Run: 2026-02-20-01KHY7GX9GDBKG1GR55MG67H74

Run Details

Duration:
16.3s
Cost:
$0.002148
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora twisted the third deadbolt with a click that echoed too loudly in the cramped hallway. The door creaked open, and there he stood, silhouetted against the sodium glow of Brick Lane's streetlamps. Lucien Moreau, all tailored charcoal and uninvited shadows, his heterochromatic eyes catching the light like fractured gems—one amber, one black void. She froze, hand gripping the knob. The scent of rain-damp wool and something sharper, like smouldering incense, wafted in. Her pulse kicked up, a betrayer in the quiet. "Lucien." The name slipped out, edged with frost she hadn't meant to summon. He inclined his head, that ivory-handled cane tapping once against the threshold. No apology in the gesture. Just possession. "Rory. We need to talk." She blocked the doorway, arms crossed over her damp jacket from the dash back from the restaurant. Books teetered on the side table behind her, scrolls curling at the edges like forgotten secrets. Ptolemy, Eva's tabby, slunk past her legs, rubbing against Lucien's polished shoes before vanishing into the flat's depths. Traitor. "Eva's not here." Lies came easy these days, honed by too many nights dodging Evan's calls before London swallowed her whole. "And even if she were, she'd tell you to sod off." His lips curved, not quite a smile. He leaned on the cane, the motion fluid, predatory. "I'm not here for Eva. Though her research on the Avaros rift has proven... enlightening." His accent wrapped the words, French silk over gravel. He spoke four languages, but this one always felt aimed at her ribs. She swallowed the urge to slam the door. The scar on her wrist itched, a crescent moon from a fall she'd taken at eight, tumbling off her father's garden wall while chasing illusions of faeries. Now it burned like a warning. Lucien knew about illusions. He breathed them. "Out with it, then." She stepped aside, just enough. The flat swallowed him whole—shelves groaning under leather-bound tomes, notes pinned to every wall like a madwoman's map. The air held curry spices from the shop below, mingling with the faint must of old paper. Eva's domain, but tonight it felt like a cage. He moved inside, cane echoing on the scarred floorboards. No hesitation. He paused by the window, peering through the grimed glass at the lane's bustle—late-night revellers stumbling from pubs, a kebab van hissing steam. His reflection stared back, platinum hair slicked just so, suit unrumpled despite the drizzle. "You look well." His gaze slid to her, lingering on the stray lock of black hair clinging to her cheek. "Delivery work suits you. All that fresh air." "Bugger off with the charm." She shut the door, locks snicking home. Ptolemy leaped onto a stack of journals, yellow eyes fixed on Lucien like he scented brimstone. "Last time we 'talked', you vanished. Left me holding the mess with that demon contract. I nearly got skinned alive by your father's kin." He turned, amber eye glinting. The black one seemed to drink the light. "I saved you. The blade in this cane? It tasted Avaros blood that night. For you." Her laugh scraped out, bitter as the alley gin she'd swigged last week. She leaned against the kitchenette counter, the edge biting her hip through denim. Memories flooded unbidden: his hand on her wrist, tracing that scar in the dim of his Mayfair safehouse. Heat where there shouldn't have been. Whispers in the dark about realms bleeding into London, his half-demon pulse thrumming against her skin. Then the betrayal—his intel leading straight to a trap, her scrambling from Cardiff's ghosts only to find new ones in the capital. "Saved me?" She snatched a mug from the draining board, tea sloshing cold over her fingers. The porcelain warmed in her grip, grounding. "You used me as bait. Out-of-the-box thinking, right? That's what you called it." Lucien's cane tapped again, a metronome to her rising ire. He closed the distance, stopping just shy of arm's reach. The air thickened, charged like the moments before a storm breaks over the Thames. She caught his scent fully now—sandalwood and iron, the latter a reminder of blood spilled in shadows. "I had no choice." His voice dropped, velvet over steel. "The rift Eva's chasing? It's widening. Your ex, Evan—he's not just some abusive prat. He's marked. Avaros touched him in that Cardiff flat you fled. If I hadn't pulled you in—" "Don't." She set the mug down hard, ceramic clinking against Formica. Water beaded on her skin, tracing paths down her wrist. "You don't get to rewrite it. We had something. Or I thought we did. Nights where you weren't the fixer, just Luc. Talking realms and scars and stupid dreams of normalcy. Then poof. Gone." His fingers flexed on the cane's handle, the ivory gleaming under the bare bulb. For a heartbeat, the amber eye softened, almost human. "Normalcy is a lie for my kind. But you... you make me want it." The words hung, heavy as the books pressing in. She wanted to shove him, to feel the solid wall of him yield. Instead, her breath caught. Attraction coiled low, traitorously familiar. The hurt twisted it sharper—nights alone in her flat above Silas', replaying his touch, cursing his absence. "You show up here, unannounced, after months?" She stepped closer, close enough to see the faint stubble shadowing his jaw. "Eva's out chasing leads on that rift, and you think you can waltz in? What do you want, Lucien? Forgiveness? A shag to ease your conscience?" He reached out, thumb brushing her wrist, right over the scar. Electricity sparked, warm and unwelcome. "I want you safe. The rift's spilling over. Demons in the Underground, whispers in the markets. Evan's gathering them. He knows where you live, Rory. Above that dive bar. But here, with Eva's wards..." She jerked back, but not far. His touch lingered, phantom heat. Ptolemy hissed from the shelves, tail lashing. The flat felt smaller, walls leaning in with their scribbled runes—Eva's handiwork, half-scholarship, half-madness. "Wards that kept you out before." Her voice wavered, betraying the pull. She hated it, this draw to his darkness. Cool-headed Rory, quick-thinking Rory, reduced to this. "I have my ways." He withdrew his hand, but his eyes pinned her. "Listen. Last night, in Whitechapel, I handled a scout. Avaros spawn, sniffing for you. It mentioned your name. Laila—the alias you used with Evan." Her stomach dropped. Laila. The name she'd buried with that life. The flat's air turned stale, curry fading under the acrid tang of fear-sweat. She paced to the window, peering out. Brick Lane pulsed below: a group of lads shouting over falafel, a woman in hijab hurrying past with shopping bags rustling like dry leaves. "You're lying." But doubt gnawed. Evan had always known too much, his rages laced with unnatural fury. "Why now? Why here?" Lucien followed, his presence a shadow at her back. "Because I can't lose you again. Not to him. Not to the rift." His hand settled on her shoulder, firm, igniting sparks down her arm. "Stay with me. Let me protect you." She spun, facing him. Inches apart, breaths mingling. His black eye seemed endless, pulling her in. The amber one burned with something raw—need, perhaps. Or possession. The scar throbbed, a echo of old falls and newer wounds. "Protect me?" She searched his face, tracing the sharp line of his cheekbone. Memories surged: tangled sheets in his safehouse, his whispers in French as dawn crept in, promising more than shadows. Then the fallout—his disappearance, her racing through London's underbelly, dodging claws that shouldn't exist. "Last time your protection nearly killed me." His grip tightened, drawing her closer. The cane leaned forgotten against the wall. "I know." Voice rough, laced with something like regret. "But this..." His free hand cupped her jaw, thumb grazing her lip. Soft, insistent. "This is real." Heat bloomed, warring with the chill of betrayal. She leaned in, against sense, lips brushing his in a ghost of a kiss. Fire. His mouth claimed hers fully then, demanding, all the unsaid hurts pouring into it. She tasted salt and smoke, his half-demon essence thrumming like a second heartbeat. Hands fisted in his shirt, pulling him down the hall toward the bedroom, books scattering underfoot. They tumbled through the door, the narrow bed creaking under their weight. His suit jacket hit the floor, cane clattering after. Fingers traced scars—hers on her wrist, his hidden ones from Avaros wars. Whispers turned to gasps, the flat's wards humming faintly, as if approving the chaos. But midway through, as his teeth grazed her neck, a sharp crack split the air. Glass shattered from the front room. Ptolemy yowled, fur bristling. Lucien bolted upright, hand diving for the cane. "Stay here." She scrambled after him, heart slamming. In the main room, the window gaped, shards glittering like fallen stars. A figure huddled on the fire escape outside—cloaked, eyes glowing unnatural red. Evan's voice slithered through the night, warped and deep. "Rory, darling. Time to come home." The wards flickered, failing under the assault. Lucien drew the cane's hidden blade, ivory handle gleaming. The demon spawn from Whitechapel? Or worse—Evan himself, rift-twisted. She grabbed a heavy tome from the shelf, spine cracking as she hefted it like a club. No running this time.
created_at"2026-02-20T19:13:15.376Z" 2/20/2026, 7:13:15 PM
model"x-ai/grok-4-fast"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency3166
moderation_latency(null)
generation_time15621
tokens_prompt4556
tokens_completion2409
native_tokens_prompt4145
native_tokens_completion2684
native_tokens_completion_images0
native_tokens_reasoning571
native_tokens_cached151
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.00214835
router(null)
provider_responses
0
endpoint_id"c9586d9d-97ff-40ca-ae94-22504d6f9b7e"
id"3b3c7e83-c972-f4b7-6422-5e50d2faebe4"
is_byokfalse
latency361
model_permaslug"x-ai/grok-4-fast"
provider_name"xAI"
status200
api_type"completions"
id"gen-1771614795-pUJ0LoKaTQ5aoAZowYiC"
upstream_id"3b3c7e83-c972-f4b7-6422-5e50d2faebe4"
total_cost0.00214835
cache_discount0.00002265
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags18
adverbTagCount1
adverbTags
0"She stepped aside [aside]"
dialogueSentences35
tagDensity0.514
leniency1
rawRatio0.056
effectiveRatio0.056
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1573
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1573
totalAiIsms32
found
0
word"echoed"
count1
1
word"fractured"
count1
2
word"pulse"
count2
3
word"depths"
count1
4
word"silk"
count1
5
word"echoing"
count1
6
word"charm"
count1
7
word"glinting"
count1
8
word"tracing"
count3
9
word"porcelain"
count1
10
word"charged"
count1
11
word"reminder"
count1
12
word"velvet"
count1
13
word"normalcy"
count2
14
word"gleaming"
count2
15
word"familiar"
count1
16
word"wavered"
count1
17
word"stomach"
count1
18
word"pulsed"
count1
19
word"throbbed"
count1
20
word"echo"
count1
21
word"racing"
count1
22
word"chill"
count1
23
word"weight"
count1
24
word"traced"
count1
25
word"shattered"
count1
26
word"flickered"
count1
highlights
0"echoed"
1"fractured"
2"pulse"
3"depths"
4"silk"
5"echoing"
6"charm"
7"glinting"
8"tracing"
9"porcelain"
10"charged"
11"reminder"
12"velvet"
13"normalcy"
14"gleaming"
15"familiar"
16"wavered"
17"stomach"
18"pulsed"
19"throbbed"
20"echo"
21"racing"
22"chill"
23"weight"
24"traced"
25"shattered"
26"flickered"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"stomach dropped/sank"
count1
highlights
0"stomach dropped"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences118
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences118
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences136
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1547
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions8
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions41
wordCount1195
uniqueNames19
maxNameDensity0.67
worstName"Lucien"
maxWindowNameDensity1
worstWindowName"Eva"
discoveredNames
Brick2
Lane2
Moreau1
Eva3
Lucien8
Evan4
London3
French2
Ptolemy4
Mayfair1
Cardiff1
Thames1
Formica1
Water1
Rory2
Memories2
Soft1
Avaros1
Whitechapel1
persons
0"Moreau"
1"Eva"
2"Lucien"
3"Evan"
4"Ptolemy"
5"Water"
6"Rory"
7"Memories"
places
0"Brick"
1"Lane"
2"London"
3"French"
4"Cardiff"
5"Thames"
6"Whitechapel"
globalScore1
windowScore1
17.02% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences94
glossingSentenceCount5
matches
0"not quite a smile"
1"felt like a cage"
2"seemed endless pulling her in"
3"something like regret"
4"as if approving the chaos"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1547
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences136
matches
0"tracing that scar"
80.90% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs40
mean38.67
std16.75
cv0.433
sampleLengths
054
128
213
319
45
552
632
753
848
953
1048
1128
1252
1329
1488
1536
1651
1741
1855
1937
2048
2146
2250
2332
2427
2537
2655
2721
2841
2937
3053
3139
3266
3347
3425
3510
3639
376
3825
3921
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences118
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs218
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount13
semicolonCount0
flaggedSentences12
totalSentences136
ratio0.088
matches
0"Lucien Moreau, all tailored charcoal and uninvited shadows, his heterochromatic eyes catching the light like fractured gems—one amber, one black void."
1"The flat swallowed him whole—shelves groaning under leather-bound tomes, notes pinned to every wall like a madwoman's map."
2"He paused by the window, peering through the grimed glass at the lane's bustle—late-night revellers stumbling from pubs, a kebab van hissing steam."
3"Then the betrayal—his intel leading straight to a trap, her scrambling from Cardiff's ghosts only to find new ones in the capital."
4"She caught his scent fully now—sandalwood and iron, the latter a reminder of blood spilled in shadows."
5"The hurt twisted it sharper—nights alone in her flat above Silas', replaying his touch, cursing his absence."
6"The flat felt smaller, walls leaning in with their scribbled runes—Eva's handiwork, half-scholarship, half-madness."
7"The amber one burned with something raw—need, perhaps."
8"Then the fallout—his disappearance, her racing through London's underbelly, dodging claws that shouldn't exist."
9"Fingers traced scars—hers on her wrist, his hidden ones from Avaros wars."
10"A figure huddled on the fire escape outside—cloaked, eyes glowing unnatural red."
11"Or worse—Evan himself, rift-twisted."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount798
adjectiveStacks1
stackExamples
0"under leather-bound tomes,"
adverbCount27
adverbRatio0.03383458646616541
lyAdverbCount5
lyAdverbRatio0.006265664160401002
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences136
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences136
mean11.38
std6.77
cv0.595
sampleLengths
016
117
221
36
413
59
613
712
85
92
105
1117
1216
1318
141
1521
1611
177
189
1924
2013
218
2227
236
244
253
269
2718
2817
299
309
312
3223
3314
3420
358
3612
3716
3824
395
408
4116
4213
4313
4418
456
4616
4722
4816
497
67.16% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats2
diversityRatio0.4117647058823529
totalSentences136
uniqueOpeners56
90.09% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences111
matches
0"Then the betrayal—his intel leading"
1"Instead, her breath caught."
2"Then the fallout—his disappearance, her"
ratio0.027
47.03% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount48
totalSentences111
matches
0"She froze, hand gripping the"
1"Her pulse kicked up, a"
2"He inclined his head, that"
3"She blocked the doorway, arms"
4"His lips curved, not quite"
5"He leaned on the cane,"
6"His accent wrapped the words,"
7"He spoke four languages, but"
8"She swallowed the urge to"
9"He breathed them."
10"She stepped aside, just enough"
11"He moved inside, cane echoing"
12"He paused by the window,"
13"His reflection stared back, platinum"
14"His gaze slid to her,"
15"She shut the door, locks"
16"He turned, amber eye glinting."
17"Her laugh scraped out, bitter"
18"She leaned against the kitchenette"
19"She snatched a mug from"
ratio0.432
18.56% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount98
totalSentences111
matches
0"Aurora twisted the third deadbolt"
1"The door creaked open, and"
2"Lucien Moreau, all tailored charcoal"
3"She froze, hand gripping the"
4"The scent of rain-damp wool"
5"Her pulse kicked up, a"
6"The name slipped out, edged"
7"He inclined his head, that"
8"She blocked the doorway, arms"
9"Books teetered on the side"
10"Ptolemy, Eva's tabby, slunk past"
11"Lies came easy these days,"
12"His lips curved, not quite"
13"He leaned on the cane,"
14"His accent wrapped the words,"
15"He spoke four languages, but"
16"She swallowed the urge to"
17"The scar on her wrist"
18"Lucien knew about illusions."
19"He breathed them."
ratio0.883
45.05% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences111
matches
0"Now it burned like a"
ratio0.009
80.75% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences46
technicalSentenceCount4
matches
0"Ptolemy, Eva's tabby, slunk past her legs, rubbing against Lucien's polished shoes before vanishing into the flat's depths."
1"Then the fallout—his disappearance, her racing through London's underbelly, dodging claws that shouldn't exist."
2"Hands fisted in his shirt, pulling him down the hall toward the bedroom, books scattering underfoot."
3"Whispers turned to gasps, the flat's wards humming faintly, as if approving the chaos."
13.89% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags18
uselessAdditionCount4
matches
0"She shut, locks snicking home"
1"She snatched, tea sloshing cold over her fingers"
2"He withdrew, but his eyes pinned her"
3"free hand cupped, thumb grazing her lip"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags1
fancyCount1
fancyTags
0"Voice rough (voice)"
dialogueSentences35
tagDensity0.029
leniency0.057
rawRatio1
effectiveRatio0.057
78.4810%