Run: 2026-02-20-01KHY8W5JZK714QR3N9VQ21ZM0

Run Details

Model:
Grok 4
Duration:
2m 24s
Cost:
$0.080423
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Rory slammed the pint glass down harder than intended, foam sloshing over the rim onto the scarred oak bar top. The bitter ale stung her throat, but it chased away the ache from another endless delivery shift, weaving through London's snarl of traffic on her battered scooter. Silas polished a tumbler behind the counter, his hazel eyes flicking up without missing a beat. His silver signet ring caught the dim light from the green neon sign outside, a subtle glint amid the shadows of old maps papering the walls. "Steady on, Rory. That's my best bitter you're abusing." "Sorry. Long day. Yu-Fei's orders piled up again." He set the tumbler down with a soft clink, his slight limp evident as he shifted weight off his left leg. "Chinese takeaway waits for no one. Neither does trouble, in my experience." She managed a half-smile, tracing the crescent scar on her left wrist with her thumb. The bar hummed with low chatter, patrons hunched over tables like forgotten secrets. Black-and-white photographs stared down from the walls, faces from eras long buried. A woman pushed through the door, her coat dripping rain onto the threshold. She shook out her umbrella, scanning the room with sharp, restless eyes. Rory froze, her fingers tightening around the glass. The woman spotted her, hesitated, then broke into a grin that didn't quite reach her eyes. "Rory? Bloody hell, is that you?" "Eva?" Eva crossed the floor in quick strides, her boots thudding against the worn planks. She looked different, sharper somehow, her once-wild curls tamed into a severe bob, cheeks hollowed as if time had carved away the softness Rory remembered from their Cardiff days. The girl who had shared secrets under the castle walls now carried herself like someone who had learned to hide them. They embraced awkwardly, Eva's arms tight for a moment too long. She smelled of cheap perfume and damp wool, a far cry from the strawberry shampoo of their youth. "God, it's been ages. What, five years? Six?" "Seven, I think. Since that last summer before uni." Eva slid onto the stool next to her, waving at Silas. "Gin and tonic, love. Make it strong." Silas nodded, his expression unreadable as he measured the pour. He slid the drink across, the ice cubes rattling like loose change. "Cheers." Eva raised her glass, clinking it against Rory's pint. "To old friends and whatever the hell brought us here." Rory sipped, the foam bitter on her lips. Eva's hands trembled slightly as she set her glass down, nails bitten to the quick. No wedding ring, no jewelry at all, just a faded tattoo peeking from her sleeve – a Celtic knot, matching the one Rory had inked on her ankle during a rebellious weekend in their teens. "You look... good. London suits you." Eva laughed, a brittle sound that echoed off the walls. "Liar. I look like shite. But you, Rory Carter, you've gone all metropolitan. Delivery girl by day, what else by night?" "Nothing exciting. Just surviving." Silas lingered nearby, wiping the bar with deliberate strokes, his grey-streaked auburn beard twitching as if he suppressed a comment. He knew Rory's routines, the flat above creaking with her footsteps, but he never pried. Not openly. Eva leaned in, her voice dropping. "Heard about Evan. Nasty business. You did right getting out." Rory's stomach twisted. She hadn't spoken Evan's name in months, not since the bruises faded and she packed her life into a single suitcase at Eva's urging. "Yeah. Thanks for the nudge. Wouldn't have made the jump without you." "Anytime. We go way back, don't we? Remember that time we nicked cider from your dad's cabinet and hid in the attic?" Rory nodded, but the memory soured in her mind. Eva had always been the bold one, dragging her into mischief, while Rory planned the escapes. Now, Eva's eyes darted to the door every few seconds, as if expecting someone to follow. "You've changed your hair. Suits you short." Eva touched her bob self-consciously. "Had to. New job, new me. Working in events now, big corporate stuff. Pays the bills." "Sounds steady." "It is. Boring as sin, but steady." Eva gulped her drink, the gin disappearing fast. "What about you? Still chasing that law degree dream, or did London eat it?" Rory glanced at Silas, who had moved to serve another customer but kept one ear tuned their way. "Dropped it. Pre-law wasn't for me. Too much like Dad's world." "Brendan would have a fit. Always saw you as the next barrister in the family." "He doesn't know the half of it." Rory's voice hardened, the scar on her wrist itching under her sleeve. She had fled Cardiff not just from Evan, but from the expectations, the suffocating path laid out by her parents. Eva knew that, or she used to. Silas returned, placing a bowl of crisps between them without a word. His limp carried him back to the taps, but his presence loomed, a quiet anchor in the room's haze. Eva crunched a crisp, crumbs scattering. "God, I miss this. Us. Why'd we let it go so long?" "Life, I suppose. You vanished after I got here. One text, then nothing." Eva's grin faltered. "Yeah, about that. Things got complicated." "Complicated how?" She hesitated, swirling her drink. The ice clinked accusingly. "Met someone. Thought it was the real thing. Turned out to be another Evan-type. You know the sort." Rory's chest tightened. Eva, the unbreakable one, reduced to this shadow. "You should have called. I'd have helped." "Like you helped yourself?" Eva's tone sharpened, then softened. "Sorry. That came out wrong. Just... regret it now. All of it." The bar's door swung open again, letting in a gust of chill air that rattled the photographs on the walls. A group of lads stumbled in, laughing too loud, but Rory's focus stayed on Eva's face, the lines etched deeper than they should be at twenty-five. Silas cleared his throat, his voice low. "Everything alright here, ladies?" "Fine, thanks." Eva flashed him a smile that didn't stick. "Just catching up." He nodded, but his hazel eyes lingered on Eva, assessing. Rory knew that look – the spymaster's gaze, peeling back layers. She had seen it the day she rented the flat above, when he offered her the key with a knowing nod, as if he sensed the bruises she hid. "Tell me more about this job," Rory pressed. "Events. Sounds glamorous." Eva shrugged. "Not really. Coordinating parties for rich pricks. Last one was in some posh hotel, all crystal and fake smiles. But it pays for the flat. Barely." "You in London still?" "Sort of. Bouncing around. Crashed with mates mostly." Eva's foot tapped restlessly against the stool leg. "Actually, Rory, there's something I need to ask." Here it came, the real reason for this "unexpected" reunion. Rory braced herself, fingers drumming the bar. "Shoot." Eva leaned closer, her breath warm with gin. "It's about Evan. He found me last week. Asking questions." Rory's blood chilled. "What?" "Said he's changed. Wants to make amends. Asked where you were." Silas stiffened behind the bar, his hand pausing mid-wipe. The room's chatter faded, the maps on the walls seeming to close in like forgotten borders. "You didn't tell him." "Of course not." Eva's eyes pleaded. "But he's persistent. Followed me once. I shook him, but... I think he's here. In London." Rory's mind raced, quick as always, piecing together the implications. Evan, with his charming smile and iron grip, tracking her down after all this time. The flat above suddenly felt exposed, a thin ceiling away from safety. "Why come to me now? After years of silence?" "Because you're the only one who gets it. And I... I might have messed up." Eva's voice cracked. "I need a place to crash. Just for a bit." Silas set down his cloth, his signet ring tapping the bar once, deliberate. "Problem, Rory?" She ignored him for a moment, staring at Eva. The weight pressed down – time's erosion, regrets unspoken, the girl she once knew now a stranger begging for shelter. But trust frayed like old rope. Before Rory could answer, the door banged open again. A man stood silhouetted against the neon glow, his frame familiar, shoulders broad from years of intimidation. Evan. His eyes locked on them, a slow smile spreading. "Rory. Fancy meeting you here."
created_at"2026-02-20T19:36:52.6Z" 2/20/2026, 7:36:52 PM
model"x-ai/grok-4-07-09" 4/7/2009, 12:00:00 AM
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency71602
moderation_latency(null)
generation_time144352
tokens_prompt4618
tokens_completion2162
native_tokens_prompt4732
native_tokens_completion4517
native_tokens_completion_images0
native_tokens_reasoning2650
native_tokens_cached679
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.08042325
router(null)
provider_responses
0
endpoint_id"d40bef9d-6936-4c57-9749-bf7399de4a77"
id"80d35a30-5358-ebbf-b9eb-8ee51badeac6"
is_byokfalse
latency2290
model_permaslug"x-ai/grok-4-07-09" 4/7/2009, 12:00:00 AM
provider_name"xAI"
status200
api_type"completions"
id"gen-1771616212-aie7KBRDoVlzEoN5VC5f"
upstream_id"80d35a30-5358-ebbf-b9eb-8ee51badeac6"
total_cost0.08042325
cache_discount0.00152775
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags10
adverbTagCount2
adverbTags
0"Eva's tone sharpened then [then]"
1"Eva's foot tapped restlessly [restlessly]"
dialogueSentences54
tagDensity0.185
leniency0.37
rawRatio0.2
effectiveRatio0.074
89.34% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1407
totalAiIsmAdverbs3
found
0
adverb"slightly"
count1
1
adverb"really"
count1
2
adverb"suddenly"
count1
highlights
0"slightly"
1"really"
2"suddenly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
28.93% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1407
totalAiIsms20
found
0
word"glint"
count1
1
word"weight"
count2
2
word"tracing"
count1
3
word"scanning"
count1
4
word"unreadable"
count1
5
word"measured"
count1
6
word"trembled"
count1
7
word"echoed"
count1
8
word"footsteps"
count1
9
word"stomach"
count1
10
word"loomed"
count1
11
word"chill"
count1
12
word"etched"
count1
13
word"crystal"
count1
14
word"chilled"
count1
15
word"raced"
count1
16
word"silence"
count1
17
word"unspoken"
count1
18
word"familiar"
count1
highlights
0"glint"
1"weight"
2"tracing"
3"scanning"
4"unreadable"
5"measured"
6"trembled"
7"echoed"
8"footsteps"
9"stomach"
10"loomed"
11"chill"
12"etched"
13"crystal"
14"chilled"
15"raced"
16"silence"
17"unspoken"
18"familiar"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences78
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences78
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences122
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1401
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions9
unquotedAttributions0
matches(empty)
0.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions63
wordCount950
uniqueNames7
maxNameDensity2.74
worstName"Eva"
maxWindowNameDensity5
worstWindowName"Eva"
discoveredNames
London1
Rory20
Cardiff2
Eva26
Silas9
Celtic1
Evan4
persons
0"Rory"
1"Eva"
2"Silas"
3"Evan"
places
0"London"
1"Cardiff"
globalScore0.132
windowScore0
71.88% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences64
glossingSentenceCount2
matches
0"quite reach her eyes"
1"as if expecting someone to follow"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.714
wordCount1401
matches
0"not just from Evan, but from the expectations, the suffocating path laid out by her"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences122
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs65
mean21.55
std14.73
cv0.684
sampleLengths
047
142
29
38
433
540
625
78
822
91
1064
1129
128
139
1418
1522
1620
1758
186
1931
204
2137
2216
2339
2422
2541
267
2721
282
2929
3029
3115
3246
3331
3418
3513
369
372
3827
3918
4021
4146
4211
4313
4450
4511
4628
474
4824
4917
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences78
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs167
matches(empty)
72.60% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount3
semicolonCount0
flaggedSentences3
totalSentences122
ratio0.025
matches
0"No wedding ring, no jewelry at all, just a faded tattoo peeking from her sleeve – a Celtic knot, matching the one Rory had inked on her ankle during a rebellious weekend in their teens."
1"Rory knew that look – the spymaster's gaze, peeling back layers."
2"The weight pressed down – time's erosion, regrets unspoken, the girl she once knew now a stranger begging for shelter."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount955
adjectiveStacks0
stackExamples(empty)
adverbCount34
adverbRatio0.0356020942408377
lyAdverbCount7
lyAdverbRatio0.007329842931937173
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences122
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences122
mean11.48
std6.87
cv0.598
sampleLengths
020
127
216
326
49
58
621
712
815
913
1012
1113
1212
138
1416
156
161
1714
1829
1921
2011
2118
228
239
2411
257
2610
2712
2810
2910
308
3115
3235
336
3410
3521
364
3720
3815
392
406
4110
423
4324
4412
4522
469
4716
4816
497
74.32% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats1
diversityRatio0.45081967213114754
totalSentences122
uniqueOpeners55
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences74
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount17
totalSentences74
matches
0"His silver signet ring caught"
1"He set the tumbler down"
2"She managed a half-smile, tracing"
3"She shook out her umbrella,"
4"She looked different, sharper somehow,"
5"They embraced awkwardly, Eva's arms"
6"She smelled of cheap perfume"
7"He slid the drink across,"
8"He knew Rory's routines, the"
9"She hadn't spoken Evan's name"
10"She had fled Cardiff not"
11"His limp carried him back"
12"She hesitated, swirling her drink."
13"He nodded, but his hazel"
14"She had seen it the"
15"She ignored him for a"
16"His eyes locked on them,"
ratio0.23
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount69
totalSentences74
matches
0"Rory slammed the pint glass"
1"The bitter ale stung her"
2"Silas polished a tumbler behind"
3"His silver signet ring caught"
4"He set the tumbler down"
5"She managed a half-smile, tracing"
6"The bar hummed with low"
7"A woman pushed through the"
8"She shook out her umbrella,"
9"Rory froze, her fingers tightening"
10"The woman spotted her, hesitated,"
11"Eva crossed the floor in"
12"She looked different, sharper somehow,"
13"The girl who had shared"
14"They embraced awkwardly, Eva's arms"
15"She smelled of cheap perfume"
16"Eva slid onto the stool"
17"Silas nodded, his expression unreadable"
18"He slid the drink across,"
19"Eva raised her glass, clinking"
ratio0.932
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount2
totalSentences74
matches
0"Now, Eva's eyes darted to"
1"Before Rory could answer, the"
ratio0.027
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences44
technicalSentenceCount2
matches
0"She looked different, sharper somehow, her once-wild curls tamed into a severe bob, cheeks hollowed as if time had carved away the softness Rory remembered from…"
1"Silas lingered nearby, wiping the bar with deliberate strokes, his grey-streaked auburn beard twitching as if he suppressed a comment."
75.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags10
uselessAdditionCount1
matches
0"Eva gulped, the gin disappearing fast"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags2
fancyCount2
fancyTags
0"Rory pressed (press)"
1"Eva's eyes pleaded (plead)"
dialogueSentences54
tagDensity0.037
leniency0.074
rawRatio1
effectiveRatio0.074
83.7352%