Run: 2026-02-19-01KHTYK3RR6CPSS9M1NXRN22W3

Run Details

Model:
GPT-5
Duration:
3m 49s
Cost:
$0.070818
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The blade bit the air like ice, and the world cracked. Rory shoved her fist through the cut she had carved in nothing, silver chain biting her skin as the Heartstone throbbed warm against her sternum. The Veil tore with a sugar-glass sound. Cold rushed out, not winter cold, but pantry cold, sharp with stale cinnamon and old grease. Nyx slid through after her like a sliver of night finding its seam. Isolde stepped last. She left no tracks on the frost rimming the threshold. Close it, child. Rory dragged the Fae-forged dagger through the trembling edge. The wound in the world healed with a hiss. The sound echoed and kept echoing. She straightened and blinked. The sky beyond the oak circle had been gone. Ahead stretched a vaulted hall, or a mouth someone had trained to pretend to be a hall. Amber light bled from somewhere with no sun. A thousand plates lacquered the walls, bone-white, each stamped with a crest of a crowned fork. Tables rose like altars, the long faces of polished wood shining dark as liver. Far above, chandeliers of hanging ladles turned slowly, catching the amber and releasing it in glints. Everything smelled like burnt sugar and marrow. Her throat slicked. Nyx's eyes glowed faintly violet in their shadow-shape. Their voice came as a draught along her ear. This is new. "That a good new or a oh-God-if-I-die-here new?" They tilted their head, a silhouette learning curiosity. If you die here, the menu changes. Isolde's silver hair fell in a clean line down her back. She stepped over a scattering of seeds as if they had agreed not to touch her. In the hush, the seeds clicked, tiny as teeth. The Seer smiled with only the corners of her mouth. The Prince who gorges built chapels to appetite. The first stones still remember hymns. "Belphegor," Rory muttered. A distant bell sounded, one note struck by an invisible ladle. The note trembled the tables. A hundred knife-blocks lifted their knives a fraction, as if in greeting. The Heartstone warmed against Rory's skin. She closed her fingers around it through the fabric. It pulsed in a steady rhythm, like a small animal set under her collarbone. She felt the pulse answer something deeper in the hall. A call, and an answer. "Lead or follow?" she said. Isolde tipped her chin. A coppery tang sharpened the air as something unseen breathed in. Better to lead between bites. Nyx drifted forward, their edges reaching for shadow as if they could wring it from places where light had settled. Rory kept the moonsilver blade low and close, its cold numb along her fingers. The cold steadied her. She had carried hot fear since Evan and had learned to cool it. Here, fear took other shapes, sweet and bright and meant to be eaten. They crossed between tables. The tabletops inlaid with mosaics showed contests fought with skillets and sugar. Men in chef's whites wore laurel crowns, their faces thin and triumphant. On the floor, someone had tiled in the shape of a mouth, wide and laughing. They stepped deliberately between the tongue and the teeth. Isolde's bare feet found every safe tile, and because that was unfair to mortals who left marks, Rory followed Nyx instead. A doorway to the left yawned, its arch relief-carved with grapevines that were too glossy for stone. Grapes the size of fists bulged there, wet and ready. One dripped. The drop fell as slow as thought and hit the floor with a soft slap that made Rory's stomach clench. A tangy perfume blew through, bright as crushed mint, then turned and stung like vinegar. Her eyes watered. "Rule one," she said because rules kept her hands from shaking. "Don't eat anything. Not even if it cries." The grapes shivered as if laughing. Beyond the arch, a garden stretched within the hall, rows of trellises running away beyond sight. Vines braided themselves into lattices and arches, every direction an invitation. Fruit hung in strange procession, familiar shapes gone strange. Figs peeled back like eyelids revealing milky seeds. Pumpkins sat like throttled heads, their vines tightening faintly. Apple trees bore apples so flawless that Rory felt uglier just looking at them. When a breeze found the leaves, it made a sound like whispered recipes. Butter, the voices breathed. Bone stock. Names. Nyx reached a hand and the leaves shadowed under their fingers. The vines rose as if to feel the cool. Nyx withdrew. Even gluttony remembers ghosts. "Is this Hel proper?" Rory kept her voice moving, kept it from settling. "Or is it a kitchen annex with delusions?" The Seer did not look at her. This is Dymas, she said as if tasting the name. A slice only. A crumb fallen from a bigger loaf. And crumbs often hold the flavour. "Comforting." Footsteps, she realised, carried. The sound of her boots came back to her three heartbeats later, but not mirrored. Answered, as if something else had matched her gait for the pleasure of it. She slowed. The answer slowed. She stopped. The echo went on by one and a half more steps, then paused like a thought caught in a throat. She gripped the Heartstone through fabric. Heat had climbed. The little stone knew a portal when it smelled one, that was the gift, or the curse, or the lifeline. It would get brighter and warmer as they drew close, the benefactor had written in the note. It had not said anything about what the portal took, only where it existed. Rory pointed towards where the pulse felt thickest, a weight in the air, a sound without pitch. "There." Nyx looked that way. Their head tipped. Between trellises ahead, beyond a hedge made of braided tablecloths grown stiff as bark, amber light thickened. Isolde stepped, and the hedge slackened for her like cloth at a familiar hand. They passed through. The air cooled more, pantry to cellar. Frost filmed the edge of Rory's breath, fine and quick and gone. They entered a chamber that had trained itself to be circular. The walls curved inward as bowls do. Shelves circled the round room, floor to ceiling, each shelf holding jars sealed with red wax. Whatever slept in those jars had pressed up against the glass until it had learned the curve. Between the shelves rose an altar of butcher's blocks fused together long ago. Knife scores spelled out a language Rory almost understood. Her name fitted there. Aurora could be carved with two deep strokes and one shallow. She did not look too hard. In the middle of the butcher's-block altar, a grate rose. Under it, a faint red glow throbbed with the heartbeat in her chest. The Heartstone tried to leap out of her shirt like a bird muffed too tightly. Nyx stood at the edge and leaned without leaning. A thing like heat, but not heat, moved across their face. They whispered. The oven still remembers breath. Something fed it. "A soul?" Rory's tongue nearly stuck to her teeth on the word. A contract, Isolde said. Her voice had settled an inch lower in the room. Broken. It smokes when you let it go. The next asks for sweeter terms. Rory touched the grate. Metal heat came through faint. The Fae blade laid across the bars sent cold seeping down, and a thread of steam curled up as if the oven resented the chill. Her crescent wrist scar ached in answer to a memory of a stovetop. She gripped the dagger until the ache cooled too. Something moved behind the jars. She turned too fast and nicked her fingertip on a splinter raised from the butcher's blocks. Blood beaded, fresh and honest. The chamber, politely, woke. A hum rose along the shelves. The wax seals softened and depressed. The first jar to open unsealed with a small wet suck and let out a smell like a bakery turned too hot, flour singing, sugar blackening. What had slept inside pushed a thin, translucent tongue to the lip. The tongue tasted the air, tasted her. Nyx unfurled from shadow and moved to her side, a taller dark. They whispered, quick this time. Do not let it learn your flavour. "Tell it I am burnt toast," Rory said, licking blood from her dwindling cut. "Unlovely and no jam." Something in the far jar shuddered at the idea of jam. The tongue withdrew. The seal reformed. A handful of other jars continued to hum like bees behind walls. Isolde did not step back. She placed her palm on the nearest shelf and closed her eyes. Her lashes did not touch her cheeks. There is a way that does not pay with teeth, she said in that not quite voice. There is a knife that cuts without wound. Rory raised the Fae blade. "This one?" Moonsilver caught no reflection from the amber light. It looked like a piece of night someone had taught to behave like a knife. She touched it to the grate. A quiver ran through the butcher's-block altar, as if wood remembered being trees and twitched. On the wall opposite, words rose from the grain. Not carved, not painted. Raised like welts. MENU, said the first. Courses followed: Appetiser, Small Lies. Fish, Secrets in Butter. Meat, The Heart's Thicker Cut. Pudding, Regrets with Custard. For the first time, Rory wanted nothing to do with custard. The oven beat under the grate. The Heartstone strained to leap from her hand and dive like a swallow. Rory pressed it down until the chain dug and thought about drowning. She set her jaw. "If I open it, what comes up?" Nyx breathed quiet. If you open it wrong, hot hands. Isolde tipped her head a fraction. If you open it right, a door. Rory breathed through her nostrils where copper still stung. She pushed the blade point between the bars and slid it into the heat that did not burn. The stone under the grate hummed, a lower tone. She cut six inches, two inches, a circle that was not a circle but rather a loop in thought. The moonsilver did not dull. She left the last strand for a second. Details mattered here. Always had. "On three," she said because it gave her a spine. "One. Two." She sliced. The grate fell open. A breath rose, more like a kitchen sigh than a grave's exhale. The Heartstone pulled like a hound on a short leash. A shimmer rose inside the oven where no fire had burned for centuries. Rory did not think that and did not count time here where time kneaded itself differently. Light bulged. The room tilted. Her stomach slid in place. Fractions of recipes whispered in her ears out of order, measurements for people. Two cups forgiveness, sifted. Half a pound of pride rendered slow. Her mouth filled with spit. A figure rose in the shimmer. She first took it for trick of heat. Then it put its hands on the oven mouth and pulled. Wax popped on two dozen jars. Lids rolled. The figure stepped out. He wore a white coat that might have been linen once but now shone like fat had loved it too long. His face was smooth as carved icing, eyes two currants black enough to drink light. Four extra hands hung at his sides, folded until they were not. Knives threaded his belt. His toes were bare, each toe tipping with a hardened droplet the colour of treacle. He smiled. A hundred small dimples opened in his cheeks like air holes in bread baked correctly. "Service," he said. His voice came hot and patient, like a man who had tasted every panic and found it all under-seasoned. "Is it the solstice already?" Isolde did not move her hand from the shelf. Truth tastes better unripe, she said. He looked past the Seer as if she were part of the architecture. His currant eyes set on Rory. The pupils pinched and widened. He inhaled through his mouth and that was a mistake because the chamber breathed with him. He tasted. His gaze went to the Heartstone rise and fall under Rory's shirt. "Ah," he said. "A reservation." "The Heartstone is mine," Rory said, surprising herself because the possessive came like a blade sliding across a throat, clean and with purpose. He smiled wider. Dimples deepened. "Belphegor keeps a generous table. All hearts are welcome on it. Come then. We are starving for novelty." Nyx blurred and was suddenly between Rory and the thing that had named service. Their whisper wound around the air and found edges like floss along teeth. You slept too long, cook. The menu changed. The chef tasted the shadow with his eyes. His upper hands remained folded. The lower right uncurled and plucked a boning knife from his belt. It looked more used than the others. He spun it with a child's contentment. "Hungry things keep no proper clocks. We eat as the bell tells us. And the bell..." He flicked the knife. It sang. In the hall beyond, a greater bell answered, a depth note that set the fruit to trembling and the plates to rattle faintly on the walls. Rory felt the sound split in her ribs. Cracks formed in the wax on a hundred jars at once. Tongues pressed quickly to find the air. The garden shivered. Outside, vines quickened as if in a storm. Isolde's hand came away from the shelf at last. She turned her face to Rory. Do not let him ask your name. Names are binding. Numbers are bargains. But hunger haggles in portions. "You always pick the cheerful sightseeing routes," Rory said, because if she stopped talking she might start tasting her own heart to see whether it went with herbs de Provence. The chef watched their mouths move and chose. He pointed with the boning knife to the grate Rory had cut. "Open well," he said. "Bold. We appreciate initiative." His extra hands unfolded with the ripple of a centipede. He held no more knives. He held silver cloches, three of them, lids domed and polished to blind. He set them one by one across the butcher's block. The lids clicked down. He nodded to himself as if pleased by small work done right. "Course one." The cloches lifted on their own. Steam rose. On three little plates lay three little versions of something that made Rory's stomach small. Each plate held a steaming pasty in the shape of a heart. Crimped edges perfect. She smelled thyme and that heavy concrete smell of rain on hot stone that had no place in pastry. The chef smiled across the offerings. "Tastes best if you know what you are swallowing," he said. Nyx's edges tightened. They spoke softly and their voice reached Rory without crossing space. Do not eat. Do not refuse. Play. Rory dragged air through her nose. The pendant hammered. The oven-light behind the chef pulsed. This had been the door, and now it had become a table. Her fingers itched to put the knife through something that would end a choice. She reached for the Fae blade and then stopped because the metal had turned slick. Not with heat, not with oil. With want. The moonsilver thirsted. It knifed under wards well enough. It also liked demons. A thrill ran up the hilt that was not hers. At her side, Isolde said without looking at her, Salt the path. Walk, do not run. Leave crumbs only if you want to be followed. "How do you salt a path in a kitchen that wants to lick you clean?" The Seer turned her palm up. A pile of salt lay there, white as lies on wedding days. She pressed her hand and the salt she did not hold fell, grains hanging in the air a moment before kissing the floor. They fell in a straight line leading from Rory's boot to the way they had come, if the way still existed. It did not look like a door anymore. It looked like a close mouth. The chef's head ticked a fraction. "No seasoning," he said and his voice sprayed the steam finer. "How rude." Behind him, deeper in the hall, something big turned over in its sleep. A rumble built. The chandeliers of ladles chimed and chimed and would not stop. The floor under the butcher's blocks shifted as if a tongue flexed. Rory slid one foot back on instinct and felt the grain of the wood roll under her sole. Not wood. Muscle pretending to remember wood. The chef's smile went away. His eyes went flat as spoilt milk. He raised one cloche lid and brought it down like a bell. From the garden, the vines came. They surged through the arch like a tide, tendrils whipped to cords, leaves edged like razors. Fruit burst, spraying seeds that hissed against salt. The first tendrils hit the salt line and recoiled smoking, then reached again with an anger that plants should not own. Nyx flowed at them. Their body turned broad, a wall of shadow that vines punched and could not find purchase in. Their whisper cracked like linen. Back. Isolde held two fingers up and traced a slow circle in the air. The circle caught the chime of the ladles and sent it back. For an instant the sound thinned and the vines lost rhythm. She could slow but not stop. She could not lie to hunger and make it believe. Rory planted her boots, set the Heartstone chain against her neck to burn less, and lifted the Fae blade to meet the first tendril that came clever and low. It went for her ankle. She cut. The moonsilver went through it like lake water. The tendril fell and writhed and smelled bright as crushed cucumber and then bitter as aspirin. Another followed, and another. The chef clapped, a gentle sound under the riot. "Good wrists," he said. "You will plate quickly for us." More bells answered from beyond the hall, not kind, not few. The air thickened. The oven behind him bulged a fraction, its mouth wider. Things in jars began to mutter. One lid popped and a whisper crawled out that used to be a prayer in a language Rory did not know. Isolde's salt drew a line which the vines could not cross easily. But lines bend in halls made of mouths. Rory cut again and felt the blade thrill like a thing fed. The tendril recoiled and lashed up, catching her sleeve and yanking. She ducked but lost balance. The butcher's block pressed to her hip and something under it pulsed. Her body gave her a choice between falling into the chef's arms or away into the garden's teeth. She chose neither. She threw herself along the salt, sliding sideways, shoulder low, blade high. The pendant thumped her sternum. The Heartstone hit the butcher's block with a small chime. The oven answered. The light under the grate swelled and snapped. The grate Rory had cut opened wider on its own, a yawn she had not asked for. Hot hands reached for her ankle from below, tendrils of smoke that made her bones ache. She kicked back on instinct. Her heel connected with something that wore treacle on its toes. The chef stepped into her with three hands and the knife in the fourth lifting, and the ladle chandeliers rang their bright little doom as the floor beneath all of them buckled and began to slide inward like a throat preparing to swallow.
created_at"2026-02-19T12:39:26.751Z" 2/19/2026, 12:39:26 PM
model"openai/gpt-5-2025-08-07"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency37833
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generation_time229380
tokens_prompt5338
tokens_completion5936
native_tokens_prompt4854
native_tokens_completion6475
native_tokens_completion_images0
native_tokens_reasoning2304
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.0708175
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provider_responses
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endpoint_id"7c2f859a-7890-4e8e-b1de-1cd1c0a800b4"
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is_byokfalse
latency193
model_permaslug"openai/gpt-5-2025-08-07"
provider_name"OpenAI"
status200
api_type"completions"
id"gen-1771504766-G9tNdjknPlsP24dOCvOY"
upstream_id"resp_0ecbc0c4c566c8ea016997047ed38c8190af8b42857856c162"
total_cost0.0708175
cache_discount(null)
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags16
adverbTagCount0
adverbTags(empty)
dialogueSentences33
tagDensity0.485
leniency0.97
rawRatio0
effectiveRatio0
89.34% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount3284
totalAiIsmAdverbs7
found
0
adverb"slowly"
count1
1
adverb"deliberately"
count1
2
adverb"tightly"
count1
3
adverb"suddenly"
count1
4
adverb"quickly"
count2
5
adverb"softly"
count1
highlights
0"slowly"
1"deliberately"
2"tightly"
3"suddenly"
4"quickly"
5"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
55.85% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount3284
totalAiIsms29
found
0
word"throbbed"
count2
1
word"echoed"
count1
2
word"echoing"
count1
3
word"trembled"
count1
4
word"pulsed"
count3
5
word"pulse"
count2
6
word"stomach"
count3
7
word"familiar"
count2
8
word"flawless"
count1
9
word"comforting"
count1
10
word"footsteps"
count1
11
word"echo"
count1
12
word"weight"
count1
13
word"chill"
count1
14
word"grave"
count1
15
word"whisper"
count3
16
word"flicked"
count1
17
word"quickened"
count1
18
word"perfect"
count1
19
word"traced"
count1
highlights
0"throbbed"
1"echoed"
2"echoing"
3"trembled"
4"pulsed"
5"pulse"
6"stomach"
7"familiar"
8"flawless"
9"comforting"
10"footsteps"
11"echo"
12"weight"
13"chill"
14"grave"
15"whisper"
16"flicked"
17"quickened"
18"perfect"
19"traced"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences348
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount5
narrationSentences348
filterMatches(empty)
hedgeMatches
0"tend to"
1"try to"
2"tried to"
3"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences364
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen43
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords3269
ratio0
matches(empty)
56.82% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions22
unquotedAttributions6
matches
0"This is Dymas, she said as if tasting the name."
1"A contract, Isolde said."
2"There is a way that does not pay with teeth, she said in that not quite voice."
3"Appetiser, Small Lies."
4"Truth tastes better unripe, she said."
5"At her side, Isolde said without looking at her, Salt the path."
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions103
wordCount3110
uniqueNames24
maxNameDensity1.19
worstName"Rory"
maxWindowNameDensity2.5
worstWindowName"Rory"
discoveredNames
Heartstone9
Veil1
Fae-forged1
Seer4
Prince1
Rory37
Isolde13
Evan1
Nyx13
Dymas1
Fae5
Appetiser1
Small1
Lies1
Secrets1
Butter2
Heart1
Thicker1
Cut1
Regrets1
Custard1
Provence1
Salt1
Do4
persons
0"Heartstone"
1"Veil"
2"Seer"
3"Rory"
4"Isolde"
5"Evan"
6"Nyx"
7"Heart"
8"Salt"
places
0"Butter"
1"Do"
globalScore0.905
windowScore0.833
85.34% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences232
glossingSentenceCount6
matches
0"smelled like burnt sugar and marrow"
1"as if laughing"
2"as if tasting the name"
3"not quite voice"
4"looked like a piece of night someone had"
5"looked like a close mouth"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords0.612
wordCount3269
matches
0"not winter cold, but pantry cold, sharp with stale cinnamon"
1"not a circle but rather a loop in thought"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences364
matches
0"looked that way"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs90
mean36.32
std24.09
cv0.663
sampleLengths
011
174
23
324
484
510
620
78
815
960
103
1128
1244
135
1420
1564
1673
1767
1819
196
2087
2126
2221
2333
241
2560
2660
2718
2838
2973
3043
3138
3230
3312
3428
3556
3626
374
3857
3924
4018
4129
4249
437
4444
4522
4616
4711
4842
4910
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences348
matches
0"been gone"
1"been linen"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs583
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences364
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount3120
adjectiveStacks0
stackExamples(empty)
adverbCount83
adverbRatio0.0266025641025641
lyAdverbCount18
lyAdverbRatio0.0057692307692307696
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences364
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences364
mean8.98
std5.82
cv0.648
sampleLengths
011
125
27
316
413
53
610
73
89
99
106
114
129
1317
148
1516
1614
1716
187
193
208
219
223
238
248
257
2611
2716
289
2910
308
316
323
3311
345
3512
366
379
3814
3910
405
415
424
4311
445
4520
4614
474
4813
4913
48.17% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats28
diversityRatio0.33516483516483514
totalSentences364
uniqueOpeners122
20.96% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences318
matches
0"Then it put its hands"
1"More bells answered from beyond"
ratio0.006
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount87
totalSentences318
matches
0"She left no tracks on"
1"She straightened and blinked."
2"Her throat slicked."
3"Their voice came as a"
4"They tilted their head, a"
5"She stepped over a scattering"
6"She closed her fingers around"
7"It pulsed in a steady"
8"She felt the pulse answer"
9"She had carried hot fear"
10"They crossed between tables."
11"They stepped deliberately between the"
12"Her eyes watered."
13"she said because rules kept"
14"She gripped the Heartstone through"
15"It would get brighter and"
16"It had not said anything"
17"Their head tipped."
18"They passed through."
19"They entered a chamber that"
ratio0.274
40.19% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount267
totalSentences318
matches
0"The blade bit the air"
1"Rory shoved her fist through"
2"The Veil tore with a"
3"Nyx slid through after her"
4"Isolde stepped last."
5"She left no tracks on"
6"Rory dragged the Fae-forged dagger"
7"The wound in the world"
8"The sound echoed and kept"
9"She straightened and blinked."
10"The sky beyond the oak"
11"Amber light bled from somewhere"
12"A thousand plates lacquered the"
13"Tables rose like altars, the"
14"Everything smelled like burnt sugar"
15"Her throat slicked."
16"Nyx's eyes glowed faintly violet"
17"Their voice came as a"
18"This is new."
19"They tilted their head, a"
ratio0.84
62.89% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount4
totalSentences318
matches
0"If you die here, the"
1"Even gluttony remembers ghosts."
2"If you open it wrong,"
3"If you open it right,"
ratio0.013
95.93% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences137
technicalSentenceCount9
matches
0"Nyx drifted forward, their edges reaching for shadow as if they could wring it from places where light had settled."
1"A doorway to the left yawned, its arch relief-carved with grapevines that were too glossy for stone."
2"A quiver ran through the butcher's-block altar, as if wood remembered being trees and twitched."
3"His voice came hot and patient, like a man who had tasted every panic and found it all under-seasoned."
4"In the hall beyond, a greater bell answered, a depth note that set the fruit to trembling and the plates to rattle faintly on the walls."
5"On three little plates lay three little versions of something that made Rory's stomach small."
6"Rory planted her boots, set the Heartstone chain against her neck to burn less, and lifted the Fae blade to meet the first tendril that came clever and low."
7"Hot hands reached for her ankle from below, tendrils of smoke that made her bones ache."
8"Her heel connected with something that wore treacle on its toes."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags16
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags13
fancyCount1
fancyTags
0"Rory muttered (mutter)"
dialogueSentences33
tagDensity0.394
leniency0.788
rawRatio0.077
effectiveRatio0.061
87.9611%