Run: 2026-02-19-01KHTYGMSNSGHZ45S0D74ZCA4X

Run Details

Duration:
1m 1s
Cost:
$0.003116
Provider:
Minimax

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The train tunnel stretched into darkness beyond the flashlight beams, its Victorian-era tiles slick with moisture that gleamed like scattered glass. Detective Harlow Quinn crouched beside the body, her knees protesting against the cold stone floor, and studied what remained of Marcus Webb. Webb lay on his back near the old platform's edge, one arm flung out as if reaching for something—or someone. His face was frozen in an expression she'd seen only a handful of times in eighteen years: pure, undiluted terror. The kind that didn't come from a fist or a knife or even a gun. This came from somewhere deeper. "Detective Quinn?" A uniformed officer appeared at her elbow, breath fogging in the chill air. "DS Park. I was first on scene." Quinn didn't look up. "Time of death?" "Medical examiner's guessing sometime between ten PM and midnight. But here's the thing—" Park hesitated. "No visible cause of death. No wounds, no trauma that we can see. Coroner's going to have to do a full workup." "Has someone notified the family?" "Brother. He's on his way." Quinn finally stood, her joints cracking, and took in the full breadth of the platform. Old advertising posters, faded and peeling, still clung to the walls—Lyle's Golden Syrup, Player's Please, ghosts of London's industrial past. The tracks themselves had been decommissioned decades ago, the third rail long dead, but the tunnel still breathed with a cold, stale wind that seemed to come from nowhere. "Who found him?" "Couple of kids, apparently. Urban explorers, they said. Sneaked down through the old maintenance access at Camden." Park consulted his notebook. "They ran straight to the station above and flagged down a constable." "And they didn't touch anything?" "They're shaken up but cooperative. Waiting topside." Quinn walked the perimeter, her boots echoing in the empty space. The beam of her torch swept across the platform, catching the glint of something near the body's outstretched hand. She stopped, crouched again, and fished a small object from the dust. A brass compass, its face etched with symbols she didn't recognize. The needle spun lazily, indifferent to the laws of magnetism, and then settled pointing directly at the tunnel's far end. "What have we got there?" "Compass," Quinn said, turning it over in her palm. The casing was green with age, the metal worn smooth like it had been handled frequently. "Unusual one." "Maybe he was a collector. These old stations are popular with the antiques crowd." "Maybe." Quinn didn't believe it. The compass felt warm against her skin, warmer than the surrounding air, and the needle still pointed deeper into the tunnel as if pulling toward something. She slipped it into an evidence bag and continued her sweep. The scene told a story—or tried to. A wallet with identification, a phone with a cracked screen, keys to a flat in Kentish Town. Nothing appeared stolen. No signs of struggle. Marcus Webb, forty-three, accountant, no prior record, appeared to have simply walked into an abandoned tunnel and died of... what? Heart failure? Exposure? She'd seen enough bodies to know when something didn't fit. "Park, what were his clothes?" "Sorry?" "His clothes. What was he wearing?" Park frowned. "Uh, suit. Dark suit. Shirt, tie. Shoes were—" He paused, something occurring to him. "Shoes were missing." Quinn looked down. Webb's feet were bare, the socks torn, as if he'd been walking for some distance. "He walked here barefoot?" "I—no, I don't know. That's—" Park shook his head. "That's weird, right? That's weird." "Find me the shoes." She moved toward the tunnel's entrance, where the modern world intruded in the form of yellow police tape and the distant hum of the active station above. Her torch found the old maintenance stairwell, its iron grating rusted but intact, and something else. Scuff marks. Drag marks, actually, running parallel to the wall. "Here." She crouched and examined the gouges in the dust. "Someone pulled something. Or someone." "Could be the body. Maybe he was dragged." "Maybe." Quinn followed the marks, which led toward a service door set into the tunnel wall, half-hidden by shadow. The door hung open, its lock torn clean from the frame. "This go anywhere?" Park caught up to her, his face pale in the torchlight. "I—nobody checked that. We assumed it was a maintenance closet or something." Quinn pushed through the door. Beyond lay a narrow corridor, newer than the rest of the station, with pipes running along the ceiling and modern electrical conduit lining the walls. The air here was different—warmer, almost humid, carrying a faint smell she couldn't place. Something between copper and ozone. The compass in her pocket grew warm against her thigh. She pressed on, Park calling after her, until the corridor opened into a vast chamber that shouldn't have existed. The space was filled with stalls and tables, some wooden, some metal, many draped in velvet or chain or things that looked like preserved skin. Objects she couldn't name sat behind glass cases or hung from hooks. The beam of her torch caught sigils painted on the walls, symbols that matched the compass in her pocket. The Veil Market. The name surfaced unbidden, pulled from some rumor she'd half-heard years ago, a case file she'd dismissed as nonsense. "Detective Quinn!" Park appeared behind her, breathing hard. "We need to get back. This is—this isn't—" "Evidence collection," she said, her voice flat. "This is a crime scene now." "Ma'am, this is a protected location. The Commissioner's office specifically—" "The Commissioner can come down here and explain that himself." She moved between the stalls, her torch sweeping across their contents. Jars of something that stirred when she passed. Folded papers that whispered when the light touched them. A cage containing what might have been a bird, except it had too many eyes. And then she found it: a stall with nothing on display except a single chair, its surface worn smooth. Behind it sat a woman in grey robes, her face obscured by shadow. "You're trespassing," the woman said. Her voice resonated strangely, as if coming from multiple throats. "This is not your realm." "Crime scene doesn't care about realms." Quinn held up her badge. "There's a dead man in tunnel four. You know anything about that?" Silence. The woman leaned forward, and Quinn caught a glimpse of features that were almost human—but not quite. The eyes were wrong. The smile was wrong. "The accountant came seeking answers," the woman said. "He wanted to find what he'd lost. The compass showed him the way." "And what killed him?" "The same thing that kills all who seek what they cannot understand." The woman gestured toward the chamber's far end, where the air seemed to tear, where something beyond comprehension waited. "He saw the Veil. His mind could not hold it." Park grabbed her arm. "Detective, we need to leave. Now." Quinn didn't resist. She let herself be pulled away, but she turned back once, fixing the image in her mind. The torn air. The impossible geometry. The thing that had killed Marcus Webb not with violence but with revelation. Back in the tunnel, Park was already calling for backup, for specialists, for anyone who might know what to do with a crime scene that extended into somewhere that shouldn't exist. Quinn stood alone beside the body, the compass heavy in the evidence bag. The evidence didn't add up because it wasn't meant to. Marcus Webb hadn't been murdered in any conventional sense. He'd walked into a place he didn't understand, seen something no human was meant to see, and his mind had simply... stopped. But there was still the matter of the shoes. She walked back toward the service corridor, following the scuff marks she'd found earlier. They led past the chamber entrance, deeper into the passages, toward a second exit—a maintenance ladder that climbed up toward the surface. And there, at the base of the ladder, she found them. Two shoes, placed neatly side by side. Not tossed aside. Not lost. Placed. Someone had taken the time to remove them. Someone had made sure Marcus Webb walked those final steps barefoot. She thought of the terror frozen on his face. The reaching arm. Not reaching for help, she realized now. Reaching for the thing that had killed him. She thought of the woman in grey, of what she'd said. The accountant came seeking answers. And she thought of the watch on her own wrist, the worn leather band she'd never removed, the one that had belonged to Morris. Her partner, lost three years ago on a case that made no sense, that still kept her awake at night. Morris had been investigating something. Something that didn't fit. Something that led him here, maybe. To this tunnel. To this market. To whatever waited beyond. Quinn pulled out her phone and dialed a number she hadn't called in months—the incident room, the cold case file, the investigation that had been quietly shelved. "This is Detective Quinn," she said. "I need the Morris file reopened." She ended the call and looked back toward the darkness where the Veil Market waited. She finally understood what she'd been missing. The case that had taken Morris wasn't separate from her life. It wasn't some unrelated tragedy. It was here, in the spaces between, in the world that existed alongside the one she knew. And she was going to find it.
created_at"2026-02-19T12:38:05.885Z" 2/19/2026, 12:38:05 PM
model"minimax/minimax-m2.5-20260211"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency882
moderation_latency(null)
generation_time60541
tokens_prompt1149
tokens_completion2918
native_tokens_prompt1009
native_tokens_completion2344
native_tokens_completion_images(null)
native_tokens_reasoning360
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0031155
router(null)
provider_responses
0
endpoint_id"3afb00c4-6135-4c55-96e9-6befa9679b06"
id"05e6372d2fefa39ee177e88482489360"
is_byokfalse
latency882
model_permaslug"minimax/minimax-m2.5-20260211"
provider_name"Minimax"
status200
api_type"completions"
id"gen-1771504685-TYOXX54jKbxrXBOzXMUC"
upstream_id"05e6372d2fefa39ee177e88482489360"
total_cost0.0031155
cache_discount(null)
upstream_inference_cost0
provider_name"Minimax"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags17
adverbTagCount0
adverbTags(empty)
dialogueSentences50
tagDensity0.34
leniency0.68
rawRatio0
effectiveRatio0
96.84% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1583
totalAiIsmAdverbs1
found
0
adverb"lazily"
count1
highlights
0"lazily"
80.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found
0"Marcus"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
77.89% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1583
totalAiIsms7
found
0
word"chill"
count1
1
word"echoing"
count1
2
word"glint"
count1
3
word"etched"
count1
4
word"velvet"
count1
5
word"resonated"
count1
6
word"silence"
count1
highlights
0"chill"
1"echoing"
2"glint"
3"etched"
4"velvet"
5"resonated"
6"silence"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences117
matches(empty)
94.02% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount4
narrationSentences117
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
2"appeared to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences150
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen31
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1569
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions14
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions54
wordCount1251
uniqueNames19
maxNameDensity1.12
worstName"Quinn"
maxWindowNameDensity2.5
worstWindowName"Quinn"
discoveredNames
Victorian-era1
Harlow1
Quinn14
Marcus5
Webb7
Lyle1
Golden1
Syrup1
Player1
Please1
London1
Kentish1
Town1
Park9
Veil2
Market2
Jars1
Silence1
Morris3
persons
0"Victorian-era"
1"Harlow"
2"Quinn"
3"Marcus"
4"Webb"
5"Lyle"
6"Player"
7"Park"
8"Market"
9"Morris"
places
0"London"
1"Kentish"
2"Town"
globalScore0.94
windowScore0.833
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences76
glossingSentenceCount7
matches
0"as if reaching for something—or someone"
1"wind that seemed to come from nowhere"
2"as if pulling toward something"
3"looked like preserved skin"
4"appeared behind her, breathing hard"
5"as if coming from multiple throats"
6"not quite"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.637
wordCount1569
matches
0"not with violence but with revelation"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences150
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs66
mean23.77
std17.07
cv0.718
sampleLengths
043
160
222
37
437
55
65
764
83
933
105
117
1242
1331
145
1527
1614
1742
1854
1910
205
211
226
2319
2422
2514
264
2753
2815
298
3030
313
3223
3349
3410
3575
3622
3716
3813
3910
4053
4132
4220
4323
4426
4521
464
4741
4810
4939
87.27% Passive voice overuse
Target: ≤2% passive sentences
passiveCount6
totalSentences117
matches
0"was frozen"
1"been decommissioned"
2"been handled"
3"was filled"
4"been murdered"
5"was meant"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs212
matches(empty)
9.52% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount7
semicolonCount0
flaggedSentences7
totalSentences150
ratio0.047
matches
0"Webb lay on his back near the old platform's edge, one arm flung out as if reaching for something—or someone."
1"Old advertising posters, faded and peeling, still clung to the walls—Lyle's Golden Syrup, Player's Please, ghosts of London's industrial past."
2"The scene told a story—or tried to."
3"The air here was different—warmer, almost humid, carrying a faint smell she couldn't place."
4"The woman leaned forward, and Quinn caught a glimpse of features that were almost human—but not quite."
5"They led past the chamber entrance, deeper into the passages, toward a second exit—a maintenance ladder that climbed up toward the surface."
6"Quinn pulled out her phone and dialed a number she hadn't called in months—the incident room, the cold case file, the investigation that had been quietly shelved."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1262
adjectiveStacks0
stackExamples(empty)
adverbCount38
adverbRatio0.030110935023771792
lyAdverbCount12
lyAdverbRatio0.009508716323296355
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences150
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences150
mean10.46
std7.17
cv0.685
sampleLengths
021
122
220
320
415
55
615
77
84
93
1015
1122
125
135
1415
1520
1629
173
1821
1912
205
217
2211
2319
2412
2511
2620
275
289
2916
302
3114
325
3326
3411
357
3617
373
384
3919
401
412
421
4310
445
451
466
472
4814
493
61.11% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats15
diversityRatio0.4266666666666667
totalSentences150
uniqueOpeners64
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences106
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount23
totalSentences106
matches
0"His face was frozen in"
1"She stopped, crouched again, and"
2"She slipped it into an"
3"She'd seen enough bodies to"
4"He paused, something occurring to"
5"She moved toward the tunnel's"
6"Her torch found the old"
7"She crouched and examined the"
8"She pressed on, Park calling"
9"she said, her voice flat"
10"She moved between the stalls,"
11"Her voice resonated strangely, as"
12"She let herself be pulled"
13"He'd walked into a place"
14"She walked back toward the"
15"They led past the chamber"
16"She thought of the terror"
17"She thought of the woman"
18"Her partner, lost three years"
19"She ended the call and"
ratio0.217
44.91% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount88
totalSentences106
matches
0"The train tunnel stretched into"
1"Detective Harlow Quinn crouched beside"
2"Webb lay on his back"
3"His face was frozen in"
4"The kind that didn't come"
5"This came from somewhere deeper."
6"A uniformed officer appeared at"
7"Quinn didn't look up."
8"Quinn finally stood, her joints"
9"The tracks themselves had been"
10"Park consulted his notebook"
11"Quinn walked the perimeter, her"
12"The beam of her torch"
13"She stopped, crouched again, and"
14"A brass compass, its face"
15"The needle spun lazily, indifferent"
16"Quinn said, turning it over"
17"The casing was green with"
18"Quinn didn't believe it"
19"The compass felt warm against"
ratio0.83
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount3
totalSentences106
matches
0"To this tunnel."
1"To this market."
2"To whatever waited beyond."
ratio0.028
50.26% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences54
technicalSentenceCount7
matches
0"The train tunnel stretched into darkness beyond the flashlight beams, its Victorian-era tiles slick with moisture that gleamed like scattered glass."
1"Webb lay on his back near the old platform's edge, one arm flung out as if reaching for something—or someone."
2"The tracks themselves had been decommissioned decades ago, the third rail long dead, but the tunnel still breathed with a cold, stale wind that seemed to come f…"
3"The compass felt warm against her skin, warmer than the surrounding air, and the needle still pointed deeper into the tunnel as if pulling toward something."
4"The beam of her torch caught sigils painted on the walls, symbols that matched the compass in her pocket."
5"Her voice resonated strangely, as if coming from multiple throats."
6"Back in the tunnel, Park was already calling for backup, for specialists, for anyone who might know what to do with a crime scene that extended into somewhere t…"
7.35% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags17
uselessAdditionCount4
matches
0"officer appeared, breath fogging in the chill air"
1"He paused, something occurring to him"
2"she said, her voice flat"
3"She moved, her torch sweeping across their contents"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags5
fancyCount0
fancyTags(empty)
dialogueSentences50
tagDensity0.1
leniency0.2
rawRatio0
effectiveRatio0
79.7503%