Run: 2026-02-19-01KHTYZKB7HNAN19B3D4S3BMTN

Run Details

Model:
GPT-5
Duration:
5m 25s
Cost:
$0.071590
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora sank the cold Fae blade into the hairline crack and dragged it down. The air tore like wet linen. The pendant at her throat burned hot as a coal. The basement under Silas' bar stank of spilled stout and disinfectant. White paint peeled in long curls along the brick arch. A crate tower brushed her shoulder as the crack widened into a mouth. Nyx leaned in without weight, a slope of midnight unfurling from the corner where light never landed. "Do not linger," the whisper slid around her ear, carried by nothing she could name. "This cut will bleed." Aurora looped the pendant chain around her fingers and took a breath that tasted of yeast and old wood. The blade thrummed in her palm, unforgiving and cold. She pushed through the opening while it still had the grace of a doorway and not the teeth of a trap. Heat rolled over her. Not a sun's heat, not a hearth's. Sweetness hit her tongue before smell caught up, a slick velvet taste of honey and fat and overripe fruit. Her boots sank a fraction into something that gave like sponge and sprang back. She caught herself on a vine the colour of fresh bruises and yanked her hand back when the thorns swivelled to catch her pulse. Nyx flowed after her and then pulled tall, a ripple coalescing into impeccable absence of detail. Only the eyes, low violet fire, betrayed an outline against everything else. Their voice came like breath through a keyhole. "Dymas." "Not exactly Soho," Aurora said. The joke steadied her, small, sharp. The pendant beat against her clavicle, a second heart. The blade in her right hand flashed a cold grin. She looked up and stopped. The sky ran amber, like good whisky caught in a glass, light seeping from nowhere in particular. Vines shouldered over vines in greedy confusion, heavy strands braided with living things that did not belong in any botanical book. Fruit blistered along them in swollen clusters, skins too thin for what pushed inside, translucent enough to show veins pulsing. Insects stitched glittering lines from bud to blossom, sugar-bodied things whose wings chimed when they cut the air. Somewhere not far away, iron rang on iron and cooks shouted in languages her mouth could not shape. Aurora swallowed bile and hunger in the same breath. The ground looked like earth until she scuffed it with her heel and stirred a soft avalanche of crumbs. Not dirt. Crust. The smell changed when she balled a little between finger and thumb and rubbed it, sweet and rich and old. Bread flour, ground with something darker. She wiped her fingers down the seam of her jeans and left a pale smear. Her stomach tightened, not with normal hunger, but with a pulled thread of desire, stitched here for strangers. "The prince keeps a clean table," Nyx said. "He polishes sin until it gleams." "Belphegor," she said, as if saying the name let her file it in a cabinet. "The glutton." Nyx's eyes flickered. "A prince counts, and the count is taste." The pendant thrummed harder, tugging not north or south but along a feeling that had no cardinal point. She turned until the tug smoothed out to a steady beat and took a step. The ground sighed under her weight with a faint crackle, crust giving and settling. A dark line cut between the vineyard rows, not a path they had made for visitors, but a trench of pressed grape skins and stems, glossy and black, shining with a wet sheen. It moved under its own breath, a slow creep, as if drawn toward something with a pull of its own. Her body did not want to step into it. Her hand did, the hand that held the pendant. She set her boot on the compacted skins and felt them yield and firm like a muscle. The rows broke past a stand of twisted pear trees, their leaves lacquered, their fruit the size of her head and sweating. The pears sagged on their stems as if the trees could not bear them, and from one, a thin stream of something clear and sharp-dripping hit a porcelain bowl placed beneath it. A man in a white apron, crisp and immaculate despite the sap flecked on his forearms, held a spoon out with reverent care. He tipped it to his tongue and sighed. His apron said Leitham House in an elegant script. The words had been clean once. The fabric under them had a brand seared through it, a circle with a crown and a fork, puckered and angry still. His eyes lifted and found Aurora and widened, not with hope so much as calculation. He glanced at Nyx and then fixed on the blade at Aurora's hip as if knives were the only language he trusted. "You came wrong," he said, voice rough, accent London with old training under the polish. "Guests enter through the kitchens." Aurora let her weight slide to her heels. "We did not dress for the door list." He looked past her again, into the vines, into a path she could not see. "Are you judged?" "Wrong table," Aurora said. "Then leave." He dipped the spoon again and then did not lift it. His hand shook. "No, wait. Foolish. Stay and do me a small kindness for a friend of a friend. A minute's work." Nyx unfolded a little taller, inhuman grace in a tight place. "A minute here is a crooked measure." The man's laugh came down to a thread. He turned the spoon in the bowl and spoke without looking at them. "They bind scent to a name. If I give this jar to the Taster, he will own me for one more turn of the table. I said yes when I came. Contracts held like sugar glass, beautiful and useless once cracked. They will not crack for me." Aurora's wrist throbbed where an old crescent scar traced pale on her skin. The pendant radiated heat toward a direction that ran through his body and past him into the vines. She thought of the bar upstairs and Silas chewing a matchstick, of rent due and a life lived between takeaways and closed doors. She thought of Evan's hand around her wrist and a promise she had not kept that time because she had no blade to cut the promise in two. She had a blade now. She did not pick the man's jar up. "What do you lose if we say no?" she said. He looked up. Tears had tenderised the red rims of his eyes. They had not fallen. "My tongue next, I expect. They take parts that offend them with their beauty. I would prefer to keep mine." Nyx's head tilted. "Your tongue began this," they said. "It will finish it." The chef flinched. He looked at the pendant on Aurora's chest, and his breath hitched. "Who gave you that?" "Someone who did not leave a name," Aurora said. "That stone knows its maker. That stone knows the way to the heart of the Feast." He drew his lips back from his teeth, a grimace that wanted to be a smile. "Everyone here runs toward or from the same kitchen." Aurora glanced at Nyx. The violet fire said nothing she could use. The pendant beat hotter in her grip, a demand now, not a pull. She moved past the man and let the thread in her chest lead. The trench of skins widened into a canal. Wine ran deep and slow, dark as blood in a vein. Froth gathered in delicate flurries where submerged objects interrupted the flow. The air steamed raisins and oak and something medicinal that warned her nose even while her mouth watered. A wooden bridge arched over the canal, varnished gleam like sugar glaze. When her boot hit the first plank, it sank and oozed. She snatched her foot back before it swallowed leather and toes and pride. "Once across," Nyx murmured, "you will not find the same boards beneath you again." "Helpful," Aurora said. She scanned the edge. Grapevines tangled into stiff lattices, braided with bones so small and so many that the lattice held like steel. A cart sat half up on the bank, wheels stuck in the candy glaze of a petrified drip, piled with split barrels that breathed. The barrels drew in and out almost imperceptibly, a slow respiration that matched the tug of the canal. She spotted a line of stepping stones set just below the surface, flat ovals pale against the dark. Sugar loaves, shaved and compressed. They glinted like teeth. She tightened the pendant chain in her fist and stepped on the first one. It held. She took another, heel to toe, eyes on the far bank. The wine skinned over around her boot soles and then broke, sticky cold catching her ankles in a clinging caress that felt like welcome and wanted to be possession. Halfway across, a shadow shifted beneath her. A fish, she thought, then discounted it when a ladle, long-handled, sprung from the surface to lap at her calf with a silver bowl. It left a bright smear where it touched. Her pulse thudded. She moved. The ladle followed, slurping enthusiastically, a child's tongue at a sweet. Another joined it with a polite clink. "Nyx," she said through her teeth. Cold touched the back of her knee, not water-cold, not ice-cold, but absence. Arms shaped from shade gripped her and lifted as if fireflies made a net and strange physics agreed to be kind for once. She skimmed the last three stones. The far bank hit her soles, hard, clean, and she stumbled to her knees. Liquid laughter rippled under the surface of the canal behind her, sounding like cutlery in a drawer. She stood. Sticky purple laced her skin where the ladle had kissed. It tingled, a warning that hummed in the old scar on her wrist, a nervous system she did not remember growing. She wiped her leg on the grass. It left no stain there. The grass drank it. "What would have happened if they tasted more?" she asked. "They keep samples," Nyx said. "You would have found your reflection on a plate. Some would clap. Some would salivate." "Right." They moved. The vineyard ended in a border of tall hedges cut into shapes that did not settle into lions or swans or anything human. The shapes changed while she watched, as though the gardener tasted an idea and then spat it back out. Beyond the hedge, noise rose and fell with the steady cadence of a kitchen at service. Voices overlapped like a woven mat. No one sang. They slipped through a doorway in the hedge framed by two topiaries that leaned together as if to whisper. The scent shifted from raw sugar to heat and metal and sharp herbs bruised under knife blades. A courtyard opened in front of them, checkerboard tiles worn to soft hollows. On one side stood a row of ovens shaped like gaping mouths, glazed bricks red as a wound scab. Flames licked and curled slow as tongues. On the other, a wet market sprawled, tables heaped with things she could not name. Some writhed. Some watched with unblinking eyes. Human men and women, and things that had chosen forms mostly human out of politeness or practice, worked with measuring cups and cleavers and elaborate spoons, each wearing a mark somewhere on skin or garment. Steel sang against steel. The air tasted of salt and satisfaction and old tears boiled to nothing and scraped from the pot. A woman with tattoo sleeves of vines up both arms thumped a cleaver through a pile of fruit that bled white, milk-sweet, and tossed the slices into a pan. A tall creature with a fox's skull for a head piped rosettes of something moss green onto desserts that squirmed, settled themselves, then hissed and lay flat, obedient. At the centre of it all, a long table stretched, piled with crockery, each plate engraved with the same circle and crown and fork the man had worn. At the far end of the courtyard, a set of bronze doors stood half open. Heat bled from the gap. The pendant in Aurora's fist pounded until her bones ached. Aurora and Nyx kept to the shadow of a stacked crate of sugar cones tall as a person. Aurora leaned in, peered over a rim, and made out carving across the bronze doors, small, detailed, a story told in loops and bites. Figures bowed under the weight of full plates. Other figures fed them. In the very centre, a single stylised heart encircled by thorns, not a Fae wreath, not anything she had seen in any church. Beneath that, a notch where a thing the size of a thumbnail might sit and turn. "The lock," she said. Nyx inhaled a thought. "The anchor," they said. "Where Earth tastes Hel and cannot decide it hates it." Aurora unclasped the pendant. The chain slipped cold through her fingers despite its heat. She glanced around. A boy in a stained cap stared at the sugar cones and thought of nothing beyond them. The woman with vine tattoos frowned at her pan as if it had offended her. No faces turned toward the door. She stepped away from the crate and walked, not fast enough to draw a glance, not slow enough to be noticed. The pendant threw heat against her palm until her skin felt the start of a blister. At the doors, she found the notch again with her thumb. The pendant dropped into it like a key into an old lock, a small, perfect sound. Heat ran up the bronze and turned the carvings a deeper shade. The doors shivered. A ripple went through the flagstones under her feet and came back again, a return pulse that believed it had a right to be answered. The air thickened. There it was, the thin glimmer of a barrier, not seen with eyes but felt against skin like the hum of a live wire. The Veil. Here it groaned. "Cut," Nyx whispered. Aurora put her left hand firm on the bronze, breath steady enough to make a measure. She brought the Fae blade up. Cold slid down into her bones, clean and absolute. She set the blade against the shimmer and pushed. It pushed back. The shimmer had teeth, not real, not visible, but sensation that bit. The blade bit deeper. The shimmer whimpered like something small and cornered, then snapped like something bigger and hungrier. She rooted her feet and pressed. The Veil's give had always felt like a curtain before. Here it had the resilience of sinew. It did not part. It tasted. It went for the soft flesh of her wrist where the scar lay. Pain shot up her arm bright as lightning. Blood beaded where the shimmer kissed old skin. The droplet hung, fat, perfect. The bronze warmed as if a giant breath had blown against it. The heart-carving above the notch flickered like a real organ seen through a ribcage. Something listened. Something decided it had heard enough. A bell struck. It did not sound like a handbell, or a church bell. It sounded like a spoon rapping a crystal rim, precise, impersonal, escalating. One, two, three. The courtyard stilled without silence. Knives paused in air. Pans ceased to spit. Heads turned as if yoked to the same thought. "Service," someone said, reverent, afraid. Nyx's hand closed on Aurora's elbow. "Back position. He sends tasters first." A shadow sidled out through the bronze doors with no movement of hinges, only heat enough to curl her fringe. He paused on the threshold. He wore a modest suit the colour of black tea, exquisitely cut, lapels sharp as razors. His skin had the yellowed gloss of fat under a crisp roast. He had eyes so black they drank the edges of things around them, and when he smiled, his teeth had the sheen of sugar pulled thin and spun. He carried no plate. He did not need one. His tongue unrolled delicately, like ribbon, the colour of rose petals. The tip ended in a knifepoint. "New palate," he said. He did not look at her and then he did, the way a hawk's gaze finds a mouse. "Give me your hand." Aurora yanked the blade free and set it low, edge toward him, heart hammering at her throat where the pendant had left red. The courtyard drew a collective breath. The bell chimed again and again, faster. "Not on the menu," she said. He blinked slowly, with amused patience. "You came without invitation and pressed your flavour on our door." "Kitchen smells pass through floorboards too," Aurora said. "Consider it ventilation." The Taster cocked his head. He did not cross the doors' threshold. He did not need to. The tongue darted, testing air between them. Heat backed up under Aurora's ribs like steam caught under a lid. The pendant in the notch spun a fraction whether she wanted it to or not. The bronze groaned. On the worktables, a thousand small vibrations ran through the plates and cups. "Now," Nyx breathed, voice thin with strain she had not heard there before. "Now you cut." Aurora lifted the blade and drove it at the shimmer where pendant met notch. The bronze door clenched shut on the blade like a jaw. The Fae edge bit, then locked, metal crying in a thin, high scream. The ground bucked hard enough to throw her against the panel. Something in the floor broke loose with a wet snap. From the hedges behind them, a rustle ran like a wave. The sugar cones rattled in their crates and hurled themselves forward. The canal vomited wine in a purple plume. Every oven mouth yawned wider and showed teeth. The Taster stepped across the threshold, patience finished. His ribbon tongue lashed and coiled around Aurora's wrist with perfect aim, hot and wet and strong as a rope. He yanked. She did not go to him. Nyx did not stay insubstantial. They hit the Taster square in the chest like a falling tapestry made of winter. Violet flared. The Taster's tongue snapped back, scored and smoking. The courtyard erupted. Knives took flight in a murmuration. Vines crawled up from between the tiles with hooks ready. The bronze doors bellowed like boars. Aurora wrenched the pendant with her left hand. It stuck, then slid a fraction. The heart carving beat, once, twice, under her palm. Something roared from inside the hall and the sound came with scent, rich and choking, truffle and rendered marrow and syrup burnt to the edge, a call to hunger that turned knees to water. The nearest oven tore free of its bricks and lunged. Heat slammed toward her like a wall. She sank the Fae blade into the gap where door and frame kissed and hauled with everything her spine could give. The lock gave. The Veil screamed. The floor ripped like pastry, layers flaking up. The world tilted. The oven's mouth opened above her, all heat and teeth, and something with too many hands grabbed her from behind.
created_at"2026-02-19T12:47:50.64Z" 2/19/2026, 12:47:50 PM
model"openai/gpt-5-2025-08-07"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency37060
moderation_latency(null)
generation_time229788
tokens_prompt5338
tokens_completion5416
native_tokens_prompt4854
native_tokens_completion7085
native_tokens_completion_images0
native_tokens_reasoning3008
native_tokens_cached4736
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.0715895
router(null)
provider_responses
0
endpoint_id"7c2f859a-7890-4e8e-b1de-1cd1c0a800b4"
id"resp_0c08173ae522595d0169970676bc448196bfb5fb1eb1475015"
is_byokfalse
latency184
model_permaslug"openai/gpt-5-2025-08-07"
provider_name"OpenAI"
status200
api_type"completions"
id"gen-1771505270-lWmnSJ8pUiQHNtPSf54w"
upstream_id"resp_0c08173ae522595d0169970676bc448196bfb5fb1eb1475015"
total_cost0.0715895
cache_discount0.005328
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags25
adverbTagCount1
adverbTags
0"the whisper slid around [around]"
dialogueSentences47
tagDensity0.532
leniency1
rawRatio0.04
effectiveRatio0.04
96.89% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount3218
totalAiIsmAdverbs2
found
0
adverb"very"
count1
1
adverb"slowly"
count1
highlights
0"very"
1"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
62.71% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount3218
totalAiIsms24
found
0
word"weight"
count4
1
word"whisper"
count2
2
word"velvet"
count1
3
word"pulse"
count3
4
word"stomach"
count1
5
word"desire"
count1
6
word"flickered"
count2
7
word"porcelain"
count1
8
word"throbbed"
count1
9
word"traced"
count1
10
word"scanned"
count1
11
word"perfect"
count3
12
word"crystal"
count1
13
word"silence"
count1
14
word"tapestry"
count1
highlights
0"weight"
1"whisper"
2"velvet"
3"pulse"
4"stomach"
5"desire"
6"flickered"
7"porcelain"
8"throbbed"
9"traced"
10"scanned"
11"perfect"
12"crystal"
13"silence"
14"tapestry"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences267
matches
0"t with hope"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences267
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences290
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen47
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords3211
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions24
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions66
wordCount2902
uniqueNames13
maxNameDensity0.86
worstName"Aurora"
maxWindowNameDensity2.5
worstWindowName"Aurora"
discoveredNames
Fae5
White1
Aurora25
Nyx16
Leitham1
House1
London1
Silas1
Evan1
Cold2
Veil3
Taster4
Heat5
persons
0"Aurora"
1"Nyx"
2"Silas"
3"Evan"
4"Cold"
5"Veil"
6"Taster"
7"Heat"
places
0"White"
1"Leitham"
2"House"
3"London"
globalScore1
windowScore0.833
83.51% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences188
glossingSentenceCount5
matches
0"looked like earth until she scuffed it wi"
1"as if saying the name let her file it in a cabinet"
2"felt like welcome and wanted to be poss"
3"felt like a curtain before"
4"sounded like a spoon rapping a crystal rim"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches8
per1kWords2.491
wordCount3211
matches
0"not with normal hunger, but with a pulled thread of desire, stitched here for strangers"
1"not north or south but along a feeling"
2"not a path they had made for visitors, but a trench of pressed grape skins"
3"not water-cold, not ice-cold, but absence"
4"not ice-cold, but absence"
5"not seen with eyes but felt against skin like the hum of a live wire"
6"not real, not visible, but sensation"
7"not visible, but sensation"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences290
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs76
mean42.25
std33.92
cv0.803
sampleLengths
030
151
219
349
468
536
61
730
899
990
1014
1117
1211
1347
1488
1585
1674
1720
1816
1918
204
2135
2218
2368
2495
2510
2636
2713
2819
299
3041
3138
3284
3314
3468
3583
3662
376
3873
3949
4010
4120
421
4369
44154
45115
4693
474
4818
4992
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences267
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs507
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences290
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount244
adjectiveStacks0
stackExamples(empty)
adverbCount5
adverbRatio0.020491803278688523
lyAdverbCount1
lyAdverbRatio0.004098360655737705
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences290
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences290
mean11.07
std7.49
cv0.676
sampleLengths
014
16
210
311
410
513
617
715
84
919
109
1121
124
137
1419
1514
1624
1716
1812
198
201
215
226
239
2410
255
2617
2721
2820
2918
3018
319
3219
332
341
3520
366
3715
3818
398
406
4115
422
433
448
4518
4615
4714
4833
4920
37.13% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats39
diversityRatio0.30344827586206896
totalSentences290
uniqueOpeners88
27.89% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences239
matches
0"Only the eyes, low violet"
1"Somewhere not far away, iron"
ratio0.008
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount71
totalSentences239
matches
0"She pushed through the opening"
1"Her boots sank a fraction"
2"She caught herself on a"
3"Their voice came like breath"
4"She looked up and stopped."
5"She wiped her fingers down"
6"Her stomach tightened, not with"
7"she said, as if saying"
8"She turned until the tug"
9"It moved under its own"
10"Her body did not want"
11"Her hand did, the hand"
12"She set her boot on"
13"He tipped it to his"
14"His apron said Leitham House"
15"His eyes lifted and found"
16"He glanced at Nyx and"
17"he said, voice rough, accent"
18"He looked past her again,"
19"He dipped the spoon again"
ratio0.297
10.21% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount215
totalSentences239
matches
0"Aurora sank the cold Fae"
1"The air tore like wet"
2"The pendant at her throat"
3"The basement under"
4"A crate tower brushed her"
5"Nyx leaned in without weight,"
6"the whisper slid around her"
7"Aurora looped the pendant chain"
8"The blade thrummed in her"
9"She pushed through the opening"
10"Heat rolled over her."
11"Sweetness hit her tongue before"
12"Her boots sank a fraction"
13"She caught herself on a"
14"Nyx flowed after her and"
15"Their voice came like breath"
16"The joke steadied her, small,"
17"The pendant beat against her"
18"The blade in her right"
19"She looked up and stopped."
ratio0.9
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences239
matches(empty)
ratio0
92.24% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences127
technicalSentenceCount9
matches
0"Aurora looped the pendant chain around her fingers and took a breath that tasted of yeast and old wood."
1"Vines shouldered over vines in greedy confusion, heavy strands braided with living things that did not belong in any botanical book."
2"It moved under its own breath, a slow creep, as if drawn toward something with a pull of its own."
3"The pears sagged on their stems as if the trees could not bear them, and from one, a thin stream of something clear and sharp-dripping hit a porcelain bowl plac…"
4"The wine skinned over around her boot soles and then broke, sticky cold catching her ankles in a clinging caress that felt like welcome and wanted to be possess…"
5"Human men and women, and things that had chosen forms mostly human out of politeness or practice, worked with measuring cups and cleavers and elaborate spoons, …"
6"A woman with tattoo sleeves of vines up both arms thumped a cleaver through a pile of fruit that bled white, milk-sweet, and tossed the slices into a pan."
7"A tall creature with a fox's skull for a head piped rosettes of something moss green onto desserts that squirmed, settled themselves, then hissed and lay flat, …"
8"The woman with vine tattoos frowned at her pan as if it had offended her."
85.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags25
uselessAdditionCount2
matches
0"she said, as if saying the name let her file it in a cabinet"
1"he said, voice rough, accent London with old training under the polish"
86.17% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags21
fancyCount3
fancyTags
0"Nyx murmured (murmur)"
1"Nyx whispered (whisper)"
2"Nyx breathed (breathe)"
dialogueSentences47
tagDensity0.447
leniency0.894
rawRatio0.143
effectiveRatio0.128
82.1695%