Run: 2026-02-19-01KHTY0EV5SCZWT00BP81B290V

Run Details

Duration:
20.4s
Cost:
$0.010622
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The knock came at half past midnight. Eva didn't answer to midnight visitors, not since she'd moved into the flat above the curry house five years ago. She sat at her desk, surrounded by open books and scattered pages, her fingers still hovering over the passage she'd been translating when the sound cut through the flat. Ptolemy's ears perked up from his usual spot on the armchair. The knock came again. Insistent. Not the sort of knock that belonged to someone selling religion or asking for spare change. Eva pushed her reading glasses up into her hair and moved through the cramped space, sidestepping stacks of books that had accumulated like geological layers. She undid the first deadbolt, then the second, then the third. The chain stayed locked. Through the gap, she caught the profile of a man in a charcoal suit, one hand gripping the ivory handle of a cane. Even in the hallway's weak lighting, his platinum hair gleamed like something that didn't belong in the real world. "Lucien." She didn't pose it as a question. He turned at the sound of his name, and she saw the heterochromatic eyes—amber and black—settle on the narrow opening of the door. For a moment, neither of them moved. The chain between them felt less like security and more like a barrier against something inevitable. "Eva. You're still awake." His accent curved the edges of his words, French vowels bleeding through the English. She'd spent enough time around him to know that when he spoke like that, he was either nervous or calculating. Possibly both. "People tend to be awake at midnight when someone's at their door." "Not just anyone." She undid the chain and pulled the door open wider. Lucien stood in the hallway in full evening dress—tailored suit, crisp shirt, pocket square. The cane wasn't affectation; it was performance. Everything about him was performance, though she'd spent the better part of three months learning which parts were true. "It's been six weeks," she said. "Seven." He stepped inside without waiting for an invitation. The flat seemed to shrink around him, his presence consuming the available air. Ptolemy lifted his head, studying the newcomer with the indifference only cats could manage. "I counted." Lucien moved deeper into the space, and she caught the smell of him—expensive cologne and something underneath it, something darker and older that she'd never been able to place. "Every day." "That's not romantic, Lucien. That's just sad." She shut the door and redid all three deadbolts. When she turned around, he was examining her research—a manuscript page from the fifteenth century spread across her desk, notes in her cramped handwriting crowding the margins. "Still chasing ghosts?" "Still running from them?" He smiled at that, the expression too quick to be genuine. "I came because there's something you need to know. Something that—" "No." She moved to the kitchenette, a narrow corridor of counter space barely wide enough to turn around in. Her hands needed something to do besides think about the last time she'd seen him. The last time his hands had been on her. The last time they'd both said things designed to cut as precisely as his blade. "You don't know what I was going to say." "I know that you showing up at midnight with that expression means you're about to ask for something. And I'm not interested." The kettle went on. She stared at it as though it might reveal secrets, as though boiling water could transform this moment into something manageable. "There's a case," Lucien said behind her. "A missing woman. Disappeared three weeks ago from Hackney. The authorities have nothing. The family contacted someone who contacted me, and I mentioned your name." "You shouldn't have." "The woman's younger sister is being threatened. There's an artifact involved. Possibly sixteenth-century Moroccan. Something written in a dialect that requires expertise in—" "Lucien." She turned to face him. "I told you. When we ended things. I told you that I couldn't do this anymore. That every time you walked out that door, I didn't know if I'd see you again. That the work you do, the world you move through—it terrifies me." He set his cane against the desk with careful precision, as though the act required concentration. When he raised his eyes to meet hers, the heterochromatic gaze was steady. Unsettling. "I know what you said." "And you're here anyway." "I'm here because you're the only person in London who can do what needs to be done. And because a girl who's seventeen years old is receiving threats written in blood on her bedroom wall. And because I made you a promise when I left last time." Eva's throat tightened. He had made her a promise. On that last night, his head against her chest in the dark, his fingers tracing the spine of a book on her nightstand, he'd whispered words in French that he'd refused to translate. She'd thought they were goodbye. Apparently, she'd been wrong. "That doesn't change anything." "It changes whether you ignore this or whether you help me." Ptolemy jumped down from the armchair and twined around Lucien's ankles, purring. The traitor cat had apparently decided sides. "You're using a child to manipulate me." "I'm using a child to appeal to the part of you that can't say no to people who need help." He bent down, running a hand along Ptolemy's spine. The cat practically vibrated with pleasure. "The part of you that left Cardiff and all your family's expectations behind because staying was suffocating. The part of you that answers my calls at three in the morning even though you know it's a terrible idea." "That's not fair." "Nothing about this is fair. If it were, we wouldn't be standing in this flat pretending we don't recognize each other as dangerous. Pretending that seven weeks of not speaking changed anything." The kettle clicked off. The silence it left behind seemed to echo. She moved to the desk and pushed aside the manuscript pages, clearing a small space. Her hands shook slightly as she sat. "Tell me about the girl. The threats. Everything." Lucien straightened, and something shifted in his expression—relief, perhaps, or satisfaction. He pulled a chair close to hers, not touching, but near enough that she could feel the disturbance in the air around him. "Her name is Margot Leclerc. Her sister, Sophie, disappeared after a museum opening at the V&A three weeks ago. The police have treated it as a simple missing person case, but the family received a message three days ago. An artifact has been taken. If they report it to the authorities or pay any ransom, Margot receives punishment." "What artifact?" He produced a photograph from his jacket pocket—a small, ancient thing, cloth-wrapped and barely identifiable from the image. But the symbols burned into the corner of the wrapping were unmistakable. Old. Not just old. Ancient. The kind of old that belonged in a locked case in a private collection, not lost in a family jewel box. "A binding stone," Eva whispered. "From the Moroccan grimoires." "I thought you'd recognize it." He set the photo on the desk between them. "Which means you know what it's used for." She did. She knew exactly what it was used for, and why someone would risk everything to possess it. The implications spread through her mind like poison in water. "Lucien, if someone has that and they know how to use it—" "Then we need to find Sophie before they do." He was still watching her, and she could read the calculation in those mismatched eyes. He'd known she wouldn't be able to walk away. Worse, he'd known she'd understand the stakes instantly. Which meant he'd also known exactly how to corner her into saying yes. "If I do this," she said slowly, "I want terms. Real terms. No disappearing acts. No lies about where you're going or what you're doing. You tell me everything, or I'm done before we start." "Done with the case or done with me?" She didn't answer him. They both knew the question was unanswerable right now, hanging in the suspended moment between them like a blade waiting to fall.
created_at"2026-02-19T12:29:15.499Z" 2/19/2026, 12:29:15 PM
model"anthropic/claude-4.5-haiku-20251001"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1066
moderation_latency121
generation_time20155
tokens_prompt1034
tokens_completion2127
native_tokens_prompt1062
native_tokens_completion1912
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.010622
router(null)
provider_responses
0
endpoint_id"d000261c-5aeb-47d1-ac87-ad64dbe1cdb6"
id"0911f170-cfff-42ac-86c0-5a1d62c8a3d9"
is_byokfalse
latency1066
model_permaslug"anthropic/claude-4.5-haiku-20251001"
provider_name"Amazon Bedrock"
status200
api_type"completions"
id"gen-1771504155-DjXZWbbDD0X5TdcJyFVR"
upstream_id"0911f170-cfff-42ac-86c0-5a1d62c8a3d9"
total_cost0.010622
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags7
adverbTagCount1
adverbTags
0"she said slowly [slowly]"
dialogueSentences42
tagDensity0.167
leniency0.333
rawRatio0.143
effectiveRatio0.048
89.14% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1381
totalAiIsmAdverbs3
found
0
adverb"precisely"
count1
1
adverb"slightly"
count1
2
adverb"slowly"
count1
highlights
0"precisely"
1"slightly"
2"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
78.28% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1381
totalAiIsms6
found
0
word"calculating"
count1
1
word"tracing"
count1
2
word"vibrated"
count1
3
word"silence"
count1
4
word"echo"
count1
5
word"could feel"
count1
highlights
0"calculating"
1"tracing"
2"vibrated"
3"silence"
4"echo"
5"could feel"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences75
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences75
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences110
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen58
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1371
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions18
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions16
wordCount866
uniqueNames5
maxNameDensity0.58
worstName"Lucien"
maxWindowNameDensity1.5
worstWindowName"Lucien"
discoveredNames
French2
English1
Lucien5
Ptolemy4
Eva4
persons
0"Lucien"
1"Ptolemy"
2"Eva"
places
0"French"
1"English"
globalScore1
windowScore1
59.09% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences55
glossingSentenceCount2
matches
0"as though boiling water could transform this moment into something manageable"
1"raitor cat had apparently decided sides"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.729
wordCount1371
matches
0"not touching, but near enough"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences110
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs60
mean22.85
std18.76
cv0.821
sampleLengths
056
111
221
340
442
51
67
746
84
936
1012
113
1250
136
141
1535
1633
177
1836
193
204
2122
221
2357
249
2522
2625
2732
283
2923
301
3149
3230
335
344
3547
3651
374
3811
3919
407
4173
423
4332
4412
4522
468
4734
4858
492
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences75
matches
0"was used"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs151
matches
0"was examining"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount7
semicolonCount1
flaggedSentences7
totalSentences110
ratio0.064
matches
0"He turned at the sound of his name, and she saw the heterochromatic eyes—amber and black—settle on the narrow opening of the door."
1"Lucien stood in the hallway in full evening dress—tailored suit, crisp shirt, pocket square."
2"The cane wasn't affectation; it was performance."
3"\"I counted.\" Lucien moved deeper into the space, and she caught the smell of him—expensive cologne and something underneath it, something darker and older that she'd never been able to place."
4"When she turned around, he was examining her research—a manuscript page from the fifteenth century spread across her desk, notes in her cramped handwriting crowding the margins."
5"Lucien straightened, and something shifted in his expression—relief, perhaps, or satisfaction."
6"He produced a photograph from his jacket pocket—a small, ancient thing, cloth-wrapped and barely identifiable from the image."
97.96% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount874
adjectiveStacks0
stackExamples(empty)
adverbCount37
adverbRatio0.04233409610983982
lyAdverbCount14
lyAdverbRatio0.016018306636155607
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences110
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences110
mean12.46
std10.62
cv0.852
sampleLengths
07
120
229
311
44
51
616
725
811
94
1023
1119
121
137
1423
157
1616
174
1814
1920
202
2112
223
2310
2414
257
2619
276
281
298
3013
3114
3231
332
347
359
3627
373
384
3911
4011
411
4218
4315
449
4515
469
4722
484
4921
61.21% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.4
totalSentences110
uniqueOpeners44
49.75% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences67
matches
0"Apparently, she'd been wrong."
ratio0.015
46.87% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount29
totalSentences67
matches
0"She sat at her desk,"
1"She undid the first deadbolt,"
2"She didn't pose it as"
3"He turned at the sound"
4"His accent curved the edges"
5"She'd spent enough time around"
6"She undid the chain and"
7"He stepped inside without waiting"
8"She shut the door and"
9"He smiled at that, the"
10"She moved to the kitchenette,"
11"Her hands needed something to"
12"She stared at it as"
13"She turned to face him."
14"He set his cane against"
15"He had made her a"
16"She'd thought they were goodbye."
17"He bent down, running a"
18"She moved to the desk"
19"Her hands shook slightly as"
ratio0.433
49.55% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount55
totalSentences67
matches
0"The knock came at half"
1"Eva didn't answer to midnight"
2"She sat at her desk,"
3"Ptolemy's ears perked up from"
4"The knock came again."
5"Eva pushed her reading glasses"
6"She undid the first deadbolt,"
7"The chain stayed locked."
8"She didn't pose it as"
9"He turned at the sound"
10"The chain between them felt"
11"His accent curved the edges"
12"She'd spent enough time around"
13"She undid the chain and"
14"Lucien stood in the hallway"
15"The cane wasn't affectation; it"
16"Everything about him was performance,"
17"He stepped inside without waiting"
18"The flat seemed to shrink"
19"Ptolemy lifted his head, studying"
ratio0.821
74.63% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences67
matches
0"Even in the hallway's weak"
ratio0.015
67.67% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences38
technicalSentenceCount4
matches
0"Eva pushed her reading glasses up into her hair and moved through the cramped space, sidestepping stacks of books that had accumulated like geological layers."
1"Even in the hallway's weak lighting, his platinum hair gleamed like something that didn't belong in the real world."
2"She stared at it as though it might reveal secrets, as though boiling water could transform this moment into something manageable."
3"He set his cane against the desk with careful precision, as though the act required concentration."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags7
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags4
fancyCount1
fancyTags
0"Eva whispered (whisper)"
dialogueSentences42
tagDensity0.095
leniency0.19
rawRatio0.25
effectiveRatio0.048
85.8047%