Run: 2026-02-20-01KHYAR510RXVA9MJNMX49X9H9

Run Details

Duration:
30.1s
Cost:
$0.001901
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora ducked beneath a gnarled oak branch that snagged her jacket like insistent fingers. The Heartstone pendant throbbed against her chest, its crimson glow seeping through her shirt in rhythmic pulses. She had followed its warmth from the edge of Richmond Park, past the deer that scattered like guilty secrets, until the ancient standing stones loomed ahead, their bark-twisted surfaces etched with symbols that twisted her gut. She straightened, breath steady despite the prickle along her spine. The delivery shift at Golden Empress had dragged that evening, bags of dim sum cooling in the chill autumn air, but this pull overrode fatigue. The pendant, slipped into her palm two nights ago by a hooded figure outside Silas' bar, promised answers. Or warnings. Either way, it burned now, insistent. Wildflowers carpeted the clearing, petals unfurling in defiant pinks and violets under the faint moonlight filtering through the canopy. No frost touched them. No wilt edged their leaves. Rory knelt, fingers brushing a bloom. Velvet soft. Too vibrant. Her small crescent scar itched on her wrist, a phantom twinge from that childhood fall off her father's garden wall. A rustle stirred the undergrowth to her left. She froze, ears straining. Squirrels? Foxes roamed Richmond, bold at night. But the sound repeated, deliberate, like footsteps padding on moss. Soft pads, retreating. Rory rose, scanning the boundary stones. Eight of them ringed the grove, each taller than her 5'6" frame, their roots bulging like veins beneath the soil. The pendant's heat intensified, syncing with her heartbeat. She slipped it from beneath her collar, the silver chain cool against hot skin. The gemstone throbbed brighter, casting ruby flecks across the nearest stone's carvings , intricate whorls that resembled eyes half-shut in sleep. "You're malfunctioning," she muttered to the air, voice low. Cardiff grit in her tone, barrister father's influence sharpening her words. No response. Good. She circled the stone, boots sinking into loamy earth that smelled of rain-soaked earth and something sweeter, like overripe fruit fermenting underground. Halfway around, a whisper slithered past. Not wind. Words? Gaelic lilt, maybe Welsh from her mother's side, but mangled. "Lai... laila..." Her alias from the flat above Silas', the one Eva insisted on after Evan. Rory spun. Nothing. Just flowers nodding in a breeze that never reached her face. She pressed on, weaving between stones. The grove shrank somehow, the far edge blurring into shadow. Time played tricks here, Eva had hinted once over cheap wine, eyes darting like she spilled forbidden lore. An hour inside equalled minutes out, or days. Rory checked her phone. No signal. Clock frozen at 11:47. She pocketed it, pulse quickening. Another rustle, closer, from the right. Leaves parted with a wet snap. She whipped her torch from her jacket pocket, beam slicing the dark. Petals glowed under the light, but no shape resolved. The beam caught a flicker, though , a pale limb darting behind the next stone. Too long for a fox. Too thin. "Show yourself." Her voice cut sharp, Pre-Law poise masking the coil in her stomach. Silence answered, thick as fog rolling off the Thames. She advanced, pendant scorching now, pain lancing her skin. The glow illuminated runes on the stone, pulsing in echo. One symbol dominated: a jagged heart, split by thorns. Her scar burned in sympathy. Childhood accident, Mum called it. Fell chasing a butterfly into the brambles. But the scar's curve matched this rune too perfectly. Rory traced it with a fingertip. Warm. The stone hummed, vibration climbing her arm. Footsteps circled behind her. Multiple sets now, padding in unison, then scattering like children at play. Giggle? No, a trill, high and avian, from the canopy. Branches creaked above, weight shifting. She tilted the torch upward. Leaves rustled, but eyes glinted there , dozens, amber flecks winking out as fast as they appeared. Not alone. The certainty settled cold in her veins. Whatever stalked her mimicked life from the park's edges , deer eyes, fox cunning , but warped. Closer. The air thickened, carrying a scent of milk gone sour, mixed with her own sweat. Rory backed toward the centre, boots crushing flowers that released pollen dust, sparkling briefly before dissolving. The pendant yanked at its chain, pointing north, toward a denser cluster of stones forming an arch. She gripped it tight, ignoring the blister forming on her palm. Answers lay there. Or the trap. Whispers multiplied, layering over each other. "Malphora... heart's thief..." Her other alias, hissed by Evan in rages, convinced she stole his soul with every glance. How did they know? The grove knew. Fae-touched, Eva whispered. Pocket between worlds. She reached the arch. Smaller stones flanked it, knee-high, topped with mossy caps like toadstools. The pendant's pulses accelerated, heat radiating outward, warming the air between the pillars. A faint shimmer coated the space, like heat haze over tarmac in Cardiff summers. Rustles converged. Shapes flitted at vision's edge: elongated shadows stretching on all fours, heads too large, limbs folding wrong. One paused, half-glimpsed: skin like birch bark, eyes milky voids. It tilted, nostrils flaring. Scenting her fear? No. Her blood. The scar wept a bead, unbidden. Rory lunged through the arch. The world tilted. Nausea gripped her gut as colours inverted , violets to sickly greens, pinks bleeding crimson. She stumbled, catching herself on grass that squelched under palm, viscous. The pendant dimmed, but its chain tugged onward, into deepening gloom. Sounds warped. Whispers stretched into moans, footsteps to skitters across stone. The grove expanded, trees twisting into impossible spirals, bark peeling to reveal glistening membranes beneath. Flowers carpeted everything, but thorns laced their stems now, quivering as if alive. She ran. Torch beam bounced wildly, carving tunnels in the murk. A shape lunged from the left , claw outstretched, nails black and curved. Rory dodged, shoulder slamming a tree. Bark gave like flesh, oozing sap that burned her cheek. Hiss of pain escaped her lips. More shapes closed in. Circles tightened. Trills morphed to chitters, hungry. One vaulted a stone ahead, landing with a splat. Hound-like, but elongated muzzle split four ways, tongues lolling in unison. It scented the ground, then her trail. Rory sprinted for a gap in the stones. Pendant flared anew, guiding her. Whispers coalesced: "Hel's gate... heart's key..." Hel portal. The codex of her mind clicked , lore Eva dropped in fragments. Norse underbelly bleeding into Fae seams. She vaulted a fallen log, thorns snagging her jeans, drawing blood. Warm trickle down calf. The hound-thing pursued, splashes echoing. Torch caught its eyes: not amber, but voids rimmed red, weeping ichor. The arch loomed again, larger, thorns framing it like teeth. Pendant screamed heat, chain searing neck. Rory hurled herself through. Reality snapped. She sprawled on dew-kissed grass, torch rolling away. Stars wheeled overhead, familiar London sprawl. Richmond Park. Out. But whispers lingered, faint. Footsteps padded beyond the stones. The pendant cooled, glow fading to ember. Rory scrambled up, heart hammering. Her phone buzzed in pocket. Signal back. Clock read 3:12 AM. Hours lost. A shape crested the outermost stone. Not hound. Taller. Humanoid. Birch skin stretched taut over bones too sharp. Face split in a grin of needle teeth. It dropped into the grove, others flanking. Eyes fixed on her scar, on the pendant. The stones hummed. Boundary thinned. They poured through.
created_at"2026-02-20T20:09:38.104Z" 2/20/2026, 8:09:38 PM
model"x-ai/grok-4.1-fast"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1394
moderation_latency(null)
generation_time29921
tokens_prompt4560
tokens_completion2052
native_tokens_prompt4137
native_tokens_completion2193
native_tokens_completion_images0
native_tokens_reasoning525
native_tokens_cached151
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.00190125
router(null)
provider_responses
0
endpoint_id"9821aa0e-dce3-4c27-9716-161359123d0b"
id"e074eaf1-48cc-4d10-0009-1b24c2bad322"
is_byokfalse
latency1164
model_permaslug"x-ai/grok-4.1-fast"
provider_name"xAI"
status200
api_type"completions"
id"gen-1771618178-FcVACGHAdhIxoQZxj52u"
upstream_id"e074eaf1-48cc-4d10-0009-1b24c2bad322"
total_cost0.00190125
cache_discount0.00002265
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags7
adverbTagCount0
adverbTags(empty)
dialogueSentences9
tagDensity0.778
leniency1
rawRatio0
effectiveRatio0
95.92% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1224
totalAiIsmAdverbs1
found
0
adverb"perfectly"
count1
highlights
0"perfectly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1224
totalAiIsms30
found
0
word"throbbed"
count2
1
word"rhythmic"
count1
2
word"warmth"
count1
3
word"loomed"
count2
4
word"etched"
count1
5
word"chill"
count1
6
word"velvet"
count1
7
word"footsteps"
count4
8
word"scanning"
count1
9
word"intricate"
count1
10
word"whisper"
count1
11
word"lilt"
count1
12
word"pulse"
count1
13
word"resolved"
count1
14
word"flicker"
count1
15
word"stomach"
count1
16
word"silence"
count1
17
word"echo"
count1
18
word"traced"
count1
19
word"weight"
count1
20
word"gloom"
count1
21
word"glistening"
count1
22
word"echoing"
count1
23
word"searing"
count1
24
word"familiar"
count1
highlights
0"throbbed"
1"rhythmic"
2"warmth"
3"loomed"
4"etched"
5"chill"
6"velvet"
7"footsteps"
8"scanning"
9"intricate"
10"whisper"
11"lilt"
12"pulse"
13"resolved"
14"flicker"
15"stomach"
16"silence"
17"echo"
18"traced"
19"weight"
20"gloom"
21"glistening"
22"echoing"
23"searing"
24"familiar"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences48
matches
0"d in sympathy"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences48
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences49
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen64
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1215
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions6
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions33
wordCount1070
uniqueNames16
maxNameDensity0.93
worstName"Rory"
maxWindowNameDensity2
worstWindowName"Rory"
discoveredNames
Heartstone1
Richmond3
Park2
Golden1
Empress1
Halfway1
Welsh1
Eva1
Pre-Law1
Thames1
Mum1
Cardiff2
London1
Rory10
One3
Whispers3
persons
0"Empress"
1"Eva"
2"Mum"
3"Rory"
4"One"
5"Whispers"
places
0"Richmond"
1"Park"
2"Golden"
3"Thames"
4"Cardiff"
5"London"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences38
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.823
wordCount1215
matches
0"not amber, but voids rimmed red, weeping ichor"
98.64% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences49
matches
0"dragged that evening"
46.50% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs28
mean43.39
std13.57
cv0.313
sampleLengths
067
161
258
332
469
545
649
757
855
951
1040
1153
1242
1350
1438
1542
1645
1745
1839
1946
2038
2139
2232
2320
2419
2534
2641
278
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences48
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs217
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences49
ratio0
matches(empty)
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount242
adjectiveStacks1
stackExamples
0"cool against hot skin."
adverbCount3
adverbRatio0.012396694214876033
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences49
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences49
mean24.8
std18.07
cv0.729
sampleLengths
014
117
236
310
425
518
62
76
819
94
105
116
122
132
1420
158
164
171
186
1910
203
216
2263
2345
2420
2529
2657
2755
2851
2940
3053
3142
3250
337
3431
3542
3645
3745
3839
3946
4038
4117
4222
4332
4420
4519
4634
4741
488
93.88% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats3
diversityRatio0.6122448979591837
totalSentences49
uniqueOpeners30
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences42
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount11
totalSentences42
matches
0"She had followed its warmth"
1"She straightened, breath steady despite"
2"Her small crescent scar itched"
3"She froze, ears straining."
4"she muttered to the air,"
5"She pressed on, weaving between"
6"Her voice cut sharp, Pre-Law"
7"Her scar burned in sympathy."
8"She reached the arch. Smaller"
9"She ran. Torch beam bounced"
10"She vaulted a fallen log,"
ratio0.262
90.95% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount31
totalSentences42
matches
0"Aurora ducked beneath a gnarled"
1"The Heartstone pendant throbbed against"
2"She had followed its warmth"
3"She straightened, breath steady despite"
4"The delivery shift at Golden"
5"The pendant, slipped into her"
6"Wildflowers carpeted the clearing, petals"
7"Rory knelt, fingers brushing a"
8"Her small crescent scar itched"
9"A rustle stirred the undergrowth"
10"She froze, ears straining."
11"Foxes roamed Richmond, bold at"
12"Rory rose, scanning the boundary"
13"she muttered to the air,"
14"Halfway around, a whisper slithered"
15"She pressed on, weaving between"
16"Another rustle, closer, from the"
17"Her voice cut sharp, Pre-Law"
18"Her scar burned in sympathy."
19"Footsteps circled behind her. Multiple"
ratio0.738
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences42
matches
0"Either way, it burned now,"
ratio0.024
0.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences25
technicalSentenceCount7
matches
0"Aurora ducked beneath a gnarled oak branch that snagged her jacket like insistent fingers."
1"She had followed its warmth from the edge of Richmond Park, past the deer that scattered like guilty secrets, until the ancient standing stones loomed ahead, th…"
2"Rory backed toward the centre, boots crushing flowers that released pollen dust, sparkling briefly before dissolving. The pendant yanked at its chain, pointing …"
3"Rory lunged through the arch. The world tilted. Nausea gripped her gut as colours inverted , violets to sickly greens, pinks bleeding crimson. She stumbled, cat…"
4"Sounds warped. Whispers stretched into moans, footsteps to skitters across stone. The grove expanded, trees twisting into impossible spirals, bark peeling to re…"
5"She ran. Torch beam bounced wildly, carving tunnels in the murk. A shape lunged from the left , claw outstretched, nails black and curved. Rory dodged, shoulder…"
6"She vaulted a fallen log, thorns snagging her jeans, drawing blood. Warm trickle down calf. The hound-thing pursued, splashes echoing. Torch caught its eyes: no…"
25.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags5
uselessAdditionCount1
matches
0"she muttered, voice low"
38.89% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags1
fancyCount1
fancyTags
0"she muttered (mutter)"
dialogueSentences9
tagDensity0.111
leniency0.222
rawRatio1
effectiveRatio0.222
82.7924%