bone."
3"The wrongness had been growing from the second she arrived; it had been tracing the shape of his restraint."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount539
adjectiveStacks0
stackExamples(empty)
adverbCount13
adverbRatio0.02411873840445269
lyAdverbCount5
lyAdverbRatio0.00927643784786642
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences242
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences242
mean13.03
std8.29
cv0.636
sampleLengths
019
110
235
337
412
514
64
74
822
99
1013
1118
1221
1319
146
1515
167
174
184
1925
2030
2111
2215
234
247
258
264
275
285
2910
3015
3114
3216
339
3431
358
367
373
3811
3920
4035
414
4222
4322
4416
458
4613
4711
481
494
36.78% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats32
diversityRatio0.2768595041322314
totalSentences242
uniqueOpeners67
50.25% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences199
matches
0"Then it settled on a"
1"Instead she reached, because curiosity"
2"Then, like a sound recorded"
ratio0.015
65.23% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount77
totalSentences199
matches
0"She had crouched between two"
1"She had come here because"
2"It kept time odd."
3"It kept bargains unpaid."
4"She had expected quiet, and"
5"It came from the east"
6"She forced herself to breathe"
7"She checked her phone."
8"she whispered, because even her"
9"She pressed the pendant against"
10"It felt private, an old"
11"She had a purpose: find"
12"They came from behind a"
13"She turned and saw a"
14"Her pulse stepped into the"
15"She moved on."
16"It did not speak her"
17"It hummed distances and directions,"
18"Her skin went cold."
19"It clung to the underside"
ratio0.387
10.25% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount179
totalSentences199
matches
0"Aurora tasted iron and kept"
1"The silver chain cut a"
2"She had crouched between two"
3"She had come here because"
4"Someone, somewhere, had put"
5"The Grove, they said in"
6"It kept time odd."
7"It kept bargains unpaid."
8"Aurora had not expected the"
9"She had expected quiet, and"
10"A laugh threaded through the"
11"It came from the east"
12"Leaves did not rustle in"
13"The pendant pulsed, a deeper"
14"Warmth spread into her palm"
15"She forced herself to breathe"
16"Work first, curiosity later."
17"She checked her phone."
18"The lock screen read a"
19"she whispered, because even her"
ratio0.899
75.38% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount3
totalSentences199
matches
0"If you must move, move"
1"Now in a clearing that"
2"Before Aurora could answer, the"
ratio0.015
41.78% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences106
technicalSentenceCount15
matches
0"She had crouched between two ancient oak standing stones and felt a warmth crawl up her wrist, the small crescent scar at the base of her palm suddenly pricklin…"
1"The Grove, they said in half-words and full warnings, kept things that belonged elsewhere."
2"Small petals, pale and thick with scent, dropped around her, spattered with dew that smelled faintly of copper, not quite blood, not quite coin, some metallic t…"
3"Something that could not quite be called wind sharpened its teeth and moved the wildflowers as though it were reading them aloud."
4"The Heartstone pulsed faster, brightening inside its crimson like a heartbeat that wanted to be heard."
5"She watched blades of grass part as if by invisible fingers."
6"But the pendant pulsed with warmth that reached her chest."
7"She imagined pockets and doors, the invisible make-and-break of things that should not be opened."
8"The woman, the many-faced keeper of the Grove, watched Aurora with a look that might have been approval if one stretched the word thin."
9"The Grove's time shimmered and she saw, for a blink, a thread from the pendant that led across city streets and over roofs, ending in the shape of a hand that b…"
10"It held form better than the rest, a human outline that walked on two feet, and when it stepped into the clearing the moonless light threw its features into sha…"
11"He had Evan's hands, the tilt of his jaw, and something grafted over his face that was wrong."
12"Aurora's fingers brushed the scar on her wrist, feeling the crescent as if it might be a key."
13"She dug the heel of her hand into the ground where the Heartstone had last dimmed, and the dirt gave, soft and warm, as if something beneath had been waiting fo…"
14"The clearing held its breath as the pendant's crimson light spread like a heartbeat visible through the dark, and something that was not entirely human smiled a…"
98.68% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags38
uselessAdditionCount2
matches
0"it corrected, the word a silk knot"
1"she asked, and the question carried more diplomacy than fear"
23.02% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags31
fancyCount8
fancyTags
0"she whispered (whisper)"
1"it corrected (correct)"
2"she observed (observe)"
3"masked thing said (mask say)"
4"She met (meet)"
5"Aurora pressed (press)"
6"the woman interrupted (interrupt)"
7"she observed (observe)"
dialogueSentences63
tagDensity0.492
leniency0.984
rawRatio0.258
effectiveRatio0.254
80.3344%