Run: 2026-02-19-01KHTYWYDTJ64CQB787AM1SCWX

Run Details

Duration:
12.8s
Cost:
$0.006835
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Ptolemy wound a figure eight around Rory's ankles. His purr rumbled against her shins, a comforting vibration against the thumping in her chest. She took a deep breath, the scent of stale curry from the restaurant downstairs doing little to calm her nerves, and pulled open the door. Lucien stood on her landing. He wore a custom-tailored charcoal suit, as always, the fabric clinging to his broad shoulders. His platinum blond hair was slicked back, catching the dim light of the hallway. One amber eye gleamed, the other a fathomless black. He held his ivory-handled cane in one hand, knuckles stark white against the polished bone. He looked just as she remembered him, every bit the impeccably dressed fixer of the supernatural underworld, and every bit the man who had ghosted her for weeks. "Took you long enough." His voice was a low rumble, a French lilt softening the edges of his words. Rory narrowed her bright blue eyes. "What do you want, Moreau?" "May I come in?" He glanced past her, his gaze sweeping over the books and scrolls stacked precariously in the hallway of Eva's flat. Ptolemy, sensing the tension, darted behind Rory's legs, his tail twitching. "No." She gripped the doorframe, her fingers digging into the worn wood. "Not until you tell me why you're here." A small, humourless smile played on his lips. "Always so direct, *chérie*. A quality I've always admired." She flinched at the endearment, a ghost of old intimacy tightening her stomach. "Don't." "Don't what?" He stepped closer, forcing her to instinctively take a step back into the cramped hallway. The scent of him, expensive cologne and something subtly earthy, like damp soil and old magic, filled her nostrils. "Don't act like we're..." She trailed off, unable to articulate the tangled mess of what they once were. "Like we're what, Rory?" His voice dropped, a dangerous softness seeping in. "Like we didn't spend three months tangled in each other's sheets?" Heat flooded her cheeks. "That's not fair." "Was it not true?" He tilted his head, his heterochromatic eyes searching hers. "Tell me truly, Laila. Did you not feel it?" Laila. Her given name. The name only he ever called her. It hit her like a punch to the gut. The name she had almost forgotten she possessed, buried beneath the layers of Rory, the resilient courier, the quick-thinking survivor. "You don't get to use that name," she managed, her voice barely a whisper. "Not after you vanished without a word. Not after you left me wondering if I'd imagined everything." "I had my reasons." His gaze flickered to the small crescent-shaped scar on her left wrist, a faint white line against her skin. A childhood accident, a moment of clumsiness, now a tangible reminder of a past she often tried to outrun. "Reasons?" A sharp, brittle laugh escaped her. "Is that what you call it? A quick exit with no explanation? No call, no text, just gone. Like a puff of smoke." "It was for your protection." The words were clipped, tight. "My protection?" She felt a flash of old anger, hot and sharp. "From what? A broken heart? You're too late." He winced, a flicker of something she couldn't quite decipher crossing his face. Guilt? Regret? She couldn't tell. He was always so controlled. A mask of composure, even in their most intimate moments. "There are things," he began, his voice low, "things you don't understand." "Then *explain* them." She opened the door wider, a silent challenge. "Or get off my doorstep." Lucien hesitated, his gaze sweeping over her again, lingering on the subtle tremor in her hands. Then, with a sigh that seemed to carry the weight of centuries, he stepped inside. The air in the flat suddenly felt thicker, charged with an unspoken history. Ptolemy, eyes wide, immediately retreated under the sofa. "I need your help," he said, his voice flat. Rory stared at him, dumbfounded. "You need *my* help? After everything, you come to me for help?" "You're the only one I can trust for this." His gaze was steady, unwavering. "Well, you and Moreau." A small, almost imperceptible smirk tugged at the corner of his lips. She scoffed. "You have a short memory. And a convenient one." "Perhaps." He leaned his cane against the wall, taking a hesitant step into the living area. Bookshelves overflowed with grimoires and arcane texts. Scrolls, brittle with age, lay scattered across the faded rug. The air smelled of old paper and Eva's incense. "But this is urgent. Matters of life and death, Rory." "You only care about matters of life and death when they involve you," she countered, crossing her arms defensively. The old hurt, dulled by time, now flared with renewed intensity. "That's not fair," he echoed her earlier words, his eyes holding hers. "You know that's not true." "Do I?" She walked past him, a deliberate brush of her shoulder against his. "Because last I checked, you were more interested in vanished without a trace than in my continued existence." He sighed, a deep, raspy sound. "I made a mistake. A grave one. Leaving you, not explaining thoroughly, it was a lapse in judgement I've paid for every day since." Rory spun around. "A lapse in judgment? Is that what you call it? What about the nights? The promises? The way you looked at me?" Her voice rose, edged with an emotion she fought to suppress. "What about the fact that I spent weeks wondering if you were dead, if I was going mad, if you had just..." She swallowed, the knot in her throat making it hard to speak. "...forgotten me?" "Never." His voice was raw, stripped of its usual smooth composure. "I could never forget you, Laila." He reached a hand towards her, then hesitated, letting it drop. "It was complicated. My world... it's not safe. Not for humans. Not for you." "I'm not some delicate flower, Lucien." She balled her fists. "I never was. And I don't need you to decide what's safe for me." "This isn't about protecting your feelings, Rory." He ran a hand through his platinum hair, a rare sign of agitation. "This is about keeping you alive. Some of the entities I deal with... they don't play by human rules. They exact payment in blood, in souls, in pain." "And you decided the best way to keep me safe was to break my heart?" The bitterness in her voice was unmistakable. He took a step closer. "I chose the path that offered you the greatest chance of a normal life, free from the shadows, free from me." "My life hasn't been normal since I met you," she retorted, her voice shaking. "It's been a constant replay of 'what if', and 'why me', and re-reading old texts to see where I went wrong. It's been anything but free." His eyes softened, if such a powerful gaze could soften. "I never meant to hurt you." "But you did." The words hung in the air, heavy and unspoken. A long silence stretched between them, punctuated only by the distant wail of a siren and the faint clatter from the curry house below. He looked genuinely pained, a vulnerability she had rarely witnessed in him. It was a crack in the carefully constructed facade she was so used to seeing. "I need access to Eva's archives." He finally broke the silence, his voice low and urgent. "There's a ritual, an ancient text... it's the only way to stop a growing threat." Rory frowned. "What threat?" "A demon from Avaros," he said, his one amber eye gleaming with a predatory intensity. "One of my father's kind. It's found a route to this realm, and it's seeking to establish a foothold." "And you think Eva has something that can stop it?" Eva, with her chaotic flat and her endless supply of obscure knowledge. "She has an affinity for the forgotten, the forbidden." He gestured around the flat, a silent acknowledgment of the sheer volume of arcane knowledge crammed into every corner. "And you, Rory, have an affinity for navigating her labyrinthine research." "So, you need me to play librarian for your demonic family problems?" She raised an eyebrow, a sardonic twist to her lips. "I need your sharp mind, your quick wit, your ability to see patterns where others see only chaos." His gaze was unflinching. "I need *you*, Laila." The use of her name again, so intentionally, so softly, sent a shiver down her spine. It was a plea, a recognition, and a reminder of everything they had shared. A desperate plea that cut through the anger. She still felt the sting of betrayal, the ache of abandonment. But beneath it, a familiar current of attraction, thrummed, alive and dangerous. "What exactly are we looking for?" She asked, crossing her arms, still keeping her guard up. "And what does this have to do with me?" His eyes grew serious, the amber deepening to gold. "A summoning reversal. A way to send it back before it fully manifests and unleashes true hell upon London. And it has to do with you because, unfortunately, the demon has a particular... fixation. A familiar scent." Rory felt a prickle of unease. "A familiar scent?" "A human sacrifice, Laila." He finally closed the distance between them, his hand gently grasping her arm, his touch still sending fire through her veins. "And you, my dear, are eerily close to the chosen bloodline."
created_at"2026-02-19T12:44:48.962Z" 2/19/2026, 12:44:48 PM
model"google/gemini-2.5-flash"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency485
moderation_latency(null)
generation_time12823
tokens_prompt4556
tokens_completion2370
native_tokens_prompt4440
native_tokens_completion2201
native_tokens_completion_images0
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0068345
router(null)
provider_responses
0
endpoint_id"16c01e26-9b91-4d22-b487-ed35634b017d"
is_byokfalse
latency485
model_permaslug"google/gemini-2.5-flash"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771505088-0F96ewFmtiw5NJeXMOGc"
upstream_id(null)
total_cost0.0068345
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags30
adverbTagCount1
adverbTags
0"He gestured around [around]"
dialogueSentences71
tagDensity0.423
leniency0.845
rawRatio0.033
effectiveRatio0.028
84.20% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1582
totalAiIsmAdverbs5
found
0
adverb"truly"
count1
1
adverb"suddenly"
count1
2
adverb"carefully"
count1
3
adverb"softly"
count1
4
adverb"gently"
count1
highlights
0"truly"
1"suddenly"
2"carefully"
3"softly"
4"gently"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1582
totalAiIsms32
found
0
word"comforting"
count1
1
word"stark"
count1
2
word"lilt"
count1
3
word"tension"
count1
4
word"stomach"
count1
5
word"whisper"
count1
6
word"flickered"
count1
7
word"tangible"
count1
8
word"reminder"
count2
9
word"flicker"
count1
10
word"weight"
count1
11
word"charged"
count1
12
word"unspoken"
count2
13
word"unwavering"
count1
14
word"intensity"
count2
15
word"echoed"
count1
16
word"grave"
count1
17
word"silence"
count2
18
word"constructed"
count1
19
word"facade"
count1
20
word"gleaming"
count1
21
word"chaotic"
count1
22
word"navigating"
count1
23
word"eyebrow"
count1
24
word"down her spine"
count1
25
word"familiar"
count3
highlights
0"comforting"
1"stark"
2"lilt"
3"tension"
4"stomach"
5"whisper"
6"flickered"
7"tangible"
8"reminder"
9"flicker"
10"weight"
11"charged"
12"unspoken"
13"unwavering"
14"intensity"
15"echoed"
16"grave"
17"silence"
18"constructed"
19"facade"
20"gleaming"
21"chaotic"
22"navigating"
23"eyebrow"
24"down her spine"
25"familiar"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"hung in the air"
count1
1
label"sent a shiver through"
count1
highlights
0"hung in the air"
1"sent a shiver down"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells2
narrationSentences90
matches
0"felt the sting"
1"felt a prickle"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences90
filterMatches(empty)
hedgeMatches
0"tried to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences123
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen37
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans4
markdownWords4
totalWords1578
ratio0.003
matches
0"chérie"
1"explain"
2"my"
3"you"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions13
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions20
wordCount931
uniqueNames8
maxNameDensity0.86
worstName"Rory"
maxWindowNameDensity1.5
worstWindowName"Rory"
discoveredNames
Rory8
French1
Eva3
Ptolemy3
Heat1
Laila1
Lucien2
Bookshelves1
persons
0"Rory"
1"Eva"
2"Ptolemy"
3"Laila"
4"Lucien"
5"Bookshelves"
places(empty)
globalScore1
windowScore1
78.57% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences70
glossingSentenceCount2
matches
0"quite decipher crossing his face"
1"sigh that seemed to carry the weight of centuries, he stepped inside"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1578
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences123
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs55
mean28.69
std16.37
cv0.571
sampleLengths
048
15
281
319
411
535
620
717
814
936
1018
1123
127
1322
1440
1531
1642
1730
1810
1920
2033
2112
2216
2352
249
2517
2630
2711
2852
2930
3017
3132
3230
3372
3442
3524
3648
3722
3826
3940
4016
4112
4251
4331
444
4534
4622
4739
4822
4926
97.47% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences90
matches
0"was slicked"
1"were clipped"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs141
matches
0"was unflinching"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences123
ratio0
matches(empty)
90.36% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount935
adjectiveStacks1
stackExamples
0"small crescent-shaped scar"
adverbCount41
adverbRatio0.04385026737967915
lyAdverbCount19
lyAdverbRatio0.020320855614973262
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences123
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences123
mean12.83
std7.45
cv0.581
sampleLengths
08
115
225
35
415
514
69
715
828
919
106
115
1224
1311
1412
158
168
179
1813
191
2017
2119
2218
2312
2411
254
263
2713
289
291
303
317
329
3320
3414
3517
3623
3719
387
3923
4010
4112
428
4313
441
451
463
475
4810
4912
57.18% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats8
diversityRatio0.3821138211382114
totalSentences123
uniqueOpeners47
39.22% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences85
matches
0"Then, with a sigh that"
ratio0.012
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount52
totalSentences85
matches
0"His purr rumbled against her"
1"She took a deep breath,"
2"He wore a custom-tailored charcoal"
3"His platinum blond hair was"
4"He held his ivory-handled cane"
5"He looked just as she"
6"His voice was a low"
7"He glanced past her, his"
8"She gripped the doorframe, her"
9"She flinched at the endearment,"
10"He stepped closer, forcing her"
11"She trailed off, unable to"
12"His voice dropped, a dangerous"
13"He tilted his head, his"
14"Her given name."
15"It hit her like a"
16"she managed, her voice barely"
17"His gaze flickered to the"
18"She felt a flash of"
19"He winced, a flicker of"
ratio0.612
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount81
totalSentences85
matches
0"Ptolemy wound a figure eight"
1"His purr rumbled against her"
2"She took a deep breath,"
3"Lucien stood on her landing."
4"He wore a custom-tailored charcoal"
5"His platinum blond hair was"
6"He held his ivory-handled cane"
7"He looked just as she"
8"His voice was a low"
9"Rory narrowed her bright blue"
10"He glanced past her, his"
11"Ptolemy, sensing the tension, darted"
12"She gripped the doorframe, her"
13"A small, humourless smile played"
14"She flinched at the endearment,"
15"He stepped closer, forcing her"
16"The scent of him, expensive"
17"She trailed off, unable to"
18"His voice dropped, a dangerous"
19"Heat flooded her cheeks."
ratio0.953
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences85
matches(empty)
ratio0
87.91% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences26
technicalSentenceCount2
matches
0"He looked just as she remembered him, every bit the impeccably dressed fixer of the supernatural underworld, and every bit the man who had ghosted her for weeks…"
1"Ptolemy, sensing the tension, darted behind Rory's legs, his tail twitching."
8.33% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags30
uselessAdditionCount7
matches
0"She gripped, her fingers digging into the worn wood"
1"His voice dropped, a dangerous softness seeping in"
2"He tilted, his heterochromatic eyes searching hers"
3"she managed, her voice barely a whisper"
4"he began, his voice low,"
5"he said, his voice flat"
6"she retorted, her voice shaking"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags4
fancyCount1
fancyTags
0"she retorted (retort)"
dialogueSentences71
tagDensity0.056
leniency0.113
rawRatio0.25
effectiveRatio0.028
76.9969%