Run: 2026-02-20-01KHXQ5F10NC7712Q1ASGGY3JD

Run Details

Duration:
1m 25s
Cost:
$0.001570
Provider:
Mistral

Model input

System
You are an expert and award-winning novel writer in the dark Fantasy genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4418" name="Nyx" aliases="Nyx, the Shadow, Nightwhisper" pronouns="they/them" species="Shade" storyRole="Wild Card"> <eyeColor>faintly glowing violet</eyeColor> <height>approximately 6'2" in solid form</height> <age>ageless</age> <form>humanoid silhouette of living shadow, can shift between solid and incorporeal</form> <voice>sounds like a whisper carried on the wind</voice> <description>A being of living shadow, existing between the mortal plane and the spaces between realms.</description> <backstory>Nyx was once a human sorcerer named Aldric who became trapped between realms during a failed summoning ritual in 1643. They now exist as a Shade, bound to the mortal plane but able to slip between shadows.</backstory> </character> <character id="4424" name="Isolde Varga" aliases="Isolde, the Seer" pronouns="she/her" species="Half-Fae" storyRole="Oracle"> <eyeColor>pale lavender</eyeColor> <hair>silver, reaching her waist</hair> <height>5'5"</height> <age>300 years old</age> <appearance>ethereal, ageless</appearance> <speech>speaks in riddles</speech> <footprints>leaves no footprints when she walks</footprints> <compulsion>cannot lie (Fae compulsion) but can mislead</compulsion> <description>A Half-Fae seer exiled from the Fae Courts for sharing visions with mortals.</description> <backstory>She now lives in a hidden grove in Richmond Park, offering cryptic prophecies to those who seek her out.</backstory> </character> <location id="853" name="Dymas (Gluttony)" aliases="Dymas, gluttony, Dymasian" realm="Hel" sin="Gluttony"> <ruler>Prince Belphegor</ruler> <skyColor>warm amber</skyColor> <description>A place of excess and indulgence. Sprawling vineyards, orchards, and gardens provide exotic ingredients for master chefs — often helbound souls contracted from Earth. Grand feasts and culinary competitions are common.</description> </location> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> <item id="2006" name="Fae-Forged Blade" aliases="the Fae blade, Isolde's gift" type="Weapon" origin="The Fae Courts"> <material>moonsilver</material> <shape>slender, leaf-shaped dagger</shape> <temperature>always cold to the touch</temperature> <glow>faintly luminescent in moonlight</glow> <power>can cut through magical wards; particularly effective against demons</power> <givenTo>given to Aurora by Isolde as a gift</givenTo> <description>A weapon of the Fae Courts, rare and highly coveted.</description> </item> <lore id="7001" name="The Veil" aliases="the Veil, the Barrier, the Boundary" category="Cosmology"> <solsticeEffect>weakens during the winter solstice, strengthens during the summer solstice</solsticeEffect> <appearance>faint shimmering distortion visible only to those with supernatural sight</appearance> <monitoring>rift points (tears in the Veil) are monitored by the Wardens</monitoring> <description>The Veil is the metaphysical barrier separating Earth from Hel and the Fae Realms.</description> </lore> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the fantasy genre. A small group enters an ancient, otherworldly place for the first time. The environment is alien and wondrous. Describe their exploration — what they see, hear, and feel as they move deeper. Include moments of discovery, unease, and wonder. Let the world-building emerge through the characters' experience rather than exposition. Use the codex entries above as your world reference for characters, setting, and lore. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The pendant around Aurora's neck pulsed with a warmth that seeped into her skin, guiding her through the shadowy alleyway. She could feel the presence of the Veil, the barrier between worlds, growing thinner with each step. The air hummed with an otherworldly energy that made the hairs on her arms stand on end. "Can you feel that?" she whispered, her voice barely audible over the distant hum of London traffic. Nyx, their shadowy companion, flickered like a candle flame in a draft. "The Veil is weak here," they murmured, their voice a whisper carried on the wind. "We're close." Isolde, the Seer, walked ahead, her silver hair catching the faint glow of the pendant. She left no footprints on the cobblestones, her steps silent and sure. "The grove awaits," she said, her voice echoing slightly, as if coming from far away. Aurora's heart pounded in her chest as they approached a circle of ancient oak standing stones, their gnarled branches twisting towards the sky. The air shimmered like a heat haze, and the scent of wildflowers filled her nostrils. She could see the faint outline of a doorway, a rift in the Veil. "Ready?" she asked, her hand tightening around the Fae-forged blade at her side. Nyx nodded, their form solidifying into a humanoid silhouette. "Lead the way, Aurora." She took a deep breath and stepped through the doorway, the world around her dissolving into a kaleidoscope of colours. When her vision cleared, she found herself standing in a hidden grove, the trees towering above her like sentinels. The sky was a swirl of colours, a canvas of purples, blues, and greens that seemed to shift and change with every breath. The air was thick with the scent of blooming flowers, and the sound of distant waterfalls filled the air. "Incredible," she breathed, her eyes wide with wonder. Isolde stepped through the doorway behind her, her pale lavender eyes taking in the scene. "Welcome to the Fae Grove," she said, her voice soft. "A place between worlds, where time moves differently." Nyx emerged last, their form flickering as they adjusted to the new environment. "It's beautiful," they said, their voice filled with awe. Aurora turned to Isolde, her eyes filled with questions. "What is this place? What happens here?" Isolde smiled, her eyes crinkling at the corners. "This is a place of power," she said. "A place where the veil between worlds is thin. It is a place of visions and prophecies, of revelations and truths." She led them deeper into the grove, the trees parting to reveal a clearing filled with wildflowers. In the centre stood a pool of crystal-clear water, its surface shimmering with an otherworldly light. "This is the heart of the grove," Isolde said, her voice barely above a whisper. "The pool of visions. It is said that those who drink from its waters will be granted a glimpse into the future." Aurora approached the pool, her reflection shimmering on the surface. She could see the faint outline of a city, its towers reaching towards the sky. She reached out a hand, her fingers brushing the water's surface. A jolt of energy shot through her, and she gasped, stumbling back. "What was that?" she asked, her heart pounding in her chest. Isolde's eyes were filled with concern. "The pool is powerful," she said. "It shows only what you are ready to see." Nyx stepped forward, their form flickering like a candle flame. "What did you see?" they asked, their voice filled with curiosity. Aurora shook her head, her mind still reeling from the vision. "A city," she said. "A city of towers and shadows. I think... I think it was London. But not as we know it." Isolde nodded, her eyes filled with understanding. "The future is not set in stone," she said. "It is a tapestry of possibilities, woven from the threads of our choices. The pool shows you one possible future, but it is not the only one." Aurora took a deep breath, her mind racing with questions. "What do we do now?" she asked, her eyes turning to Isolde. The Seer smiled, her eyes filled with a wisdom that seemed to span the ages. "We explore," she said. "We learn. And we prepare." She led them deeper into the grove, the trees parting to reveal a path that wound its way through the heart of the forest. The air was filled with the sound of birdsong and the rustling of leaves, and the scent of wildflowers hung heavy in the air. As they walked, Aurora couldn't shake the feeling of unease that settled in the pit of her stomach. The grove was beautiful, yes, but there was something else here, something dark and hidden. She could feel it in the air, a sense of foreboding that seemed to grow with every step. She reached out a hand, her fingers brushing against the rough bark of a nearby tree. The tree seemed to hum with energy, its leaves rustling softly as if whispering secrets in a language long forgotten. "What is this place?" she asked, her voice barely above a whisper. Isolde turned to her, her eyes filled with a sadness that seemed to span the ages. "This is a place of power," she said. "A place where the veil between worlds is thin. It is a place of visions and prophecies, of revelations and truths. But it is also a place of danger, a place where the unwary can lose themselves forever." Aurora swallowed hard, her mind racing with questions. "What do we need to be wary of?" she asked, her eyes scanning the shadows that seemed to dance at the edges of her vision. Isolde's eyes were filled with a wisdom that seemed to span the ages. "There are things here that are not as they seem," she said. "Things that lurk in the shadows, waiting for the unwary to stray from the path. They are drawn to the power of this place, to the energy that flows through the very heart of the grove." Nyx stepped forward, their form flickering like a candle flame. "What are they?" they asked, their voice filled with curiosity. Isolde's eyes were filled with a sadness that seemed to span the ages. "They are the lost," she said. "The forgotten. The ones who have strayed from the path and become trapped in the shadows. They are drawn to the power of this place, to the energy that flows through the very heart of the grove. They are drawn to the living, and they will stop at nothing to claim them for their own." Aurora's heart pounded in her chest as she took in Isolde's words. She could feel the weight of the Fae-forged blade at her side, its cold metal a stark contrast to the warmth of the pendant around her neck. She knew that they were in danger, that they were walking a path that was fraught with peril. But she also knew that they had no choice. They had to press on, to uncover the secrets of this place and the truth that lay hidden within its heart. As they continued their journey deeper into the grove, the trees seemed to grow taller and more twisted, their branches reaching out like skeletal fingers towards the sky. The air was thick with the scent of decay, and the sound of distant howls echoed through the forest, sending shivers down Aurora's spine. She could feel the presence of the lost ones, their eyes watching her from the shadows, their whispers filling the air with a sense of dread. She knew that they were close, that they were waiting for the perfect moment to strike. She tightened her grip on the Fae-forged blade, her knuckles white with tension. "Stay close," she whispered to Nyx and Isolde, her voice barely audible over the rustling of the leaves. "And whatever you do, don't stray from the path." They nodded, their eyes wide with fear and determination. They knew the stakes, they knew the danger that lay ahead. But they also knew that they had no choice. They had to press on, to uncover the secrets of this place and the truth that lay hidden within its heart. As they rounded a bend in the path, they came face to face with a sight that made Aurora's blood run cold. A figure stood in the middle of the path, its form twisted and gnarled like the trees that surrounded them. Its eyes were hollow pits of darkness, and its mouth was a jagged slash of blackness that seemed to stretch from ear to ear. "Who are you?" Aurora demanded, her voice steady despite the fear that threatened to overwhelm her. The figure tilted its head to the side, its eyes seeming to bore into her very soul. "I am the guardian of this place," it said, its voice like the rustling of dry leaves. "I am the one who stands between the living and the dead. I am the one who decides who may pass and who must turn back." Aurora's heart pounded in her chest as she took in the figure's words. She knew that they were in grave danger, that they were standing on the precipice of a battle that could very well be their last. But she also knew that they had no choice. They had to press on, to uncover the secrets of this place and the truth that lay hidden within its heart. She took a deep breath, her hand tightening around the Fae-forged blade. "We mean no harm," she said, her voice steady and sure. "We seek only knowledge, only the truth that lies hidden within this place. We seek only to understand the power that flows through its very heart." The figure's eyes seemed to bore into her very soul, and for a moment, Aurora thought that they were lost. But then, the figure stepped aside, its form dissolving into the shadows that surrounded them. "Pass, then," it said, its voice like the rustling of dry leaves. "But beware, for the path ahead is fraught with peril. The lost ones are many, and they are hungry. They will stop at nothing to claim you for their own." Aurora nodded, her heart pounding in her chest as she stepped forward, her companions close behind. She knew that they were in grave danger, that they were walking a path that was fraught with peril. But she also knew that they had no choice. They had to press on, to uncover the secrets of this place and the truth that lay hidden within its heart. As they continued their journey deeper into the grove, the trees seemed to grow taller and more twisted, their branches reaching out like skeletal fingers towards the sky. The air was thick with the scent of decay, and the sound of distant howls echoed through the forest, sending shivers down Aurora's spine. She could feel the presence of the lost ones, their eyes watching her from the shadows, their whispers filling the air with a sense of dread. She knew that they were close, that they were waiting for the perfect moment to strike. She tightened her grip on the Fae-forged blade, her knuckles white with tension. "Stay close," she whispered to Nyx and Isolde, her voice barely audible over the rustling of the leaves. "And whatever you do, don't stray from the path." They nodded, their eyes wide with fear and determination. They knew the stakes, they knew the danger that lay ahead. But they also knew that they had no choice. They had to press on, to uncover the secrets of this place and the truth that lay hidden within its heart. As they rounded another bend in the path, they came upon a sight that made Aurora's breath catch in her throat. A massive tree stood in the centre of a clearing, its trunk twisted and gnarled with age. Its branches reached out like skeletal fingers towards the sky, and its leaves were a vibrant shade of green that seemed to glow with an otherworldly light. At the base of the tree stood a stone altar, its surface carved with intricate runes that seemed to pulse with a faint, eerie light. Aurora could feel the power that radiated from the altar, the energy that seemed to flow through the very heart of the grove. She approached the altar, her heart pounding in her chest as she reached out a hand to touch the runes. The moment her fingers made contact, a jolt of energy shot through her, and she gasped, stumbling back. "What was that?" she asked, her voice barely above a whisper. Isolde's eyes were wide with wonder as she approached the altar, her fingers tracing the runes with a reverence that seemed to border on awe. "This is a place of power," she said, her voice filled with a sense of reverence. "A place where the veil between worlds is thin. It is a place of visions and prophecies, of revelations and truths." Nyx stepped forward, their form flickering like a candle flame as they approached the altar. "What are these runes?" they asked, their voice filled with curiosity. Isolde's eyes were filled with a wisdom that seemed to span the ages as she traced the runes with her fingers. "They are the language of the Fae," she said, her voice barely above a whisper. "The language of the old ones, the ones who walked this earth before time itself was born. They are the keepers of the secrets of the universe, the ones who hold the key to the mysteries of the cosmos." Aurora's heart pounded in her chest as she took in Isolde's words. She knew that they were standing on the precipice of something great, something that could change the course of their lives forever. She knew that they were standing on the edge of a revelation, a truth that could shatter the very foundations of their world. She took a deep breath, her hand tightening around the Fae-forged blade as she approached the altar once more. She knew that she had to be careful, that she had to tread lightly lest she disturb the delicate balance of power that flowed through this place. But she also knew that she had no choice. She had to press on, to uncover the secrets of this place and the truth that lay hidden within its heart. As she reached out a hand to touch the runes once more, a sudden gust of wind swept through the clearing, and the runes seemed to glow with a bright, blinding light. Aurora gasped, stumbling back as the light seemed to engulf her, filling her very being with a sense of power and purpose that she had never known before. When the light faded, she found herself standing in a vast, otherworldly landscape, the sky a swirl of colours that seemed to shift and change with every breath. She could see the faint outline of a city in the distance, its towers reaching towards the sky like the fingers of a giant hand. She could hear the distant sound of music, the melody haunting and beautiful, filling the air with a sense of longing and desire. She turned to Isolde and Nyx, her eyes wide with wonder. "Where are we?" she asked, her voice barely above a whisper. Isolde's eyes were filled with a sense of awe as she took in the sight before them. "This is the realm of the Fae," she said, her voice filled with a sense of reverence. "The realm of the old ones, the ones who walked this earth before time itself was born. This is a place of power, a place of visions and prophecies, of revelations and truths." Nyx's form flickered like a candle flame as they took in the sight before them. "It's beautiful," they said, their voice filled with awe. Aurora turned to Isolde, her eyes filled with questions. "What do we do now?" she asked, her heart pounding in her chest. Isolde's eyes were filled with a wisdom that seemed to span the ages as she took in the sight before them. "We explore," she said, her voice barely above a whisper. "We learn. And we prepare." And with that, they set off into the realm of the Fae, their hearts filled with wonder and their minds filled with questions. They knew that they were standing on the precipice of something great, something that could change the course of their lives forever. They knew that they were standing on the edge of a revelation, a truth that could shatter the very foundations of their world. And they knew that they had no choice but to press on, to uncover the secrets of this place and the truth that lay hidden within its heart.
created_at"2026-02-20T14:27:22.807Z" 2/20/2026, 2:27:22 PM
model"mistralai/mistral-small-3.2-24b-instruct-2506"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency231
moderation_latency(null)
generation_time85256
tokens_prompt5338
tokens_completion4018
native_tokens_prompt5043
native_tokens_completion3552
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached4992
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0015699
router(null)
provider_responses
0
endpoint_id"23fd6b91-74d8-45fc-ac00-cf141ec7f4a5"
id"352faa9a9ef6434db5c6743c1adb9bf3"
is_byokfalse
latency231
model_permaslug"mistralai/mistral-small-3.2-24b-instruct-2506"
provider_name"Mistral"
status200
api_type"completions"
id"gen-1771597642-atWP6xe0RXea34mHsZ7Z"
upstream_id"352faa9a9ef6434db5c6743c1adb9bf3"
total_cost0.0015699
cache_discount(null)
upstream_inference_cost0
provider_name"Mistral"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags37
adverbTagCount0
adverbTags(empty)
dialogueSentences59
tagDensity0.627
leniency1
rawRatio0
effectiveRatio0
66.45% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2832
totalAiIsmAdverbs19
found
0
adverb"slightly"
count1
1
adverb"barely above a whisper"
count6
2
adverb"softly"
count1
3
adverb"very"
count10
4
adverb"lightly"
count1
highlights
0"slightly"
1"barely above a whisper"
2"softly"
3"very"
4"lightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2832
totalAiIsms64
found
0
word"pulsed"
count1
1
word"warmth"
count2
2
word"could feel"
count6
3
word"otherworldly"
count4
4
word"flickered"
count2
5
word"whisper"
count7
6
word"echoing"
count1
7
word"shimmered"
count1
8
word"kaleidoscope"
count1
9
word"sentinels"
count1
10
word"crystal"
count1
11
word"pounding"
count4
12
word"tapestry"
count1
13
word"racing"
count2
14
word"stomach"
count1
15
word"sense of"
count8
16
word"foreboding"
count1
17
word"scanning"
count1
18
word"dance"
count1
19
word"weight"
count1
20
word"stark"
count1
21
word"peril"
count3
22
word"echoed"
count2
23
word"perfect"
count2
24
word"tension"
count2
25
word"grave"
count2
26
word"intricate"
count1
27
word"pulse"
count1
28
word"tracing"
count1
29
word"traced"
count1
30
word"desire"
count1
highlights
0"pulsed"
1"warmth"
2"could feel"
3"otherworldly"
4"flickered"
5"whisper"
6"echoing"
7"shimmered"
8"kaleidoscope"
9"sentinels"
10"crystal"
11"pounding"
12"tapestry"
13"racing"
14"stomach"
15"sense of"
16"foreboding"
17"scanning"
18"dance"
19"weight"
20"stark"
21"peril"
22"echoed"
23"perfect"
24"tension"
25"grave"
26"intricate"
27"pulse"
28"tracing"
29"traced"
30"desire"
0.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches11
maxInWindow6
found
0
label"heart pounded in chest"
count4
1
label"sense of foreboding"
count3
2
label"air was thick with"
count3
3
label"hung in the air"
count1
highlights
0"heart pounded in her chest"
1"a sense of foreboding"
2"a sense of dread"
3"The air was thick with"
4"hung heavy in the air"
29.28% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells17
narrationSentences148
matches
0"e with wonder"
1"filled with awe"
2"d with awe"
3"the feeling of unease"
4"a sense of foreboding"
5"a sense of dread"
6"e with fear"
7"a sense of dread"
8"e with fear"
9"e with wonder"
10"a sense of longing"
11"e with wonder"
12"a sense of awe"
13"filled with awe"
14"d with awe"
15"filled with wonder"
16"d with wonder"
0.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount21
narrationSentences148
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences170
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen55
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2825
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions41
unquotedAttributions0
matches(empty)
66.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions70
wordCount2219
uniqueNames8
maxNameDensity0.95
worstName"Aurora"
maxWindowNameDensity3
worstWindowName"Isolde"
discoveredNames
Aurora21
Veil2
London1
Nyx10
Isolde21
Seer2
Fae-forged6
Fae7
persons
0"Aurora"
1"Nyx"
2"Isolde"
3"Seer"
places
0"Veil"
1"London"
globalScore1
windowScore0.667
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences139
glossingSentenceCount14
matches
0"as if coming from far away"
1"greens that seemed to shift and change with every breath"
2"wisdom that seemed to span the ages"
3"as if whispering secrets in a language long forgotten"
4"sadness that seemed to span the ages"
5"shadows that seemed to dance at the edges of her vision"
6"wisdom that seemed to span the ages"
7"sadness that seemed to span the ages"
8"blackness that seemed to stretch from ear to ear"
9"energy that seemed to flow through the very heart of the grove"
10"reverence that seemed to border on awe"
11"wisdom that seemed to span the ages as she traced the runes with her fingers"
12"colours that seemed to shift and change with every breath"
13"wisdom that seemed to span the ages as she took in the sight before them"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.354
wordCount2825
matches
0"no choice but"
0.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount18
totalSentences170
matches
0"knew that they"
1"knew that they"
2"knew that they"
3"knew that they"
4"knew that they"
5"knew that they"
6"thought that they"
7"knew that they"
8"knew that they"
9"knew that they"
10"knew that they"
11"knew that they"
12"knew that they"
13"knew that she"
14"knew that she"
15"knew that they"
16"knew that they"
17"knew that they"
99.92% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs65
mean43.46
std21.72
cv0.5
sampleLengths
054
117
229
342
452
513
613
781
88
933
1022
1116
1237
1333
1437
1548
1611
1721
1821
1934
2043
2122
2224
2348
2451
2536
2612
2762
2833
2961
3020
3174
3287
3352
3455
3527
3650
3766
3816
3960
4068
4149
4277
4365
4452
4555
4627
4750
4865
4948
88.67% Passive voice overuse
Target: ≤2% passive sentences
passiveCount7
totalSentences148
matches
0"were filled"
1"was filled"
2"were filled"
3"were filled"
4"were filled"
5"were filled"
6"were filled"
41.69% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount9
totalVerbs379
matches
0"were walking"
1"were waiting"
2"were standing"
3"were walking"
4"were waiting"
5"were standing"
6"were standing"
7"were standing"
8"were standing"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences170
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount2226
adjectiveStacks0
stackExamples(empty)
adverbCount55
adverbRatio0.024707996406109614
lyAdverbCount16
lyAdverbRatio0.0071877807726864335
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences170
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences170
mean16.62
std7.75
cv0.466
sampleLengths
020
117
217
317
412
515
62
715
812
915
1023
1115
1214
1313
149
154
1620
1719
1823
1919
208
2115
2210
238
2413
259
269
277
288
298
3021
3117
3216
3315
3422
3510
3615
3711
3812
3911
406
416
429
4310
4411
4511
464
4719
487
499
37.65% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats21
diversityRatio0.17647058823529413
totalSentences170
uniqueOpeners30
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences140
matches(empty)
ratio0
20.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount70
totalSentences140
matches
0"She could feel the presence"
1"she whispered, her voice barely"
2"they murmured, their voice a"
3"She left no footprints on"
4"she said, her voice echoing"
5"She could see the faint"
6"she asked, her hand tightening"
7"She took a deep breath"
8"she breathed, her eyes wide"
9"she said, her voice soft"
10"they said, their voice filled"
11"She led them deeper into"
12"She could see the faint"
13"She reached out a hand,"
14"she asked, her heart pounding"
15"they asked, their voice filled"
16"she asked, her eyes turning"
17"She led them deeper into"
18"She could feel it in"
19"She reached out a hand,"
ratio0.5
27.86% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount121
totalSentences140
matches
0"The pendant around Aurora's neck"
1"She could feel the presence"
2"The air hummed with an"
3"she whispered, her voice barely"
4"Nyx, their shadowy companion, flickered"
5"they murmured, their voice a"
6"Isolde, the Seer, walked ahead,"
7"She left no footprints on"
8"she said, her voice echoing"
9"Aurora's heart pounded in her"
10"The air shimmered like a"
11"She could see the faint"
12"she asked, her hand tightening"
13"Nyx nodded, their form solidifying"
14"She took a deep breath"
15"The sky was a swirl"
16"The air was thick with"
17"she breathed, her eyes wide"
18"Isolde stepped through the doorway"
19"she said, her voice soft"
ratio0.864
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences140
matches(empty)
ratio0
46.13% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences96
technicalSentenceCount13
matches
0"The pendant around Aurora's neck pulsed with a warmth that seeped into her skin, guiding her through the shadowy alleyway."
1"The sky was a swirl of colours, a canvas of purples, blues, and greens that seemed to shift and change with every breath."
2"As they walked, Aurora couldn't shake the feeling of unease that settled in the pit of her stomach."
3"The tree seemed to hum with energy, its leaves rustling softly as if whispering secrets in a language long forgotten."
4"She could feel the presence of the lost ones, their eyes watching her from the shadows, their whispers filling the air with a sense of dread."
5"Its eyes were hollow pits of darkness, and its mouth was a jagged slash of blackness that seemed to stretch from ear to ear."
6"She knew that they were in grave danger, that they were standing on the precipice of a battle that could very well be their last."
7"She could feel the presence of the lost ones, their eyes watching her from the shadows, their whispers filling the air with a sense of dread."
8"As they rounded another bend in the path, they came upon a sight that made Aurora's breath catch in her throat."
9"Isolde's eyes were wide with wonder as she approached the altar, her fingers tracing the runes with a reverence that seemed to border on awe."
10"She knew that they were standing on the precipice of something great, something that could change the course of their lives forever."
11"When the light faded, she found herself standing in a vast, otherworldly landscape, the sky a swirl of colours that seemed to shift and change with every breath…"
12"They knew that they were standing on the precipice of something great, something that could change the course of their lives forever."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags37
uselessAdditionCount16
matches
0"they murmured, their voice a whisper carried on the wind"
1"she said, her voice echoing slightly, as if coming from far away"
2"she breathed, her eyes wide with wonder"
3"she said, her voice soft"
4"Isolde said, her voice barely above a whisper"
5"she asked, her heart pounding in her chest"
6"she asked, her eyes turning to Isolde"
7"she asked, her voice barely above a whisper"
8"she whispered, her voice barely audible over the rustling of the leaves"
9"she said, her voice steady and sure"
10"she whispered, her voice barely audible over the rustling of the leaves"
11"she asked, her voice barely above a whisper"
12"she said, her voice barely above a whisper"
13"she asked, her voice barely above a whisper"
14"she asked, her heart pounding in her chest"
15"she said, her voice barely above a whisper"
68.92% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags37
fancyCount6
fancyTags
0"she whispered (whisper)"
1"they murmured (murmur)"
2"she breathed (breathe)"
3"she whispered (whisper)"
4"Aurora demanded (demand)"
5"she whispered (whisper)"
dialogueSentences59
tagDensity0.627
leniency1
rawRatio0.162
effectiveRatio0.162
56.4412%