Run: 2026-02-19-01KHTYP0DSSATK96AM270S9MS5

Run Details

Duration:
30.8s
Cost:
$0.008151
Provider:
Alibaba

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The silver chain bit into Aurora's neck as she stumbled over the root of an ancient oak, her breath hitching in her throat. She did not fall. Her boots found purchase on the damp earth, and she spun around, eyes scanning the perimeter of the clearing. Silence. Heavy. Oppressive. Rory checked her watch. Ten minutes since she crossed the boundary of Richmond Park, yet the air here tasted different. Thicker. It carried the cloying sweetness of rotting lilies mixed with the sharp, metallic tang of ozone. The Heartstone pendant against her collarbone pulsed once, a warm throb that sent a jolt of electricity down her spine. It glowed with a faint, crimson inner light, casting long, dancing shadows across the wildflowers that bloomed in violent hues of purple and red despite the late November chill. She had followed the map Eva sent, a scribbled note on a napkin from the Golden Empress that led her straight through a gap in the fence and into this pocket of wrongness. The standing stones formed a rough circle around the grove, their bark blackened and scarred as if struck by lightning centuries ago. They marked the edge. Inside, time did not flow correctly. An hour here could mean days outside, or mere seconds. Rory needed to be quick. She needed the answer the stones supposedly held about the Hel portals opening across London, and she needed to leave before Silas noticed his delivery girl was missing for more than her scheduled break. A twig snapped. Rory froze. The sound came from behind the largest stone, a gnarled monolith that leaned precariously toward the centre of the grove. She held her breath, her hand drifting to the small utility knife clipped to her belt. It was a habit from her delivery runs, a precaution against drunk punters or stray dogs, not whatever lurked in a Fae-touched grove. "Show yourself," she called out. Her voice sounded flat, absorbed instantly by the dense air. No echo returned. The wildflowers rustled. Not from wind. The air stood still, stagnant and heavy. The movement came from below, a ripple passing through the stems as if something slithered beneath the soil. Rory took a step back, her heel grinding dry leaves into dust. The crimson glow of the Heartstone intensified, burning hot against her skin. It pulled her forward, an invisible tether dragging her toward the centre of the circle. She fought the urge to run. Running triggered predators. She knew this from the streets of Cardiff, from the alleys of London where she dodged Evan's drunken rages before fleeing to the capital. Stillness was survival. She focused on her breathing, slow and steady, forcing her heart rate down. Another sound. A wet, tearing noise. Like fabric ripping, but softer. Flesh separating from bone. Rory shifted her weight, ready to sprint. The shadows between the stones seemed to deepen, detaching themselves from the oak trunks. They did not move like normal shadows. They stretched toward her, elongating against the direction of the pendant's glow. "You are not welcome here." The voice did not come from a throat. It vibrated in her teeth, in the marrow of her bones. It sounded like dry leaves skittering on pavement, a chorus of whispers layered over one another. Rory gripped the knife tighter. "I need to know about the portals. The Hel gates." "Knowledge is a debt," the voice whispered, closer now. It came from everywhere and nowhere. "And you have no coin to pay." The temperature plummeted. Frost crystallised on the vibrant petals of the wildflowers, turning the red blooms to brittle ice in seconds. Rory's breath plumed before her face, white and thick. The Heartstone burned hotter, a warning flare against the encroaching cold. Something moved at the edge of her vision. A flash of pale grey skin, too long and too many joints. Rory whipped her head around. Nothing. Just the blackened stones and the unnatural flowers. She turned back and found the space between two stones occupied. It stood hunched, its form shifting like smoke caught in a draft. Tall. Too tall. Its limbs hung loose, dragging on the frozen ground. Where a face should be, a smooth expanse of grey flesh reflected the crimson light of the pendant. No eyes. No mouth. Yet the voice emanated from it, vibrating the air around Rory's head. "Little lawyer," it hissed. "You seek loopholes in laws written in blood." Rory backed away, her boots slipping on the newly formed ice. "I seek to close them. To stop the bleeding." The creature tilted its head. A crack appeared in the smooth grey surface, splitting open to reveal rows of needle-like teeth that glistened with dark fluid. "Closing requires a key. You carry the lock." It pointed a long, spindly finger at the Heartstone. Rory's hand flew to the pendant. The metal seared her palm. "This was given to me. By someone who wants to help." "Help?" The creature laughed, a sound like grinding stones. "The stone does not help. It hungers. It feeds on the breach. And you, little human, are the bait." The ground beneath Rory's feet trembled. The wildflowers shattered, exploding into clouds of frozen dust. The standing stones groaned, shifting their positions inches at a time, closing the circle. The gap she had entered through vanished, sealed by a wall of writhing thorns that sprouted from the earth with terrifying speed. Rory spun, looking for an exit. The thorns grew higher, blocking the sky. The darkness above deepened, swallowing the moon. Only the crimson glow of the pendant remained, casting the grove in a hellish red light. The creature stepped forward. Its movements were jerky, unnatural, as if it skipped frames of reality. One moment it stood ten feet away; the next, it loomed directly over her. The smell of rotting lilies overwhelmed her, choking her senses. "Give it," the creature demanded. Its voice dropped an octave, shaking Rory's ribcage. "Or we peel you open to retrieve it." Rory raised the knife, the steel trembling slightly in her grip. "Come any closer and I'll make you regret it." The creature paused. The crack in its face widened into a grotesque smile. "Metal bites flesh. It does not bite shadow." It dissolved. One second it stood there, a towering nightmare of grey skin and teeth. The next, it became a cloud of dark mist that swirled around Rory's legs. The cold intensified, biting through her jeans, numbing her skin. The mist coiled up her body, heavy and suffocating. Rory slashed at the air. The knife passed through nothing. The mist tightened around her throat, lifting her off the ground. Her feet kicked uselessly against the empty air. The Heartstone pulsed wildly now, a frantic rhythm against her chest. It felt alive, angry. "Fight it," she gasped, clawing at the invisible hands crushing her windpipe. "Fight..." The mist squeezed harder. Stars danced in her vision, white spots against the red haze. Her lungs burned. The creature's voice echoed inside her skull, loud and clear. "The gateway opens. The queen demands her due." Rory's fingers brushed the pendant. The heat was unbearable, blistering her skin. She remembered the stories her mother told, Welsh legends of the Tylwyth Teg and the prices they demanded. Never accept a gift without knowing the cost. She had accepted the pendant from a shadowed figure in an alleyway three nights ago. No name. No explanation. Just a warning: *When it burns, run.* She hadn't run. She had investigated. Stupid. Arrogant. The mist dragged her toward the centre of the grove, where the ground had split open. A fissure widened, revealing a chasm of swirling violet darkness below. The sound of screaming wind rose from the depths, carrying voices she recognised. Evan. Her father. Eva. All calling her name, all begging for help. "Let go," the creature whispered in her ear, its breath freezing the tears on her cheeks. "Join them." Rory's vision blurred. The knife slipped from her numb fingers, clattering onto the ice. She reached for the pendant, her nails digging into the silver chain. If this thing wanted the stone, maybe destroying it would break the hold. She yanked the chain. It did not break. The silver felt like iron, unyielding. The fissure widened further. A hand reached up from the violet darkness. Pale. Familiar. A small crescent-shaped scar on the left wrist. Rory's own hand. The doppelgänger grinned, its eyes black pits of void. It grabbed Rory's ankle. The touch burned like acid. "Time to pay," the creature hissed. The standing stones cracked. A loud boom echoed through the grove as the nearest oak split down the middle, falling toward her with terrifying speed. Rory twisted in the air, the mist releasing her just enough to drop. She hit the frozen ground hard, the impact knocking the wind from her lungs. She scrambled backward, sliding across the ice. The fallen oak crushed the spot where she had stood, splintering into a million shards. From the broken wood emerged not sap, but black blood. It pooled rapidly, spreading toward her boots. The grey creature reformed beside the fissure, its form solidifying once more. It raised both hands, and the black blood rose up, forming tendrils that lashed out like whips. Rory rolled to the side. A tendril smashed into the ground where her head had been, sending shards of ice flying. She crawled toward the thorns, searching for a weak point. The plants hissed as she approached, their tips sharpening into deadly points. Nowhere to go. Nowhere to hide. The Heartstone flared with blinding red light. The warmth turned to agony. Rory screamed as the pendant burned through her shirt, searing her skin. The light shot out in a beam, striking the creature in the chest. The beast shrieked, a sound that shattered the remaining wildflowers. It staggered back, the grey skin smoking where the light hit. The mist around it boiled away. "It burns!" the creature roared. "The key rejects the lock!" Rory clutched the pendant, tears streaming down her face from the pain. "Then take it!" she yelled. "Take it and leave me alone!" She ripped the chain from her neck, skin tearing with it. Blood mingled with the sweat on her palms. She hurled the pendant toward the fissure, toward the waiting hand of her doppelgänger. The creature lunged, faster than sight. It intercepted the pendant in mid-air, its long fingers closing around the crimson stone. Silence fell instantly. The wind stopped. The screaming from the fissure ceased. The black blood receded into the wood. The creature looked at the pendant in its hand. It smiled, the rows of needles gleaming. "Foolish child," it said softly. "We do not want the key. We wanted you to bring it to the door." It dropped the pendant. The stone did not hit the ground. It hovered, spinning rapidly. The violet light from the fissure surged upward, engulfing the stone. A beam of pure energy shot into the sky, punching a hole through the canopy, through the clouds, into the stars. The ground shook violently. The standing stones toppled one by one, crashing into the dirt. The thorns retracted, revealing the path back to Richmond Park. But the path was gone. Beyond the tree line, London did not exist. Only a vast, swirling vortex of purple fog stretched to the horizon. Buildings floated upside down in the distance. The sky rained ash. The creature bowed low, its voice booming with triumph. "Welcome home, Malphora." Rory stared at the apocalyptic landscape, her hand clutching her bleeding wrist. The crescent scar on her skin began to glow with the same crimson light as the stone. The creature stepped aside, gesturing toward the ruined path. "Your kingdom awaits." From the fog ahead, shapes emerged. Thousands of them. Marching. Hungry. And they all wore her face.
created_at"2026-02-19T12:41:01.635Z" 2/19/2026, 12:41:01 PM
model"qwen/qwen3.5-plus-20260216"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency933
moderation_latency(null)
generation_time30735
tokens_prompt4560
tokens_completion3049
native_tokens_prompt4405
native_tokens_completion2662
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0081508
router(null)
provider_responses
0
endpoint_id"71e0f6c3-7815-4734-92d3-8a04f3b0ca91"
id"chatcmpl-ffa9478e-da39-9b38-8d36-d87185bc7799"
is_byokfalse
latency933
model_permaslug"qwen/qwen3.5-plus-20260216"
provider_name"Alibaba"
status200
api_type"completions"
id"gen-1771504861-unJk8ndTJgUz98jbHkXh"
upstream_id"chatcmpl-ffa9478e-da39-9b38-8d36-d87185bc7799"
total_cost0.0081508
cache_discount(null)
upstream_inference_cost0
provider_name"Alibaba"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags11
adverbTagCount1
adverbTags
0"it said softly [softly]"
dialogueSentences30
tagDensity0.367
leniency0.733
rawRatio0.091
effectiveRatio0.067
94.95% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1980
totalAiIsmAdverbs2
found
0
adverb"slightly"
count1
1
adverb"softly"
count1
highlights
0"slightly"
1"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
36.87% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1980
totalAiIsms25
found
0
word"scanning"
count1
1
word"silence"
count2
2
word"oppressive"
count1
3
word"pulsed"
count2
4
word"throb"
count1
5
word"down her spine"
count1
6
word"dancing"
count1
7
word"chill"
count1
8
word"echo"
count1
9
word"weight"
count1
10
word"vibrated"
count1
11
word"trembled"
count1
12
word"shattered"
count2
13
word"loomed"
count1
14
word"echoed"
count2
15
word"depths"
count1
16
word"familiar"
count1
17
word"warmth"
count1
18
word"searing"
count1
19
word"streaming"
count1
20
word"gleaming"
count1
highlights
0"scanning"
1"silence"
2"oppressive"
3"pulsed"
4"throb"
5"down her spine"
6"dancing"
7"chill"
8"echo"
9"weight"
10"vibrated"
11"trembled"
12"shattered"
13"loomed"
14"echoed"
15"depths"
16"familiar"
17"warmth"
18"searing"
19"streaming"
20"gleaming"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences209
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount2
narrationSentences209
filterMatches
0"watch"
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences228
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans1
markdownWords4
totalWords1977
ratio0.002
matches
0"When it burns, run."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions9
unquotedAttributions0
matches(empty)
66.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions54
wordCount1807
uniqueNames18
maxNameDensity1.44
worstName"Rory"
maxWindowNameDensity3
worstWindowName"Rory"
discoveredNames
Aurora1
Richmond2
Park2
Heartstone6
November1
Eva2
Golden1
Empress1
Hel1
London3
Silas1
Fae-touched1
Cardiff1
Evan2
Rory26
Welsh1
Tylwyth1
Teg1
persons
0"Heartstone"
1"November"
2"Eva"
3"Silas"
4"Evan"
5"Rory"
places
0"Aurora"
1"Richmond"
2"Park"
3"Golden"
4"London"
5"Fae-touched"
6"Cardiff"
globalScore0.781
windowScore0.667
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences130
glossingSentenceCount2
matches
0"sounded like dry leaves skittering on pave"
1"felt like iron, unyielding"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.506
wordCount1977
matches
0"not sap, but black blood"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences228
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs72
mean27.46
std20.34
cv0.741
sampleLengths
046
13
286
3114
43
561
618
770
849
915
1040
115
1235
1315
1422
1541
1634
1711
1858
1912
2020
2134
229
2322
2428
2551
2636
2740
2821
2920
3021
3148
3244
3313
3428
358
3638
3726
388
3952
4018
4139
4214
4322
443
4518
466
4752
4839
4929
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences209
matches
0"was gone"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs315
matches
0"was missing"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount1
flaggedSentences1
totalSentences228
ratio0.004
matches
0"One moment it stood ten feet away; the next, it loomed directly over her."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1810
adjectiveStacks1
stackExamples
0"small crescent-shaped scar"
adverbCount54
adverbRatio0.02983425414364641
lyAdverbCount18
lyAdverbRatio0.009944751381215469
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences228
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences228
mean8.67
std5.93
cv0.684
sampleLengths
023
14
219
31
41
51
64
716
81
916
1020
1129
1233
1322
144
156
1610
175
1834
193
202
2120
2216
2323
245
2510
263
273
283
297
3018
3112
3212
3315
346
353
3624
373
3813
392
404
415
424
437
4414
457
4612
475
488
4911
41.37% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats29
diversityRatio0.32456140350877194
totalSentences228
uniqueOpeners74
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount7
totalSentences184
matches
0"Just the blackened stones and"
1"Only the crimson glow of"
2"Just a warning: *When it"
3"All calling her name, all"
4"Nowhere to go."
5"Nowhere to hide."
6"Only a vast, swirling vortex"
ratio0.038
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount51
totalSentences184
matches
0"She did not fall."
1"Her boots found purchase on"
2"It carried the cloying sweetness"
3"It glowed with a faint,"
4"She had followed the map"
5"They marked the edge."
6"She needed the answer the"
7"She held her breath, her"
8"It was a habit from"
9"she called out"
10"Her voice sounded flat, absorbed"
11"It pulled her forward, an"
12"She fought the urge to"
13"She knew this from the"
14"She focused on her breathing,"
15"They did not move like"
16"They stretched toward her, elongating"
17"It vibrated in her teeth,"
18"It sounded like dry leaves"
19"It came from everywhere and"
ratio0.277
25.22% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount160
totalSentences184
matches
0"The silver chain bit into"
1"She did not fall."
2"Her boots found purchase on"
3"Rory checked her watch."
4"It carried the cloying sweetness"
5"The Heartstone pendant against her"
6"It glowed with a faint,"
7"She had followed the map"
8"The standing stones formed a"
9"They marked the edge."
10"An hour here could mean"
11"Rory needed to be quick."
12"She needed the answer the"
13"A twig snapped."
14"The sound came from behind"
15"She held her breath, her"
16"It was a habit from"
17"she called out"
18"Her voice sounded flat, absorbed"
19"The wildflowers rustled."
ratio0.87
27.17% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences184
matches
0"If this thing wanted the"
ratio0.005
63.49% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences81
technicalSentenceCount9
matches
0"The Heartstone pendant against her collarbone pulsed once, a warm throb that sent a jolt of electricity down her spine."
1"It glowed with a faint, crimson inner light, casting long, dancing shadows across the wildflowers that bloomed in violent hues of purple and red despite the lat…"
2"The standing stones formed a rough circle around the grove, their bark blackened and scarred as if struck by lightning centuries ago."
3"The sound came from behind the largest stone, a gnarled monolith that leaned precariously toward the centre of the grove."
4"The movement came from below, a ripple passing through the stems as if something slithered beneath the soil."
5"A crack appeared in the smooth grey surface, splitting open to reveal rows of needle-like teeth that glistened with dark fluid."
6"Its movements were jerky, unnatural, as if it skipped frames of reality."
7"The cold intensified, biting through her jeans, numbing her skin."
8"The beast shrieked, a sound that shattered the remaining wildflowers."
34.09% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags11
uselessAdditionCount2
matches
0"The creature laughed, a sound like grinding stones"
1"the creature whispered, its breath freezing the tears on her cheeks"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags10
fancyCount9
fancyTags
0"the voice whispered (whisper)"
1"it hissed (hiss)"
2"The creature laughed (laugh)"
3"the creature demanded (demand)"
4"she gasped (gasp)"
5"the creature whispered (whisper)"
6"the creature hissed (hiss)"
7"the creature roared (roar)"
8"she yelled (yell)"
dialogueSentences30
tagDensity0.333
leniency0.667
rawRatio0.9
effectiveRatio0.6
82.7944%