Run: 2026-02-25-01KJ958JK59P4N7A296HSJFDBG

Run Details

Duration:
23.1s
Cost:
$0.003010
Provider:
Google AI Studio

Model input

System
You are an expert and award-winning novel writer in the dark Romance genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4415" name="Lucien Moreau" aliases="Lucien, Luc, the Frenchman" pronouns="he/him" species="Half-Demon" storyRole="Ally"> <eyeColor>heterochromatic — one amber, one black</eyeColor> <hair>slicked-back platinum blond</hair> <height>5'11"</height> <age>32</age> <cane>ivory-handled cane that conceals a thin blade</cane> <dress>tailored charcoal suits</dress> <description>An impeccably dressed fixer and information broker in London's supernatural underworld. He speaks four languages fluently.</description> <backstory>Born in Marseille to a human mother and a demon father from the realm of Avaros.</backstory> </character> <location id="858" name="Eva's Flat" aliases="Eva's place, the flat on Brick Lane" realm="Earth"> <cat>tabby cat named Ptolemy</cat> <security>three deadbolts on the front door</security> <description>A cramped one-bedroom flat above a curry house on Brick Lane, East London. Every surface is covered with books, scrolls, and research notes.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the romance genre. Two people who parted on complicated terms are forced together again when one shows up unannounced at the other's flat. There's history between them — attraction, hurt, and things left unsaid. Write the scene from the moment the door opens. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The screech of the lock yielded, and the door swung inward. Aurora Carter stood framed in the narrow opening, her expression pinching at the sudden intrusion. The dim light from the hallway spilled over the chipped paint of her doorframe, illuminating the stark disbelief hardening her bright blue eyes. Then her gaze cleared, sharpening into something far more dangerous. Lucien Moreau stood on her doorstep, a silhouette against the muted glow of the London night. He was, as ever, impeccably dressed in a charcoal suit that seemed to drink the scant light. His platinum blond hair was slicked back, glinting under the solitary bulb. And his eyes, one amber, one black, held hers with an unnerving stillness. He didn't look like he belonged in this cramped hallway above Silas's pub. He looked like he belonged on a different plane of existence entirely. *** "Lucien." The name was a tight exhale, barely a whisper, yet it carried the weight of a thousand unspoken arguments. He offered a semblance of a smile, a fleeting, predatory curve of his lips that didn't reach his eyes. "Aurora. Or should I say Malphora? The delivery girl business suits you, though hardly the grand title your lineage commands." Her hand clenched on the doorframe, knuckles whitening. "What are you doing here?" It was a demand, stripped of any politeness. The familiar scent of stale ale and fryer grease wafted up from the bar below, a stark contrast to the subtle, sophisticated fragrance that clung to him – something like dark leather and expensive absinthe. "It's been three years." "Has it?" He tilted his head, the ivory handle of his cane tapping a soft, impatient rhythm against the grimy linoleum. "Time flies when one is... otherwise occupied." His gaze swept over her, lingering for a fraction of a second too long on the worn fabric of her jumper, the smudge of grease on her cheek. "You look well, Rory. Still running. Still hiding in plain sight." "I'm not hiding," she retorted, her voice low and steady, a carefully constructed dam against the surge of chaotic emotions his appearance provoked. Relief, anger, a treacherous flicker of something far older and more dangerous. "Unlike some, I don't deal in shadows. I deliver parcels." "Ah, yes. Parcels. How quaint." He stepped forward, and whether intentionally or not, his presence seemed to expand, filling the narrow space. His heterochromatic eyes narrowed slightly, assessing her. "But shadows find us all eventually, don't they? Especially when one carries as much baggage as you do." The jab landed, sharp and precise. Her childhood friend Eva always said Rory thought too much, that she over-analysed everything. But Lucien's barbs were never accidental; they were surgical strikes aimed at her most vulnerable points. "What do you want, Moreau?" "To settle a debt," he said, his voice dropping to a low murmur that vibrated with an undercurrent of something akin to threat. He took another step, his polished shoe nearly touching her worn trainers. Her small crescent scar, usually hidden by her sleeve, felt suddenly exposed, thrumming with a phantom ache. "Or perhaps, to collect one." Aurora's breath hitched. His proximity was unnerving. His half-demon heritage was a rumour mostly, whispered among those who dealt with him, but she knew enough of the world he inhabited to recognise the subtle wrongness, the unnatural stillness, the predatory grace. It had once set her teeth on edge, and now, it made her blood sing with a dark, unwelcome thrill. "I don't owe you anything." Her words were a defiance, a lie she needed to believe. "Don't you?" He chuckled, a low, resonant sound. His gloved hand reached out, not quite touching her, but hovering inches from her face. She caught the scent of ozone, faint but distinct, like the air after a lightning strike. "You left. Without a word. You vanished, taking secrets with you that weren't entirely yours to carry." Her jaw tightened. He was referencing Evan, her abusive ex, and the mess she'd fled. But he'd been out of the picture for a long time. Lucien knew about that? He always knew too much. "That has nothing to do with you." "Everything has to do with me, Malphora," he corrected, his tone silken. His eyes gleamed. "You were meant to stay. You were meant to play your part. And then you ran. Like a frightened sparrow from a hawk." "And you're the hawk now?" she scoffed, trying to regain footing, trying to push him out of her space, out of her life. She reached for the door, intending to slam it shut, but he anticipated the move. His hand, cool and immaculately dressed in stretched grey leather, shot out, clamping onto the edge of the door just before it closed. The force of it was surprising, solid and unyielding. His body blocked the gap entirely. She could feel the subtle warmth radiating from him, a stark contrast to the cool night air seeping in. He was taller than she remembered, his presence more commanding. He looked utterly undeterred, settled in as if he intended to spend the night. "Your little act of rebellion cost me," he continued, his voice dangerously smooth. "And now, the powers that be are most displeased. Apparently, my discretion comes at a price, and you, my dear Rory, represent a significant outstanding balance." "I don't know what you're talking about," she lied, her heart hammering a frantic rhythm against her ribs. She hated this feeling, this helplessness. She'd spent years building a life where she wasn't defined by others' debts or manipulations. "Oh, but you do." His thumb traced the grain of the wood on the door. "Remember what I told you about the tapestry? And the threads that bind us all? You pulled one, Aurora. A rather crucial one." He pushed the door open further, stepping inside without invitation. The scent of old books and cheap brewing coffee filled the air, a domestic aroma that seemed to offend his refined senses. He moved with a liquid grace, his tailored suit a stark contrast to the worn furniture and overflowing bookshelves. Rory backed away, her senses on high alert. The small crescent scar on her left wrist pulsed, a reminder of a past she tried to outrun. Lucien paused beside a precarious tower of ancient tomes, his gloved fingers brushing against a leather-bound volume. "You thought you could simply disappear, Aurora. Shed your skin like some common reptile, and leave the consequences behind. But you owe more than just a mundane favour. You owe the balance of existence." She finally found her voice, a raw edge to it. "What the hell are you talking about? Evan?" His laugh was a quiet, chilling sound. "Evan was a storm in a teacup, darling. Your true storm, the one that's been brewing, is far larger than you comprehend. And the time for reckoning has arrived." He turned, his gaze sweeping over her again, more scrutinising this time. "You ran from an abuser, Rory. A common, pitiable human abuser. But you ran from so much more. You ran from *us*. From what you are." "I don't know what you mean," she said, though a cold dread began to coil in her stomach. He’d always had a way of striking at the heart of her unease, of her carefully constructed denial. "Of course you do." He closed the distance between them, his amber eye glinting in the dim light. "That little scar on your wrist. A childhood accident, you tell people. But was it?" He leaned closer, his breath warm against her cheek, carrying the hint of aged spirits. "Or was it a warning? A first inkling of the power you kept suppressed, the power you inherited along with your… certain delicate sensibilities?" Aurora recoiled, bumping against a cluttered desk. Her hand, reaching for purchase, knocked over a pile of papers. They scattered across the floor, obscuring the already precarious footing. Lucien didn't flinch, his eyes unwavering. "You can't outrun your heritage, Malphora. It's woven into your very soul, a part of the grand design." He paused, his gaze flicking towards the window, then back to her. He seemed to be listening to something she couldn't hear, a faint tremor passing through him. A subtle shift, like the air before a storm. "They're coming," he stated, his voice suddenly devoid of its smooth charm, sharp and urgent. "And they won't be as… patient as I am." Aurora stared at him, bewildered, her mind struggling to process his words, his sudden, terrifying presence. "Who is coming?" He ignored her, his attention fixed on some unseen threat. He glanced at the door, then back at her, his expression hardening. "We need to move. Now." He reached out, his cool, gloved fingers brushing her arm, sending a jolt, not of fear, but of something electric straight through her. "Unless you wish to explain to them why a half-demon fixer is lingering in your flat." The implication hung heavy in the air, crackling with unspoken danger. The history between them, the unresolved pain and potent attraction, the secrets they both guarded, all coalesced into this single, terrifying moment. He wasn't just asking for something; he was bringing trouble to her very doorstep. And the trouble was already here. "What do you mean, 'they'?" Rory demanded, though her voice was losing its earlier conviction. The calm facade was beginning to crack under the pressure of his unnerving arrival. "The ones who keep score," Lucien said, his gaze flicking towards the window again. "The ones who don't like loose ends. And you, my dear Aurora, are a very loose, very valuable end." He grabbed her hand, his grip surprisingly strong, the ivory handle of his cane digging into the palm of his other hand. "Come. We have no time for pleasantries. Or for explaining the arcane machinations that led you to this point. Your past, it seems, has finally caught up. And it brought friends." The floorboards above their heads creaked. Not the familiar shifting of a neighbour, but a heavy, deliberate tread. Lucien’s head snapped up, his casual demeanour vanishing entirely. His grip tightened on her arm, his pupils dilating as he scanned the ceiling. "Too late," he hissed, his voice shifting from silken menace to something far more primal. "They found us already." A deafening crack shattered the quiet, and the ceiling above them groaned, plaster raining down into the room. A jagged hole tore open, widening with alarming speed as something heavy, metallic, and unmistakably dangerous plummeted through. Rory screamed, instinctively pulling back, but Lucien held her fast, his amber eye fixed on the descending object. "Get down!" he roared, shoving her roughly behind a sturdy, albeit dust-covered, oak desk. Just as her back hit the worn wood, the object crashed onto the floor where she had been standing moments before, obliterating the carpeted floorboards with a deafening impact. Hot metal fragments sprayed in every direction, and the air filled with the acrid smell of scorched earth and something alien. The sound was deafening, the shockwave rattling the very foundations of the building. Rory’s heart hammered against her ribs, trapped not just by Lucien’s grip, but by the sheer terror of the world collapsing around her. This wasn’t just a visit; this was an invasion.
created_at"2026-02-25T01:05:23.566Z" 2/25/2026, 1:05:23 AM
model"google/gemini-2.5-flash-lite"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1328
moderation_latency(null)
generation_time23106
tokens_prompt4556
tokens_completion4567
native_tokens_prompt4440
native_tokens_completion6414
native_tokens_completion_images0
native_tokens_reasoning3933
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"STOP"
usage0.0030096
router(null)
provider_responses
0
endpoint_id"ce839073-aa24-4f29-8358-15b319bd05ec"
is_byokfalse
latency1328
model_permaslug"google/gemini-2.5-flash-lite"
provider_name"Google AI Studio"
status200
api_type"completions"
id"gen-1771981523-7nPR3ScFWhsjeXyS7pb6"
upstream_id(null)
total_cost0.0030096
cache_discount(null)
upstream_inference_cost0
provider_name"Google AI Studio"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags27
adverbTagCount0
adverbTags(empty)
dialogueSentences47
tagDensity0.574
leniency1
rawRatio0
effectiveRatio0
70.79% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1883
totalAiIsmAdverbs11
found
0
adverb"carefully"
count2
1
adverb"slightly"
count1
2
adverb"suddenly"
count2
3
adverb"utterly"
count1
4
adverb"very"
count5
highlights
0"carefully"
1"slightly"
2"suddenly"
3"utterly"
4"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
4.41% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1883
totalAiIsms36
found
0
word"stark"
count4
1
word"glinting"
count2
2
word"solitary"
count1
3
word"whisper"
count1
4
word"carried the weight"
count1
5
word"unspoken"
count2
6
word"fleeting"
count1
7
word"familiar"
count2
8
word"constructed"
count2
9
word"chaotic"
count1
10
word"treacherous"
count1
11
word"flicker"
count1
12
word"vibrated"
count1
13
word"could feel"
count1
14
word"warmth"
count1
15
word"traced"
count1
16
word"tapestry"
count1
17
word"pulsed"
count1
18
word"reminder"
count1
19
word"chilling"
count1
20
word"stomach"
count1
21
word"unwavering"
count1
22
word"charm"
count1
23
word"electric"
count1
24
word"implication"
count1
25
word"facade"
count1
26
word"scanned"
count1
27
word"shattered"
count1
28
word"sturdy"
count1
highlights
0"stark"
1"glinting"
2"solitary"
3"whisper"
4"carried the weight"
5"unspoken"
6"fleeting"
7"familiar"
8"constructed"
9"chaotic"
10"treacherous"
11"flicker"
12"vibrated"
13"could feel"
14"warmth"
15"traced"
16"tapestry"
17"pulsed"
18"reminder"
19"chilling"
20"stomach"
21"unwavering"
22"charm"
23"electric"
24"implication"
25"facade"
26"scanned"
27"shattered"
28"sturdy"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
1
label"hung in the air"
count1
highlights
0"eyes narrowed"
1"hung heavy in the air"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences102
matches(empty)
44.82% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount7
narrationSentences102
filterMatches(empty)
hedgeMatches
0"seemed to"
1"tended to"
2"tried to"
3"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences123
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen41
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords2
totalWords1884
ratio0.001
matches
0"*"
1"us"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions19
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions25
wordCount1379
uniqueNames10
maxNameDensity0.65
worstName"Lucien"
maxWindowNameDensity1.5
worstWindowName"Lucien"
discoveredNames
Carter1
Moreau1
London1
Silas1
Relief1
Eva1
Rory5
Lucien9
Evan1
Aurora4
persons
0"Carter"
1"Moreau"
2"Silas"
3"Relief"
4"Eva"
5"Rory"
6"Lucien"
7"Evan"
8"Aurora"
places
0"London"
globalScore1
windowScore1
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences95
glossingSentenceCount6
matches
0"suit that seemed to drink the scant light"
1"looked like he belonged on a different pl"
2"something like dark leather and expensive ab"
3"something akin to threat"
4"not quite touching her, but hovering inches from her face"
5"aroma that seemed to offend his refined senses"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches4
per1kWords2.123
wordCount1884
matches
0"not quite touching her, but hovering inches from her face"
1"not of fear, but of something electric straight through her"
2"Not the familiar shifting of a neighbour, but a heavy, deliberate tread"
3"not just by Lucien’s grip, but by the sheer terror of the world collapsing around her"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences123
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs39
mean48.31
std28.08
cv0.581
sampleLengths
011
138
293
31
420
539
660
767
845
947
1041
1157
1261
1316
1456
1542
1638
1770
1849
1939
2039
2138
2277
2351
2418
2574
2636
2772
2828
2961
3024
3119
3266
3353
3429
3586
3641
3719
38163
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences102
matches
0"was slicked"
26.09% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount6
totalVerbs230
matches
0"was referencing"
1"was bringing"
2"wasn't just asking"
3"was losing"
4"was beginning"
5"was deafening"
49.94% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount1
semicolonCount3
flaggedSentences4
totalSentences123
ratio0.033
matches
0"The familiar scent of stale ale and fryer grease wafted up from the bar below, a stark contrast to the subtle, sophisticated fragrance that clung to him – something like dark leather and expensive absinthe."
1"But Lucien's barbs were never accidental; they were surgical strikes aimed at her most vulnerable points."
2"He wasn't just asking for something; he was bringing trouble to her very doorstep."
3"This wasn’t just a visit; this was an invasion."
96.17% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount969
adjectiveStacks0
stackExamples(empty)
adverbCount43
adverbRatio0.04437564499484004
lyAdverbCount16
lyAdverbRatio0.016511867905056758
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences123
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences123
mean15.31
std8.09
cv0.528
sampleLengths
011
115
223
310
416
517
612
713
813
912
1020
1119
1220
138
1413
1535
164
1721
1835
1911
2023
2112
2210
2322
247
2518
266
2714
2816
295
3023
3112
3217
335
343
354
3634
3720
3816
398
4015
4116
4217
433
4412
4511
464
475
487
4912
49.59% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats9
diversityRatio0.34146341463414637
totalSentences123
uniqueOpeners42
32.68% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences102
matches
0"Then her gaze cleared, sharpening"
ratio0.01
0.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount62
totalSentences102
matches
0"He was, as ever, impeccably"
1"His platinum blond hair was"
2"He didn't look like he"
3"He looked like he belonged"
4"He offered a semblance of"
5"Her hand clenched on the"
6"It was a demand, stripped"
7"He tilted his head, the"
8"His gaze swept over her,"
9"she retorted, her voice low"
10"He stepped forward, and whether"
11"His heterochromatic eyes narrowed slightly,"
12"Her childhood friend Eva always"
13"he said, his voice dropping"
14"He took another step, his"
15"Her small crescent scar, usually"
16"His proximity was unnerving."
17"His half-demon heritage was a"
18"It had once set her"
19"Her words were a defiance,"
ratio0.608
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount94
totalSentences102
matches
0"The screech of the lock"
1"Aurora Carter stood framed in"
2"The dim light from the"
3"Lucien Moreau stood on her"
4"He was, as ever, impeccably"
5"His platinum blond hair was"
6"He didn't look like he"
7"He looked like he belonged"
8"The name was a tight"
9"He offered a semblance of"
10"Her hand clenched on the"
11"It was a demand, stripped"
12"The familiar scent of stale"
13"He tilted his head, the"
14"His gaze swept over her,"
15"she retorted, her voice low"
16"Relief, anger, a treacherous flicker"
17"He stepped forward, and whether"
18"His heterochromatic eyes narrowed slightly,"
19"The jab landed, sharp and"
ratio0.922
49.02% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences102
matches
0"Just as her back hit"
ratio0.01
89.95% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences54
technicalSentenceCount4
matches
0"The dim light from the hallway spilled over the chipped paint of her doorframe, illuminating the stark disbelief hardening her bright blue eyes."
1"He offered a semblance of a smile, a fleeting, predatory curve of his lips that didn't reach his eyes."
2"The familiar scent of stale ale and fryer grease wafted up from the bar below, a stark contrast to the subtle, sophisticated fragrance that clung to him – somet…"
3"The scent of old books and cheap brewing coffee filled the air, a domestic aroma that seemed to offend his refined senses."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags27
uselessAdditionCount8
matches
0"he corrected, his tone silken"
1"he continued, his voice dangerously smooth"
2"she lied, her heart hammering a frantic rhythm against her ribs"
3"He turned, his gaze sweeping over her again, more scrutinising this time"
4"He closed, his amber eye glinting in the dim light"
5"He paused, his gaze flicking towards the window, then back to her"
6"Rory demanded, though her voice was losing its earlier conviction"
7"Lucien said, his gaze flicking towards the window again"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount9
fancyTags
0"she retorted (retort)"
1"He chuckled (chuckle)"
2"he corrected (correct)"
3"he continued (continue)"
4"she lied (lie)"
5"he stated (state)"
6"Rory demanded (demand)"
7"he hissed (hiss)"
8"he roared (roar)"
dialogueSentences47
tagDensity0.255
leniency0.511
rawRatio0.75
effectiveRatio0.383
63.7819%