Run: 2026-02-20-01KHY7J4E0M91776Z5NFA132HS

Run Details

Model:
Grok 4
Duration:
1m 31s
Cost:
$0.046548
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora pushed through the tangle of undergrowth, the Heartstone Pendant heavy against her chest. She had followed its insistent warmth all the way from the edge of Richmond Park, the gem's pulse guiding her like a second heartbeat, stronger with every step. Eva's cryptic note had mentioned this place – a grove hidden in plain sight, where answers waited for those brave enough to seek them. But now, as the ancient oak standing stones loomed into view, circling the clearing like silent sentinels, doubt clawed at her throat. She paused at the boundary, fingers brushing one of the rough trunks. The wood felt alive under her touch, bark etched with patterns that twisted like veins. No wind stirred the wildflowers dotting the grass, yet their petals shivered. She stepped across, and the air thickened, wrapping around her like damp silk. Time here bent, or so the old tales claimed. An hour inside could steal days outside. She checked her watch – midnight still, though she had walked for what felt like hours. The pendant glowed faintly now, its deep crimson light spilling through her shirt. She clutched it, the silver chain cool against her scar-marked wrist. This artifact had arrived unannounced, wrapped in plain paper at her flat's doorstep weeks ago. No note, no sender. Just the warmth that flared near certain spots in London, pulling her towards forgotten corners. Tonight, it had led her here, to this fae-touched pocket, promising revelations about her family's tangled history – the Irish roots her father buried, the Welsh myths her mother whispered. Evan had mocked those stories during their worst fights, calling them delusions. But the pendant knew better. It thrummed now, insistent. She moved deeper into the grove, boots sinking into soft earth that gave like flesh. The wildflowers bloomed in unnatural clusters, their colours vivid even in the dimness – purples and golds that seemed to drink the moonlight. No insects hummed, no leaves rustled. Silence pressed in, broken only by her own breaths. She scanned the clearing, searching for whatever Eva's note had hinted at: a marker, a sign, perhaps a portal's edge where realms bled together. A faint crack echoed from the stones behind her. She froze, ears straining. Branches snapping? No, the undergrowth stood still. She turned slowly, eyes sweeping the perimeter. Shadows clung to the oaks, dense and unmoving. Yet something had shifted there, a flicker at the corner of her vision, gone before she could focus. She shook her head, blaming fatigue. The delivery shift at Golden Empress had run long, Yu-Fei barking orders until closing. But the pendant's pull had dragged her out here anyway, overriding exhaustion. She pressed on, weaving between flower patches that released a sweet, cloying scent as she brushed them. It reminded her of overripe fruit, the kind that hid rot beneath. The grove's centre drew her, a slight depression in the earth where grass grew sparse, revealing soil dark as ink. She knelt, fingers digging into the cool dirt, searching for clues. The pendant warmed against her skin, its glow intensifying. Perhaps this was it – a thin spot between worlds, where her questions about the unknown benefactor might find answers. Another sound drifted in, softer this time: a whisper, like silk dragging over stone. It came from the left, near a cluster of standing stones that leaned together like conspirators. Aurora rose, wiping soil from her hands. "Hello?" Her voice sounded small, absorbed by the air. No echo returned. She waited, heart quickening. The whisper repeated, closer now, but wordless, a susurrus that teased the edge of meaning. She backed away, scanning the shadows. Movement caught her eye again – a shape darting between two oaks, low to the ground, too swift for a fox or deer. Her mind raced, quick as always, piecing fragments. Fae lore spoke of guardians in such places, entities that toyed with intruders. But Eva's note had assured safety, a friend's promise. Still, the wrongness seeped in, a chill that had nothing to do with temperature. The pendant pulsed hotter, almost burning. She tugged it free, holding it aloft. Its crimson light cast eerie shadows across the grove, illuminating petals that now seemed to twist towards her, stems elongating like fingers. She blinked, and they stilled. Imagination, she told herself. But the whispers grew, multiplying – from the right now, then behind, a chorus of hushed breaths that circled her. She spun, breath catching. The standing stones appeared taller, their etched patterns glowing faintly in response to the pendant. One symbol resembled a twisted knot, pulsing in time with the gem. She approached it, hand outstretched. The stone's surface hummed under her palm, vibrating like a living thing. A memory flashed: her mother's tales of fae groves, where time's theft left wanderers mad. Jennifer had spoken of whispers that lured the unwary deeper, promising secrets while unraveling minds. A branch snapped nearby, deliberate this time. Aurora whirled, spotting it – a shadow detaching from an oak, humanoid but wrong, limbs too long, form blurring at the edges. It vanished as she focused, melting into the trunk. Her pulse thundered. Not alone. The certainty hit her like a physical weight. Whatever guarded this place had noticed her, testing boundaries. She retreated towards the grove's edge, but the boundary stones seemed farther now, the clearing expanded. The wildflowers brushed her legs, petals clinging like tiny hands. She shook them off, skin crawling. The whispers evolved, forming fragments of words – her name, perhaps? "Rory..." It slithered from multiple directions, mocking her alias. No one here knew that name. Evan had used it in anger, but he was miles away, locked in the past she had fled. The pendant scorched her hand now, its glow revealing more: eyes glinting in the undergrowth, pairs of them, pale and unblinking. They watched from the shadows, multiplying as she turned. A low chuckle joined the whispers, dry as dead leaves. It came from above, in the oak branches she had not noticed before, thick with unnatural foliage. She bolted towards what she hoped was the exit, feet pounding the earth. But the ground shifted under her, soil softening into mud that sucked at her boots. She stumbled, catching herself on a stone. Its surface writhed, patterns coiling like serpents. The chuckle descended, closer, accompanied by the rustle of something large moving through the flowers. Panic sharpened her thoughts. Out-of-the-box thinking had saved her before – from Evan's rages, from the tedium of pre-law lectures. She gripped the pendant tighter, willing it to guide her out as it had in. But its warmth pointed deeper, towards the centre, not the boundary. Betrayal? Or a deeper truth? A hand – or what felt like one – grazed her ankle, cold fingers wrapping briefly before retreating. She yelped, kicking free. The eyes advanced now, emerging from shadows into half-forms: silhouettes with elongated necks, fingers ending in thorns. They did not attack, only encircled, herding her back to the depression. The whispers coalesced into a voice, ancient and layered. "Stay... secrets await..." It pulled at her mind, tempting with visions: her father's hidden cases, her mother's silenced lore, the benefactor's face revealed. She resisted, clamping down on the intrusion. The pendant flared brighter, illuminating the entities fully for a split second – pale skin stretched over bone, mouths stretched in grins too wide. She ran again, dodging grasping stems. The boundary stones loomed ahead at last, but as she neared, a figure materialised between them: taller than the others, crowned with antler-like branches, eyes burning with the same crimson as her pendant. It extended a hand, beckoning. Aurora skidded to a halt, chest heaving. The grove's air pressed heavier, time's distortion twisting her senses – had minutes passed, or hours? The figure's lips moved, whispers amplifying into a demand. "Give it... return what was taken..." She clutched the pendant, its heat a brand now. The entities closed in, their forms solidifying, thorns glinting. One lunged, fingers raking the air inches from her face. She dodged, mind racing for an escape, but the figure blocked the way out, its presence swelling to fill the gap. Then, from the centre, a rift tore open – a Hel portal, the pendant's true call. Darkness yawned, pulling at her with invisible force. The entities howled, surging forward.
created_at"2026-02-20T19:13:55.161Z" 2/20/2026, 7:13:55 PM
model"x-ai/grok-4-07-09" 4/7/2009, 12:00:00 AM
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency17372
moderation_latency(null)
generation_time91382
tokens_prompt4560
tokens_completion2177
native_tokens_prompt4666
native_tokens_completion2272
native_tokens_completion_images0
native_tokens_reasoning489
native_tokens_cached680
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.046548
router(null)
provider_responses
0
endpoint_id"d40bef9d-6936-4c57-9749-bf7399de4a77"
id"73e6dcd6-4e44-de29-8747-f9e384d0ca91"
is_byokfalse
latency502
model_permaslug"x-ai/grok-4-07-09" 4/7/2009, 12:00:00 AM
provider_name"xAI"
status200
api_type"completions"
id"gen-1771614835-qHhPjNVbUVgpouZ3HeSF"
upstream_id"73e6dcd6-4e44-de29-8747-f9e384d0ca91"
total_cost0.046548
cache_discount0.00153
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags3
adverbTagCount0
adverbTags(empty)
dialogueSentences4
tagDensity0.75
leniency1
rawRatio0
effectiveRatio0
96.37% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1379
totalAiIsmAdverbs1
found
0
adverb"slowly"
count1
highlights
0"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1379
totalAiIsms30
found
0
word"warmth"
count3
1
word"pulse"
count2
2
word"loomed"
count2
3
word"sentinels"
count1
4
word"etched"
count2
5
word"silk"
count2
6
word"silence"
count1
7
word"scanned"
count1
8
word"echoed"
count1
9
word"flicker"
count1
10
word"whisper"
count2
11
word"echo"
count1
12
word"scanning"
count1
13
word"raced"
count1
14
word"chill"
count1
15
word"pulsed"
count1
16
word"unraveling"
count1
17
word"thundered"
count1
18
word"weight"
count1
19
word"glinting"
count2
20
word"pounding"
count1
21
word"racing"
count1
highlights
0"warmth"
1"pulse"
2"loomed"
3"sentinels"
4"etched"
5"silk"
6"silence"
7"scanned"
8"echoed"
9"flicker"
10"whisper"
11"echo"
12"scanning"
13"raced"
14"chill"
15"pulsed"
16"unraveling"
17"thundered"
18"weight"
19"glinting"
20"pounding"
21"racing"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences117
matches
0"t in anger"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount2
narrationSentences117
filterMatches
0"watch –"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences118
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen33
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1390
ratio0
matches(empty)
83.33% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions6
unquotedAttributions1
matches
0"Imagination, she told herself."
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions21
wordCount1379
uniqueNames14
maxNameDensity0.29
worstName"Aurora"
maxWindowNameDensity1
worstWindowName"Evan"
discoveredNames
Heartstone1
Pendant1
Richmond1
Park1
London1
Irish1
Welsh1
Eva3
Golden1
Empress1
Yu-Fei1
Evan3
Hel1
Aurora4
persons
0"Pendant"
1"Irish"
2"Eva"
3"Empress"
4"Yu-Fei"
5"Evan"
6"Aurora"
places
0"Richmond"
1"Park"
2"London"
3"Golden"
globalScore1
windowScore1
21.13% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences97
glossingSentenceCount5
matches
0"felt like hours"
1"golds that seemed to drink the moonlight"
2"appeared taller their etched patterns glowing faintly in response to the pendant"
3"seemed farther now, the clearing expanded"
4"felt like one – grazed her ankle, cold"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1390
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences118
matches
0"knew that name"
39.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs21
mean66.19
std18.96
cv0.286
sampleLengths
088
184
2109
377
485
589
668
773
864
978
1060
1176
1257
1357
1451
1551
1663
1744
1838
1949
2029
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences117
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs260
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount15
semicolonCount0
flaggedSentences14
totalSentences118
ratio0.119
matches
0"Eva's cryptic note had mentioned this place – a grove hidden in plain sight, where answers waited for those brave enough to seek them."
1"She checked her watch – midnight still, though she had walked for what felt like hours."
2"Tonight, it had led her here, to this fae-touched pocket, promising revelations about her family's tangled history – the Irish roots her father buried, the Welsh myths her mother whispered."
3"The wildflowers bloomed in unnatural clusters, their colours vivid even in the dimness – purples and golds that seemed to drink the moonlight."
4"Perhaps this was it – a thin spot between worlds, where her questions about the unknown benefactor might find answers."
5"Movement caught her eye again – a shape darting between two oaks, low to the ground, too swift for a fox or deer."
6"But the whispers grew, multiplying – from the right now, then behind, a chorus of hushed breaths that circled her."
7"Aurora whirled, spotting it – a shadow detaching from an oak, humanoid but wrong, limbs too long, form blurring at the edges."
8"The whispers evolved, forming fragments of words – her name, perhaps?"
9"Out-of-the-box thinking had saved her before – from Evan's rages, from the tedium of pre-law lectures."
10"A hand – or what felt like one – grazed her ankle, cold fingers wrapping briefly before retreating."
11"The pendant flared brighter, illuminating the entities fully for a split second – pale skin stretched over bone, mouths stretched in grins too wide."
12"The grove's air pressed heavier, time's distortion twisting her senses – had minutes passed, or hours?"
13"Then, from the centre, a rift tore open – a Hel portal, the pendant's true call."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1371
adjectiveStacks1
stackExamples
0"unwary deeper, promising secrets"
adverbCount35
adverbRatio0.025528811086797956
lyAdverbCount7
lyAdverbRatio0.005105762217359592
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences118
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences118
mean11.78
std6.47
cv0.549
sampleLengths
014
128
224
322
412
515
612
713
89
97
1016
1113
1211
1315
144
1515
1630
1712
185
194
2015
2123
226
239
2424
259
264
272
285
297
308
3118
326
3314
3412
3517
3612
3720
3811
399
4020
4114
4216
437
449
453
464
4715
486
4923
57.06% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats1
diversityRatio0.3474576271186441
totalSentences118
uniqueOpeners41
87.72% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences114
matches
0"Just the warmth that flared"
1"Perhaps this was it –"
2"Then, from the centre, a"
ratio0.026
69.12% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount43
totalSentences114
matches
0"She had followed its insistent"
1"She paused at the boundary,"
2"She stepped across, and the"
3"She checked her watch –"
4"She clutched it, the silver"
5"It thrummed now, insistent."
6"She moved deeper into the"
7"She scanned the clearing, searching"
8"She froze, ears straining."
9"She turned slowly, eyes sweeping"
10"She shook her head, blaming"
11"She pressed on, weaving between"
12"It reminded her of overripe"
13"She knelt, fingers digging into"
14"It came from the left,"
15"Her voice sounded small, absorbed"
16"She waited, heart quickening."
17"She backed away, scanning the"
18"Her mind raced, quick as"
19"She tugged it free, holding"
ratio0.377
65.26% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount90
totalSentences114
matches
0"Aurora pushed through the tangle"
1"She had followed its insistent"
2"Eva's cryptic note had mentioned"
3"She paused at the boundary,"
4"The wood felt alive under"
5"She stepped across, and the"
6"An hour inside could steal"
7"She checked her watch –"
8"The pendant glowed faintly now,"
9"She clutched it, the silver"
10"This artifact had arrived unannounced,"
11"Tonight, it had led her"
12"Evan had mocked those stories"
13"It thrummed now, insistent."
14"She moved deeper into the"
15"The wildflowers bloomed in unnatural"
16"She scanned the clearing, searching"
17"A faint crack echoed from"
18"She froze, ears straining."
19"She turned slowly, eyes sweeping"
ratio0.789
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences114
matches(empty)
ratio0
73.73% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences62
technicalSentenceCount6
matches
0"The wildflowers bloomed in unnatural clusters, their colours vivid even in the dimness – purples and golds that seemed to drink the moonlight."
1"It came from the left, near a cluster of standing stones that leaned together like conspirators."
2"But the whispers grew, multiplying – from the right now, then behind, a chorus of hushed breaths that circled her."
3"Jennifer had spoken of whispers that lured the unwary deeper, promising secrets while unraveling minds."
4"The pendant scorched her hand now, its glow revealing more: eyes glinting in the undergrowth, pairs of them, pale and unblinking."
5"She dodged, mind racing for an escape, but the figure blocked the way out, its presence swelling to fill the gap."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags3
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
79.5579%