Run: 2026-02-24-01KJ8WSFR2J4Z2SC2MKZ7NEG02

Run Details

Duration:
1m 14s
Cost:
$0.074740
Provider:
Amazon Bedrock

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The service tunnel smelled wrong. Not the usual cocktail of mildew and stale urine that haunted every decommissioned stretch of the Underground. This was something older. Copper and ozone and a sweetness that sat at the back of the throat like rotting fruit. Detective Harlow Quinn ducked beneath the police tape strung between two rusted maintenance pipes and let her eyes adjust to the portable halogen lights her team had set up along the platform edge. The abandoned station yawned around her — vaulted ceilings blackened with a century of soot, tiled walls where the station name had long since been chipped away, and rails thick with dust that hadn't seen a train in decades. Camden's underworld in the most literal sense. "Glad you could join us, guv." DC Pryce stood near the far wall, his notebook open, pen cap between his teeth. Young. Eager. The kind of officer who still ironed creases into his crime-scene coveralls. He gestured toward the body with his pen. "Patrol got the call around half two. Kids exploring the tunnels found him. Paramedics confirmed death at the scene. They didn't stick around long." Quinn pulled nitrile gloves from her coat pocket and snapped them on. "They say why?" "Said the place gave them the creeps." Pryce shrugged like this was a failing of character rather than instinct. She crouched beside the body. Male, mid-fifties, dressed in what had once been expensive clothes — a grey herringbone coat, silk-lined, with hand-stitched buttonholes. His shoes were Italian leather, though the soles had been worn through to paper thinness and repaired more than once. A man clinging to old money or old habits. His face held an expression Quinn had seen only twice before in eighteen years. Not pain, not fear. Astonishment. The kind reserved for the moment between comprehension and oblivion. She'd seen that face on DS Morris. Three years ago. A warehouse in Rotherhithe. The memory threaded through her ribs like cold wire, and she pressed it flat. "So what's your read?" She glanced up at Pryce. "Drug deal. Has to be." He flipped back a page in his notebook. "This area's got history. We've had reports of unauthorised access to the old station for months. People coming and going, moving goods. Probably fentanyl or something worse. Victim meets a dealer down here, deal goes sideways, dealer legs it." He tapped the bruising around the dead man's throat. "Ligature marks. Strangled with something thin — wire, maybe a cord." Quinn said nothing. She studied the marks. They encircled the neck in a near-perfect ring, evenly distributed, no deviation in depth or angle. No signs of struggle — no skin fragments under the man's fingernails, no defensive abrasions on his hands. A man being strangled with a wire fought. He clawed. He twisted. This one had simply stood there. She lifted his right hand. The fingers were curled around something. Rigor had locked them in place, but she could see the edge of it — brass, green with verdigris, small enough to sit in a palm. "Did forensics log this?" Pryce leaned in. "Log what?" "He's holding something." She angled the hand toward the light. A disc of brass, its surface etched with symbols she didn't recognize. Not letters. Not numbers. Geometric shapes nested inside one another with a precision that made her eyes slide off them if she looked too long. A thin needle under a cracked glass face, seized in place, pointing not north but toward the tunnel's deeper reaches. "Compass of some kind," Pryce offered. "Cheap antique? Maybe he was a collector." Quinn turned the dead man's wrist. No watch. No rings. No wallet in his pockets — she'd checked. But the coat's interior lining had a hidden pocket, sewn shut and then cut open again with a blade. Inside: nothing. Whatever he'd carried there, he'd carried it close to his chest and someone had taken it. "A collector wandering an abandoned Tube station at two in the morning." Quinn straightened. Her knees popped. "No ID, no phone, no wallet, but an expensive coat and a compass that doesn't point north." "Could've been robbed." "Could've been. Except the shoes." She pointed. "Ferragamo. Even in that condition, they'd fetch two hundred at a consignment shop. And look at his watch pocket." The tiny pocket on the waistcoat still held a chain — actual gold, from the colour of it — that terminated in an empty clip. "They took whatever was on this chain. Took whatever was in the hidden pocket. Left the gold chain, the shoes, the coat. Left the compass in his hand. This wasn't a robbery, Pryce. They took specific things." Pryce chewed the inside of his cheek. "Targeted, then. Someone who knew what he was carrying." "Better." Quinn turned in a slow circle, scanning the platform. The halogen lights threw long shadows across the tile work. Decades of abandonment, and yet — she crossed to the wall nearest the body. The tiles here were different. Not chipped and filthy like the rest. Cleaner. Arranged. She ran her fingers along the grout lines and found what she was looking for: fresh mortar. Someone had re-laid these tiles, and recently. The pattern they formed was deliberate, geometric, echoing the symbols on the compass face. She crouched and pressed her ear to the wall. Nothing. But she could feel something — a faint vibration, deep and rhythmic, like a pulse in the brickwork. Not a train. The nearest active line was four hundred meters east, and this wasn't mechanical. "Pryce, grab me an evidence bag for the compass. And get someone from Heritage down here." "Heritage? For what?" "This station isn't on any of the decommission records, is it?" He hesitated. "I assumed it was." "You assumed. Pull the plans. I want the original layout, every renovation, every access point." She stood and walked the length of the platform, counting paces. Sixty-three from the body to the tunnel mouth. At the thirty-first pace — dead center — she found scuff marks on the concrete. Not the aimless scuffs of foot traffic. A pattern. Concentric circles scratched into the floor, the outermost nearly a meter in diameter. Inside the innermost ring, a dark residue. She crouched and sniffed. Wax and something herbal — sage, maybe, or something that wanted to smell like sage but carried a bitterness beneath it. The scratches were fresh. The wax was still soft at the edges. She stood and looked back at the body. Thirty-one paces. The dead man faced the circles. He'd been watching whatever had happened here, compass in hand, and someone had killed him for it — or during it, or because of it. "This isn't a drug deal," she said to no one. "With respect, guv." Pryce appeared at her elbow, evidence bag in hand. "We've got a dead body in a dodgy tunnel, ligature marks, no ID. If it walks like a duck—" "Ducks don't rearrange tilework." She took the evidence bag and walked back to the body. She worked the compass free from the dead man's grip with careful, practised movements, the brass cold and heavy in her palm. Up close, the engravings were even stranger. The needle trembled when she held it level, then swung hard toward the tunnel's far end and held. She rotated. The needle didn't follow magnetic north. It tracked something else entirely, something deeper in the tunnels, with the fixed certainty of a hunting dog pointing at quarry. She sealed it in the evidence bag and held it up to the light. The verdigris on the casing was uneven, thick in crevices, worn off high points, the kind of patina that took years to develop. But the glass face was new — replacement, recent. Someone had been maintaining this instrument. Using it. "I want a full search of these tunnels. Every branch, every maintenance shaft, every bricked-up doorway. And Pryce—" She fixed him with a look. "Keep this off the morning briefing board." "Off the—" "You heard me. This goes to me directly. No one else." He stared at her, pen frozen above his notebook. "Is this about Morris?" The name landed between them like a dropped glass. Quinn's jaw worked. She adjusted the worn leather watch on her left wrist, an unconscious habit she'd never managed to break, and looked back at the body on the ground. The astonishment on the dead man's face. The same expression. The same impossible, frozen wonder. "Just run the plans," she said. Pryce held her gaze for one more second, then closed his notebook and walked toward the service tunnel's exit, his footsteps echoing against the vaulted ceiling until the sound thinned to nothing. Quinn stood alone on the platform. Alone with the body and the scrubbed tiles and the concentric circles scratched into forty-year-old concrete. She held up the evidence bag. Inside, the compass needle held its bearing — aimed into the dark throat of the tunnel, steady and absolute, pointing at something she couldn't see but was beginning, with a sickening certainty, to believe was there. She pulled her torch from her belt and aimed the beam down the tracks. The light reached maybe twenty meters before the tunnel bent and swallowed it. From that darkness came the faintest movement of air, warm and wrong-smelling, carrying that sweetness, that copper, that ozone. Three years she'd waited for something to connect back to Morris. Three years of dead ends and sealed files and colleagues who told her to let it go, that he'd surprised a vagrant, that it was a tragedy but a mundane one. Three years of knowing they were wrong and having nothing to prove it. She looked at the compass one more time. The needle hadn't moved. It pointed into the tunnel with mechanical insistence, and she felt the pull of it in her sternum, a gravity she recognized from every case that had ever mattered — the particular weight of a thread begging to be followed. Quinn clicked off her torch. Pocketed the evidence bag. And walked back toward the body to start again from the beginning, because that was what you did when nothing added up: you went back to where the numbers broke, and you counted again, slower this time, until the pattern revealed itself. Behind her, deep in the tunnel, something that was not a train moved through the dark.
created_at"2026-02-24T22:37:20.522Z" 2/24/2026, 10:37:20 PM
model"anthropic/claude-4.6-opus-20260205"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1676
moderation_latency147
generation_time74049
tokens_prompt1149
tokens_completion2912
native_tokens_prompt1163
native_tokens_completion2757
native_tokens_completion_images(null)
native_tokens_reasoning289
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.07474
router(null)
provider_responses
0
endpoint_id"a8708fb9-08ea-43bb-a3b1-165c87ef09df"
id"43d52a38-a20a-4b38-bb65-7a2505461f67"
is_byokfalse
latency1676
model_permaslug"anthropic/claude-4.6-opus-20260205"
provider_name"Amazon Bedrock"
status200
api_type"completions"
id"gen-1771972640-LKyfHOjMllKE4CCNqd7C"
upstream_id"43d52a38-a20a-4b38-bb65-7a2505461f67"
total_cost0.07474
cache_discount(null)
upstream_inference_cost0
provider_name"Amazon Bedrock"

Evaluation details

Result Evaluator Details Meta Data
88.89% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags16
adverbTagCount2
adverbTags
0"Pryce shrugged like [like]"
1"He flipped back [back]"
dialogueSentences36
tagDensity0.444
leniency0.889
rawRatio0.125
effectiveRatio0.111
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1719
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
56.37% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1719
totalAiIsms15
found
0
word"silk"
count1
1
word"perfect"
count1
2
word"etched"
count1
3
word"scanning"
count1
4
word"echoing"
count2
5
word"could feel"
count1
6
word"rhythmic"
count1
7
word"pulse"
count1
8
word"mechanical"
count2
9
word"trembled"
count1
10
word"magnetic"
count1
11
word"footsteps"
count1
12
word"weight"
count1
highlights
0"silk"
1"perfect"
2"etched"
3"scanning"
4"echoing"
5"could feel"
6"rhythmic"
7"pulse"
8"mechanical"
9"trembled"
10"magnetic"
11"footsteps"
12"weight"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences132
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount1
narrationSentences132
filterMatches
0"watch"
1"wonder"
hedgeMatches
0"managed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences151
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen48
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1736
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions6
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions30
wordCount1388
uniqueNames10
maxNameDensity0.72
worstName"Quinn"
maxWindowNameDensity1.5
worstWindowName"Quinn"
discoveredNames
Underground1
Harlow1
Quinn10
Pryce8
Young1
Italian1
Morris2
Rotherhithe1
Sixty-three1
Three4
persons
0"Harlow"
1"Quinn"
2"Pryce"
3"Morris"
places
0"Rotherhithe"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences87
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.576
wordCount1736
matches
0"not north but toward the tunnel's deeper reaches"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount3
totalSentences151
matches
0"seen that face"
1"carrying that sweetness"
2"go, that he'd"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs46
mean37.74
std28.22
cv0.748
sampleLengths
043
179
267
315
419
582
628
79
872
959
1037
114
125
1367
1413
1555
1634
173
1888
1916
2086
2144
2216
233
2411
256
26103
2712
2841
2910
3031
3191
3254
3331
342
3511
3613
3754
386
3932
4064
4146
4255
4352
4451
4516
94.63% Passive voice overuse
Target: ≤2% passive sentences
passiveCount4
totalSentences132
matches
0"been chipped"
1"been worn"
2"being strangled"
3"were curled"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs223
matches
0"was looking"
1"was beginning"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount16
semicolonCount0
flaggedSentences14
totalSentences151
ratio0.093
matches
0"The abandoned station yawned around her — vaulted ceilings blackened with a century of soot, tiled walls where the station name had long since been chipped away, and rails thick with dust that hadn't seen a train in decades."
1"Male, mid-fifties, dressed in what had once been expensive clothes — a grey herringbone coat, silk-lined, with hand-stitched buttonholes."
2"No signs of struggle — no skin fragments under the man's fingernails, no defensive abrasions on his hands."
3"Rigor had locked them in place, but she could see the edge of it — brass, green with verdigris, small enough to sit in a palm."
4"No wallet in his pockets — she'd checked."
5"\"Ferragamo. Even in that condition, they'd fetch two hundred at a consignment shop. And look at his watch pocket.\" The tiny pocket on the waistcoat still held a chain — actual gold, from the colour of it — that terminated in an empty clip."
6"Decades of abandonment, and yet — she crossed to the wall nearest the body."
7"But she could feel something — a faint vibration, deep and rhythmic, like a pulse in the brickwork."
8"At the thirty-first pace — dead center — she found scuff marks on the concrete."
9"Wax and something herbal — sage, maybe, or something that wanted to smell like sage but carried a bitterness beneath it."
10"He'd been watching whatever had happened here, compass in hand, and someone had killed him for it — or during it, or because of it."
11"But the glass face was new — replacement, recent."
12"Inside, the compass needle held its bearing — aimed into the dark throat of the tunnel, steady and absolute, pointing at something she couldn't see but was beginning, with a sickening certainty, to believe was there."
13"It pointed into the tunnel with mechanical insistence, and she felt the pull of it in her sternum, a gravity she recognized from every case that had ever mattered — the particular weight of a thread begging to be followed."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1383
adjectiveStacks0
stackExamples(empty)
adverbCount39
adverbRatio0.028199566160520606
lyAdverbCount6
lyAdverbRatio0.004338394793926247
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences151
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences151
mean11.5
std9.7
cv0.844
sampleLengths
05
117
24
317
433
539
67
721
81
91
1012
118
1224
1312
143
1519
165
1719
1820
199
2014
214
221
2310
247
253
264
2714
289
2913
3048
3111
323
334
3416
3518
368
372
382
396
405
416
4226
434
443
452
4610
4712
482
492
67.33% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats10
diversityRatio0.44370860927152317
totalSentences151
uniqueOpeners67
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences110
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount31
totalSentences110
matches
0"He gestured toward the body"
1"She crouched beside the body."
2"His shoes were Italian leather,"
3"His face held an expression"
4"She'd seen that face on"
5"She glanced up at Pryce"
6"He flipped back a page"
7"He tapped the bruising around"
8"She studied the marks."
9"They encircled the neck in"
10"She lifted his right hand."
11"She angled the hand toward"
12"Her knees popped."
13"She ran her fingers along"
14"She crouched and pressed her"
15"She stood and walked the"
16"She crouched and sniffed."
17"She stood and looked back"
18"He'd been watching whatever had"
19"she said to no one"
ratio0.282
82.73% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount83
totalSentences110
matches
0"The service tunnel smelled wrong."
1"This was something older."
2"Copper and ozone and a"
3"Detective Harlow Quinn ducked beneath"
4"The abandoned station yawned around"
5"Camden's underworld in the most"
6"DC Pryce stood near the"
7"The kind of officer who"
8"He gestured toward the body"
9"Quinn pulled nitrile gloves from"
10"Pryce shrugged like this was"
11"She crouched beside the body."
12"His shoes were Italian leather,"
13"A man clinging to old"
14"His face held an expression"
15"The kind reserved for the"
16"She'd seen that face on"
17"A warehouse in Rotherhithe."
18"The memory threaded through her"
19"She glanced up at Pryce"
ratio0.755
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences110
matches(empty)
ratio0
36.47% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences47
technicalSentenceCount7
matches
0"Not the usual cocktail of mildew and stale urine that haunted every decommissioned stretch of the Underground."
1"The abandoned station yawned around her — vaulted ceilings blackened with a century of soot, tiled walls where the station name had long since been chipped away…"
2"Geometric shapes nested inside one another with a precision that made her eyes slide off them if she looked too long."
3"Wax and something herbal — sage, maybe, or something that wanted to smell like sage but carried a bitterness beneath it."
4"The verdigris on the casing was uneven, thick in crevices, worn off high points, the kind of patina that took years to develop."
5"Three years of dead ends and sealed files and colleagues who told her to let it go, that he'd surprised a vagrant, that it was a tragedy but a mundane one."
6"It pointed into the tunnel with mechanical insistence, and she felt the pull of it in her sternum, a gravity she recognized from every case that had ever matter…"
93.75% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags16
uselessAdditionCount1
matches
0"DC Pryce stood, his notebook open, pen cap between his teeth"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags2
fancyCount0
fancyTags(empty)
dialogueSentences36
tagDensity0.056
leniency0.111
rawRatio0
effectiveRatio0
84.0057%