Run: 2026-02-19-01KHTYY779H0R36TSC3AR1JP9E

Run Details

Model:
GPT-5.2
Duration:
1m 41s
Cost:
$0.057274
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The third deadbolt snapped back under Aurora’s fingers, and the door swung open just enough for the chain to bite. Lucien Moreau filled the gap like a cut-out from a magazine, all tailored charcoal and expensive restraint, his platinum blond hair slicked back as if the world never dared ruffle it. His ivory-handled cane rested against his palm, not for balance, for punctuation. One eye glowed amber. The other drank the light, black and bottomless. Aurora tightened her grip on the chain. “No.” His gaze dropped to the narrow slice of her face he could see, then to her left wrist where her sleeve rode up, the small crescent scar flashing pale against her skin. “Bonsoir, Rory.” “Don’t call me that.” His mouth curved, not quite a smile, not quite anything kind. “You moved. Again.” Aurora’s laugh came out sharp. “You found me.” “I find what I need.” The old line. The same one he had used the last time he knocked on her life, all polished edges and no apologies. Heat rose in her throat, familiar and ugly. “You don’t need anything from me,” she said. “Go back to your demons and your deals.” Lucien leaned in, slow enough to read as politeness, close enough to make the chain feel like a thread. “You opened.” “I checked who it was so I could slam it in your face.” His eyes flicked past her shoulder into the cramped hall, the stacks of books, the loose scrolls pinned under paperweights, the mess that looked like a mind mid-fight. A tabby cat sat on the shoe rack like a sentry, tail twitching once. Ptolemy gave a low, unimpressed sound. Lucien’s nostrils flared. “Your friend keeps wards in curry-stained mugs.” “Eva makes do.” Aurora kept her voice level. “Unlike you.” Lucien’s hand slid to the chain, not touching it, hovering a breath away. He respected barriers when it suited him. That had always been part of the problem. “Remove it.” “No.” “Rory.” Aurora shoved the door another inch closed so the chain rattled in protest. “Say my name properly.” Lucien’s jaw worked once. The amber eye softened by a fraction, the black one stayed dead. “Aurora.” Better. Worse. She held the chain. Her pulse knocked in her ears, loud enough to drown out the sounds from the curry house below, clatter and voices seeping up through old pipes. Eva’s flat always smelled faintly of turmeric and paper, like someone had tried to season a library. Lucien spoke again, quieter. “You should not keep your locks on display.” “They’re deadbolts. Not lingerie.” His gaze slid over her, too knowing, not hungry in an obvious way, but attentive, like he catalogued every weakness and every strength. He always looked like that, even when his hands had been on her. Especially then. “I did not come for a quarrel,” he said. “You came because you’re bored.” “I came because I’m bleeding.” Aurora’s eyes dropped before she could stop them. A dark stain spread at his side, soaked into his suit near his ribs, blacker than it should have been. Not fresh blood red, more like ink. He watched her notice. “You’ve always had such a good eye for detail,” he said. “It made you useful.” There it was. The sting. The hook. She swallowed and hated that she still reacted. “You should’ve led with that,” she said. “Go bleed on your own furniture.” Lucien’s fingers closed around his cane. The ivory knob turned under his palm, a quiet threat. He held himself upright, but the stiffness at his shoulder gave him away. “Aurora,” he said, and this time her name sounded like a choice. “Someone followed me.” That put a different shape in the air. Aurora’s hand tightened on the chain until the metal bit her skin. She pictured the stairwell outside, the narrow landing, all the places a body could hide in a building that old. Eva’s flat sat above a curry house, but it might as well have been above a fault line. People came and went. Sounds disappeared into the walls. “You don’t bring trouble to Eva’s door,” Aurora said. Lucien’s mouth flattened. “I did not intend to.” “You never do.” She inhaled through her nose. “Who?” Lucien lifted his gaze to meet hers. “The same people you thought you escaped when you left Cardiff.” Aurora’s stomach dropped so hard it felt like her ribs shifted. “Don’t,” she said. Lucien didn’t blink. “Evan knows you’re in London.” Her throat tightened. Evan. Not the one on her wrist scar, not childhood, not accidents, but the other scar, the one no one saw. She tasted copper anyway. Aurora forced her voice steady. “You’re lying.” Lucien’s eyes held hers, unblinking, almost gentle. “If I lied, I would choose something flattering. You always assumed I lied for sport. I lie for leverage.” She hated that she believed him. She hated that he had come here at all. She hated that a small, traitorous part of her felt relieved to see him standing in the doorway like a problem she understood. Ptolemy hopped down from the shoe rack and stalked closer, tail straight, then stopped at the gap and sniffed at Lucien’s trouser leg with theatrical disgust. Lucien looked down. “Charming.” “He likes honest people.” Ptolemy sneezed. Aurora let out a breath. “Get in,” she snapped. “Before you drip on the hallway.” Lucien’s shoulders loosened by a fraction, as if she had just made a promise. He slipped through the gap when she unhooked the chain, moving with the controlled grace of someone who had learnt to carry pain without giving it the satisfaction of showing. Aurora slammed the door and threw the deadbolts one, two, three. Each clack sounded too final. Lucien stood in the narrow hall, close enough that his cologne cut through curry spices and old paper. Something darker threaded under it, faint smoke and iron. Aurora turned. “Shoes off.” Lucien glanced down at his polished leather shoes, then at her face. “You keep rules.” “I keep Eva’s floors clean.” Aurora jerked her chin. “And I keep you from leaving footprints.” Lucien’s mouth twitched. He bent, slow, and removed his shoes with a neatness that felt obscene in a flat where research notes lay in drifts like snow. He set them together by the wall, like a guest. Like he belonged. Aurora hated how easy he looked in the space, as if he could step into anyone’s life and arrange himself there. She led him through the cluttered living room. Books stacked in towers. Scrolls rolled and tied with string. A corkboard crowded with newspaper clippings and hand-written notes. A kettle sat on the counter among mugs, some with half-faded sigils drawn in marker. Eva’s work, messy but effective. Lucien’s gaze touched everything and missed nothing. “A charming nest,” he murmured. “Sit.” Aurora pointed at the only armchair not covered in paper. Lucien lowered himself into it with care, his cane angled across his knees. His fingers flexed once around the ivory handle. Aurora hovered by the kitchen counter, grabbing a clean tea towel, then thought better of it and took an old T-shirt from a chair instead. “Lift your jacket,” she said. Lucien’s amber eye sparked. “You issue orders so sweetly.” “Lift it,” she repeated. “Or you can bleed to death and save me the trouble of dealing with you.” He obeyed, shrugging out of the suit jacket and easing up his shirt. The wound sat between ribs, a slice that looked too clean for a knife fight and too angry for an accident. The blood shimmered wrong, like oil in water. Aurora’s mouth went dry. “That’s not human.” Lucien tilted his head. “Neither is the person who made it.” Aurora pressed the cloth against his side. He hissed, the sound sharp, then swallowed it down. His hand shot out and caught her wrist, not hard, but firm, fingers closing over that old crescent scar as if he had memorised it. “You press like you want it to hurt,” he said. “I press like I want it to stop.” Lucien’s thumb stroked once, slow, over the scar. A gesture too intimate for the distance they pretended to keep. Aurora’s stomach clenched. She pulled her wrist away. “Don’t.” Lucien’s eyes lifted to her face. “That word,” he said. “You used it once before. Do you recall what I did?” Aurora’s voice came out thin. “You left.” Lucien’s expression flickered, something like regret trying to break through a locked door. “I did not leave,” he said. “I withdrew. There is a difference.” She scoffed and kept pressure on the wound. “You withdrew because I stopped being useful.” Lucien’s laugh held no warmth. “You were always useful. That was the danger.” Aurora didn’t look at him. She focused on the blood soaking into the cloth, on the way it clung. Ink-blood. Demon-work. “You should go to a hospital,” she said. Lucien’s gaze travelled her face like he traced the lines he had once kissed. “And tell them what? That a gentleman with an unfortunate parentage took a blade meant for him in an alley behind a club that does not exist on any map?” Aurora’s mouth tightened. “You always had an answer.” “It is what people pay for.” He leaned back, breathing shallow. “You, however, never asked for answers. You asked for truth.” “Don’t pretend you gave it to me.” Lucien’s black eye seemed to deepen, swallowing what little softness had appeared. “I gave you what I could.” “What you could afford,” she shot back. “You kept your secrets and you handed me crumbs. Then you vanished.” Lucien’s hand slid to the edge of the cloth, touching where her fingers pressed. “I vanished because you asked me to.” Aurora froze. She met his gaze. The amber eye held hers with infuriating steadiness. The black one made her feel seen in a way she didn’t want. “I told you to get out,” she said. Lucien nodded once. “And I did. Because if I stayed, Aurora, I would have taken more than you offered.” A pulse of heat ran up her throat. She hated him for that sentence. She hated her body for reacting. She remembered his hands anyway, remembered how he had hovered at her mouth like permission mattered to him more than pride. She dropped the blood-soaked cloth into the sink with a wet slap. “Why are you here?” she asked. Lucien exhaled, slow, controlled. “Because Evan is not the only one who knows.” Aurora’s fingers went cold. “Who else?” she demanded. Lucien’s gaze flicked to the corkboard, the messy research, the sigils on mugs. “Your friend has been asking questions,” he said. “Loud ones.” Aurora’s stomach tightened. “Eva doesn’t ask questions loudly. She hoards them quietly.” Lucien’s mouth curved. “She became careless.” “That’s not like her.” Lucien shifted in the chair and grimaced. He sat straighter, stubborn. “It becomes like her when she fears for you.” Aurora bristled. “You don’t get to speak for her.” Lucien’s voice softened, dangerous for how calm it sounded. “I do not speak for her. I speak for the eyes on this building, the ones that were not here last week.” Aurora’s mouth went dry. She moved to the window, careful not to step on loose papers, and peeked through a gap in the curtains. Brick Lane’s chaos looked normal from here, people moving, lights from shops, nothing obvious. That made it worse. She turned back. “You brought them,” she said. Lucien didn’t flinch. “I led them away twice,” he said. “They circled back. They want what you carry.” “I don’t carry anything.” Lucien’s amber eye flicked to her left wrist again. “You do,” he said. “You simply stopped looking at it in mirrors.” Aurora’s skin prickled. The scar. Childhood accident, she had always called it that because it sounded harmless. The truth sat under it like a splinter. Lucien watched her face, as if he read each flicker. “You never told me what you knew,” she said. “I asked.” He leaned forward a fraction, pain tightening his mouth. “You smiled at me like a solicitor in training and said nothing. You lied with silence, Aurora. It suited you.” Her cheeks flushed, anger and something else. “You enjoyed that,” she said. “You enjoyed watching me squirm.” Lucien’s gaze dropped to her mouth, lingered. His voice came out lower. “I enjoyed many things about you.” Aurora’s breath caught. She hated the way the room shrank around that sentence, how the air thickened between them. She forced her hands to stay busy, grabbed another cloth, rinsed it, wrung it out hard. “You can’t flirt your way out of this,” she said. Lucien’s mouth twitched. “I do not flirt when I bleed on someone else’s floor.” “Charming.” He held her gaze. “I do not apologise for wanting you.” Aurora’s heart thumped. She stepped closer before she could stop herself, the space between them narrowing. The smell of him filled her head, expensive and wrong, like a promise that always came with a cost. “You don’t get to want me whenever it suits you,” she said. Lucien lifted his hand, slow, palm up, offering rather than taking. “Then tell me what I get,” he said. “Because you opened the door.” Aurora stared at his hand. Pale knuckles, clean nails, a faint smear of his own blood near the base of his thumb. He made even an invitation look like a contract. She didn’t put her hand in his. She reached past him, grabbed his shirt hem, and yanked it up enough to see the wound again. “If you die in Eva’s chair, she’ll resurrect you to kill you again,” Aurora said. Lucien inhaled, a sharp sound that might have been laughter if it had warmth. “Noted.” Aurora pressed the clean cloth against his ribs. He tensed, then steadied. His hand rose and stopped at her waist, hovering, then settled with a light touch that made her stomach clench harder than any insult. “You still shake when you’re angry,” he murmured. “I’m not shaking.” His fingers tightened a fraction, just enough to tell her he felt it too, the faint tremor in her muscles, the pulse in her skin. “You are,” he said. “And you still stand too close when you want to run.” Aurora swallowed. “I want you out.” Lucien’s black eye fixed on her, unreadable. “Lie again,” he said, softly. The words hit like a slap because they landed on something true. Aurora’s breath caught, and for one ugly second she pictured it, his mouth on hers, the way he had always held back until she closed the distance, like he liked watching her choose. A heavy thud jolted the door. Ptolemy shot upright, fur bristling, a low growl vibrating out of his small body. Another thud, harder, the deadbolts rattling in their sockets. Lucien’s hand dropped from her waist to his cane in one smooth motion. The ivory handle turned, and steel whispered from within, a thin blade sliding out like a secret finally admitted. Aurora stepped back, blood rising cold in her veins. “That’s not Evan,” she said. Lucien rose, the movement controlled, but pain pinched his mouth. His amber eye flared brighter. The black one seemed to widen. “No,” he said. “Evan knocks like a man.” The door shuddered again, and something scraped across the wood, slow and deliberate, like a nail testing grain. Lucien angled himself between Aurora and the hall. “Do not open it,” he said. Aurora’s fingers curled into fists. “I didn’t plan to.” A voice slid through the door, muffled but clear enough to raise the hair on Aurora’s arms. Not Evan’s. Not human. “Aurora Carter,” it called, sweet as syrup and twice as rotten. “We came for what you owe.” The deadbolts screamed as the door buckled inward, and Lucien’s blade caught the light as he lifted it.
created_at"2026-02-19T12:45:30.74Z" 2/19/2026, 12:45:30 PM
model"openai/gpt-5.2-20251211"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency11062
moderation_latency(null)
generation_time100853
tokens_prompt4556
tokens_completion4491
native_tokens_prompt4075
native_tokens_completion4028
native_tokens_completion_images0
native_tokens_reasoning486
native_tokens_cached3968
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.05727365
router(null)
provider_responses
0
endpoint_id"f00142c2-6a93-49ce-9e36-5593b904ce3b"
id"resp_03c826c2f71e8afa01699705ead1fc8197a17f3eb96a7c865c"
is_byokfalse
latency159
model_permaslug"openai/gpt-5.2-20251211"
provider_name"OpenAI"
status200
api_type"completions"
id"gen-1771505130-ymbb87aY8bu3vOugbQ9O"
upstream_id"resp_03c826c2f71e8afa01699705ead1fc8197a17f3eb96a7c865c"
total_cost0.05727365
cache_discount0.0062496
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags42
adverbTagCount1
adverbTags
0"He leaned back [back]"
dialogueSentences121
tagDensity0.347
leniency0.694
rawRatio0.024
effectiveRatio0.017
96.23% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2651
totalAiIsmAdverbs2
found
0
adverb"sweetly"
count1
1
adverb"softly"
count1
highlights
0"sweetly"
1"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
64.16% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2651
totalAiIsms19
found
0
word"familiar"
count1
1
word"flicked"
count3
2
word"pulse"
count3
3
word"stomach"
count4
4
word"shimmered"
count1
5
word"flickered"
count1
6
word"warmth"
count2
7
word"traced"
count1
8
word"flicker"
count1
9
word"silence"
count1
10
word"unreadable"
count1
highlights
0"familiar"
1"flicked"
2"pulse"
3"stomach"
4"shimmered"
5"flickered"
6"warmth"
7"traced"
8"flicker"
9"silence"
10"unreadable"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"let out a breath"
count1
1
label"stomach dropped/sank"
count1
highlights
0"let out a breath"
1"stomach dropped"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences230
matches
0"felt relieved"
93.17% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount4
hedgeCount4
narrationSentences230
filterMatches
0"feel"
1"notice"
2"look"
hedgeMatches
0"tried to"
1"tended to"
2"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences309
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen33
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2642
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions52
unquotedAttributions0
matches(empty)
16.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions97
wordCount1957
uniqueNames7
maxNameDensity2.35
worstName"Lucien"
maxWindowNameDensity4.5
worstWindowName"Lucien"
discoveredNames
Aurora40
Moreau1
Lucien46
Lane1
Evan2
Ptolemy4
Eva3
persons
0"Aurora"
1"Moreau"
2"Lucien"
3"Evan"
4"Ptolemy"
5"Eva"
places
0"Lane"
globalScore0.325
windowScore0.167
28.05% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences123
glossingSentenceCount6
matches
0"not quite a smile, not quite anything kind"
1"not quite anything kind"
2"looked like a mind mid-fight"
3"looked like that, even when his hands had"
4"sounded like a choice"
5"felt like her ribs shifted"
6"something like regret trying to break throug"
10.75% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches5
per1kWords1.893
wordCount2642
matches
0"not hungry in an obvious way, but attentive, like he catalogued every weakness"
1"Not the one on her wrist scar, not childhood, not accidents, but the other scar, the one no one saw"
2"not childhood, not accidents, but the other scar, the one no one saw"
3"not accidents, but the other scar, the one no one saw"
4"not hard, but firm, fingers closing over"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount4
totalSentences309
matches
0"hated that she"
1"hated that she"
2"hated that he"
3"hated that a"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs209
mean12.64
std11.81
cv0.934
sampleLengths
020
155
27
31
432
52
64
711
83
95
103
115
1231
1316
1419
152
1613
1742
186
193
207
2110
2228
232
241
251
2613
274
2816
291
302
3147
324
338
344
3538
369
375
385
3935
404
4115
427
438
4413
4529
4615
478
4859
499
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences230
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs389
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences309
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1965
adjectiveStacks0
stackExamples(empty)
adverbCount78
adverbRatio0.03969465648854962
lyAdverbCount7
lyAdverbRatio0.0035623409669211198
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences309
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences309
mean8.55
std6.41
cv0.75
sampleLengths
020
131
212
34
48
57
61
732
82
94
1011
113
125
133
145
153
1620
178
188
198
2019
212
2213
2328
2414
256
263
277
288
292
3013
317
328
332
341
351
3613
374
384
3912
401
411
421
434
4426
4517
464
478
484
4923
44.50% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats17
diversityRatio0.21359223300970873
totalSentences309
uniqueOpeners66
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences182
matches(empty)
ratio0
94.73% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount57
totalSentences182
matches
0"His ivory-handled cane rested against"
1"His gaze dropped to the"
2"His mouth curved, not quite"
3"His eyes flicked past her"
4"He respected barriers when it"
5"She held the chain."
6"Her pulse knocked in her"
7"His gaze slid over her,"
8"He always looked like that,"
9"He watched her notice."
10"She swallowed and hated that"
11"He held himself upright, but"
12"he said, and this time"
13"She pictured the stairwell outside,"
14"She inhaled through her nose"
15"Her throat tightened."
16"She tasted copper anyway."
17"She hated that she believed"
18"She hated that he had"
19"She hated that a small,"
ratio0.313
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount176
totalSentences182
matches
0"The third deadbolt snapped back"
1"Lucien Moreau filled the gap"
2"His ivory-handled cane rested against"
3"The other drank the light,"
4"Aurora tightened her grip on"
5"His gaze dropped to the"
6"His mouth curved, not quite"
7"Aurora’s laugh came out sharp."
8"The old line."
9"The same one he had"
10"Heat rose in her throat,"
11"Lucien leaned in, slow enough"
12"His eyes flicked past her"
13"A tabby cat sat on"
14"Ptolemy gave a low, unimpressed"
15"Lucien’s nostrils flared."
16"Aurora kept her voice level"
17"Lucien’s hand slid to the"
18"He respected barriers when it"
19"That had always been part"
ratio0.967
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences182
matches(empty)
ratio0
84.94% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences74
technicalSentenceCount6
matches
0"Lucien Moreau filled the gap like a cut-out from a magazine, all tailored charcoal and expensive restraint, his platinum blond hair slicked back as if the world…"
1"His eyes flicked past her shoulder into the cramped hall, the stacks of books, the loose scrolls pinned under paperweights, the mess that looked like a mind mid…"
2"He slipped through the gap when she unhooked the chain, moving with the controlled grace of someone who had learnt to carry pain without giving it the satisfact…"
3"He bent, slow, and removed his shoes with a neatness that felt obscene in a flat where research notes lay in drifts like snow."
4"His hand shot out and caught her wrist, not hard, but firm, fingers closing over that old crescent scar as if he had memorised it."
5"Lucien watched her face, as if he read each flicker."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags42
uselessAdditionCount2
matches
0"He leaned, pain tightening his mouth"
1"he said, softly"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags36
fancyCount6
fancyTags
0"she snapped (snap)"
1"he murmured (murmur)"
2"she repeated (repeat)"
3"she demanded (demand)"
4"He leaned (lean)"
5"he murmured (murmur)"
dialogueSentences121
tagDensity0.298
leniency0.595
rawRatio0.167
effectiveRatio0.099
76.6619%