Run: 2026-02-20-01KHYAFXMKK30CR60EH58B5KCY

Run Details

Duration:
23.1s
Cost:
$0.000333
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Literary Fiction genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rain hadn’t stopped. Not really. It had simply shifted, darkening the already bruised purple of the London sky, clinging to the slick cobblestones of Soho like a guilty secret. A smear of crimson light bled from the neon sign of The Raven’s Nest – a distinctive green triangle proclaiming ‘Silas’ – painting the pavement in uneven strokes. It wasn’t the kind of weather that invited lingering, or conversation. More the kind that urged you to curl up with a bottle and a shadow. I was halfway through a lukewarm pint of bitter, nursing it with an almost aggressive focus on the foam, when the door swung open with a hesitant rasp and the air shifted, momentarily smelling of damp wool and something sharply metallic – like old pennies. He hadn’t changed much, not at first glance. Just… weathered. The sharp angles of his features, the way he’d always held himself, a studied stillness, were softened by a network of fine lines around his hazel eyes. Silas Blackwood. Even after all this time, the silver signet ring glinting on his right hand felt like a brand. He was leaning against the bar, nursing a scotch – neat, of course – and watching me with an expression that wasn’t quite assessment, not quite amusement, but something colder, more calculating. A flicker of recognition, perhaps, battling with a carefully constructed indifference. “Rory,” he said, the word a low rumble, like stones tumbling down a hillside. It wasn’t a greeting. It was an observation. “Silas,” I replied, keeping my voice even, betraying nothing. It’d been seven years, give or take a misplaced phone call and a deliberately vague explanation. Seven years since I’d fled London, seven years since I’d actively erased him from my life. “Didn’t expect to see you here.” The Raven's Nest wasn’t his usual haunt. He preferred the quiet anonymity of his own bar, the muted conversations and the scent of aged whiskey. This felt… deliberate. He took a slow sip of his scotch, considering me. “Small world, isn’t it? Especially in a city built on secrets.” He paused, a ghost of a smile playing at the corners of his mouth. “Or perhaps it’s just that you occasionally reappear when someone needs a reminder of what they’re running from.” The sentence hung in the air, thick with unspoken accusations. I didn't flinch. I’d learned a long time ago when to deflect. "I'm running from nothing, really. Just… life.” A carefully constructed lie, layered with the brittle shards of truth. I took a large gulp of my beer, trying to ignore the way the condensation beaded on the glass, mirroring the dampness clinging to my skin. “That’s a remarkably understated response, Rory. Considering your… career.” He didn't elaborate, and I didn't ask. The unspoken question – delivery driver for Yu-Fei Cheung's Golden Empress – felt heavy, a rusty nail hammered into a forgotten wound. It wasn't glamorous. It wasn’t exciting. It was anonymity. It was a deliberate choice. "It pays the bills." “And you?” I asked, turning the question back to him. “Still collecting debts and brokering deals in the shadows?” The rain intensified, drumming a steady rhythm against the windows of The Raven’s Nest, a soundtrack to the quiet tension between us. The bar was nearly empty. A lone figure huddled in a corner booth, nursing a drink, and a couple engaged in a hushed conversation near the back. I watched him, trying to read the lines etched onto his face, searching for a flicker of the man I remembered, the man who had once seemed capable of genuine warmth. He'd been sharp then, quick-witted, devastatingly handsome. Now, he was simply… guarded. “Let’s just say I’m… occupied,” he said, his voice flat. “The world doesn’t tend to forgive mistakes, Rory. Or offer second chances.” His gaze sharpened, assessing, and I felt a familiar prickle of defensiveness. He suspected. He always suspected. “You, on the other hand, seem to have managed a remarkable degree of self-imposed exile.” “Some things are best left buried,” I said, the words tasting like ash in my mouth. It was a common refrain, a shield I'd erected around myself after Evan. After the nightmares, after the shattered promises, after the slow, agonizing realization that I'd been trapped in a gilded cage of his making. "It works." He steepled his fingers beneath his chin, a gesture that seemed oddly formal. “It’s a remarkably effective strategy for avoiding responsibility, Rory. But it doesn't erase the past. It simply compresses it, waiting for the opportune moment to resurface.” The mention of Evan hung in the air, unspoken but palpable, a weight pressing down on us both. He hadn't said his name. He never did. But I knew. I *always* knew. I shifted uncomfortably, taking another drink. The beer was colder now, the bitterness sharper. "What do you want, Silas?" I asked, the question stripped of its polite veneer, raw and demanding. His eyes narrowed, dark and assessing. “I want to know you’re alright. Honestly.” The words were unexpected, surprising. It wasn’t a threat, not exactly. More a hesitant plea, a lingering sorrow that briefly pierced the carefully constructed façade. “I saw something… a photograph. At a little gallery in Mayfair. You, with a man. A very unhappy-looking man.” He didn’t elaborate, letting the implication hang in the air, thick and suffocating. A memory, sharp and painful, slammed into my consciousness – the rain-slicked streets of Prague, the suffocating darkness, Evan’s face contorted in rage. “It was a long time ago,” I said, my voice barely a whisper. “Let it go." It was a lie. Of course, it hadn't let it go. The scars, both visible and invisible, remained. They were a permanent part of me, a constant reminder of the darkness I’d escaped. “Some things don’t simply evaporate, Rory,” he said, his voice low and insistent. He reached across the bar, his hand hovering over mine – a fleeting, almost hesitant gesture – before withdrawing. "He wasn't a pleasant man. And you... weren't exactly supporting him." He acknowledged the fact, my involvement, my knowledge, my silence. “I tried,” I said, the words choked with emotion. It was a weak defense, a pathetic attempt to absolve myself of the guilt that had haunted me for years. I hadn’t tried hard enough. I'd been paralyzed by fear, by the desperate need to survive. I'd been a coward. “Trying isn’t enough,” he said, his gaze unwavering. “Actions have consequences, Rory. And the consequences of inaction are often far more devastating than the actions themselves.” A sudden, sharp sound – a shattering of glass from the alleyway – cut through the murmur of the bar. A figure stumbled out, drenched in rain, clutching a shattered bottle. A shadowy form, moving quickly away, fading into the gloom. Silas didn't flinch, didn't react. He merely watched, his eyes locked on the empty space where the figure had been. “That’s Silas,” a voice said, startling me. It was the man in the corner booth, a wiry figure with tired eyes and a disconcerting smile. “Used to run protection for a few… unsavory characters. Now he just… observes. Says it’s less stressful." He gestured towards Silas with a dismissive wave. "And he’s always the first to spot the trouble." Silas turned his gaze to the stranger. There was no accusation in his eyes, no anger, just a profound weariness. "Trouble finds its way, Mr. Davies. It always does." He turned back to me, his expression unreadable. “You should go, Rory. It’s getting late. And I suspect you have more pressing matters than catching up with a ghost from your past.” I stood up, my legs unsteady. The rain seemed to intensify, drumming against the windows with renewed urgency. I didn't say anything. I simply nodded, turned, and walked towards the door, leaving Silas Blackwood alone in the dimly lit corner of The Raven's Nest, a solitary figure surrounded by the ghosts of his past, and the unsettling certainty that the darkness he'd fought so hard to escape was, inevitably, returning. As I stepped out into the rain, I felt a cold dread clawing at my insides. It wasn’t just the rain. It was something far more sinister. Something I felt, instinctively, was hunting me, too.
created_at"2026-02-20T20:05:08.39Z" 2/20/2026, 8:05:08 PM
model"google/gemma-3-4b-it"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency376
moderation_latency(null)
generation_time22939
tokens_prompt4642
tokens_completion2157
native_tokens_prompt4505
native_tokens_completion1912
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.00033316
router(null)
provider_responses
0
endpoint_id"d3de3bd4-81bc-48fb-924f-2a87b2a36e75"
id"chatcmpl-R0WYTnsBFuLRuTHYNYvP5Ntd"
is_byokfalse
latency66
model_permaslug"google/gemma-3-4b-it"
provider_name"DeepInfra"
status200
api_type"completions"
id"gen-1771617908-rN59dBPn5KS1XKTFnBYr"
upstream_id"chatcmpl-R0WYTnsBFuLRuTHYNYvP5Ntd"
total_cost0.00033316
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags23
adverbTagCount1
adverbTags
0"He turned back [back]"
dialogueSentences31
tagDensity0.742
leniency1
rawRatio0.043
effectiveRatio0.043
67.18% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1371
totalAiIsmAdverbs9
found
0
adverb"really"
count2
1
adverb"sharply"
count1
2
adverb"carefully"
count3
3
adverb"deliberately"
count1
4
adverb"very"
count1
5
adverb"quickly"
count1
highlights
0"really"
1"sharply"
2"carefully"
3"deliberately"
4"very"
5"quickly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1371
totalAiIsms31
found
0
word"glinting"
count1
1
word"calculating"
count1
2
word"flicker"
count2
3
word"constructed"
count3
4
word"reminder"
count2
5
word"unspoken"
count3
6
word"tension"
count1
7
word"etched"
count1
8
word"warmth"
count1
9
word"familiar"
count1
10
word"remarkable"
count1
11
word"shattered"
count2
12
word"palpable"
count1
13
word"weight"
count1
14
word"implication"
count1
15
word"whisper"
count1
16
word"fleeting"
count1
17
word"silence"
count1
18
word"unwavering"
count1
19
word"gloom"
count1
20
word"profound"
count1
21
word"unreadable"
count1
22
word"solitary"
count1
23
word"sinister"
count1
highlights
0"glinting"
1"calculating"
2"flicker"
3"constructed"
4"reminder"
5"unspoken"
6"tension"
7"etched"
8"warmth"
9"familiar"
10"remarkable"
11"shattered"
12"palpable"
13"weight"
14"implication"
15"whisper"
16"fleeting"
17"silence"
18"unwavering"
19"gloom"
20"profound"
21"unreadable"
22"solitary"
23"sinister"
0.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches4
maxInWindow4
found
0
label"eyes widened/narrowed"
count1
1
label"hung in the air"
count2
2
label"flicker of emotion"
count1
highlights
0"eyes narrowed"
1"hung in the air"
2"A flicker of recognition"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences101
matches
0"d in rage"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences101
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences106
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen48
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans1
markdownWords1
totalWords1378
ratio0.001
matches
0"always"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions17
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions26
wordCount1095
uniqueNames12
maxNameDensity0.46
worstName"Silas"
maxWindowNameDensity2
worstWindowName"Silas"
discoveredNames
London2
Soho1
Raven4
Nest4
Blackwood2
Yu-Fei1
Cheung1
Golden1
Empress1
Evan3
Prague1
Silas5
persons
0"Raven"
1"Blackwood"
2"Yu-Fei"
3"Cheung"
4"Empress"
5"Evan"
6"Silas"
places
0"London"
1"Soho"
2"Prague"
globalScore1
windowScore1
2.94% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences68
glossingSentenceCount4
matches
0"felt like a brand"
1"quite assessment, not quite amusement, but something colder, more calculating"
2"not quite amusement, but something colder, more calculating"
3"seemed capable of genuine warmth"
4"seemed oddly formal"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.726
wordCount1378
matches
0"not quite amusement, but something colder, more calculating"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences106
matches(empty)
65.47% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs18
mean76.56
std29.03
cv0.379
sampleLengths
0129
1122
275
3119
456
5111
654
754
871
931
1093
1149
1253
1349
1487
1559
1661
17105
91.37% Passive voice overuse
Target: ≤2% passive sentences
passiveCount4
totalSentences101
matches
0"were softened"
1"been seven"
2"been trapped"
3"been paralyzed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs188
matches
0"was hunting"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount11
semicolonCount0
flaggedSentences7
totalSentences106
ratio0.066
matches
0"A smear of crimson light bled from the neon sign of The Raven’s Nest – a distinctive green triangle proclaiming ‘Silas’ – painting the pavement in uneven strokes."
1"I was halfway through a lukewarm pint of bitter, nursing it with an almost aggressive focus on the foam, when the door swung open with a hesitant rasp and the air shifted, momentarily smelling of damp wool and something sharply metallic – like old pennies."
2"He was leaning against the bar, nursing a scotch – neat, of course – and watching me with an expression that wasn’t quite assessment, not quite amusement, but something colder, more calculating."
3"The unspoken question – delivery driver for Yu-Fei Cheung's Golden Empress – felt heavy, a rusty nail hammered into a forgotten wound."
4"A memory, sharp and painful, slammed into my consciousness – the rain-slicked streets of Prague, the suffocating darkness, Evan’s face contorted in rage."
5"He reached across the bar, his hand hovering over mine – a fleeting, almost hesitant gesture – before withdrawing."
6"“Actions have consequences, Rory. And the consequences of inaction are often far more devastating than the actions themselves.” A sudden, sharp sound – a shattering of glass from the alleyway – cut through the murmur of the bar."
50.34% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount266
adjectiveStacks0
stackExamples(empty)
adverbCount22
adverbRatio0.08270676691729323
lyAdverbCount10
lyAdverbRatio0.03759398496240601
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences106
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences106
mean13
std10.18
cv0.783
sampleLengths
04
12
224
328
411
515
645
78
81
91
1027
112
1218
1332
1411
1514
164
174
189
1916
2016
2113
2218
232
241
2510
2625
2728
283
299
3018
3126
3216
3322
343
353
363
375
384
3910
4031
415
4222
4331
447
454
461
4710
4824
492
45.28% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats17
diversityRatio0.36792452830188677
totalSentences106
uniqueOpeners39
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences93
matches
0"More the kind that urged"
1"More a hesitant plea, a"
2"Of course, it hadn't let"
ratio0.032
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount59
totalSentences93
matches
0"It had simply shifted, darkening"
1"It wasn’t the kind of"
2"I was halfway through a"
3"He hadn’t changed much, not"
4"He was leaning against the"
5"he said, the word a"
6"It wasn’t a greeting."
7"It was an observation."
8"I replied, keeping my voice"
9"It’d been seven years, give"
10"He preferred the quiet anonymity"
11"He took a slow sip"
12"He paused, a ghost of"
13"I didn't flinch."
14"I’d learned a long time"
15"I took a large gulp"
16"He didn't elaborate, and I"
17"It wasn't glamorous."
18"It wasn’t exciting."
19"It was anonymity."
ratio0.634
13.76% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount83
totalSentences93
matches
0"The rain hadn’t stopped."
1"It had simply shifted, darkening"
2"A smear of crimson light"
3"It wasn’t the kind of"
4"I was halfway through a"
5"He hadn’t changed much, not"
6"The sharp angles of his"
7"He was leaning against the"
8"A flicker of recognition, perhaps,"
9"he said, the word a"
10"It wasn’t a greeting."
11"It was an observation."
12"I replied, keeping my voice"
13"It’d been seven years, give"
14"The Raven's Nest wasn’t his"
15"He preferred the quiet anonymity"
16"He took a slow sip"
17"He paused, a ghost of"
18"The sentence hung in the"
19"I didn't flinch."
ratio0.892
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount2
totalSentences93
matches
0"Even after all this time,"
1"Now, he was simply…"
ratio0.022
34.63% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences33
technicalSentenceCount5
matches
0"He was leaning against the bar, nursing a scotch – neat, of course – and watching me with an expression that wasn’t quite assessment, not quite amusement, but s…"
1"I took a large gulp of my beer, trying to ignore the way the condensation beaded on the glass, mirroring the dampness clinging to my skin."
2"I watched him, trying to read the lines etched onto his face, searching for a flicker of the man I remembered, the man who had once seemed capable of genuine wa…"
3"He steepled his fingers beneath his chin, a gesture that seemed oddly formal."
4"He reached across the bar, his hand hovering over mine – a fleeting, almost hesitant gesture – before withdrawing."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags23
uselessAdditionCount8
matches
0"he said, his voice flat"
1"Evan hung, unspoken but palpable, a weight pressing down on us both"
2"I asked, the question stripped of its polite veneer, raw and demanding"
3"I said, my voice barely a whisper"
4"he said, his voice low and insistent"
5"I said, the words choked with emotion"
6"he said, his gaze unwavering"
7"He turned back, his expression unreadable"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount1
fancyTags
0"He acknowledged (acknowledge)"
dialogueSentences31
tagDensity0.387
leniency0.774
rawRatio0.083
effectiveRatio0.065
69.0324%