Run: 2026-02-20-01KHY9H8FC9VM9PNF4XE28K1KB

Run Details

Duration:
12.5s
Cost:
$0.000785
Provider:
Mistral

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The front door of Eva’s flat groaned under the weight of someone’s shoulder, the deadbolt clattering back with a metallic *snap*. Aurora Carter—Rory—paused mid-step, her fingers hovering over the kitchen counter where she’d been sorting through a stack of receipts. The scent of roasted garlic and chili clung to the air, sharp and intoxicating, like the last sip of a wine she’d been saving for a night like this. She exhaled slowly, her breath fogging the glass of water she’d left untouched on the counter. “You’re late.” The voice was low, rough, the kind that made her pulse quicken even before she turned. Lucien Moreau stood in the doorway, his cane tapping against the floor with deliberate precision, the ivory handle gleaming under the dim light of the flat’s single bulb. His suit was immaculate, tailored to perfection, but his eyes—one amber, one black—held the weariness of a man who’d spent too many nights chasing secrets in the shadows. He didn’t look at her. Didn’t smile. Didn’t say anything. Aurora stepped forward, her heels clicking against the linoleum. “You’re not supposed to be here.” “No.” His voice was a rasp, like gravel underfoot. “But I am.” She reached for the doorframe, her fingers brushing against the scar on her wrist—a small crescent-shaped mark from a childhood accident that had left her with a habit of touching things when she was nervous. She didn’t look away from Lucien’s gaze. “Why?” He didn’t answer. Instead, he stepped inside, the door slamming shut behind him with a force that made the flat tremble. The cat, Ptolemy, arched his back and hissed from his perch on the windowsill, tail lashing. “You’re not supposed to be here,” Aurora repeated, her voice quieter now, the words barely audible over the hum of the flat’s old fridge. “And you’re not supposed to be here.” Lucien turned, his cane still tapping, and she saw the way his fingers twitched at his sides, as if he were fighting the urge to reach for something hidden beneath his suit. “Eva told me where you lived.” “She did not.” “She did.” His voice dropped, colder now. “And she said you’d be here.” Aurora’s breath hitched. “Eva’s dead.” Lucien’s jaw tightened. “She’s not.” The words hung between them, heavy and unspoken. Aurora’s fingers curled around the edge of the counter, her nails digging into the wood. “You’re not supposed to be here.” “No.” Lucien’s gaze flicked to the cat, then back to her. “But I am.” The flat was small, cramped with books and scrolls, but it was *hers*. The scent of old paper and ink filled the air, mixed with the faint metallic tang of the kitchen sink. She could feel the weight of his presence, the way his shadow stretched long across the floor, the way his eyes burned like embers in the dark. “What do you want?” she asked, her voice barely above a whisper. Lucien didn’t answer. He just moved, his cane clicking against the floor as he crossed the room, his movements precise and deliberate. The cat hissed again, but Aurora didn’t flinch. She didn’t look away. “You’re not supposed to be here,” she repeated, her voice breaking just slightly. “And you’re not supposed to be here.” Lucien reached for the door, his fingers brushing against the deadbolt. The flat was locked. He didn’t say anything. Didn’t try to force it open. “Eva’s dead,” Aurora said, her voice steady now, her breath coming faster. “She’s not supposed to be here.” Lucien’s gaze locked onto hers, his eyes dark and unreadable. “She’s not.” The flat was quiet, too quiet. The only sound was the faint *tick-tock* of a clock somewhere in the distance, the way time seemed to slow down when you were waiting for something to happen. Aurora’s fingers tightened around the edge of the counter, her nails digging into the wood. “You’re not supposed to be here,” she whispered. Lucien didn’t answer. He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark. Aurora stepped back, her heels clicking against the linoleum. “You’re not supposed to be here.” Lucien reached for the door again, his fingers brushing against the deadbolt. The flat was locked. He didn’t say anything. Didn’t try to force it open. “Eva’s dead,” Aurora said, her voice breaking just slightly. “She’s not supposed to be here.” Lucien’s gaze locked onto hers, his eyes dark and unreadable. “She’s not.” The flat was silent. The only sound was the faint *tick-tock* of the clock, the way time seemed to stop when you were waiting for something to happen. Aurora’s fingers curled around the edge of the counter, her nails digging into the wood. “You’re not supposed to be here,” she whispered. Lucien didn’t answer. He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark. Aurora took a step back, her breath coming in shallow gasps. The flat was too small, too tight, too full of secrets and unspoken words. She could feel the weight of Lucien’s gaze, the way his eyes burned like embers in the dark. “You’re not supposed to be here,” she repeated, her voice barely audible over the hum of the flat’s old fridge. “And you’re not supposed to be here.” Lucien reached for the door once more, his fingers brushing against the deadbolt. The flat was locked. He didn’t say anything. Didn’t try to force it open. Aurora’s heart pounded in her chest, her breath coming in ragged gasps. The flat was too small, too tight, too full of things she didn’t understand. She could feel the weight of Lucien’s presence, the way his shadow stretched long across the floor, the way his eyes burned like embers in the dark. “You’re not supposed to be here,” she whispered, her voice breaking just slightly. “And you’re not supposed to be here.” Lucien didn’t move. He didn’t speak. He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark. Aurora closed her eyes, her fingers still curled around the edge of the counter. The flat was too small, too tight, too full of things she didn’t understand. She could feel the weight of Lucien’s gaze, the way his eyes burned like embers in the dark. “Eva’s dead,” she said, her voice barely a whisper. “She’s not supposed to be here.” Lucien’s gaze locked onto hers, his eyes dark and unreadable. “She’s not.” The flat was silent. The only sound was the faint *tick-tock* of the clock, the way time seemed to stop when you were waiting for something to happen. Aurora’s breath hitched, her fingers still curled around the edge of the counter. “You’re not supposed to be here,” she whispered, her voice trembling just slightly. “And you’re not supposed to be here.” Lucien didn’t move. He didn’t speak. He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark. Aurora’s heart raced, her breath coming in quick, shallow bursts. The flat was too small, too tight, too full of secrets and unspoken words. She could feel the weight of Lucien’s presence, the way his shadow stretched long across the floor, the way his eyes burned like embers in the dark. “Eva’s dead,” she said, her voice barely a whisper, her fingers digging into the wood. “She’s not supposed to be here.” Lucien’s gaze never wavered. “She’s not.” The flat was locked. The door stood between them, a barrier that felt heavier than any bolt. Aurora’s breath came in ragged gasps, her fingers still curled around the counter, her nails digging into the wood. “You’re not supposed to be here,” she whispered, her voice barely audible over the silence. “And you’re not supposed to be here.” Lucien didn’t say anything. He didn’t move. He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark. Aurora’s chest tightened, her breath coming in quick, shallow bursts. The flat was too small, too tight, too full of things she didn’t understand. She could feel the weight of Lucien’s gaze, the way his eyes burned like embers in the dark. The door creaked open. Aurora’s breath caught in her throat. Lucien stepped back, his cane still tapping against the floor, his eyes burning like embers in the dark. “Eva’s dead,” she said, her voice barely a whisper. “She’s not supposed to be here.” Lucien didn’t answer. He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark. Aurora’s fingers curled around the edge of the counter, her nails digging into the wood. The flat was too small, too tight, too full of secrets and unspoken words. “You’re not supposed to be here,” she whispered, her voice trembling. “And you’re not supposed to be here.” Lucien’s gaze locked onto hers, his eyes dark and unreadable. The door stood between them, a barrier that felt like a wall of steel. Aurora’s breath came in quick, shallow bursts. The flat was too small, too full of things she didn’t understand. She could feel the weight of Lucien’s presence, the way his shadow stretched long across the floor, the way his eyes burned like embers in the dark. “Eva’s dead,” she said, her voice barely a whisper. “She’s not supposed to be here.” Lucien didn’t move. He didn’t speak. He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark. Aurora’s heart pounded in her chest, her fingers digging into the wood. The flat was too small, too tight, too full of secrets and unspoken words. “You’re not supposed to be here,” she said, her voice barely a whisper. The door stood between them, a barrier that felt like a wall of steel. Lucien’s gaze never wavered. “She’s not.” The flat was silent. The only sound was the faint *tick-tock* of the clock, the way time seemed to stop. Aurora’s breath hitched, her fingers still curled around the counter. The flat was too small, too full of things she didn’t understand. “Eva’s dead,” she whispered, her voice trembling. “She’s not supposed to be here.” Lucien’s eyes darkened further, the black pupil swallowing the amber like a shadow swallowing light. The cane paused mid-step, the ivory handle glinting in the dim light. Aurora’s pulse roared in her ears. The deadbolt clicked back, the door swinging inward with a groan. Lucien stepped through, his presence filling the flat like a storm gathering. “You’re not supposed to be here,” she said, her voice barely a breath. Lucien’s gaze flicked to the cat, then back to her, his voice a low growl. “Eva’s not dead.” The flat trembled with the weight of his words, the air thick with the scent of garlic and something darker, something ancient. Aurora’s fingers tightened around the counter, her nails leaving faint marks in the wood. “She’s not,” Lucien repeated, his voice rough. “And you’re not supposed to be here.” Aurora’s breath came in sharp, uneven bursts. The flat was too small, too tight, too full of secrets she’d never spoken aloud. Lucien’s cane tapped against the floor, the sound steady, relentless. “Eva’s not dead.” Aurora’s eyes burned, her vision blurring. The flat was too small, too full of things she didn’t understand. “She’s not,” Lucien said, his voice a low, dangerous whisper. “And you’re not supposed to be here.” The door slammed shut behind him, the deadbolt clicking home with a finality that made Aurora’s chest tighten. The flat was silent again, but the air was charged, thick with tension and something else—something older, something that had been waiting in the shadows. Aurora’s breath came in ragged gasps, her fingers still curled around the counter. The flat was too small, too full of secrets she’d never spoken aloud. Lucien’s gaze locked onto hers, his eyes burning like embers in the dark. “Eva’s not dead.” Aurora’s voice was a whisper, barely audible over the silence. “Then why are you here?” Lucien didn’t answer. He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark. Aurora’s heart pounded in her chest, her breath coming in quick, shallow bursts. The flat was too small, too full of things she didn’t understand. “You’re not supposed to be here,” she said, her voice trembling. “And you’re not supposed to be here.” Lucien’s gaze never wavered. “Eva’s not dead.” Aurora’s fingers dug into the wood, her nails leaving faint marks. The flat was too small, too tight, too full of secrets she’d never spoken aloud. “She’s not,” Lucien said, his voice low and dangerous. “And you’re not supposed to be here.” The cat hissed from the windowsill, his tail lashing against the glass. Aurora’s breath came in quick, shallow bursts, her vision blurring. Lucien’s cane paused mid-step, the ivory handle glinting in the dim light. “Eva’s not dead.” Aurora’s voice was a whisper, barely audible. “Then what do you want?” Lucien’s gaze locked onto hers, his eyes burning like embers in the dark. The flat trembled with the weight of his presence, the air thick with secrets she didn’t understand. “You,” he said, his voice rough. “I want you.” Aurora’s breath hitched, her fingers still curled around the counter. The flat was too small, too full of things she’d never spoken aloud. Lucien’s cane tapped against the floor, the sound steady, relentless. “Eva’s not dead.” Aurora’s eyes burned, her vision blurring. “Then why are you here?” Lucien’s gaze darkened further, the black pupil swallowing the amber like a storm swallowing the sky. “Because she’s not dead.” Aurora’s voice was a whisper, barely audible over the silence. “And what about me?” Lucien’s lips curled into a smile that didn’t reach his eyes. “I want you.” The flat trembled with the weight of his words, the air thick with secrets she didn’t understand. Aurora’s fingers dug into the wood, her nails leaving faint marks. “You’re not supposed to be here,” she whispered, her voice trembling. “And you’re not supposed to be here.” Lucien’s cane tapped against the floor, the sound steady, relentless. “Eva’s not dead.” Aurora’s breath came in sharp, uneven bursts. The flat was too small, too full of things she’d never spoken aloud. “She’s not,” Lucien said, his voice low and dangerous. “And you’re not supposed to be here.” The cat hissed from the windowsill, his tail lashing against the glass. Aurora’s vision blurred, her heart pounding in her chest. Lucien’s gaze locked onto hers, his eyes burning like embers in the dark. “I want you.” Aurora’s fingers tightened around the counter, her nails digging into the wood. The flat was too small, too full of secrets she’d never spoken aloud. “You’re not supposed to be here,” she said, her voice barely a whisper. “And you’re not supposed to be here.” Lucien’s cane paused, the ivory handle glinting. “Eva’s not dead.” Aurora’s breath came in quick, shallow gasps. The flat was too small, too full of things she didn’t understand. “Then what do you want?” she asked, her voice barely audible. Lucien’s gaze darkened, his voice a low growl. “You.” Aurora’s heart raced, her fingers still digging into the wood. The flat trembled with the weight of his presence. “You’re not supposed to be here,” she whispered, the words barely more than a breath. Lucien’s cane tapped against the floor, the sound steady, relentless. “Eva’s not dead.” Aurora’s vision blurred, her breath coming in ragged bursts. The flat was too small, too full of secrets she’d never spoken aloud. “And you,” Lucien said, his voice rough, “I want you.”
created_at"2026-02-20T19:48:23.678Z" 2/20/2026, 7:48:23 PM
model"mistralai/ministral-3b-2512"
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finish_reason"stop"
native_finish_reason"stop"
usage0.0007852
router(null)
provider_responses
0
endpoint_id"b9f6828f-aef9-498a-91f5-6816fbf72420"
id"f58d496b41a1491d9b8cbd19af74d259"
is_byokfalse
latency243
model_permaslug"mistralai/ministral-3b-2512"
provider_name"Mistral"
status200
api_type"completions"
id"gen-1771616903-Tu7azsL9HCBexHtoppWR"
upstream_id"f58d496b41a1491d9b8cbd19af74d259"
total_cost0.0007852
cache_discount(null)
upstream_inference_cost0
provider_name"Mistral"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags32
adverbTagCount0
adverbTags(empty)
dialogueSentences89
tagDensity0.36
leniency0.719
rawRatio0
effectiveRatio0
88.55% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2621
totalAiIsmAdverbs6
found
0
adverb"slowly"
count1
1
adverb"barely above a whisper"
count1
2
adverb"slightly"
count4
highlights
0"slowly"
1"barely above a whisper"
2"slightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2621
totalAiIsms62
found
0
word"weight"
count12
1
word"pulse"
count2
2
word"gleaming"
count1
3
word"unspoken"
count5
4
word"flicked"
count2
5
word"could feel"
count7
6
word"whisper"
count11
7
word"unreadable"
count4
8
word"raced"
count2
9
word"wavered"
count3
10
word"silence"
count3
11
word"glinting"
count3
12
word"trembled"
count4
13
word"charged"
count1
14
word"tension"
count1
15
word"pounding"
count1
highlights
0"weight"
1"pulse"
2"gleaming"
3"unspoken"
4"flicked"
5"could feel"
6"whisper"
7"unreadable"
8"raced"
9"wavered"
10"silence"
11"glinting"
12"trembled"
13"charged"
14"tension"
15"pounding"
0.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches9
maxInWindow5
found
0
label"heart pounded in chest"
count3
1
label"time stood still"
count4
2
label"weight of words/silence"
count2
highlights
0"heart pounded in her chest"
1"time seemed to slow"
2"time seemed to stop"
3"the weight of his words"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences199
matches
0"was nervous"
92.61% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount7
narrationSentences199
filterMatches(empty)
hedgeMatches
0"try to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences255
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen37
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans6
markdownWords6
totalWords2611
ratio0.002
matches
0"snap"
1"hers"
2"tick-tock"
3"tick-tock"
4"tick-tock"
5"tick-tock"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions54
unquotedAttributions0
matches(empty)
35.34% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions105
wordCount2224
uniqueNames8
maxNameDensity2.29
worstName"Lucien"
maxWindowNameDensity3.5
worstWindowName"Lucien"
discoveredNames
Eva1
Carter1
Rory1
Moreau1
Lucien51
Ptolemy1
Aurora44
Didn5
persons
0"Eva"
1"Carter"
2"Rory"
3"Moreau"
4"Lucien"
5"Ptolemy"
6"Aurora"
places(empty)
globalScore0.353
windowScore0.5
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences155
glossingSentenceCount2
matches
0"felt like a wall of steel"
1"felt like a wall of steel"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2611
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences255
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs116
mean22.51
std13.97
cv0.621
sampleLengths
085
12
282
315
412
543
637
731
838
93
1013
115
125
1329
1414
1560
1612
1734
1820
1925
2018
2112
2250
238
2421
2515
2626
2715
2812
2943
308
3121
3243
3327
3427
3553
3620
3724
3846
3915
4012
4141
4220
4324
4451
4521
466
4736
4822
4925
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences199
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount4
totalVerbs370
matches
0"were fighting"
1"were waiting"
2"were waiting"
3"were waiting"
98.04% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount6
semicolonCount0
flaggedSentences4
totalSentences255
ratio0.016
matches
0"Aurora Carter—Rory—paused mid-step, her fingers hovering over the kitchen counter where she’d been sorting through a stack of receipts."
1"His suit was immaculate, tailored to perfection, but his eyes—one amber, one black—held the weariness of a man who’d spent too many nights chasing secrets in the shadows."
2"She reached for the doorframe, her fingers brushing against the scar on her wrist—a small crescent-shaped mark from a childhood accident that had left her with a habit of touching things when she was nervous."
3"The flat was silent again, but the air was charged, thick with tension and something else—something older, something that had been waiting in the shadows."
67.12% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount2234
adjectiveStacks1
stackExamples
0"small crescent-shaped mark"
adverbCount158
adverbRatio0.07072515666965085
lyAdverbCount25
lyAdverbRatio0.011190689346463742
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences255
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences255
mean10.24
std6.45
cv0.63
sampleLengths
021
119
229
316
42
516
628
728
85
92
103
119
126
139
143
1535
167
171
183
1918
2016
2124
227
2332
246
253
267
276
283
292
303
312
328
3315
346
3511
363
3713
3820
3927
4012
413
4219
438
444
4513
467
4711
484
494
44.51% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats14
diversityRatio0.07058823529411765
totalSentences255
uniqueOpeners18
17.01% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences196
matches
0"Instead, he stepped inside, the"
ratio0.005
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount52
totalSentences196
matches
0"She exhaled slowly, her breath"
1"His suit was immaculate, tailored"
2"He didn’t look at her."
3"His voice was a rasp,"
4"She reached for the doorframe,"
5"She didn’t look away from"
6"He didn’t answer."
7"His voice dropped, colder now"
8"She could feel the weight"
9"she asked, her voice barely"
10"He just moved, his cane"
11"She didn’t look away."
12"she repeated, her voice breaking"
13"He didn’t say anything."
14"He just stood there, his"
15"He didn’t say anything."
16"He just stood there, his"
17"She could feel the weight"
18"she repeated, her voice barely"
19"He didn’t say anything."
ratio0.265
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount191
totalSentences196
matches
0"The front door of Eva’s"
1"Aurora Carter—Rory—paused mid-step, her fingers"
2"The scent of roasted garlic"
3"She exhaled slowly, her breath"
4"The voice was low, rough,"
5"Lucien Moreau stood in the"
6"His suit was immaculate, tailored"
7"He didn’t look at her."
8"Aurora stepped forward, her heels"
9"His voice was a rasp,"
10"She reached for the doorframe,"
11"She didn’t look away from"
12"He didn’t answer."
13"The cat, Ptolemy, arched his"
14"Aurora repeated, her voice quieter"
15"Lucien turned, his cane still"
16"His voice dropped, colder now"
17"Aurora’s breath hitched."
18"Lucien’s jaw tightened."
19"The words hung between them,"
ratio0.974
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences196
matches(empty)
ratio0
38.01% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences109
technicalSentenceCount16
matches
0"Aurora Carter—Rory—paused mid-step, her fingers hovering over the kitchen counter where she’d been sorting through a stack of receipts."
1"His suit was immaculate, tailored to perfection, but his eyes—one amber, one black—held the weariness of a man who’d spent too many nights chasing secrets in th…"
2"She reached for the doorframe, her fingers brushing against the scar on her wrist—a small crescent-shaped mark from a childhood accident that had left her with …"
3"Instead, he stepped inside, the door slamming shut behind him with a force that made the flat tremble."
4"Lucien turned, his cane still tapping, and she saw the way his fingers twitched at his sides, as if he were fighting the urge to reach for something hidden bene…"
5"He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark."
6"He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark."
7"He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark."
8"He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark."
9"He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark."
10"Lucien stepped back, his cane still tapping against the floor, his eyes burning like embers in the dark."
11"He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark."
12"He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark."
13"The flat was silent again, but the air was charged, thick with tension and something else—something older, something that had been waiting in the shadows."
14"He just stood there, his cane tapping against the floor, his eyes burning like embers in the dark."
15"Lucien’s lips curled into a smile that didn’t reach his eyes."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags32
uselessAdditionCount25
matches
0"she asked, her voice barely above a whisper"
1"she repeated, her voice breaking just slightly"
2"Aurora said, her voice steady now, her breath coming faster"
3"Aurora said, her voice breaking just slightly"
4"she whispered, her voice breaking just slightly"
5"she said, her voice barely a whisper"
6"she whispered, her voice trembling just slightly"
7"she whispered, her voice barely audible over the silence"
8"she said, her voice barely a whisper"
9"she whispered, her voice trembling"
10"she said, her voice barely a whisper"
11"she said, her voice barely a whisper"
12"she whispered, her voice trembling"
13"she said, her voice barely a breath"
14"Lucien repeated, his voice rough"
15"Lucien said, his voice a low, dangerous whisper"
16"she said, her voice trembling"
17"Lucien said, his voice low and dangerous"
18"he said, his voice rough"
19"she whispered, her voice trembling"
20"Lucien said, his voice low and dangerous"
21"she said, her voice barely a whisper"
22"she asked, her voice barely audible"
23"she whispered, the words barely more than a breath"
24"Lucien said, his voice rough,"
3.93% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags30
fancyCount13
fancyTags
0"Aurora repeated (repeat)"
1"she repeated (repeat)"
2"she whispered (whisper)"
3"she whispered (whisper)"
4"she repeated (repeat)"
5"she whispered (whisper)"
6"she whispered (whisper)"
7"she whispered (whisper)"
8"she whispered (whisper)"
9"she whispered (whisper)"
10"Lucien repeated (repeat)"
11"she whispered (whisper)"
12"she whispered (whisper)"
dialogueSentences89
tagDensity0.337
leniency0.674
rawRatio0.433
effectiveRatio0.292
69.5038%