Run: 2026-02-20-01KHY7JFSK2BGEZCGA6RWQ8GQH

Run Details

Duration:
44.8s
Cost:
$0.000389
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
“Damn it, Rory, why did you have to pick *this* place?” The words hung in the damp air, echoing slightly off the ancient stones. Eva's voice, tight with barely suppressed panic, cut through the hushed stillness of Richmond Park. I ignored her, my gaze fixed on the clearing ahead. The Fae Grove. It shimmered, even in the gloom, a pocket of impossible vibrancy nestled within the otherwise ordinary expanse of the park. Wildflowers bloomed in riotous color, despite the approaching autumn. “It’s Isolde’s grove, Eva. It’s the only place I could find that even *might*… resonate.” My voice felt thin, strained. A necessity, considering the impending task. Eva hadn’t followed, still standing near the boundary marked by the oak standing stones, her hands gripping her arms as if warding off a chill. A foolish gesture. The cold here wasn’t atmospheric. It seeped from somewhere deeper. I stepped across the threshold, and the air thickened, heavy with the scent of something floral and unfamiliar, overlaid with a metallic tang that pricked at the back of my throat. The sounds of the city – the distant drone of traffic, the muffled throb of music – vanished, replaced by a silence so profound it felt like a physical pressure. “Rory,” Eva’s voice was a ragged whisper now. “I really don’t like this. I have a very bad feeling.” “Just stay there, okay? Until I’m done. Keep watch.” No sense in both of us spooking ourselves. I moved deeper into the Grove, my hand instinctively tracing the silver chain of the Heartstone pendant beneath my collar. It pulsed faintly against my skin, a reassuring warmth in the growing unease. A relic, given to me by a man I’d never seen, a man who’d spoken of Hel portals and necessary sacrifices. The moonlight, filtered through the dense canopy of leaves, cast long, distorted shadows that danced at the edges of my vision. It played tricks on the eyes, turning the gnarled roots of ancient trees into grotesque figures. I focused on the centre of the clearing, where a single, towering ash tree stood, its bark etched with symbols I couldn’t quite decipher. The map – a ludicrously detailed charcoal sketch on aged parchment – indicated the focal point was beneath this tree. That's where the anomaly lay. That’s where I needed to find it. I circled the ash, my fingers brushing against the rough bark, searching for a sign, a marker, anything. The air grew colder, the metallic tang stronger. My breath plumed white in the stillness. A twig snapped. I froze, every muscle tense, my gaze sweeping the shadows. The sound was small, insignificant, but it sliced through the silence like a shard of glass. “Eva?” I called out, my voice barely a whisper. No response. My heart hammered against my ribs. I moved cautiously, my boots sinking slightly into the mossy ground. “Eva, this isn’t funny.” Another snap. Closer this time. I whirled around, scanning the perimeter of the clearing. Nothing. Just the trees, the shadows, the vibrant, unnerving flowers. But the feeling of being watched intensified, a weight on my skin, a prickling at the back of my neck. I fished my phone from my pocket, flicked it open. No signal, of course. Typical. “Eva, answer me!” I shouted, my voice cracking with growing anxiety. Then, a new sound. A low, rhythmic hum, barely audible at first, but steadily growing in intensity. It vibrated through the ground, through my bones. A discordant drone that seemed to warp the very air around me. The flowers began to sway, despite the absence of wind. Their colours deepened, becoming almost unnaturally bright. And then, I saw it. A movement at the edge of my vision. A flicker of something dark, something shifting amongst the shadows beneath the trees. I strained my eyes, trying to focus, but it vanished as quickly as it appeared. I took a step forward, then another, my hand tightening around the Heartstone pendant. The pulsing warmth intensified, radiating outwards, a tangible response to whatever was happening here. “Hello?” I called out, my voice shaky. “Is someone there?” The humming intensified, morphing into a chorus of whispers, too faint to understand, yet undeniably present, swirling around me like a suffocating fog. I spun around, searching frantically for the source of the voices. They seemed to be coming from everywhere and nowhere all at once. Another twig snapped. This time, directly behind me. I whirled around again, but there was nothing there. Just the ash tree, its bark shimmering unnaturally in the moonlight. Then, a different sound. A soft, sighing sound, like a breath ghosting across my ear. I shuddered, goosebumps erupting on my arms. “Eva!” I shouted again, louder this time, panic clawing at my throat. This time, I heard a reply. A faint, distorted voice, seemingly coming from everywhere and nowhere all at once. “Rory…” It wasn't Eva's. The voice was layered, echoing, as if emanating from multiple sources simultaneously. A mask of familiar vocals. “Rory… come play with us.” I froze, my blood turning to ice. The shadows beneath the trees deepened, coalescing into vague, shifting shapes. They seemed to be… *reaching* towards me. I stumbled backwards, my hand fumbling for the Heartstone pendant. It pulsed violently now, radiating heat, almost burning my skin. The whispers intensified, swirling around me, coalescing into a single, unified voice. “Rory… you’re one of us now.” I caught another movement. This time, it was clearer. A figure, standing amongst the trees, partially obscured by the shadows. But I could still see enough to make out the shape. Tall, gaunt, with limbs that seemed too long, too spindly. Its face was hidden in darkness, but I could feel its gaze on me, cold and predatory. And then, I saw something else. Something that made my stomach plunge to my feet. A flash of silver. Glinting in the moonlight. A familiar, silver chain. Eva’s chain. My eyes darted around wildly, frantic. I noticed the vibrant wildflowers had turned black. It was subtle at first, a dark stain creeping across the petals, but now they were completely devoid of color save for the inky black blooms, humming with a low, guttural frequency. I took a quick step back, down towards a tangle of roots, only to stumble because of an unseen rise of soil. I regained my balance and with a glance down noticed an intricate pattern embedded into the earth. It was some sort of sigil. The figure began to move, gliding silently through the trees towards me. Its arms extended, its long, skeletal fingers reaching out. I didn't need to think, hadn't thought since I stepped into the Grove. Instinct took over. I turned and ran, blindly crashing through the undergrowth, ignoring the stinging branches and the snapping twigs. I risked a glance back. The figure was closer now, its form more distinct. And it was no longer alone. Dozens of figures emerged from the shadows, surrounding the clearing, their eyes glowing with an unnatural light. They were all wearing silver chains.
created_at"2026-02-20T19:14:06.795Z" 2/20/2026, 7:14:06 PM
model"google/gemma-3-12b-it"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency742
moderation_latency(null)
generation_time44725
tokens_prompt4584
tokens_completion1885
native_tokens_prompt4435
native_tokens_completion1630
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0003893
router(null)
provider_responses
0
endpoint_id"eb06dc92-5a16-47ec-a776-6ef956457c47"
id"chatcmpl-RLFVlqAQLpKTzzgJ4Gq5qJeq"
is_byokfalse
latency51
model_permaslug"google/gemma-3-12b-it"
provider_name"DeepInfra"
status200
api_type"completions"
id"gen-1771614846-pK9RtRGSVkiGRRHXAdSz"
upstream_id"chatcmpl-RLFVlqAQLpKTzzgJ4Gq5qJeq"
total_cost0.0003893
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"

Evaluation details

Result Evaluator Details Meta Data
57.14% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags6
adverbTagCount1
adverbTags
0"I shouted again [again]"
dialogueSentences14
tagDensity0.429
leniency0.857
rawRatio0.167
effectiveRatio0.143
65.90% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1173
totalAiIsmAdverbs8
found
0
adverb"slightly"
count2
1
adverb"really"
count1
2
adverb"very"
count2
3
adverb"cautiously"
count1
4
adverb"quickly"
count1
5
adverb"completely"
count1
highlights
0"slightly"
1"really"
2"very"
3"cautiously"
4"quickly"
5"completely"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1173
totalAiIsms31
found
0
word"echoing"
count2
1
word"shimmered"
count1
2
word"gloom"
count1
3
word"chill"
count1
4
word"throb"
count1
5
word"silence"
count2
6
word"profound"
count1
7
word"whisper"
count2
8
word"tracing"
count1
9
word"pulsed"
count2
10
word"warmth"
count2
11
word"etched"
count1
12
word"scanning"
count1
13
word"weight"
count1
14
word"flicked"
count1
15
word"rhythmic"
count1
16
word"intensity"
count1
17
word"vibrated"
count1
18
word"flicker"
count1
19
word"tangible"
count1
20
word"familiar"
count2
21
word"could feel"
count1
22
word"stomach"
count1
23
word"glinting"
count1
24
word"intricate"
count1
highlights
0"echoing"
1"shimmered"
2"gloom"
3"chill"
4"throb"
5"silence"
6"profound"
7"whisper"
8"tracing"
9"pulsed"
10"warmth"
11"etched"
12"scanning"
13"weight"
14"flicked"
15"rhythmic"
16"intensity"
17"vibrated"
18"flicker"
19"tangible"
20"familiar"
21"could feel"
22"stomach"
23"glinting"
24"intricate"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences109
matches(empty)
64.22% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount6
narrationSentences109
filterMatches(empty)
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences116
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen32
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans3
markdownWords3
totalWords1177
ratio0.003
matches
0"this"
1"might"
2"reaching"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions5
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions15
wordCount1105
uniqueNames7
maxNameDensity0.45
worstName"Eva"
maxWindowNameDensity1.5
worstWindowName"Eva"
discoveredNames
Richmond1
Park1
Fae1
Grove3
Heartstone3
Hel1
Eva5
persons
0"Eva"
places
0"Richmond"
1"Park"
2"Fae"
3"Grove"
globalScore1
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences79
glossingSentenceCount6
matches
0"as if warding off a chill"
1"felt like a physical pressure"
2"quite decipher"
3"drone that seemed to warp the very air around me"
4"storted voice, seemingly coming from everywh"
5"as if emanating from multiple sources simultaneously"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1177
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences116
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs54
mean21.8
std16.14
cv0.74
sampleLengths
011
170
226
338
461
519
617
754
861
932
1033
113
1226
139
142
1521
165
1739
1815
1911
2037
2122
2236
2328
2410
2523
2623
278
2820
2915
307
3112
3219
331
343
3517
365
377
3818
3920
4012
416
4241
4317
4415
4512
462
4746
4845
4921
98.83% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences109
matches
0"was layered"
1"was hidden"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs188
matches
0"was happening"
93.60% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount4
semicolonCount0
flaggedSentences2
totalSentences116
ratio0.017
matches
0"The sounds of the city – the distant drone of traffic, the muffled throb of music – vanished, replaced by a silence so profound it felt like a physical pressure."
1"The map – a ludicrously detailed charcoal sketch on aged parchment – indicated the focal point was beneath this tree."
76.43% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1101
adjectiveStacks0
stackExamples(empty)
adverbCount68
adverbRatio0.061762034514078114
lyAdverbCount28
lyAdverbRatio0.025431425976385105
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences116
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences116
mean10.15
std6.57
cv0.647
sampleLengths
011
113
215
310
43
520
69
720
86
925
103
115
125
1331
1430
158
1611
1717
1820
1913
2021
2121
2216
2324
2420
255
267
2718
288
297
303
3110
3216
339
342
356
3611
374
382
393
409
411
429
4320
4410
454
461
4711
484
4913
45.69% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats5
diversityRatio0.2672413793103448
totalSentences116
uniqueOpeners31
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount4
totalSentences104
matches
0"Just the trees, the shadows,"
1"Then, a new sound."
2"Just the ash tree, its"
3"Then, a different sound."
ratio0.038
43.08% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount46
totalSentences104
matches
0"I ignored her, my gaze"
1"It shimmered, even in the"
2"My voice felt thin, strained"
3"It seeped from somewhere deeper."
4"I stepped across the threshold,"
5"I moved deeper into the"
6"It pulsed faintly against my"
7"It played tricks on the"
8"I focused on the centre"
9"I circled the ash, my"
10"My breath plumed white in"
11"I froze, every muscle tense,"
12"I called out, my voice"
13"My heart hammered against my"
14"I moved cautiously, my boots"
15"I whirled around, scanning the"
16"I fished my phone from"
17"I shouted, my voice cracking"
18"It vibrated through the ground,"
19"Their colours deepened, becoming almost"
ratio0.442
32.12% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount89
totalSentences104
matches
0"The words hung in the"
1"Eva's voice, tight with barely"
2"I ignored her, my gaze"
3"The Fae Grove."
4"It shimmered, even in the"
5"Wildflowers bloomed in riotous color,"
6"My voice felt thin, strained"
7"A necessity, considering the impending"
8"Eva hadn’t followed, still standing"
9"A foolish gesture."
10"The cold here wasn’t atmospheric."
11"It seeped from somewhere deeper."
12"I stepped across the threshold,"
13"The sounds of the city"
14"Eva’s voice was a ragged"
15"I moved deeper into the"
16"It pulsed faintly against my"
17"A relic, given to me"
18"The moonlight, filtered through the"
19"It played tricks on the"
ratio0.856
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences104
matches(empty)
ratio0
40.82% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences49
technicalSentenceCount7
matches
0"Eva hadn’t followed, still standing near the boundary marked by the oak standing stones, her hands gripping her arms as if warding off a chill."
1"I stepped across the threshold, and the air thickened, heavy with the scent of something floral and unfamiliar, overlaid with a metallic tang that pricked at th…"
2"A relic, given to me by a man I’d never seen, a man who’d spoken of Hel portals and necessary sacrifices."
3"The moonlight, filtered through the dense canopy of leaves, cast long, distorted shadows that danced at the edges of my vision."
4"I circled the ash, my fingers brushing against the rough bark, searching for a sign, a marker, anything."
5"The voice was layered, echoing, as if emanating from multiple sources simultaneously."
6"Dozens of figures emerged from the shadows, surrounding the clearing, their eyes glowing with an unnatural light."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags6
uselessAdditionCount3
matches
0"I called out, my voice barely a whisper"
1"I shouted, my voice cracking with growing anxiety"
2"I called out, my voice shaky"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags4
fancyCount4
fancyTags
0"I called out (call out)"
1"I shouted (shout)"
2"I called out (call out)"
3"I shouted again (shout)"
dialogueSentences14
tagDensity0.286
leniency0.571
rawRatio1
effectiveRatio0.571
70.5938%