Run: 2026-02-19-01KHTY591ZA5HCYPCBN4ZJBBK0

Run Details

Duration:
1m 5s
Cost:
$0.153075

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The abandoned Piccadilly line platform stretched into darkness, its tiles cracked and stained with decades of neglect. Detective Harlow Quinn ducked under the police tape, her footsteps echoing off the curved walls. The beam from her torch cut through the musty air, revealing scattered debris and what looked like vendor stalls hastily abandoned. "Body's over here." Sergeant Mills gestured toward a alcove near the tracks. "Male, mid-thirties. No identification." Quinn approached the corpse. The man lay sprawled on his back, arms outstretched, fingers curled as if grasping at something invisible. His eyes remained open, pupils dilated to black circles. No visible wounds, no blood. Just that expression of absolute terror frozen on his face. "Natural causes?" Mills ventured. "Heart attack, maybe? This place would give anyone a fright." Quinn crouched beside the body, pulling on latex gloves. The victim wore expensive clothes—tailored wool coat, Italian leather shoes. Not your typical urban explorer or rough sleeper. She checked his pockets. Empty. Too empty. No wallet, keys, phone. Nothing. "Since when do heart attack victims strip themselves of identification?" She examined the man's hands. Clean, manicured nails. No defensive wounds. "And look at his coat. Not a speck of dust on it." Mills shifted uncomfortably. "Maybe he was robbed after?" "In this place?" Quinn swept her torch across the platform. Makeshift stalls lined the walls—tables fashioned from planks and crates, fabric partitions creating narrow corridors. Symbols chalked on the tiles. Candle wax pooled on the ground. "What is all this?" "Homeless camp, probably. Found it like this when we arrived." Quinn stood, studying the layout. Too organised for a squat. The stalls formed deliberate pathways, almost like... a market. She noticed burn marks on several tables, perfectly circular. Her torch beam caught something glinting near one of the stalls. A small brass compass lay abandoned on a crate. Quinn picked it up, noting the intricate etchings on its face. The needle spun wildly, never settling on magnetic north. Green patina covered the casing except where fingers had worn it smooth. "Evidence bag," she called to Mills. "For a broken compass?" "Just bag it." She pocketed the compass instead, feeling its weight against her hip. Something about those symbols on the face nagged at her. Where had she seen them before? Near the body, she spotted more oddities. A scatter of small bones arranged in a pattern. Wax residue in a perfect circle around the corpse. The air felt colder here, her breath misting despite the season. "Time of death?" she asked the coroner's assistant who'd just arrived. "Based on body temperature and rigor, I'd say between midnight and 3 a.m." The young man seemed eager to pack up and leave. "Can we move him?" "Not yet." Quinn returned to the stalls, examining each one methodically. Empty glass vials with residue. Leather pouches that smelled of herbs and something else—sulphur? One table held scales, the kind used for precious metals, but the weights were carved from what looked like bone. Mills followed her, notebook out. "I'm thinking drug operation. Designer stuff. That would explain the secrecy, the weird setup." "Drug dealers don't arrange bones in geometric patterns." Quinn photographed the symbols on the walls. "Or draw these." "So what, some kind of cult?" She ignored the question, focused on a partition made from heavy black fabric. Behind it, shelves had been carved directly into the station wall. Empty now, but the dust patterns suggested recent activity. Items removed in haste. The compass in her pocket grew warm. "Ma'am?" Mills pointed to the far end of the platform. "There's another entrance down there. Boarded up, but the boards have been pried loose." Quinn made her way over, noting fresh scratches on the wood. Someone had fled this way. Recently. She squeezed through the gap, emerging into a service tunnel. Her torch illuminated more symbols painted on the walls. These looked older, layered over each other like graffiti from different eras. "Should we call backup?" Mills's voice echoed behind her. "For what? An empty tunnel?" But even as she said it, Quinn felt that familiar prickle at the base of her skull. The same sensation from three years ago, the night Morris died. The night she'd written off as exhaustion and trauma, burying the inconsistencies in her report. The tunnel branched. She chose left on instinct, following scratches in the grime. Someone running, stumbling, desperate to escape. The marks led to a metal door, slightly ajar. Beyond it, stairs leading up. "This connects to the Camden underground." Mills checked his phone's GPS. "We're directly below the Lock." Quinn pushed through the door. The stairs opened into a basement, empty except for rat droppings and broken furniture. Another door led to street level. She emerged behind a pub, early morning traffic already building on the main road. Back at the platform, she found the forensics team photographing the scene. Dr. Sarah Chen, the chief medical examiner, had arrived. "Interesting case," Chen said without preamble. "No obvious cause of death. No trauma, no toxins in the initial blood work. But look at this." She lifted the victim's eyelid with a gloved finger. "See the hemorrhaging in the sclera? Microscopic, but distinctive. I've only seen this pattern once before." Quinn leaned closer. Tiny red spirals in the white of the eye, like miniature galaxies. "When?" "Three years ago. Your partner's case." The compass burned against Quinn's hip. She pulled it out, watching the needle spin frantically. Chen's eyes widened. "Where did you find that?" "Crime scene. Why?" Chen glanced at Mills, who was busy directing the forensics team. She lowered her voice. "Because I saw one exactly like it the night DS Morris died. He was holding it when they brought him in." Quinn's jaw tightened. "That wasn't in your report." "Your captain told me to leave it out. Said it would complicate things." Chen straightened. "But I kept it. It's in my office safe. The needle hasn't stopped spinning since." Mills approached, phone in hand. "Ma'am, just got word from dispatch. Anonymous tip about suspicious activity at this location last night. Caller mentioned some kind of gathering, said people were buying and selling 'unusual items.' Wouldn't give specifics." Quinn studied the abandoned market with new eyes. Not drugs. Not a cult. Something else entirely. Something that connected to Morris, to that night she'd spent three years trying to forget. "Get statements from every business above ground in a three-block radius," she ordered. "Someone saw something. And Mills? Pull the file on Detective Sergeant Morris. Everything." "That case is closed, ma'am." "Pull it anyway." As the body was finally loaded onto a stretcher, Quinn noticed something else. A single white feather caught in the dead man's collar. She plucked it free, holding it up to the light. It shimmered with an oily iridescence, colors that shouldn't exist on any bird she knew. She bagged it separately, then walked the platform one more time. Whatever happened here, it wasn't random. The victim had come looking for something specific. Found it, perhaps. Or it found him. The compass needle finally stopped spinning, pointing toward the tunnel she'd explored. Quinn pocketed it again and made a decision. "Mills, I want this scene held for seventy-two hours. No one in or out without my authorisation." "Ma'am, that's—" "Non-negotiable." She headed for the exit. "I have someone I need to talk to."
total_cost0.153075

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags19
adverbTagCount0
adverbTags(empty)
dialogueSentences47
tagDensity0.404
leniency0.809
rawRatio0
effectiveRatio0
91.91% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1236
totalAiIsmAdverbs2
found
0
adverb"perfectly"
count1
1
adverb"slightly"
count1
highlights
0"perfectly"
1"slightly"
60.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found
0"Chen"
1"Sarah"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
59.55% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1236
totalAiIsms10
found
0
word"footsteps"
count1
1
word"echoing"
count1
2
word"glinting"
count1
3
word"intricate"
count1
4
word"magnetic"
count1
5
word"weight"
count1
6
word"perfect"
count1
7
word"echoed"
count1
8
word"familiar"
count1
9
word"shimmered"
count1
highlights
0"footsteps"
1"echoing"
2"glinting"
3"intricate"
4"magnetic"
5"weight"
6"perfect"
7"echoed"
8"familiar"
9"shimmered"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
highlights
0"eyes widened"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences111
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences111
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences139
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen33
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1229
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions10
unquotedAttributions0
matches(empty)
52.41% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions42
wordCount871
uniqueNames10
maxNameDensity1.95
worstName"Quinn"
maxWindowNameDensity3
worstWindowName"Quinn"
discoveredNames
Piccadilly1
Harlow1
Quinn17
Mills10
Italian1
Clean1
Makeshift1
Empty3
Morris2
Chen5
persons
0"Harlow"
1"Quinn"
2"Mills"
3"Clean"
4"Makeshift"
5"Morris"
6"Chen"
places(empty)
globalScore0.524
windowScore0.667
5.07% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences69
glossingSentenceCount4
matches
0"looked like vendor stalls hastily abandon"
1"as if grasping at something invisible"
2"seemed eager to pack up and leave"
3"looked like bone"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1229
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences139
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs52
mean23.63
std15.36
cv0.65
sampleLengths
053
116
245
314
439
533
68
740
810
939
1041
116
124
1330
1436
1511
1627
1745
1819
1918
206
2137
227
2324
2448
259
2648
2733
2816
2939
3021
3149
3215
331
346
3518
365
373
3836
398
4030
4138
4231
4326
445
453
4648
4732
4820
4917
98.94% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences111
matches
0"were carved"
1"been carved"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs163
matches(empty)
81.19% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount3
semicolonCount0
flaggedSentences3
totalSentences139
ratio0.022
matches
0"The victim wore expensive clothes—tailored wool coat, Italian leather shoes."
1"Makeshift stalls lined the walls—tables fashioned from planks and crates, fabric partitions creating narrow corridors."
2"Leather pouches that smelled of herbs and something else—sulphur?"
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount874
adjectiveStacks0
stackExamples(empty)
adverbCount30
adverbRatio0.034324942791762014
lyAdverbCount16
lyAdverbRatio0.018306636155606407
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences139
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences139
mean8.84
std5.47
cv0.619
sampleLengths
017
115
221
312
44
54
617
79
85
910
104
1110
129
1310
148
154
161
172
184
191
2015
213
223
2312
243
255
2610
2715
285
296
304
3110
325
335
347
352
369
3711
389
3911
409
4112
426
434
4414
4510
466
477
489
499
89.45% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats4
diversityRatio0.5539568345323741
totalSentences139
uniqueOpeners77
66.01% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences101
matches
0"Just that expression of absolute"
1"Too organised for a squat."
ratio0.02
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount20
totalSentences101
matches
0"His eyes remained open, pupils"
1"She checked his pockets."
2"She examined the man's hands"
3"She noticed burn marks on"
4"Her torch beam caught something"
5"she called to Mills"
6"She pocketed the compass instead,"
7"she asked the coroner's assistant"
8"She ignored the question, focused"
9"She squeezed through the gap,"
10"Her torch illuminated more symbols"
11"She chose left on instinct,"
12"She emerged behind a pub,"
13"She lifted the victim's eyelid"
14"She pulled it out, watching"
15"She lowered her voice."
16"She plucked it free, holding"
17"It shimmered with an oily"
18"She bagged it separately, then"
19"She headed for the exit"
ratio0.198
78.81% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount77
totalSentences101
matches
0"The abandoned Piccadilly line platform"
1"Detective Harlow Quinn ducked under"
2"The beam from her torch"
3"Sergeant Mills gestured toward a"
4"Quinn approached the corpse."
5"The man lay sprawled on"
6"His eyes remained open, pupils"
7"Quinn crouched beside the body,"
8"The victim wore expensive clothes—tailored"
9"She checked his pockets."
10"She examined the man's hands"
11"Mills shifted uncomfortably."
12"Quinn swept her torch across"
13"Symbols chalked on the tiles."
14"Candle wax pooled on the"
15"Quinn stood, studying the layout."
16"The stalls formed deliberate pathways,"
17"She noticed burn marks on"
18"Her torch beam caught something"
19"A small brass compass lay"
ratio0.762
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences101
matches(empty)
ratio0
58.82% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences34
technicalSentenceCount4
matches
0"The man lay sprawled on his back, arms outstretched, fingers curled as if grasping at something invisible."
1"Leather pouches that smelled of herbs and something else—sulphur?"
2"Chen glanced at Mills, who was busy directing the forensics team."
3"It shimmered with an oily iridescence, colors that shouldn't exist on any bird she knew."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags19
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags5
fancyCount1
fancyTags
0"she ordered (order)"
dialogueSentences47
tagDensity0.106
leniency0.213
rawRatio0.2
effectiveRatio0.043
84.7388%