Run: 2026-02-19-01KHTYY3B07BTVTSGTR0A8TEQD

Run Details

Duration:
18.9s
Cost:
$0.009217
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The Heartstone pendant thrashed against Aurora's collarbone, a frantic, rhythmic pulse that mirrored her own spiking heart rate. She stepped through the shimmering distortion of the Veil, and the world didn't just change; it inverted. The transition felt like being swallowed by a warm, viscous lung. One moment, the damp, familiar scent of London's rain-slicked pavement filled her nose; the next, the air turned thick with the cloyingly sweet aroma of overripe peaches and roasting meat. "Don't breathe too deeply," Nyx whispered. The Shade didn't walk so much as bleed across the landscape, their violet eyes glowing with a renewed, predatory intensity. "The air in Dymas is a physical weight. It seeks to fill more than just your lungs." Aurora looked down. The ground beneath her boots wasn't dirt or stone, but a carpet of moss so lush and vibrant it looked like crushed velvet. Every step she took released a tiny puff of golden spores that smelled faintly of cinnamon. Above, the sky hung like a canopy of bruised oranges and molten gold, an eternal sunset that cast long, distorted shadows across a horizon choked with growth. "It’s beautiful," Aurora murmured, though her hand instinctively gripped the hilt of the moonsilver dagger tucked into her belt. The Fae-forged blade remained ice-cold, a stark, sobering contrast to the oppressive heat of the realm. "So is a pitcher plant to a fly," Isolde Varga remarked. The half-Fae moved with her usual eerie grace, her silver hair trailing behind her like a ghost’s shroud. She left no indentations on the soft moss, moving over the landscape as if she were a dream the realm hadn't quite noticed yet. "To eat is to belong here. To hunger is to be hunted. We seek the Orchard of Whispers, but do not let the fruit tempt your tongue, Rory. A single bite binds a soul faster than any iron chain." They moved deeper into the sprawling expanse of Dymas. To their left, a river flowed not with water, but with a translucent, bubbling liquid that looked like liquid honey. Massive, iridescent dragonflies with wingspans the size of hawks hummed over the surface, their drone a low, vibrating bass note that Aurora felt in her teeth. The architecture of the place was equally unsettling. They passed a series of towers that looked less built and more grown. They were spiralling structures of ivory-coloured bone and polished mahogany, draped in vines that bore flowers the size of dinner plates. From the open balconies of these spires, the sounds of crystalline laughter and the rhythmic clinking of silverware drifted down. "Prince Belphegor’s guests," Nyx said, their form flickering into a more translucent state as they passed through a patch of brilliant amber light. "They’ve been feasting since the last Great Conjunction. Most have forgotten their names. Some have forgotten they have bodies at all." "How much further?" Aurora asked. Her throat felt parched, a biological irony considering the humidity. Her eyes tracked a cluster of heavy, violet grapes hanging from a nearby trellis. They looked bursting with juice, the skins dusted with a fine, silver bloom. Her hand twitched toward them before she caught herself. "Thirst is a lie told by the gut," Isolde said, her lavender eyes fixed on the path ahead. "Truth lies in the cold metal at your hip. Focus on the chill, Little Wolf." They crested a hill and the Orchard of Whispers finally revealed itself. It was a valley of gnarled, ancient trees with bark that looked like pleated silk. Instead of leaves, the branches were heavy with translucent spheres that glowed with a soft, inner light. As the wind stirred the branches, the spheres didn't rustle; they sighed. It was a thousand overlapping voices, a murmuring tide of secrets and half-forgotten memories. "The archives of Gluttony," Nyx murmured. "Every indulgence, every stolen taste, every secret whispered over a banquet table. It’s all stored here." "I need the one concerning the Warden’s breach," Aurora said, stepping into the shadow of the first tree. The ground here was littered with fallen spheres, some cracked open and leaking a thick, silvery ichor that smelled of old parchment and ozone. She reached out, her fingers hovering inches from a low-hanging globe. Inside, she could see a tiny, flickering image of a man in Tudor clothing, weeping as he stuffed handfuls of pearls into his mouth. The sound coming from the sphere was a wet, crunching sob. "Not that one," Isolde warned. "That is a common greed. You seek a secret of the Veil. Look for the fruit that bleeds blue." Aurora moved deeper into the grove, the whispers rising in volume until they became a roar of white noise. It was disorienting. She felt the weight of the Heartstone pendant grow heavier, pulling toward the center of the orchard. The deep crimson gem began to pulse in sync with a rhythmic thudding coming from the earth itself. "Someone's coming," Nyx hissed, their shadow stretching unnaturally long and thin, melting into the trunk of a silk-bark tree. "The Gatherers. They don't like uninvited tasters." From the far end of the valley, a group of figures emerged. They were tall, spindly beings dressed in tunics of woven grass, their skin the colour of overripe plums. They moved with a jerky, insectoid gait, carrying long hooked poles tipped with wickedly sharp silver blades. They didn't have eyes, only wide, circular mouths filled with rows of needle-thin teeth. "Rory, the tree to your right," Isolde commanded, her voice losing its riddling lilt. "The sapphire fruit. Take it now." Aurora spotted it. High up, nestled in a fork of silver branches, sat a single sphere that glowed with a piercing, electric blue light. It looked out of place among the amber and violet of the rest of the orchard. She didn't wait. She leaped for the lowest branch, the moss springing beneath her boots like a trampoline. The wood felt warm, almost like skin. As she pulled herself up, the Gatherers screeched—a sound like metal grinding on stone. They began to sprint, their long limbs covering the distance with terrifying speed. "Cover her!" Isolde shouted. Nyx exploded from the shadows. They didn't use a weapon; they became one. A lash of pure darkness whipped out, catching the lead Gatherer across its chest and sending it spiralling into a cluster of exploding spheres. A cacophony of voices erupted from the shattered globes, a scream of a thousand different souls that momentarily staggered the advancing creatures. Aurora climbed higher, her breath coming in ragged gasps. The air was getting thicker, sweeter, making her head swim. She reached for the sapphire sphere. Her fingers brushed the cool surface, and a shock of ice-cold energy raced up her arm, clashing violently with the heat of the realm. "Got it!" she yelled, wrenching the fruit from its stem. The moment the sphere left the tree, the orchard went silent. The whispering stopped. The sky deepened to a violent, bloody red. The Gatherers halted, their circular mouths opening wide as they let out a synchronized, low-frequency hum that made the very air vibrate. "The Prince knows," Nyx said, their form flickering violently as they reformed beside the tree. "The feast has been interrupted." Aurora slid down the trunk, the sapphire sphere tucked securely into her jacket. She landed hard on the moss, the Heartstone pendant now glowing so brightly it was visible through her clothes. "We need to go," she said, looking back at the Gatherers. They weren't running anymore. They were crouching, their hooks lowered, as the ground began to heave. A massive, bloated shape began to rise from the centre of the orchard. It was a mountain of pale, undulating flesh, draped in silks and smelling of a thousand rotting banquets. A gargantuan hand, each finger the size of a man, gripped the edge of a nearby ridge. "Belphegor," Isolde whispered, her lavender eyes wide. "He’s early for supper." The ground gave a violent lurch, and a rift of amber light tore open at Aurora's feet. It wasn't their way out; it was a mouth. A secondary maw of the realm opening to swallow the thieves. "Nyx, the Veil!" Aurora screamed, drawing the Fae-forged blade. She plunged the moonsilver dagger into the edge of the opening rift. The cold magic of the blade bit into the golden heat of Dymas, creating a jagged, sparking tear of white light. The Prince’s massive head crested the ridge, a singular, lidless eye focusing on them with a hunger that felt like a physical vacuum. "The gate!" Isolde urged, shoving Aurora toward the silver tear. As Aurora jumped, she felt a massive, cold hand wrap around her ankle. One of the Gatherers had lunged through the chaos, its needle teeth inches from her boot. She kicked out, the Heartstone pendant flared with a blinding crimson light, and the creature’s grip vanished as it was incinerated by a burst of raw, hellish energy. Aurora tumbled through the silver tear, the scent of peaches replaced instantly by the biting, metallic tang of a London alleyway. She hit the wet cobblestones hard, the sapphire sphere rolling from her jacket and coming to a rest against a discarded beer can. Behind her, the shimmer of the Veil snapped shut with the sound of a closing tomb. She lay there for a second, gasping in the thin, cold air of Earth, her fingers trembling as she reached for the glowing blue secret they had just stolen from the throat of Gluttony. The alley was dark, save for a single flickering streetlight. Then, a shadow detached itself from the wall. It wasn't Nyx. "You’re late with the delivery, Rory," a voice rasped. Aurora looked up to see a man in a sharp, grey suit standing over her. He held a silenced pistol leveled at her chest, his eyes fixed on the sapphire sphere. "Hand it over, and I might let you keep the hand you used to steal it."
created_at"2026-02-19T12:45:26.762Z" 2/19/2026, 12:45:26 PM
model"google/gemini-3-flash-preview-20251217"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1079
moderation_latency(null)
generation_time18810
tokens_prompt5338
tokens_completion2536
native_tokens_prompt5247
native_tokens_completion2198
native_tokens_completion_images0
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0092175
router(null)
provider_responses
0
endpoint_id"6e82f652-2693-4b60-bbe0-7362d6e345f0"
is_byokfalse
latency1079
model_permaslug"google/gemini-3-flash-preview-20251217"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771505126-BmsCo3czNeW3zDhIXdDh"
upstream_id(null)
total_cost0.0092175
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags19
adverbTagCount0
adverbTags(empty)
dialogueSentences30
tagDensity0.633
leniency1
rawRatio0
effectiveRatio0
94.04% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1677
totalAiIsmAdverbs2
found
0
adverb"wickedly"
count1
1
adverb"very"
count1
highlights
0"wickedly"
1"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
28.44% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1677
totalAiIsms24
found
0
word"rhythmic"
count3
1
word"pulse"
count2
2
word"familiar"
count1
3
word"intensity"
count1
4
word"weight"
count2
5
word"velvet"
count1
6
word"stark"
count1
7
word"oppressive"
count1
8
word"crystalline"
count1
9
word"chill"
count1
10
word"silk"
count2
11
word"lilt"
count1
12
word"electric"
count1
13
word"cacophony"
count1
14
word"shattered"
count1
15
word"raced"
count1
16
word"synchronized"
count1
17
word"lurch"
count1
18
word"maw"
count1
highlights
0"rhythmic"
1"pulse"
2"familiar"
3"intensity"
4"weight"
5"velvet"
6"stark"
7"oppressive"
8"crystalline"
9"chill"
10"silk"
11"lilt"
12"electric"
13"cacophony"
14"shattered"
15"raced"
16"synchronized"
17"lurch"
18"maw"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences104
matches(empty)
87.91% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount4
narrationSentences104
filterMatches(empty)
hedgeMatches
0"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences115
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen39
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1664
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions17
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions55
wordCount1425
uniqueNames18
maxNameDensity1.12
worstName"Aurora"
maxWindowNameDensity2.5
worstWindowName"Aurora"
discoveredNames
Heartstone4
Aurora16
Veil2
London2
Shade1
Fae-forged2
Varga1
Dymas2
Orchard1
Whispers1
Tudor1
Gatherers4
Nyx7
Gatherer1
Prince1
Earth1
Gluttony1
Isolde7
persons
0"Aurora"
1"Veil"
2"Shade"
3"Varga"
4"Dymas"
5"Orchard"
6"Whispers"
7"Gatherers"
8"Nyx"
9"Prince"
10"Isolde"
places
0"London"
1"Tudor"
2"Earth"
globalScore0.939
windowScore0.833
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences89
glossingSentenceCount6
matches
0"felt like being swallowed by a warm, vi"
1"looked like crushed velvet"
2"quite noticed yet"
3"looked like liquid honey"
4"looked like pleated silk"
5"felt like a physical vacuum"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.601
wordCount1664
matches
0"not with water, but with a translucent, bubbling liquid"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences115
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs42
mean39.62
std19.97
cv0.504
sampleLengths
076
143
269
335
492
555
662
744
851
933
1070
1122
1242
1346
1424
1557
1626
1761
1820
1958
2034
214
2259
2349
2410
2544
2620
2732
2827
2948
3011
3137
3242
3323
3410
3557
3644
3750
3821
399
4031
4116
95.14% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences104
matches
0"being swallowed"
1"was littered"
2"was incinerated"
50.52% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount5
totalVerbs223
matches
0"were spiralling"
1"was disorienting"
2"was getting"
3"weren't running"
4"were crouching"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount5
flaggedSentences6
totalSentences115
ratio0.052
matches
0"She stepped through the shimmering distortion of the Veil, and the world didn't just change; it inverted."
1"One moment, the damp, familiar scent of London's rain-slicked pavement filled her nose; the next, the air turned thick with the cloyingly sweet aroma of overripe peaches and roasting meat."
2"As the wind stirred the branches, the spheres didn't rustle; they sighed."
3"As she pulled herself up, the Gatherers screeched—a sound like metal grinding on stone."
4"They didn't use a weapon; they became one."
5"It wasn't their way out; it was a mouth."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1438
adjectiveStacks1
stackExamples
0"piercing, electric blue light."
adverbCount37
adverbRatio0.02573018080667594
lyAdverbCount15
lyAdverbRatio0.01043115438108484
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences115
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences115
mean14.47
std6.99
cv0.483
sampleLengths
018
117
211
330
46
520
617
73
823
916
1027
1119
1216
1311
1418
1524
1639
179
1820
1926
208
2113
2221
2320
2423
2521
265
2710
2814
2913
309
3118
3215
3312
3415
3517
3612
3714
386
3916
4018
4124
4211
4324
4411
455
4619
4719
483
4917
42.03% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats15
diversityRatio0.33043478260869563
totalSentences115
uniqueOpeners38
67.34% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences99
matches
0"Instead of leaves, the branches"
1"Then, a shadow detached itself"
ratio0.02
66.46% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount38
totalSentences99
matches
0"She stepped through the shimmering"
1"She left no indentations on"
2"They moved deeper into the"
3"They passed a series of"
4"They were spiralling structures of"
5"Her throat felt parched, a"
6"Her eyes tracked a cluster"
7"They looked bursting with juice,"
8"Her hand twitched toward them"
9"They crested a hill and"
10"It was a valley of"
11"It was a thousand overlapping"
12"She reached out, her fingers"
13"It was disorienting."
14"She felt the weight of"
15"They were tall, spindly beings"
16"They moved with a jerky,"
17"They didn't have eyes, only"
18"It looked out of place"
19"She didn't wait."
ratio0.384
35.76% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount84
totalSentences99
matches
0"The Heartstone pendant thrashed against"
1"She stepped through the shimmering"
2"The transition felt like being"
3"The Shade didn't walk so"
4"Aurora looked down."
5"The ground beneath her boots"
6"Every step she took released"
7"Aurora murmured, though her hand"
8"The Fae-forged blade remained ice-cold,"
9"Isolde Varga remarked"
10"The half-Fae moved with her"
11"She left no indentations on"
12"They moved deeper into the"
13"The architecture of the place"
14"They passed a series of"
15"They were spiralling structures of"
16"Nyx said, their form flickering"
17"Her throat felt parched, a"
18"Her eyes tracked a cluster"
19"They looked bursting with juice,"
ratio0.848
50.51% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences99
matches
0"To their left, a river"
ratio0.01
57.57% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences67
technicalSentenceCount8
matches
0"The Heartstone pendant thrashed against Aurora's collarbone, a frantic, rhythmic pulse that mirrored her own spiking heart rate."
1"She left no indentations on the soft moss, moving over the landscape as if she were a dream the realm hadn't quite noticed yet."
2"They were spiralling structures of ivory-coloured bone and polished mahogany, draped in vines that bore flowers the size of dinner plates."
3"Instead of leaves, the branches were heavy with translucent spheres that glowed with a soft, inner light."
4"The ground here was littered with fallen spheres, some cracked open and leaking a thick, silvery ichor that smelled of old parchment and ozone."
5"High up, nestled in a fork of silver branches, sat a single sphere that glowed with a piercing, electric blue light."
6"The Gatherers halted, their circular mouths opening wide as they let out a synchronized, low-frequency hum that made the very air vibrate."
7"The Prince’s massive head crested the ridge, a singular, lidless eye focusing on them with a hunger that felt like a physical vacuum."
46.05% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags19
uselessAdditionCount3
matches
0"Isolde said, her lavender eyes fixed on the path ahead"
1"Isolde commanded, her voice losing its riddling lilt"
2"Nyx said, their form flickering violently as they reformed beside the tree"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags16
fancyCount10
fancyTags
0"Nyx whispered (whisper)"
1"Aurora murmured (murmur)"
2"Nyx murmured (murmur)"
3"Isolde warned (warn)"
4"Nyx hissed (hiss)"
5"Isolde shouted (shout)"
6"she yelled (yell)"
7"Isolde whispered (whisper)"
8"Aurora screamed (scream)"
9"Isolde urged (urge)"
dialogueSentences30
tagDensity0.533
leniency1
rawRatio0.625
effectiveRatio0.625
73.3036%