Run: 2026-02-20-01KHY9Z8GMW22EQX7C6B930P5J

Run Details

Duration:
25.4s
Cost:
$0.002174
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora twisted the third deadbolt with a sharp click, her fingers slick from the curry steam wafting up from the restaurant below. She'd barely yanked the door open when Lucien stood there, his ivory-handled cane planted like a challenge on the threadbare mat. Heterochromatic eyes—one amber, one black—locked onto hers, pulling the air from the cramped hallway. "Rory." His voice rolled low, French lilt curling around her name like smoke. He didn't step forward. Not yet. She gripped the doorframe, nails digging into the peeling paint. The tabby cat, Ptolemy, slunk between her ankles, his fur brushing her calves in silent accusation. Books teetered on the side table behind her, scrolls spilling onto the floor amid Eva's latest research notes on forgotten runes. Lucien had no business here. Not after Marseille. "What the hell are you doing on Brick Lane?" She kept her tone even, but her pulse hammered against her wrist, right over that old crescent scar. The one he'd traced once, in the dim light of his flat, whispering promises that tasted like lies. He tilted his head, platinum hair catching the bulb's harsh glow. "Eva's place. Your scent's all over it. Delivery routes brought you back to the fold?" His gaze flicked past her, scanning the chaos of the flat—the sagging bookshelves crammed with leather-bound tomes, the faint spice of turmeric clinging to the air from downstairs. "None of your concern." She didn't move to let him in. Ptolemy arched his back, hissing softly at the intruder's polished shoes. Lucien ignored the cat, his free hand slipping into his charcoal suit pocket. The fabric whispered as he withdrew a slim envelope, creased at the edges. "This is." He extended it, but not close enough to touch her fingers. "Your ex. Evan's not done sniffing around Cardiff. Word's out he's tapping old contacts. Yours included." Her stomach twisted. Evan. The name alone conjured the bruise on her ribs from last summer, the way he'd twisted her arm until she promised to stay. She'd run to Eva, crashed here while piecing together deliveries for Yu-Fei's Golden Empress. Lucien had helped then—slipped her a new alias, Laila, and a lead on the flat above Silas' bar. But then came the night in his office, his lips on her throat, his demon heat searing through her skin. Attraction exploded into something raw, desperate. Until his world pulled him back—Avaros business, he'd said. Demons didn't share, and neither did fixers. He'd left her breathless on his desk, unspoken words choking the air. Hurt? Yeah. But she'd locked it down, same as the deadbolts. "Post it next time." She snatched the envelope anyway, the paper cool against her palm. Inside, a grainy photo: Evan in a pub, arm around a burly type with a tattoo snaking up his neck. Underworld ink. Lucien's doing, no doubt. His lip quirked, not quite a smile. "Post doesn't carry warnings like I do. He's closer than you think. Spotted your bike outside a drop last week." Bullshit. She delivered in broad daylight, helmet on, routes random. But doubt wormed in. Lucien dealt in truths that sliced. "And you just happened to be lurking? Fixer business, or playing knight again?" He leaned on his cane, the ivory handle glinting. "Both. Eva called. Said you vanished from your flat above Silas'. Thought you might need... extraction." Eva. That meddlesome witch with her scrolls and secrets. Aurora shot a glare over her shoulder into the flat, where Ptolemy now batted at a loose page from some occult journal. "She worries too much. I'm fine. Go broker your deals elsewhere." Lucien's amber eye narrowed, the black one swallowing light. He stepped closer, invading the threshold. The scent of him hit her—sandalwood and something sharper, like brimstone after rain. "Fine? Hiding in a book tomb, dodging shadows. That's not you, Rory. Cool-headed, quick-thinking. Remember the warehouse? You spotted the wards before I did." Her cheeks burned. The warehouse job, three months back. He'd dragged her into it—tracking a relic for his demon contacts. She'd saved his arse from a collapsing beam, and later, in the adrenaline haze, their hands had tangled. Mouths. More. Things left unsaid piled up like the books around them. Why'd he vanish after? Why'd she let him? "That was one night." She folded her arms, the envelope crinkling. "Doesn't buy you a key to Eva's door." He chuckled, low and rough. "One night? Try convincing Avaros of that. Father's kin don't forget debts. Or distractions." His gaze dropped to her wrist, lingering on the scar. Heat flushed her skin where his eyes touched. Distractions. That's what she'd been. A human fling in his immortal game. "Debts? You mean the one where you ghosted after screwing me senseless? Spare me the demon drama." Ptolemy yowled, darting inside as if sensing the shift. Lucien followed, uninvited, his cane tapping the warped floorboards. The flat swallowed him—shelves groaning under tomes on alchemy and forgotten London lore, notes pinned to every wall with curses scrawled in charcoal. Eva's domain, a sanctuary Aurora borrowed when deliveries turned dicey. He shut the door behind him, the deadbolts clicking home under his fingers. Too smooth. Too deliberate. "Ghosted? I left a blade in your glovebox. Protection. You kept it?" She had. Tucked under her bike's seat, sharp and cold. "Didn't ask for your souvenirs." His cane hooked the arm of a sagging chair, pulling it out. He didn't sit. "Evan's not playing human anymore. That tattoo? Marks him with the Sable Circle. They're sniffing for leverage. You." She paced to the kitchenette, the linoleum sticky under her boots. Copper pots hung from hooks, clanging softly as she brushed past. The fridge hummed, stocked with Eva's half-eaten takeaway and milk gone sour. "Leverage? I'm a delivery girl. No one's hunting me." Lucien followed, his presence filling the narrow space. He set the cane against the counter, freeing his hands. One brushed her elbow as he reached for a glass—accidental, maybe. Or not. "You're more. Pre-Law brain, out-of-the-box moves. I saw it in Marseille. Saw you." Marseille. The trip he'd insisted on, weaving her into his web to dodge his father's summons. Nights in hidden bistros, his fingers mapping her scars while he spoke four languages of half-truths. Attraction sparked then, hot and forbidden. His demon side clawed close once, eyes flickering red, and she'd pulled back. Hurt bloomed when he chose Avaros over her questions. Complicated terms? Understatement. "Save the flattery." She filled the glass with tap water, gulping it down. It tasted metallic, like blood pennies. "Why now? Your underworld's got you by the balls. Can't drop in for tea." He plucked the glass from her hand mid-sip, setting it down with a clink. His body heat pressed close, the charcoal suit brushing her arm. "Because unresolved threads unravel. Evan knows about us. Thinks I owe him for the ex files I fed your father." Brendan Carter, the barrister dad who'd disowned her flight to London. Lucien had meddled there too, burying Evan's threats in legal red tape. For a price. Always a price. "Us?" The word hung bitter. Ptolemy leaped onto the counter, tail flicking as he eyed Lucien's watch—a slim gold thing ticking too loud. "Yes. Us." His hand captured her chin, tilting her face up. Thumb grazed her jaw, rougher than she remembered. The black eye held secrets, the amber fire. "Things left unsaid. Like how you taste of salt and defiance." Her breath hitched. The flat's air thickened, scrolls rustling in a draft from the window. She shoved his chest, but her palms lingered on the crisp shirt. "You left. Chose your realm. Don't pretend regret now." "Regret?" He stepped into her space, backing her against the counter. The edge bit her hips. "I left to keep you breathing. Avaros demons don't court humans. They consume. But Evan? He's human filth with hell's backing. I won't let him touch you." Attraction surged, traitorous. His scent wrapped her, pulling memories: his mouth on hers in the warehouse shadows, cane discarded, bodies colliding in a frenzy of need and escape. Hurt lingered, but so did the pull. Things unsaid: Why me? What next? She twisted away, snatching the envelope. "Back off. Eva'll be home soon. Her research—" "Eva's out. Told me to handle this." His fingers caught her wrist, thumb circling the scar. Gentle. Possessive. "Talk to me, Rory. No games." The word snapped something. She yanked free, spinning to face him. "Talk? Fine. You vanished. Left me piecing my life from scraps. Deliveries, aliases, Eva's couch. While you fixed your immortal messes." His jaw tightened. "I fixed yours too. That blade? Forged in Avaros. Saved your skin twice, you said." "Twice you weren't there for." She jabbed his chest. "Hurt doesn't vanish with steel." He caught her hand, holding it against him. Heartbeat thrummed under her palm—faster than human. "Then let me mend it. Stay with me. No more running." The offer dangled, tempting. But trust fractured easy. Ptolemy hissed again, fur bristling as a thud echoed from the hallway—footsteps, heavy and off-rhythm. Lucien's head snapped toward the door. His cane was in hand before she blinked, blade whispering free from its sheath. "Not Eva." The deadbolts rattled. Someone pounded, wood splintering under a boot. Evan's voice boomed, muffled but clear. "Open up, Rory! We need to chat about your Frenchman friend." Lucien's eyes blazed—amber to flame, black to void. He positioned himself between her and the door, blade gleaming. "Stay back." The first kick buckled the frame. Shouts followed—Evan's goons, Circle muscle. The flat's sanctuary shattered as the door flew inward, a tattooed arm reaching through.
created_at"2026-02-20T19:56:02.48Z" 2/20/2026, 7:56:02 PM
model"x-ai/grok-4-fast"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency4470
moderation_latency(null)
generation_time24917
tokens_prompt4556
tokens_completion2515
native_tokens_prompt4145
native_tokens_completion2736
native_tokens_completion_images0
native_tokens_reasoning524
native_tokens_cached151
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.00217435
router(null)
provider_responses
0
endpoint_id"c9586d9d-97ff-40ca-ae94-22504d6f9b7e"
id"326e228b-b413-37f8-bb13-69eb7d82ef9f"
is_byokfalse
latency719
model_permaslug"x-ai/grok-4-fast"
provider_name"xAI"
status200
api_type"completions"
id"gen-1771617362-qpUBSHBF0eJJCCNdY3TE"
upstream_id"326e228b-b413-37f8-bb13-69eb7d82ef9f"
total_cost0.00217435
cache_discount0.00002265
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags14
adverbTagCount0
adverbTags(empty)
dialogueSentences41
tagDensity0.341
leniency0.683
rawRatio0
effectiveRatio0
93.86% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1628
totalAiIsmAdverbs2
found
0
adverb"softly"
count2
highlights
0"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
47.79% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1628
totalAiIsms17
found
0
word"lilt"
count1
1
word"pulse"
count1
2
word"traced"
count1
3
word"flicked"
count1
4
word"scanning"
count1
5
word"stomach"
count1
6
word"searing"
count1
7
word"unspoken"
count1
8
word"glinting"
count1
9
word"sanctuary"
count2
10
word"unravel"
count1
11
word"fractured"
count1
12
word"echoed"
count1
13
word"footsteps"
count1
14
word"gleaming"
count1
15
word"shattered"
count1
highlights
0"lilt"
1"pulse"
2"traced"
3"flicked"
4"scanning"
5"stomach"
6"searing"
7"unspoken"
8"glinting"
9"sanctuary"
10"unravel"
11"fractured"
12"echoed"
13"footsteps"
14"gleaming"
15"shattered"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences137
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences137
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences164
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen45
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1605
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions14
unquotedAttributions0
matches(empty)
95.24% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions54
wordCount1187
uniqueNames20
maxNameDensity1.1
worstName"Lucien"
maxWindowNameDensity2
worstWindowName"Lucien"
discoveredNames
Lucien13
French1
Ptolemy6
Eva5
Marseille2
Yu-Fei1
Golden1
Empress1
Laila1
Avaros2
Evan5
Heat1
London2
Aurora3
Carter1
Thumb1
Gentle1
Circle1
Attraction3
Hurt3
persons
0"Lucien"
1"Ptolemy"
2"Eva"
3"Yu-Fei"
4"Laila"
5"Evan"
6"Heat"
7"Aurora"
8"Carter"
9"Thumb"
10"Attraction"
11"Hurt"
places
0"Marseille"
1"London"
globalScore0.952
windowScore1
67.58% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences91
glossingSentenceCount3
matches
0"tasted like lies"
1"not quite a smile"
2"as if sensing the shift"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1605
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences164
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs44
mean36.48
std18.53
cv0.508
sampleLengths
057
119
255
345
454
548
629
7124
841
927
1033
1125
1242
1352
1458
1519
1637
1729
1851
1929
2015
2133
2243
2344
2463
2533
2645
2729
2823
2938
3036
3143
3241
3314
3424
3532
3618
3714
3826
3923
4022
4127
4220
4325
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences137
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs221
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount14
semicolonCount0
flaggedSentences13
totalSentences164
ratio0.079
matches
0"Heterochromatic eyes—one amber, one black—locked onto hers, pulling the air from the cramped hallway."
1"\"Eva's place. Your scent's all over it. Delivery routes brought you back to the fold?\" His gaze flicked past her, scanning the chaos of the flat—the sagging bookshelves crammed with leather-bound tomes, the faint spice of turmeric clinging to the air from downstairs."
2"Lucien had helped then—slipped her a new alias, Laila, and a lead on the flat above Silas' bar."
3"Until his world pulled him back—Avaros business, he'd said."
4"The scent of him hit her—sandalwood and something sharper, like brimstone after rain."
5"He'd dragged her into it—tracking a relic for his demon contacts."
6"The flat swallowed him—shelves groaning under tomes on alchemy and forgotten London lore, notes pinned to every wall with curses scrawled in charcoal."
7"One brushed her elbow as he reached for a glass—accidental, maybe."
8"Ptolemy leaped onto the counter, tail flicking as he eyed Lucien's watch—a slim gold thing ticking too loud."
9"Heartbeat thrummed under her palm—faster than human."
10"Ptolemy hissed again, fur bristling as a thud echoed from the hallway—footsteps, heavy and off-rhythm."
11"Lucien's eyes blazed—amber to flame, black to void."
12"Shouts followed—Evan's goons, Circle muscle."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1109
adjectiveStacks0
stackExamples(empty)
adverbCount28
adverbRatio0.025247971145175834
lyAdverbCount3
lyAdverbRatio0.002705139765554554
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences164
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences164
mean9.79
std6.75
cv0.69
sampleLengths
022
121
214
313
44
52
610
716
821
95
103
1127
1218
1311
1443
1511
1611
1713
1813
1913
2016
213
221
2323
2414
2518
2620
276
289
297
3012
311
321
339
3415
3520
362
374
387
3920
401
419
424
436
4413
459
4616
471
488
4922
76.02% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats2
diversityRatio0.4634146341463415
totalSentences164
uniqueOpeners76
28.49% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences117
matches
0"Always a price."
ratio0.009
62.74% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount46
totalSentences117
matches
0"She'd barely yanked the door"
1"His voice rolled low, French"
2"He didn't step forward."
3"She gripped the doorframe, nails"
4"She kept her tone even,"
5"He tilted his head, platinum"
6"His gaze flicked past her,"
7"She didn't move to let"
8"He extended it, but not"
9"Her stomach twisted."
10"She'd run to Eva, crashed"
11"He'd left her breathless on"
12"She snatched the envelope anyway,"
13"His lip quirked, not quite"
14"She delivered in broad daylight,"
15"He leaned on his cane,"
16"He stepped closer, invading the"
17"Her cheeks burned."
18"He'd dragged her into it—tracking"
19"She'd saved his arse from"
ratio0.393
32.65% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount100
totalSentences117
matches
0"Aurora twisted the third deadbolt"
1"She'd barely yanked the door"
2"His voice rolled low, French"
3"He didn't step forward."
4"She gripped the doorframe, nails"
5"The tabby cat, Ptolemy, slunk"
6"Books teetered on the side"
7"Lucien had no business here."
8"She kept her tone even,"
9"The one he'd traced once,"
10"He tilted his head, platinum"
11"His gaze flicked past her,"
12"She didn't move to let"
13"Ptolemy arched his back, hissing"
14"Lucien ignored the cat, his"
15"The fabric whispered as he"
16"He extended it, but not"
17"Her stomach twisted."
18"The name alone conjured the"
19"She'd run to Eva, crashed"
ratio0.855
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences117
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences46
technicalSentenceCount1
matches
0"Brendan Carter, the barrister dad who'd disowned her flight to London."
17.86% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags14
uselessAdditionCount3
matches
0"She kept, but her pulse hammered against her wrist, right over that old crescent scar"
1"She folded, the envelope crinkling"
2"His fingers caught, thumb circling the scar"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
80.7406%