Run: 2026-02-25-01KJ94SG6GKKT8Y5KH8J0X8MY9

Run Details

Duration:
19.9s
Cost:
$0.002350
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The moment Aurora Carter ducked beneath the low-hanging branch, the scratch of bark a sharp counterpoint to the profound silence, the air grew heavy. It wasn't warmth or cold that descended, but a thick, velvety pressure that settled on her skin, muffling even the sound of her own breathing. Gone was the distant thrum of London traffic, the ambient noise that formed the bedrock of her existence. In its place, a stillness so absolute it felt like a physical weight pressing against her eardrums. Wildflowers, unnervingly vibrant in shades of sapphire and gold, carpeted the clearing ahead, blooming too keenly, too brightly for the perpetual twilight that seemed to cloak this place. She had followed the faint, insistent warmth radiating from the crimson Heartstone nestled against her sternum, its pulse growing steadier the deeper she ventured into what the locals vaguely called Isolde’s Grove. The ancient oak standing stones, moss-laden and skeletal against the pearlescent sky, had marked the entrance, a threshold crossed into a place where time frayed at the edges. Tales spoke of wildflowers blooming year-round here, a pocket between realities, but they neglected to mention the silent watchfulness, the premonition that the very air held its breath, waiting for something unseen. Her boots whispered on a carpet of impossibly deep, springy moss, each step a betraying echo in the unnatural quiet. She paused, tilting her head. A sound. Faint, dry, like brittle leaves skittering across flagstones, but there were no flagstones here, only the yielding earth. It came from her left, the dense knot of ancient trees. Rory’s cool-headed intelligence immediately catalogued it: *pest, wind-stirred debris, an animal*. Yet, the sound lacked the natural cadence of any of those. It was too deliberate, too sharp, a quick, precise shuffle followed by an unnerving stillness. She took another slow step forward, her hand unconsciously going to the crescent scar just above her left wrist, a familiar gesture when her thoughts tried to pull her in too many directions. The Heartstone pulsed again, not with the gentle warmth she’d felt on the journey here, but a faint, almost imperceptible coolness that vibrated up her chest. This was new. Odd for a place that felt so charged with… something. She swept her gaze across the clearing. The trees, gnarled and ancient, twisted towards the sky like petrified fingers, their branches thick with an unsettling stillness, devoid of even the whisper of a breeze. Shadows pooled beneath them, deeper than they had any right to be, darker than any natural shade. They seemed to *move*, coalescing at the periphery of her vision, vast swathes of blackness that receded the instant she tried to fix them with her gaze. A flicker, barely there, a blur of muted grey near the base of an oak. She turned her head sharply, her eyes scanning the rough bark. Nothing. Only the dense, unmoving foliage and the silent, watchful trees. The wildflowers, however, continued their unnerving performance. Petals, a shade of blue too deep, too electric, seemed to unfurl a fraction more as she watched, not in a gentle sway but a quick, jerky motion, like a mechanism being wound. It was subtle, so subtle she could dismiss it as an optical illusion, a trick of the fading light, but her mind, trained to dissect and analyse, found no logical explanation. A distant, melodic sequence of notes, impossibly pure and resonant, feathered the edge of her hearing. It was a sound that defied description, a cascade of tones that felt both ancient and utterly alien. She froze, straining to pinpoint its origin. Was it a bird? A stray aural hallucination brought on by the oppressive silence? The moment she focused, the music fractured, dissolving into a thin, high-pitched whine, like wind whistling through impossibly narrow crevices. It tickled the edge of her hearing, then abruptly stopped, leaving the oppressive hush to reclaim its domain. A shiver traced a path down her spine, tightening the muscles across her shoulders. It wasn’t a chill, not of temperature, but of something far more primitive – the prickling certainty that she was an intruder. The Heartstone against her skin gave another cool tremor, stronger this time, a distinct flutter. It felt… agitated. This place was Fae-touched, a nexus, perhaps, but it wasn’t supposed to be a Hel portal. The crimson gem was sensitive to those gateways, humming with a distinct warmth. This cool pulse was an anomaly, a signpost pointing to an unknown danger. She took a careful breath, the air thick and cloying, tasting faintly of damp earth and something metallic, like old pennies. A twig snapped. Close. Behind her. Rory spun around, her heart giving a sudden, sharp lurch against her ribs. The sentinel oaks stood as they had before, solid, impassive. There was no movement, no rustle. But the sound had been unmistakable. Not the soft crush of moss underfoot, but the sharp, decisive crack of wood. It was the sound of intent. With her gaze still fixed on the trees behind her, she slowly began to circle, her boots sinking slightly into the yielding ground. The wildflowers seemed to lean away from her path, their vibrant colours muted, as if recoiling from her presence. She reached the edge of the clearing where the trees grew densest. Here, the shadows were not just dark, they were tangible, clinging to the trunks like damp cloth. She raised a hand, tracing the rough, scarred bark of an oak that seemed to lean unnaturally, its branches dipping low as if to beckon her into its depths. A faint, almost imperceptible scuff mark marred the moss at its base, newer than the ancient stillness around it, too organised to be natural, too faint to be human. The feeling of being watched intensified, a tangible pressure between her shoulder blades. It wasn’t the casual prickle of being observed by an unseen animal; it was a focused, analytical gaze, cold and ancient. She could feel it dissecting her, measuring her. Her intelligence screamed at her to leave, to turn and flee back through the standing stones, back into the familiar cacophony of the world she knew. But the Heartstone’s cool pulse was growing stronger, more insistent, and a perverse curiosity, an unwelcome echo of her father’s relentless pursuit of legal truth, kept her rooted. The air grew colder, a sharp, biting cold that pierced through her jacket and settled deep in her bones. It was the cold of winter, but the wildflowers bloomed with reckless abandon. Then, she heard it again. Not a rustle this time, but a series of guttural chitters, impossibly low and resonant, followed by a sound that was almost a whisper but laced with a guttural rasp. It seemed to come from everywhere at once, a chorus of unsettling noises that defied any earthly origin. Her eyes darted from tree to tree, searching for the source. Nothing. The shadows remained deep, the wildflowers too bright. But something was wrong with the shadows. One patch, darker and more solid than the rest, detached itself from the trunk of a massive oak. It didn’t flow or slither, but rather seemed to *unfold*, a shape darker than the surrounding gloom, yet without discernible edges. It was a patch of pure negation, a void that seemed to suck the very light from the air around it. It moved. Not with the fluid grace of an animal, but with a series of sharp, jagged tics, like a glitch in reality. The Heartstone against her chest pulsed violently, a sharp, cold throb. The faint inner glow, normally so subtle, flared, casting an eerie, crimson light that momentarily pushed back the encroaching darkness. As the light pulsed, the unfolding shadow froze, then seemed to *retract* slightly, as if recoiling from the sudden illumination. But then, it began to stretch again, longer this time, reaching across the mossy ground towards her. From its centre, a single, impossibly thin tendril of absolute blackness snaked out, questing in her direction. Rory took a stumbling step back, her breath catching in her throat. The Whispering Woods of her childhood nightmares had suddenly taken root in an ancient oak grove, and the whispering had just announced its intent.
created_at"2026-02-25T00:57:09.591Z" 2/25/2026, 12:57:09 AM
model"google/gemini-2.5-flash-lite"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1083
moderation_latency(null)
generation_time19848
tokens_prompt4560
tokens_completion3380
native_tokens_prompt4427
native_tokens_completion4768
native_tokens_completion_images0
native_tokens_reasoning3017
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0023499
router(null)
provider_responses
0
endpoint_id"ce839073-aa24-4f29-8358-15b319bd05ec"
is_byokfalse
latency1083
model_permaslug"google/gemini-2.5-flash-lite"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771981029-BAtdxKYqfPt6c9dNURaw"
upstream_id(null)
total_cost0.0023499
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags0
70.72% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1366
totalAiIsmAdverbs8
found
0
adverb"very"
count2
1
adverb"sharply"
count1
2
adverb"utterly"
count1
3
adverb"slowly"
count1
4
adverb"slightly"
count2
5
adverb"suddenly"
count1
highlights
0"very"
1"sharply"
2"utterly"
3"slowly"
4"slightly"
5"suddenly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1366
totalAiIsms41
found
0
word"profound"
count1
1
word"silence"
count2
2
word"warmth"
count4
3
word"weight"
count1
4
word"pulse"
count3
5
word"echo"
count2
6
word"familiar"
count2
7
word"pulsed"
count3
8
word"vibrated"
count1
9
word"charged"
count1
10
word"whisper"
count2
11
word"flicker"
count1
12
word"scanning"
count1
13
word"electric"
count1
14
word"oppressive"
count2
15
word"fractured"
count1
16
word"traced"
count1
17
word"down her spine"
count1
18
word"chill"
count1
19
word"lurch"
count1
20
word"sentinel"
count1
21
word"tangible"
count2
22
word"tracing"
count1
23
word"depths"
count1
24
word"could feel"
count1
25
word"cacophony"
count1
26
word"gloom"
count1
27
word"throb"
count1
highlights
0"profound"
1"silence"
2"warmth"
3"weight"
4"pulse"
5"echo"
6"familiar"
7"pulsed"
8"vibrated"
9"charged"
10"whisper"
11"flicker"
12"scanning"
13"electric"
14"oppressive"
15"fractured"
16"traced"
17"down her spine"
18"chill"
19"lurch"
20"sentinel"
21"tangible"
22"tracing"
23"depths"
24"could feel"
25"cacophony"
26"gloom"
27"throb"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences89
matches(empty)
0.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount13
narrationSentences89
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tried to"
2"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences89
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen33
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans4
markdownWords8
totalWords1367
ratio0.006
matches
0"pest, wind-stirred debris, an animal"
1"move"
2"unfold"
3"retract"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions2
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions17
wordCount1367
uniqueNames11
maxNameDensity0.37
worstName"Heartstone"
maxWindowNameDensity0.5
worstWindowName"Heartstone"
discoveredNames
Aurora1
Carter1
London1
Heartstone5
Isolde1
Grove1
Fae-touched1
Hel1
Whispering1
Woods1
Rory3
persons
0"Aurora"
1"Carter"
2"Heartstone"
3"Isolde"
4"Rory"
places
0"London"
1"Whispering"
2"Woods"
globalScore1
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences75
glossingSentenceCount6
matches
0"felt like a physical weight pressing ag"
1"twilight that seemed to cloak this place"
2"as if recoiling from her presence"
3"oak that seemed to lean unnaturally, its branches dipping low as if to beckon her into its depths"
4"void that seemed to suck the very light from the air around it"
5"as if recoiling from the sudden illumination"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches6
per1kWords4.389
wordCount1367
matches
0"not with the gentle warmth she’d felt on the journey here, but a faint, almost imperceptible coolness"
1"not in a gentle sway but a quick, jerky motion, like a mechanism being wound"
2"not of temperature, but of something far more primitive"
3"Not the soft crush of moss underfoot, but the sharp, decisive crack of wood"
4"Not a rustle this time, but a series of guttural chitters, impossibly low"
5"Not with the fluid grace of an animal, but with a series of sharp, jagged tics, like a glitch in realit"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences89
matches(empty)
84.85% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs12
mean113.92
std50.92
cv0.447
sampleLengths
0204
1165
2186
3129
481
56
697
787
896
985
10110
11121
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences89
matches
0"being observed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs199
matches(empty)
78.65% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount1
flaggedSentences2
totalSentences89
ratio0.022
matches
0"It wasn’t a chill, not of temperature, but of something far more primitive – the prickling certainty that she was an intruder."
1"It wasn’t the casual prickle of being observed by an unseen animal; it was a focused, analytical gaze, cold and ancient."
82.79% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1373
adjectiveStacks1
stackExamples
0"thin, high-pitched whine,"
adverbCount72
adverbRatio0.05243991260014567
lyAdverbCount28
lyAdverbRatio0.02039329934450109
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences89
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences89
mean15.36
std8.87
cv0.577
sampleLengths
024
125
218
317
428
532
628
732
820
95
102
1118
1211
1311
1411
1515
1633
1726
183
199
201
217
2227
2317
2427
2515
2611
271
2810
297
3033
3131
3216
3318
347
354
3610
3720
3818
3914
4022
4115
422
431
4416
4513
4613
4721
483
491
58.43% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats3
diversityRatio0.3707865168539326
totalSentences89
uniqueOpeners33
83.33% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences80
matches
0"Only the dense, unmoving foliage"
1"Then, she heard it again."
ratio0.025
85.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount27
totalSentences80
matches
0"It wasn't warmth or cold"
1"She had followed the faint,"
2"Her boots whispered on a"
3"She paused, tilting her head."
4"It came from her left,"
5"It was too deliberate, too"
6"She took another slow step"
7"She swept her gaze across"
8"They seemed to *move*, coalescing"
9"She turned her head sharply,"
10"It was subtle, so subtle"
11"It was a sound that"
12"She froze, straining to pinpoint"
13"It tickled the edge of"
14"It wasn’t a chill, not"
15"She took a careful breath,"
16"It was the sound of"
17"She reached the edge of"
18"She raised a hand, tracing"
19"It wasn’t the casual prickle"
ratio0.338
85.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount60
totalSentences80
matches
0"The moment Aurora Carter ducked"
1"It wasn't warmth or cold"
2"Wildflowers, unnervingly vibrant in shades"
3"She had followed the faint,"
4"The ancient oak standing stones,"
5"Tales spoke of wildflowers blooming"
6"Her boots whispered on a"
7"She paused, tilting her head."
8"It came from her left,"
9"Rory’s cool-headed intelligence immediately catalogued"
10"It was too deliberate, too"
11"She took another slow step"
12"The Heartstone pulsed again, not"
13"This was new."
14"She swept her gaze across"
15"The trees, gnarled and ancient,"
16"Shadows pooled beneath them, deeper"
17"They seemed to *move*, coalescing"
18"A flicker, barely there, a"
19"She turned her head sharply,"
ratio0.75
62.50% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences80
matches
0"Yet, the sound lacked the"
ratio0.013
10.99% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences65
technicalSentenceCount12
matches
0"It wasn't warmth or cold that descended, but a thick, velvety pressure that settled on her skin, muffling even the sound of her own breathing."
1"Gone was the distant thrum of London traffic, the ambient noise that formed the bedrock of her existence."
2"Wildflowers, unnervingly vibrant in shades of sapphire and gold, carpeted the clearing ahead, blooming too keenly, too brightly for the perpetual twilight that …"
3"She had followed the faint, insistent warmth radiating from the crimson Heartstone nestled against her sternum, its pulse growing steadier the deeper she ventur…"
4"Tales spoke of wildflowers blooming year-round here, a pocket between realities, but they neglected to mention the silent watchfulness, the premonition that the…"
5"The Heartstone pulsed again, not with the gentle warmth she’d felt on the journey here, but a faint, almost imperceptible coolness that vibrated up her chest."
6"They seemed to *move*, coalescing at the periphery of her vision, vast swathes of blackness that receded the instant she tried to fix them with her gaze."
7"The wildflowers seemed to lean away from her path, their vibrant colours muted, as if recoiling from her presence."
8"She raised a hand, tracing the rough, scarred bark of an oak that seemed to lean unnaturally, its branches dipping low as if to beckon her into its depths."
9"Not a rustle this time, but a series of guttural chitters, impossibly low and resonant, followed by a sound that was almost a whisper but laced with a guttural …"
10"It seemed to come from everywhere at once, a chorus of unsettling noises that defied any earthly origin."
11"As the light pulsed, the unfolding shadow froze, then seemed to *retract* slightly, as if recoiling from the sudden illumination."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags0
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
76.7418%