Run: 2026-02-25-01KJ94ZTXPE4N6136HPVC3HN32

Run Details

Duration:
29.8s
Cost:
$0.015388
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The sound of claws on the other side scratched against the insistent knocking. "Rory? It's open, you know." The voice wasn't Eva's, not even close. Rory froze, hand on the three deadbolts, her heart hammering against her ribs like a trapped bird. She knew that silken drawl, the slight, almost imperceptible lilt that hinted at distant shores and dangerous secrets. It had ghosted through her nightmares for months. "Rory, my patience wears thin," the voice continued, edged with an unexpected sharpness. She cursed under her breath. Nobody knew she was staying at Eva's. Nobody human, anyway. A cold dread snaked around her stomach as she slowly, deliberately, turned the lowest deadbolt. The click echoed too loudly in the small, silent flat. Then the next. And the next. Each one a tiny surrender. The heavy oak door swung inwards with a protesting squeal. Lucien Moreau stood on the draughty landing, a dark, tailored silhouette against the gloom of the stairwell. His platinum blond hair was slicked back, catching the faint glow of the single bare bulb overhead. One of his heterochromatic eyes, the amber one, glinted mischievously. The other, black as coal, held a depth she couldn't fathom, a warning. His charcoal suit, as always, looked as if he’d been sewn into it, perfectly uncrumpled despite the journey. He leaned lightly on his ivory-handled cane, a casual pose that belied the controlled tension in his frame. "A pleasant evening, *chérie*." A ghost of a smile touched his lips, a predatory curve. Her stomach churned. "You're not welcome here." "Such hospitality." He straightened, moving with an effortless grace that seemed too fluid for a man. "A simple 'hello' would suffice." His gaze flickered past her into the cluttered hallway. "Eva isn't home, I presume." "What do you want, Lucien?" She gripped the doorframe, knuckles white. The old familiar thrum of unease and something else, something dangerous and electric, pulsed between them. "Must I always 'want' something to grace your presence?" He took a step forward, and Rory instinctively stepped back, creating a sliver of space. He filled it immediately, his scent – expensive cologne and something subtly metallic, like ozone before a storm – engulfing her. "Considering our last interaction, yes." She closed the door behind him, the triple lock mechanisms booming into place again. The flat instantly felt smaller, hotter, infused with his potent energy. He glanced around the cramped one-bedroom flat, his black eye taking in the stacks of books threatening to topple from every surface, the arcane scrolls spilling from cracked leather binders, the research notes pinned haphazardly to the walls. Ptolemy, Eva's chunky tabby cat, regarded him from atop a precarious stack of tomes, tail twitching, a low growl rumbling in his chest. "Eva's unique decorative flair endures," he observed, the corner of his mouth twitching. "A testament to her intellectual pursuits, or perhaps merely a disinclination for tidiness." His gaze settled back on Rory, sharp and assessing. "You look... well. Considering." "Considering what?" she challenged, crossing her arms. "Considering our abrupt parting." He paced slowly, his cane tapping a soft rhythm on the worn floorboards. *Tick-tock, tick-tock*. "Such a hurried farewell. I confess, I was quite put out." "You were put out?" Her voice rose, indignation bubbling over. "You tried to—" She cut herself off, remembering the unspoken rules, the secrets of their world. Not here. Not now. "I merely offered a proposition," he purred, stopping directly in front of a hand-drawn diagram illustrating various demonic sigils. "One you, quite foolishly, declined." One long, elegant finger traced the crude lines of a summoning circle. "Amateurish. Eva truly needs to refine her technique." "Leave Eva's work alone." Her voice was low now, a warning growl. "And answer the question, Lucien. Why are you here? If this is about that 'proposition' again, you can turn right around." He sighed, a theatrical puff of air that ruffled a stray strand of her black hair. "Always so direct, *mon chou*." He turned, his eyes locking onto hers, intensity burning there. "Very well. I require your particular talents." "My talents?" She scoffed. "Last time you saw my 'talents', you were trying to offer me a job I very much didn't want." "Indeed. A position that would have greatly benefited us both." He moved closer, invading her personal space. She stood her ground this time, though every fibre of her being screamed for her to retreat. "But today, the stakes are... different. Higher." He reached out, his gloved hand hovering inches from her face, then dropped to pick up a discarded delivery receipt from the floor. "*Golden Empress*. Still running errands for Cheung, I see." The casual observation stung, a reminder of her mundane existence after the whirlwind he'd introduced her to. "It pays the bills." "Bills. Such a human concern." He let the receipt flutter back down. "My concern is rather more pressing. A certain item has gone missing." "Not my problem." "But it is." His voice dropped, losing its playful edge, becoming gravelly, dangerous. "This item... it poses a significant threat to certain factions. Factions who, should it fall into the wrong hands, would not hesitate to exact their pound of flesh from anyone even remotely connected to its disappearance. Including, I fear, your dear friend Eva. And by extension, you." Rory’s breath hitched. Eva. No. "What are you talking about?" He walked to the small kitchenette area, surveying the overflowing sink. "A rather powerful artefact. A relic, you might say, from the old world. It amplifies magical energy. In the wrong hands, it could tear a hole between realms." He turned back to her, all charm evaporated, replaced by cold, hard purpose. "Or unleash something far worse upon this dreary London of yours." "And what makes you think I have anything to do with it?" Her voice was steady, despite the tremor starting in her hands. "You have a distinctive way of finding things others cannot." He raised an eyebrow. "A knack for seeing patterns in chaos. For thinking... outside the usual parameters. I value that." He took another slow step toward her. "Also, the last known location of this artefact was... surprisingly close to your current, temporary residence." A chill slithered down her spine. "Eva?" "Perhaps." He leaned against the kitchenette counter, crossing his arms. The movement pulled the fabric of his suit tight across his broad shoulders. "Or perhaps a third party. But the whispers on the wind suggest a connection to Eva's recent, shall we say, *enthusiasm* for forgotten rituals." "She'd never steal anything like that." "Steal? Ah, *chérie*, you wound me. I never implied theft. Merely... misplacement. A misunderstanding. The artefact was under the... supervision... of someone rather particular. Someone who now believes Eva may have liberated it. And he is most displeased." Rory pictured Eva, head buried in ancient texts, ignoring the world. It was entirely possible she'd stumbled upon something and, in her academic fervour, ‘liberated’ it without understanding the ramifications. God, what had she done? "Who is 'he'?" Lucien's amber eye flashed. "A name best not spoken too loudly in certain circles. Suffice to say, his displeasure manifests... destructively. And swiftly." "And you just happened to know I was here?" she asked, her suspicion returning. "A few well-placed enquiries," he shrugged, dismissing it. "Information is my currency, remember? And you, Aurora Carter, are a valuable asset in this particular transaction." "I'm not an asset." The word felt like a brand. "Of course not." He pushed off the counter, closing the distance between them again. This time, when he stopped, he was so close she could feel the heat radiating from him. His black eye was hypnotic, drawing her in, stripping away her resolve. "You're a force. A storm. Untamed." His voice was a low murmur, a caress. "Which is precisely why I need you." The air crackled between them, thick with unspoken history, with the ghost of touches and whispered promises that had led to their bitter separation. Rory remembered the intoxicating danger of working with him, the thrill of stepping into his shadowy world, and the abrupt, painful crash when it all fell apart. "There are others," she said, her voice a little breathy. "Fixers like you. More compliant." "None with your particular brand of brilliance. Or your... fire." His gaze dropped to her mouth, lingered, then returned to her eyes, leaving her breathless. "This isn't negotiable, Rory. If I don't retrieve this artefact, London becomes a very unpleasant place for many. Including Eva. And, should you continue to impede me, perhaps even you." His hand, cool despite its proximity, reached out and gently brushed against her crescent-shaped scar on her left wrist. "You wouldn't want to risk more scars, would you?" The implied threat sent a shiver down her spine, but it also ignited a spark of defiance. "You're bluffing." "Am I?" He smiled, a genuine, unsettling flash of white teeth. "Try me." Still watching her, he reached into the inner pocket of his charcoal jacket and pulled out a small, ornate silver locket. It wasn't modern, its surface intricate with filigree and what looked like tiny, ancient runes. "This was found in Eva's flat, just hours ago. A gift, perhaps? From the man whose artefact has gone missing." He popped it open. Inside, a swirling, inky blackness pulsed, a tiny, contained void. A wave of cold, desolate energy washed over them, making the air in the flat suddenly heavy, oppressive. Ptolemy hissed, flattening himself against his book tower, fur bristling. Rory stared at the locket, at the palpable darkness within. This wasn't some trinket. This was *active*. And it was definitely not Eva's. Her throat tightened. "He's been here," she whispered, her voice barely audible over the sudden, frantic pounding of her own heartbeat. "He's already been in Eva's place." "Indeed. And he left a calling card." Lucien closed the locket with a soft click, and the oppressive cold receded, leaving only the memory of its chill. "He knows what he's looking for. And he believes Eva has it." He took another step back, creating space, but the intensity in his eyes remained. "Now, are you with me, *Malphora*? Or will you allow your clever friend, and perhaps your entire city, to face his wrath alone?" The silence stretched, broken only by Ptolemy's nervous chirps. The choice was a bitter pill. Work with the man who had burned her, or watch her friend and her fragile new life crumble. There was no real choice at all. "Fine," she grit out, the word tasting like ash. "What do we do?" His smile returned, sharper now, triumphant. "First, we must determine precisely what Eva has been dabbling in." He gestured towards the overflowing shelves. "And I suspect the answers lie somewhere within this... veritable bibliothèque of questionable academic integrity." He took one step towards the nearest stack of books before a sudden, ear-splitting crash from directly below them rattled the floorboards under their feet. The old building groaned, and a fine dust of plaster sprinkled down from the ceiling like corrupted snow. Rory's eyes snapped to his. "What was that?" Lucien's expression darkened. "It appears our friend is rather impatient." He reached for the ivory handle of his cane.
created_at"2026-02-25T01:00:37.184Z" 2/25/2026, 1:00:37 AM
model"google/gemini-2.5-flash"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1337
moderation_latency(null)
generation_time29765
tokens_prompt4556
tokens_completion4533
native_tokens_prompt4440
native_tokens_completion6061
native_tokens_completion_images0
native_tokens_reasoning3455
native_tokens_cached4062
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.01538776
router(null)
provider_responses
0
endpoint_id"16c01e26-9b91-4d22-b487-ed35634b017d"
is_byokfalse
latency1337
model_permaslug"google/gemini-2.5-flash"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771981237-YOfAajgx6uPmcyqZhWhO"
upstream_id(null)
total_cost0.01538776
cache_discount0.00109674
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags44
adverbTagCount4
adverbTags
0"His gaze settled back [back]"
1"He paced slowly [slowly]"
2"He turned back [back]"
3"The word felt like [like]"
dialogueSentences77
tagDensity0.571
leniency1
rawRatio0.091
effectiveRatio0.091
65.15% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1865
totalAiIsmAdverbs13
found
0
adverb"slowly"
count2
1
adverb"deliberately"
count1
2
adverb"perfectly"
count1
3
adverb"lightly"
count1
4
adverb"truly"
count1
5
adverb"very"
count3
6
adverb"precisely"
count2
7
adverb"gently"
count1
8
adverb"suddenly"
count1
highlights
0"slowly"
1"deliberately"
2"perfectly"
3"lightly"
4"truly"
5"very"
6"precisely"
7"gently"
8"suddenly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
6.17% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1865
totalAiIsms35
found
0
word"lilt"
count1
1
word"stomach"
count2
2
word"echoed"
count1
3
word"gloom"
count1
4
word"tension"
count1
5
word"churned"
count1
6
word"effortless"
count1
7
word"flickered"
count1
8
word"familiar"
count1
9
word"electric"
count1
10
word"pulsed"
count2
11
word"testament"
count1
12
word"unspoken"
count2
13
word"traced"
count1
14
word"intensity"
count2
15
word"reminder"
count1
16
word"charm"
count1
17
word"eyebrow"
count1
18
word"parameters"
count1
19
word"chill"
count2
20
word"down her spine"
count2
21
word"could feel"
count1
22
word"resolve"
count1
23
word"intricate"
count1
24
word"oppressive"
count2
25
word"palpable"
count1
26
word"pounding"
count1
27
word"silence"
count1
highlights
0"lilt"
1"stomach"
2"echoed"
3"gloom"
4"tension"
5"churned"
6"effortless"
7"flickered"
8"familiar"
9"electric"
10"pulsed"
11"testament"
12"unspoken"
13"traced"
14"intensity"
15"reminder"
16"charm"
17"eyebrow"
18"parameters"
19"chill"
20"down her spine"
21"could feel"
22"resolve"
23"intricate"
24"oppressive"
25"palpable"
26"pounding"
27"silence"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow1
found
0
label"stomach dropped/sank"
count1
1
label"sent a shiver through"
count1
highlights
0"stomach churned"
1"sent a shiver down"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences109
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences109
filterMatches(empty)
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences141
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen50
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans8
markdownWords11
totalWords1867
ratio0.006
matches
0"chérie"
1"Tick-tock, tick-tock"
2"mon chou"
3"Golden Empress"
4"enthusiasm"
5"chérie"
6"active"
7"Malphora"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions16
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions25
wordCount1175
uniqueNames7
maxNameDensity0.68
worstName"Rory"
maxWindowNameDensity1.5
worstWindowName"Rory"
discoveredNames
Eva6
Moreau1
Rory8
One2
God1
Lucien4
Ptolemy3
persons
0"Eva"
1"Moreau"
2"Rory"
3"One"
4"Lucien"
5"Ptolemy"
places(empty)
globalScore1
windowScore1
90.48% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences84
glossingSentenceCount2
matches
0"felt like a brand"
1"looked like tiny, ancient runes"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1867
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences141
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs56
mean33.34
std24.37
cv0.731
sampleLengths
013
15
250
313
451
510
693
715
87
935
1027
1145
1230
1361
1439
157
1630
1730
1844
1933
2038
2123
2273
2321
2424
253
2660
2710
2863
2923
3053
317
3247
336
3438
3535
363
3723
3814
3925
4010
4164
4251
4315
4483
4519
46101
4710
4826
4924
95.61% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences109
matches
0"was slicked"
1"been sewn"
2"being screamed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs198
matches
0"was staying"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount2
semicolonCount0
flaggedSentences1
totalSentences141
ratio0.007
matches
0"He filled it immediately, his scent – expensive cologne and something subtly metallic, like ozone before a storm – engulfing her."
88.73% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount905
adjectiveStacks0
stackExamples(empty)
adverbCount47
adverbRatio0.051933701657458566
lyAdverbCount19
lyAdverbRatio0.020994475138121547
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences141
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences141
mean13.24
std9.18
cv0.693
sampleLengths
013
15
27
317
418
58
613
75
87
93
1015
1110
123
133
145
1510
1617
1717
1810
1913
2018
2118
2215
233
244
2516
2614
275
2811
2916
3024
3121
3219
3311
3438
3523
3613
3722
384
397
4017
412
4211
4310
4416
452
462
4719
4817
498
60.05% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats7
diversityRatio0.3900709219858156
totalSentences141
uniqueOpeners55
64.72% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences103
matches
0"Then the next."
1"Still watching her, he reached"
ratio0.019
6.41% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount55
totalSentences103
matches
0"She knew that silken drawl,"
1"It had ghosted through her"
2"She cursed under her breath."
3"His platinum blond hair was"
4"His charcoal suit, as always,"
5"He leaned lightly on his"
6"Her stomach churned."
7"He straightened, moving with an"
8"His gaze flickered past her"
9"She gripped the doorframe, knuckles"
10"He took a step forward,"
11"He filled it immediately, his"
12"She closed the door behind"
13"He glanced around the cramped"
14"he observed, the corner of"
15"His gaze settled back on"
16"she challenged, crossing her arms"
17"He paced slowly, his cane"
18"Her voice rose, indignation bubbling"
19"She cut herself off, remembering"
ratio0.534
3.69% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount94
totalSentences103
matches
0"The sound of claws on"
1"The voice wasn't Eva's, not"
2"Rory froze, hand on the"
3"She knew that silken drawl,"
4"It had ghosted through her"
5"the voice continued, edged with"
6"She cursed under her breath."
7"Nobody knew she was staying"
8"Nobody human, anyway."
9"A cold dread snaked around"
10"The click echoed too loudly"
11"Each one a tiny surrender."
12"The heavy oak door swung"
13"Lucien Moreau stood on the"
14"His platinum blond hair was"
15"The other, black as coal,"
16"His charcoal suit, as always,"
17"He leaned lightly on his"
18"A ghost of a smile"
19"Her stomach churned."
ratio0.913
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences103
matches(empty)
ratio0
61.22% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences35
technicalSentenceCount4
matches
0"She knew that silken drawl, the slight, almost imperceptible lilt that hinted at distant shores and dangerous secrets."
1"He leaned lightly on his ivory-handled cane, a casual pose that belied the controlled tension in his frame."
2"He sighed, a theatrical puff of air that ruffled a stray strand of her black hair."
3"The air crackled between them, thick with unspoken history, with the ghost of touches and whispered promises that had led to their bitter separation."
68.18% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags44
uselessAdditionCount5
matches
0"he observed, the corner of his mouth twitching"
1"He paced slowly, his cane tapping a soft rhythm on the worn floorboards"
2"He turned, his eyes locking onto hers, intensity burning there"
3"she asked, her suspicion returning"
4"she said, her voice a little breathy"
98.05% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount4
fancyTags
0"the voice continued (continue)"
1"he observed (observe)"
2"she challenged (challenge)"
3"she whispered (whisper)"
dialogueSentences77
tagDensity0.078
leniency0.156
rawRatio0.667
effectiveRatio0.104
80.2818%