Run: 2026-02-19-01KHTYV35SN9XKZK3H84RVHZCT

Run Details

Duration:
1m 19s
Cost:
$0.076755
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The platform tiles still bore their original cream-and-green pattern, though decades of abandonment had cracked and shifted them into something that resembled a broken mosaic. Detective Harlow Quinn ducked under the police tape strung between two rusted pillars and stepped onto the platform of the disused station, her shoes crunching on grit that hadn't seen a sweeper's broom since the 1960s. The air tasted of copper and old stone. Beneath that, something else — a sweetness like burnt cloves that she filed away and didn't mention. Two uniforms stood near the far wall, their torches cutting white arcs through the dark. Between them, outlined in the wash of a portable floodlight, lay the body. The victim was male, mid-thirties, dressed in what looked like an expensive wool overcoat now ruined by the pool of dark liquid that had spread from beneath his torso. His eyes were open. His mouth was open. His hands were closed into fists so tight the knuckles had gone the color of tallow. Quinn crouched beside him, pulling on nitrile gloves with two efficient snaps. She turned his head. No visible wound on the throat or skull. She unbuttoned the overcoat, then the shirt beneath. The skin of his chest was unmarked except for a pattern of raised welts that formed something geometric — concentric circles, or close to it, radiating outward from the sternum. Not tattoos. Not burns. The skin had simply *risen*, as though something beneath it had tried to push through. She leaned closer. The welts were warm. "Allergic reaction, maybe." The voice came from behind and above her. DS Callum Pryce, on loan from Southwark, stood with his arms folded and his expression already settled into the comfortable groove of a man who'd reached his conclusion before arriving. "Anaphylaxis. He shoots up down here, has a bad reaction, nobody around to jab him with an EpiPen." Quinn didn't look up. She examined the dead man's fists. Pried the left one open — rigor hadn't fully set, which meant he'd died within the last few hours. Inside the curled fingers she found nothing. The right fist resisted more, the tendons locked rigid. She worked the thumb free first, then the index finger, and something small and cold dropped into her palm. A brass compass. Smaller than a pocket watch, its casing thick with verdigris, the kind of patina that took years to develop. She tilted it under the floodlight. The face was etched with symbols she didn't recognize — not numerals, not cardinal points. They might have been decorative, except each one was cut with a precision that suggested function. The needle inside was black and thin as a hair, and it didn't point north. It pointed directly at the far wall of the platform, where the tunnel mouth gaped. "What's that, then? Antique?" Pryce had come closer. He smelled like coffee and the kind of aftershave sold in airport duty-free. "Compass of some kind." Quinn turned it in her hand. The needle swung, but only slightly, and always returned to the same bearing. "Not magnetic north, though." "Broken." She didn't answer that. She placed the compass into an evidence bag and sealed it, then stood and surveyed the platform in its entirety. The station was not empty in the way abandoned places usually were. Folding tables lined the walls in two neat rows, their surfaces bare but marked with rings — cup stains, or the residue of containers recently removed. The floor around the tables showed a pattern of scuffing inconsistent with a single person. Dozens of feet had moved through here. Recently. "When was this called in?" "Anonymous tip, three hours ago. Caller used a payphone in Camden Town." Pryce checked his notebook. "Described the location with enough specificity that patrol found it on the first sweep. Knew the access route through the maintenance shaft off Hawley Crescent." "Helpful caller." "Guilty caller, more like." Quinn walked the length of the platform. At the far end, near a bricked-up archway, she found what she was looking for and what she wasn't. The floor here had been swept clean in a rough circle about two meters across. Not dusty like the rest. Someone had taken the trouble. Inside the clean circle, scratched into the tile with something sharp, was a symbol that matched one of the markings on the compass face. A vertical line bisected by three horizontal bars, enclosed in an imperfect circle. She photographed it with her phone, the flash bouncing harsh light off the walls. "Pryce." He ambled over. "What do you make of this?" He looked down. "Vandalism. Squatters. Camden's crawling with them." "Squatters who sweep the floor first?" He shrugged. Quinn knelt beside the scratched symbol. The grooves were fresh — pale where the glaze had been scored away, no dirt settled in the channels. She ran her gloved finger along one line. The tile beneath was oddly smooth, almost warm, like the welts on the dead man's chest. "The blood pool," she said, standing. "Did you look at it?" "Hard to miss." "It's not blood." Pryce blinked. "Come again?" She walked him back to the body. Pointed at the dark liquid. Under the floodlight it had a sheen that blood never carried — iridescent, shifting between deep red and something closer to violet as the angle changed. Blood oxidized to brown. This hadn't changed color at all. "Touch it," she said. "I'm not touching it." Quinn crouched and pressed her gloved fingertip to the edge of the pool. It was cold. Ice cold, though the station held a constant temperature of about twelve degrees. When she lifted her finger, the substance didn't string or clot. It beaded on the nitrile like mercury, then rolled off entirely, leaving the glove spotless. "It won't adhere," she said. "Whatever this is, it isn't blood. It isn't any fluid I've seen come out of a body." Pryce frowned for the first time since he'd arrived. That was progress. Quinn stood again and took three steps back from the body, letting her eyes unfocus. She'd learned this trick early in her career — the crime scene as a photograph, all of it at once instead of piece by piece. The body in its pool of not-blood. The folding tables, stripped bare but recently used. The swept circle with its carved symbol. The compass that didn't point north. The maintenance shaft entrance, which someone had known well enough to describe to a dispatcher. This wasn't a drug den. The layout was wrong. Drug users didn't organize into neat rows of tables. They didn't sweep ceremonial circles into the floor. They didn't carry objects etched with symbols that matched carvings on the ground. "This was a market," Quinn said. Pryce made a sound that wasn't quite a laugh. "A market. In an abandoned Tube station." "Look at the tables. Two rows facing each other. Vendors and buyers. The scuff patterns on the floor show foot traffic moving in one direction along the left side and back along the right. Organized flow. Someone was managing crowd control." She pointed to the bricked-up archway. "That's the exit. Separate from the entrance. You don't want customers bumping into each other coming and going." "What kind of market sets up in a place like this?" "The kind that doesn't want to be found." She walked back to the body and looked at his face again. The expression frozen there wasn't pain, exactly. It was surprise — the wide, stupid surprise of a man who'd been caught off guard by something he should have expected. His shoes were expensive. Italian leather, barely scuffed. His watch was a Breitling. This wasn't a vagrant or an addict. This was a man with money who'd come down into the dark on purpose. Quinn pulled out the evidence bag containing the compass and held it up. The needle still pointed toward the tunnel mouth. She thought about DS Morris. Three years and two months ago, in a warehouse in Bermondsey that had smelled of the same burnt-clove sweetness. Morris's body on the concrete floor with no visible cause of death. The pathologist had written "cardiac event" on the preliminary report and then, after the full autopsy, had gone very quiet and written it again with a question mark. No blockage. No arrhythmia. No toxicology findings. A healthy heart that had simply stopped, as though someone had reached in and switched it off. Morris's hands had been clenched into fists too. Quinn hadn't found anything in them. But she hadn't known to look properly, then. "I want this whole station processed," she said. "Every table dusted. Every inch of floor photographed. I want the maintenance shaft checked for secondary access points. And I want that substance sampled and sent to the lab with a priority flag." "For what? A dead junkie in a—" "He's not a junkie, Pryce. Look at his shoes. Look at his watch. Look at whatever this liquid is that won't even stick to a glove. Does any of this look like a drug overdose to you?" Pryce looked at the body. At the iridescent pool. At the swept circle and the carved symbol and the rows of empty tables stretching into the dark. "No," he admitted. "It doesn't." "Then stop trying to make it one." She sealed the compass in her coat pocket, a breach of evidence protocol she'd address later or wouldn't. The burnt-clove smell was fading — or she was adjusting to it — and the floodlight buzzed and flickered once, casting a stutter of shadow across the tiled walls. Quinn turned her attention to the dead man's pockets. Inside the overcoat, left side: a wallet containing two hundred pounds in cash, no cards, no ID. Right side: a small leather pouch, drawstring closure, containing what appeared to be a token carved from bone. The token was roughly circular, about the size of a fifty-pence piece, and bore a symbol on one face — the same vertical line through three bars. She held it up for Pryce to see. "Allergic reaction," she said. "Right." His jaw tightened but he said nothing. Quinn placed the bone token into its own evidence bag, her mind already drawing lines between points. A token and a compass. A symbol carved into the floor that matched the token and the compass. A market that materialized in an abandoned station and then vanished, leaving one body behind. Someone had called it in. Someone who knew the way in. She thought about Morris's warehouse. The way the case had dead-ended. The way everyone had been so eager to let it. "I'm going to need the station sealed for at least forty-eight hours," she said. "Full forensic sweep. And Pryce — keep this off the shared system for now. Log it on paper only." "Paper only? Quinn, that's—" "That's my call." She looked at him with the kind of expression that made people reconsider their objections. "This goes on paper. My paper. My desk." She took one last look at the platform. The empty tables waiting in their rows. The circle swept clean on the dirty floor. The body of a man who'd come to buy something in a place that shouldn't exist, and had paid a price no one could explain. The needle in the sealed evidence bag pointed steadily toward the tunnel mouth. Toward whatever lay beyond it in the dark. Quinn turned to one of the uniformed officers. "Get me everything on record about this station. Original closure date, engineering surveys, any maintenance access logs from the last five years. And pull CCTV from every camera within three blocks of Hawley Crescent for the past seventy-two hours." The constable nodded and moved off. Pryce remained, standing beside the body with his arms folded again but his expression no longer settled. Good. Unsettled was useful. "You've seen something like this before," he said. Not a question. Quinn peeled off her gloves. "Something adjacent." "And?" "And the case went cold." She tucked the gloves into a waste bag. "I don't intend to let that happen twice."
created_at"2026-02-19T12:43:48.289Z" 2/19/2026, 12:43:48 PM
model"anthropic/claude-4.6-opus-20260205"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2228
moderation_latency67
generation_time78454
tokens_prompt1149
tokens_completion3069
native_tokens_prompt1146
native_tokens_completion2841
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.076755
router(null)
provider_responses
0
endpoint_id"a8708fb9-08ea-43bb-a3b1-165c87ef09df"
id"572adfa8-4d57-4b1b-b3c7-54d0e2ce1212"
is_byokfalse
latency2228
model_permaslug"anthropic/claude-4.6-opus-20260205"
provider_name"Amazon Bedrock"
status200
api_type"completions"
id"gen-1771505028-kPr5x9JjYEsKT48kYhUC"
upstream_id"572adfa8-4d57-4b1b-b3c7-54d0e2ce1212"
total_cost0.076755
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags17
adverbTagCount0
adverbTags(empty)
dialogueSentences51
tagDensity0.333
leniency0.667
rawRatio0
effectiveRatio0
95.05% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2021
totalAiIsmAdverbs2
found
0
adverb"slightly"
count1
1
adverb"very"
count1
highlights
0"slightly"
1"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
77.73% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2021
totalAiIsms9
found
0
word"mosaic"
count1
1
word"efficient"
count1
2
word"comfortable"
count1
3
word"etched"
count2
4
word"magnetic"
count1
5
word"processed"
count1
6
word"flickered"
count1
7
word"unsettled"
count1
highlights
0"mosaic"
1"efficient"
2"comfortable"
3"etched"
4"magnetic"
5"processed"
6"flickered"
7"unsettled"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"clenched jaw/fists"
count1
highlights
0"clenched into fists"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences154
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount2
narrationSentences154
filterMatches
0"watch"
hedgeMatches
0"tried to"
1"appeared to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences188
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen48
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans1
markdownWords1
totalWords2021
ratio0
matches
0"risen"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions14
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions33
wordCount1584
uniqueNames8
maxNameDensity0.95
worstName"Quinn"
maxWindowNameDensity1.5
worstWindowName"Quinn"
discoveredNames
Harlow1
Quinn15
Callum1
Pryce9
Southwark1
Breitling1
Morris4
Bermondsey1
persons
0"Harlow"
1"Quinn"
2"Pryce"
3"Morris"
places
0"Bermondsey"
globalScore1
windowScore1
77.88% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences104
glossingSentenceCount3
matches
0"looked like an expensive wool overcoat no"
1"smelled like coffee and the kind of afters"
2"quite a laugh"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2021
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences188
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs72
mean28.07
std26.59
cv0.947
sampleLengths
086
128
253
381
47
559
664
789
821
927
101
1124
1261
135
1441
152
164
1788
1814
191
203
216
229
236
242
2549
2611
273
283
294
3048
314
324
3355
3422
3512
3683
3739
386
3916
4065
4111
428
4375
4421
4588
468
4714
4841
497
91.59% Passive voice overuse
Target: ≤2% passive sentences
passiveCount6
totalSentences154
matches
0"were closed"
1"was etched"
2"been swept"
3"been scored"
4"been caught"
5"been clenched"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs265
matches
0"was looking"
1"was adjusting"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount12
semicolonCount0
flaggedSentences11
totalSentences188
ratio0.059
matches
0"Beneath that, something else — a sweetness like burnt cloves that she filed away and didn't mention."
1"The skin of his chest was unmarked except for a pattern of raised welts that formed something geometric — concentric circles, or close to it, radiating outward from the sternum."
2"Pried the left one open — rigor hadn't fully set, which meant he'd died within the last few hours."
3"The face was etched with symbols she didn't recognize — not numerals, not cardinal points."
4"Folding tables lined the walls in two neat rows, their surfaces bare but marked with rings — cup stains, or the residue of containers recently removed."
5"The grooves were fresh — pale where the glaze had been scored away, no dirt settled in the channels."
6"Under the floodlight it had a sheen that blood never carried — iridescent, shifting between deep red and something closer to violet as the angle changed."
7"She'd learned this trick early in her career — the crime scene as a photograph, all of it at once instead of piece by piece."
8"It was surprise — the wide, stupid surprise of a man who'd been caught off guard by something he should have expected."
9"The burnt-clove smell was fading — or she was adjusting to it — and the floodlight buzzed and flickered once, casting a stutter of shadow across the tiled walls."
10"The token was roughly circular, about the size of a fifty-pence piece, and bore a symbol on one face — the same vertical line through three bars."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1583
adjectiveStacks1
stackExamples
0"same burnt-clove sweetness."
adverbCount53
adverbRatio0.033480732785849655
lyAdverbCount18
lyAdverbRatio0.011370814908401769
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences188
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences188
mean10.75
std8.3
cv0.772
sampleLengths
025
136
28
317
415
513
629
74
84
916
1012
114
128
138
1430
152
162
1715
183
194
2011
2130
2218
234
246
2519
267
279
2819
293
3019
316
3215
3316
3415
3515
368
3713
3810
3913
404
411
424
4320
4412
4526
4615
477
481
495
47.16% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats23
diversityRatio0.35638297872340424
totalSentences188
uniqueOpeners67
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences138
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount38
totalSentences138
matches
0"His eyes were open."
1"His mouth was open."
2"His hands were closed into"
3"She turned his head."
4"She unbuttoned the overcoat, then"
5"She leaned closer."
6"She examined the dead man's"
7"She worked the thumb free"
8"She tilted it under the"
9"They might have been decorative,"
10"It pointed directly at the"
11"He smelled like coffee and"
12"She didn't answer that."
13"She placed the compass into"
14"She photographed it with her"
15"He ambled over."
16"He looked down."
17"She ran her gloved finger"
18"she said, standing"
19"She walked him back to"
ratio0.275
50.58% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount113
totalSentences138
matches
0"The platform tiles still bore"
1"Detective Harlow Quinn ducked under"
2"The air tasted of copper"
3"The victim was male, mid-thirties,"
4"His eyes were open."
5"His mouth was open."
6"His hands were closed into"
7"Quinn crouched beside him, pulling"
8"She turned his head."
9"She unbuttoned the overcoat, then"
10"The skin of his chest"
11"The skin had simply *risen*,"
12"She leaned closer."
13"The welts were warm."
14"The voice came from behind"
15"DS Callum Pryce, on loan"
16"Quinn didn't look up."
17"She examined the dead man's"
18"The right fist resisted more,"
19"She worked the thumb free"
ratio0.819
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences138
matches(empty)
ratio0
23.81% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences60
technicalSentenceCount10
matches
0"The platform tiles still bore their original cream-and-green pattern, though decades of abandonment had cracked and shifted them into something that resembled a…"
1"Detective Harlow Quinn ducked under the police tape strung between two rusted pillars and stepped onto the platform of the disused station, her shoes crunching …"
2"The victim was male, mid-thirties, dressed in what looked like an expensive wool overcoat now ruined by the pool of dark liquid that had spread from beneath his…"
3"The skin of his chest was unmarked except for a pattern of raised welts that formed something geometric — concentric circles, or close to it, radiating outward …"
4"DS Callum Pryce, on loan from Southwark, stood with his arms folded and his expression already settled into the comfortable groove of a man who'd reached his co…"
5"Smaller than a pocket watch, its casing thick with verdigris, the kind of patina that took years to develop."
6"Inside the clean circle, scratched into the tile with something sharp, was a symbol that matched one of the markings on the compass face."
7"It was surprise — the wide, stupid surprise of a man who'd been caught off guard by something he should have expected."
8"Three years and two months ago, in a warehouse in Bermondsey that had smelled of the same burnt-clove sweetness."
9"A market that materialized in an abandoned station and then vanished, leaving one body behind."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags17
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags9
fancyCount1
fancyTags
0"he admitted (admit)"
dialogueSentences51
tagDensity0.176
leniency0.353
rawRatio0.111
effectiveRatio0.039
81.9272%